In Mediterranean architecture, the fina is a physical space used in urban design, corresponding to the approximately 1-meter-wide public space alongside buildings. It is used to describe the placement of design items within traditional architectural elements. It also mandates public rules of behaviour for the neighbours concerning the usage and maintenance of finas in their buildings. For instance, a person has the right to use the part of the fina immediately in front of his home for the loading or unloading of his vehicle but he has no right to block it. [1]
Fina is identified as a convention in ancient Levant architecture that denotes a zone along the street wall of a building where balconies, downspouts, and other protruding features were allowed as long as they did not impede the passage of public transport and other users of the street. [2] In Islamic architecture, fina or Al-Fina, which emerged in old Islamic cities that were organized by Islamic law, [3] refers to a patio – an open-sky courtyard of a central building. [4] It serves to illuminate and ventilate rooms and spaces inside buildings. [5] This particular architectural concept is still used in urban spaces in the Middle East such as Egypt as a form of environmental organizer. [5] This in-between space also influences the urban fabric and character of the city. [3]
Fina has two types of uses: temporary and permanent. Trees, flower pots, window gratings and other decorations constitute the temporary uses of fina. [6] Its permanent use are represented by built-in structures such as stairs, benches, and water-related infrastructure, among others. [6] These also include the sabat, which is a structure built between the opposite buildings on both sides of a narrow street. It is constituted by rooms bridging the street. It provides a passageway to respect the right of way, and the supporting pillars of the resulting arch must be within the fina.
Urban design is an approach to the design of buildings and the spaces between them that focuses on specific design processes and outcomes. In addition to designing and shaping the physical features of towns, cities, and regional spaces, urban design considers 'bigger picture' issues of economic, social and environmental value and social design. Scope of a project can range from a local street or public space to an entire city and surrounding areas. Urban designers connect the fields of architecture, landscape architecture and urban planning to better organize physical space and community environments.
The Mosque of al-Hakim, nicknamed al-Anwar, is a historic mosque in Cairo, Egypt. It is named after Al-Hakim bi-Amr Allah (985–1021), the sixth Fatimid caliph and 16th Ismaili Imam. Construction of the mosque was originally started by Caliph al-'Aziz, the son of al-Mu'izz and the father of al Hakim, in 990 AD. It was completed in 1013 by al-Hakim, which is why it is named after him.
New Urbanism is an urban design movement which promotes environmentally friendly habits by creating walkable neighbourhoods containing a wide range of housing and job types. It arose in the United States in the early 1980s, and has gradually influenced many aspects of real estate development, urban planning, and municipal land-use strategies. New Urbanism attempts to address the ills associated with urban sprawl and post-Second World War suburban development.
A public space is a place that is open and accessible to the general public. Roads, public squares, parks, and beaches are typically considered public space. To a limited extent, government buildings which are open to the public, such as public libraries, are public spaces, although they tend to have restricted areas and greater limits upon use. Although not considered public space, privately owned buildings or property visible from sidewalks and public thoroughfares may affect the public visual landscape, for example, by outdoor advertising. Recently, the concept of shared space has been advanced to enhance the experience of pedestrians in public space jointly used by automobiles and other vehicles.
Islamic architecture comprises the architectural styles of buildings associated with Islam. It encompasses both secular and religious styles from the early history of Islam to the present day. The Islamic world encompasses a wide geographic area historically ranging from western Africa and Europe to eastern Asia. Certain commonalities are shared by Islamic architectural styles across all these regions, but over time different regions developed their own styles according to local materials and techniques, local dynasties and patrons, different regional centers of artistic production, and sometimes different religious affiliations.
Vastu shastra is a traditional Indian system of architecture based on ancient texts that describe principles of design, layout, measurements, ground preparation, space arrangement, and spatial geometry. The designs aim to integrate architecture with nature, the relative functions of various parts of the structure, and ancient beliefs utilising geometric patterns (yantra), symmetry, and directional alignments.
A hammam or Turkish bath is a type of steam bath or a place of public bathing associated with the Islamic world. It is a prominent feature in the culture of the Muslim world and was inherited from the model of the Roman thermae. Muslim bathhouses or hammams were historically found across the Middle East, North Africa, al-Andalus, Central Asia, the Indian subcontinent, and in Southeastern Europe under Ottoman rule. A variation on the Muslim bathhouse, the Victorian Turkish bath, became popular as a form of therapy, a method of cleansing, and a place for relaxation during the Victorian era, rapidly spreading through the British Empire, the United States of America, and Western Europe.
A bazaar or souk is a marketplace consisting of multiple small stalls or shops, especially in the Middle East, the Balkans, North Africa and India. However, temporary open markets elsewhere, such as in the West, might also designate themselves as bazaars. The ones in the Middle East were traditionally located in vaulted or covered streets that had doors on each end and served as a city's central marketplace. Street markets are the European and North American equivalents.
Moroccan architecture refers to the architecture characteristic of Morocco throughout its history and up to modern times. The country's diverse geography and long history, marked by successive waves of settlers through both migration and military conquest, are all reflected in its architecture. This architectural heritage ranges from ancient Roman and Berber (Amazigh) sites to 20th-century colonial and modern architecture.
A mashrabiya or mashrabiyya is an architectural element which is characteristic of traditional architecture in the Islamic world and beyond. It is a type of projecting oriel window enclosed with carved wood latticework located on the upper floors of a building, sometimes enhanced with stained glass. It was traditionally used to catch wind and for passive cooling. Jars and basins of water could be placed in it to cause evaporative cooling. It is most commonly used on the street side of the building; however, it may also be used internally on the sahn (courtyard) side. The term mashrabiya is sometimes used of similar lattices elsewhere, for instance in a takhtabush.
A sahn, is a courtyard in Islamic architecture, especially the formal courtyard of a mosque. Most traditional mosques have a large central sahn, which is surrounded by a riwaq or arcade on all sides. In traditional Islamic design, residences and neighborhoods can have private sahn courtyards.
Principles of intelligent urbanism (PIU) is a theory of urban planning composed of a set of ten axioms intended to guide the formulation of city plans and urban designs. They are intended to reconcile and integrate diverse urban planning and management concerns. These axioms include environmental sustainability, heritage conservation, appropriate technology, infrastructure-efficiency, placemaking, social access, transit-oriented development, regional integration, human scale, and institutional integrity. The term was coined by Prof. Christopher Charles Benninger.
Camillo Sitte was an Austrian architect, painter and urban theorist whose work influenced urban planning and land use regulation. Today, Sitte is best remembered for his 1889 book, City Planning According to Artistic Principles, in which he examined and documented the traditional, incremental approach to urbanism in Europe, with a close focus on public spaces in Italy and the Germanic countries.
Nikos Angelos Salingaros is a mathematician and polymath known for his work on urban theory, architectural theory, complexity theory, and design philosophy. He has been a close collaborator of the architect Christopher Alexander, with whom Salingaros shares a harsh critical analysis of conventional modern architecture. Like Alexander, Salingaros has proposed an alternative theoretical approach to architecture and urbanism that is more adaptive to human needs and aspirations, and that combines rigorous scientific analysis with deep intuitive experience.
The Fatimid architecture that developed in the Fatimid Caliphate (909–1167 CE) of North Africa combined elements of eastern and western architecture, drawing on Abbasid architecture, Byzantine, Ancient Egyptian, Coptic architecture and North African traditions; it bridged early Islamic styles and the medieval architecture of the Mamluks of Egypt, introducing many innovations.
New Classical architecture, New Classicism or the New Classical movement is a contemporary movement in architecture that continues the practice of Classical architecture. It is sometimes considered the modern continuation of Neoclassical architecture, even though other styles might be cited as well, such as Gothic, Baroque, Renaissance or even non-Western styles - often referenced and recreated from a postmodern perspective as opposed to being strict revival styles.
Urban planning, also known as town planning, city planning, regional planning, or rural planning, is a technical and political process that is focused on the development and design of land use and the built environment, including air, water, and the infrastructure passing into and out of urban areas, such as transportation, communications, and distribution networks and their accessibility. Traditionally, urban planning followed a top-down approach in master planning the physical layout of human settlements. The primary concern was the public welfare, which included considerations of efficiency, sanitation, protection and use of the environment, as well as effects of the master plans on the social and economic activities. Over time, urban planning has adopted a focus on the social and environmental bottom-lines that focus on planning as a tool to improve the health and well-being of people while maintaining sustainability standards. Sustainable development was added as one of the main goals of all planning endeavors in the late 20th century when the detrimental economic and the environmental impacts of the previous models of planning had become apparent. Similarly, in the early 21st century, Jane Jacob's writings on legal and political perspectives to emphasize the interests of residents, businesses and communities effectively influenced urban planners to take into broader consideration of resident experiences and needs while planning.
Rami Daher is a Jordanian architect, academic, and public intellectual specialized in architectural conservation and urban design. He is currently associate professor at the School of Architecture and Built Environment at the German Jordanian University and general director of TURATH, an architectural and urban design consultancy in Amman, which has executed several major interventions in historic and heritage settings.
The architecture of Sudan mirrors the geographical, ethnic and cultural diversity of the country and its historical periods. The lifestyles and material culture expressed in human settlements, their architecture and economic activities have been shaped by different regional and environmental conditions. In its long documented history, Sudan has been a land of changing and diverse forms of human civilization with important influences from foreign cultures.
Sergi Bastidas is a Spanish designer and auto didactical architect. He is known for the integrative handling of historical buildings and the preservation of their original building substance.