A multifoil arch (or polyfoil arch), also known as a cusped arch, [1] [2] polylobed arch, [3] [4] or scalloped arch, [5] is an arch characterized by multiple circular arcs or leaf shapes (called foils, lobes, or cusps) that are cut into its interior profile or intrados. [2] [1] [6] [7] The term foil comes from the old French word for "leaf." A specific number of foils is indicated by a prefix: trefoil (three), quatrefoil (four), cinquefoil (five), sexfoil (six), octofoil (eight). The term multifoil or scalloped is specifically used for arches with more than five foils. [8] [9] [10] The multifoil arch is characteristic of Islamic art and architecture; particularly in the Moorish architecture of al-Andalus (Iberian Peninsula) and North Africa and in Mughal architecture of the Indian subcontinent. [11] Variants of the multifoil arch, such as the trefoil arch, are also common in other architectural traditions such as Gothic architecture. [2] : 132
The first multifoil arches were developed by the Umayyads and can be found in a small mosque at Qasr al-Hallabat, one of the Umayyad Desert Castles, in present-day Jordan. [12] [13] The architects of this structure experimented with both hollow/concave lobes and protruding/convex lobes in the relieving arches above the doors. [14] : 513–514 Multifoil arches also appear early on as decorative niches in the Qasr al-'Ashiq in Samarra, present-day Iraq, and in the Mosque of Ibn Tulun in Cairo, Egypt, both of which were built under Abbasid (and Tulunid) rule in the 9th century. [1] [15] [16] : 87 These examples have been used to support the hypothesis that multifoil arches originated in the Middle Eastern regions of the Islamic world, although Richard Ettinghausen, Oleg Grabar and Marilyn Jenkins-Madina have called this hypothesis into question. [16] : 87–89 [14] : 513
Other early examples of multifoil arches are found in the Great Mosque of Cordoba in al-Andalus (present-day Spain), in particular the arches of the maqsura area added to the mosque in the 10th century by al-Hakam II. [17] : 232–234 Ettinghausen, Grabar, and Jenkins-Madina argue that the form of these arches probably developed locally in al-Andalus, noting that in Cordoba they occurred as structural elements while in the eastern Islamic world they occurred mostly as decorative elements. [16] : 87–89 Another scholar, Ignacio Arce, notes that Ettinghausen and Grabar did not take into account the earlier occurrences at the Qasr al-Hallabat mosque, where polylobed arches are used as structural elements. [14] : 513–514 Jonathan Bloom also argues that the intersecting cusped arches of the Great Mosque of Cordoba were a local development, likely the result of a deliberate elaboration from the older two-tiered round arches that were part of the mosque since its initial foundation in 785. [18] : 72
The typical multifoil arches that appear in later buildings of Al-Andalus and North Africa also have precedents in Fatimid architecture in Ifriqiya and Egypt, for example at Bab Zuweila (dated to 1091). Georges Marçais argued that both the Great Mosque of Cordoba and Fatimid architecture in Ifriqiya were probably the most relevant precedents which led to the adoption and development of multifoil arches in the western regions of the Islamic world. [17] : 232–234 Multifoil arches appear prominently in the 11th-century Aljaferia palace of the Taifas period in al-Andalus. In the Almoravid and Almohad periods (11th–13th centuries), this type of arch was further refined for decorative functions while horseshoe arches continued to be standard elsewhere. [17] : 232–234 They appear, for example, in the Great Mosque of Tlemcen (in present-day Algeria) and the Mosque of Tinmal (present-day Morocco). [17] : 232 The motif of intersecting multifoil arches also gave rise to the sebka motif which is frequently employed in the art and architecture of the region. [17] : 257–258 In Egypt, the cusped trefoil or trilobed arch became a characteristic decorative feature of portals in late Fatimid architecture and Mamluk architecture (from approximately the 12th to 16th centuries). [19] : 191 [20] : 89
The cusped arch is attested in Hindu temple architecture such as the trilobed or trefoil arches of the Martand Temple (8th century) and the temple of Pandrethan (10th century), both in Kashmir, [22] as well as at the temple of Malot (10th century) in northern Punjab. [23] : 58 The example at the Martand Temple is made with a corbelled stone construction. [24] This use of a trefoil arch, typically inside a triangular pediment on the façade of temples, was a characteristic feature of Hindu architecture in Kashmir and the western Himalayan region during this time. [25] [24] [26] Some of the earliest trefoil-arched entrances in this tradition are attested in temples at Bilot and Mari-Indus, dated by Michael W. Meister to the late 6th or early 7th century and the 8th century, respectively. [23] : 31, 36–37 Over the 9th and 10th centuries this style evolved further and sometimes incorporated five-lobed (or cinquefoil) arches, as exemplified in the Amb temples dated to this period. [23] : 31 The most important contribution of Indo-Islamic architecture to this region was the introduction the "true" arch during the Delhi Sultanate period, [lower-alpha 1] which progressively replaced the trabeate or corbel arch. [22] [29] After this, multifoil arches later became a characteristic feature of Mughal architecture during the 17th century, [30] [31] [32] particularly during the reign of Shah Jahan (r. 1628–1658). [33] [34] It was also characteristic of Rajput architecture, which developed in close relation with Mughal architecture during the Mughal era. [35] [31]
In the architecture of Christian Europe, multifoil arches appear occasionally in Romanesque architecture, with some early examples in France such as the chapel of Saint-Michel-d’Aiguilhe in Le Puy-en-Velay, France (10th–11th century) and the Abbey of Cluny (circa 1100). [1] [46] : 272 In the Christian territories of the Iberian Peninsula (present-day Spain), the earliest examples are from the early 12th century and found in the Collegiate Church of San Isidoro in Léon and the Cathedral of Santiago de Compostela. [46] : 272 These early Iberian examples were highly similar to the multifoil arches of contemporary Islamic/Moorish architecture in al-Andalus and were probably directly appropriated from the latter. [47] : 105–107 [46] : 272 Scholars Francine Giese and Sarah Keller argue that this initial appropriation from Muslim architecture was likely intended to express a sense of triumph and superiority over Islamic al-Andalus at the time, but that over the course of the 12th century the motif became acculturated to Romanesque art and then developed independently from al-Andalus in both Christian Iberia and France. [46] : 272 As a result, multifoil arches became more common and developed multiple variations in the Romanesque architecture of these regions during the later 12th century. [47] : 105–107 [46] : 272 In Toledo, after its conquest by Castile in 1085, the new churches and synagogues which were built in the 12th century and after were designed in a Mudéjar style that frequently incorporated polylobed arches as part of its visual repertoire. [46] : 273 The Cathedral of Toledo, whose construction began in the 13th century, was built primarily in a Gothic style but also incorporates polylobed arches (most notably in the triforium of the ambulatory), suggesting that this motif had by then become thoroughly assimilated to local Christian architecture. [46] Multifoil arches, particularly trefoil arches, became common in Gothic architecture for portals and decoration throughout Europe. [2] Cusped forms (not necessarily as arches) were also common to form the motifs used in Gothic tracery. [1]
A minaret is a type of tower typically built into or adjacent to mosques. Minarets are generally used to project the Muslim call to prayer (adhan) from a muezzin, but they also served as landmarks and symbols of Islam's presence. They can have a variety of forms, from thick, squat towers to soaring, pencil-thin spires.
Islamic architecture comprises the architectural styles of buildings associated with Islam. It encompasses both secular and religious styles from the early history of Islam to the present day. The Islamic world encompasses a wide geographic area historically ranging from western Africa and Europe to eastern Asia. Certain commonalities are shared by Islamic architectural styles across all these regions, but over time different regions developed their own styles according to local materials and techniques, local dynasties and patrons, different regional centers of artistic production, and sometimes different religious affiliations.
The Hammadid dynasty was a branch of the Sanhaja Berber dynasty that ruled an area roughly corresponding to north-eastern modern Algeria between 1008 and 1152. The state reached its peak under Nasir ibn Alnas during which it was briefly the most important state in Northwest Africa. Its realm was conquered by the Almohad Caliphate.
The Mosque–Cathedral of Córdoba, officially known by its ecclesiastical name of Cathedral of Our Lady of the Assumption, is the cathedral of the Roman Catholic Diocese of Córdoba dedicated to the Assumption of Mary and located in the Spanish region of Andalusia. Due to its status as a former mosque, it is also known as the Mezquita and as the Great Mosque of Córdoba.
Mughal architecture is the type of Indo-Islamic architecture developed by the Mughals in the 16th, 17th and 18th centuries throughout the ever-changing extent of their empire in the Indian subcontinent. It developed from the architectural styles of earlier Muslim dynasties in India and from Iranian and Central Asian architectural traditions, particularly Timurid architecture. It also further incorporated and syncretized influences from wider Indian architecture, especially during the reign of Akbar. Mughal buildings have a uniform pattern of structure and character, including large bulbous domes, slender minarets at the corners, massive halls, large vaulted gateways, and delicate ornamentation; examples of the style can be found in modern-day Afghanistan, Bangladesh, India and Pakistan.
Moroccan architecture reflects Morocco's diverse geography and long history, marked by successive waves of settlers through both migration and military conquest. This architectural heritage includes ancient Roman sites, historic Islamic architecture, local vernacular architecture, 20th-century French colonial architecture, and modern architecture.
The Umayyad Mosque, also known as the Great Mosque of Damascus, located in the old city of Damascus, the capital of Syria, is one of the largest and oldest mosques in the world. Its religious importance stems from the eschatological reports concerning the mosque, and historic events associated with it. Christian and Muslim tradition alike consider it the burial place of John the Baptist's head, a tradition originating in the 6th century. Two shrines inside the premises commemorate the Islamic prophet Muhammad's grandson Husayn ibn Ali, whose martyrdom is frequently compared to that of John the Baptist and Jesus.
Qal'at Bani Hammad, also known as Qal'a Bani Hammad or Qal'at of the Beni Hammad, is a fortified palatine city in Algeria. Now in ruins, in the 11th century, it served as the first capital of the Hammadid dynasty. It is in the Hodna Mountains northeast of M'Sila, at an elevation of 1,418 metres (4,652 ft), and receives abundant water from the surrounding mountains. The site is near the town of Maadid, about 225 kilometres (140 mi) southeast of Algiers, in the Maghreb.
Indo-Islamic architecture is the architecture of the Indian subcontinent produced by and for Islamic patrons and purposes. Despite an initial Arab presence in Sindh, the development of Indo-Islamic architecture began in earnest with the establishment of Delhi as the capital of the Ghurid dynasty in 1193. Succeeding the Ghurids was the Delhi Sultanate, a series of Central Asian dynasties that consolidated much of North India, and later the Mughal Empire by the 15th century. Both of these dynasties introduced Islamic architecture and art styles from West Asia into the Indian subcontinent.
Moorish architecture is a style within Islamic architecture which developed in the western Islamic world, including al-Andalus and what is now Morocco, Algeria, and Tunisia. Scholarly references on Islamic architecture often refer to this architectural tradition by a more geographic designation, such as architecture of the Islamic West or architecture of the Western Islamic lands. The use of the term "Moorish" comes from the historical Western European designation of the Muslim inhabitants of these regions as "Moors". Some references on Islamic art and architecture consider this term to be outdated or contested.
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The Great Mosque of Tlemcen is a major historic mosque in Tlemcen, Algeria. It was founded and first built in 1082 but modified and embellished several times afterwards. It is considered one of the most important examples of architecture under the Almoravid dynasty.
The Umayyad desert castles, of which the desert castles of Jordan represent a prominent part, are fortified palaces or castles in what was the then Umayyad province of Bilad al-Sham. Most Umayyad "desert castles" are scattered over the semi-arid regions of north-eastern Jordan, with several more in Syria, Israel and the West Bank (Palestine).
The horseshoe arch, also called the Moorish arch and the keyhole arch, is a type of arch in which the circular curve is continued below the horizontal line of its diameter, so that the opening at the bottom of the arch is narrower than the arch's full span. Evidence for the earliest uses of this form are found in Late Antique and Sasanian architecture, but it became emblematic of Islamic architecture, especially Moorish architecture. It also made later appearances in Moorish Revival and Art Nouveau styles. Horseshoe arches can take rounded, pointed or lobed form.
Hammam al-Sarah is an Umayyad bathhouse (hammam) in Jordan, built in connection with the complex of Qasr al-Hallabat, which stands some 2 kilometres (1.2 mi) to the west. Along with examples in the other desert castles of Jordan, it is one of the oldest surviving remains of a Muslim bathhouse.
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Umayyad architecture developed in the Umayyad Caliphate between 661 and 750, primarily in its heartlands of Syria and Palestine. It drew extensively on the architecture of older Middle Eastern and Mediterranean civilizations including the Sassanian Empire and Byzantine Empire, but introduced innovations in decoration and form. Under Umayyad patronage, Islamic architecture began to mature and acquire traditions of its own, such as the introduction of mihrabs to mosques, a trend towards aniconism in decoration, and a greater sense of scale and monumentality compared to previous Islamic buildings. The most important examples of Umayyad architecture are concentrated in the capital of Damascus and the Greater Syria region, including the Dome of the Rock, the Great Mosque of Damascus, and secular buildings such as the Mshatta Palace and Qusayr 'Amra.
Sebka refers to a type of decorative motif used in western Islamic ("Moorish") architecture and Mudéjar architecture.
Almoravid architecture corresponds to a period from the 11th to 12th centuries when the Almoravids ruled over the western Maghreb and al-Andalus. It was an important phase in the development of a regional Moorish architecture, as the styles and craftsmanship of al-Andalus were further imported and developed in North Africa. The Almoravids founded the city of Marrakesh as their capital and built many mosques in the region, although much of what they built has not preserved. The Almoravids were overthrown by the Almohads in the 12th century, after which Almohad architecture continued to develop some of the same trends in the Maghreb and al-Andalus.
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