Mughal Gardens are a type of garden built by the Mughals. This style was influenced by the Persian gardens particularly the Charbagh structure, [1] which is intended to create a representation of an earthly utopia in which humans co-exist in perfect harmony with all elements of nature. [2]
Significant use of rectilinear layouts are made within the walled enclosures. Some of the typical features include pools, fountains and canals inside the gardens. Afghanistan, Bangladesh and India have a number of gardens which differ from their Central Asian predecessors with respect to "the highly disciplined geometry".
The founder of the Mughal empire, Babur, described his favourite type of garden as a charbagh. The term bāgh , baug, bageecha or bagicha is used for the garden. This word developed a new meaning in South Asia, as the region lacked the fast-flowing streams required for the Central Asian charbagh. The Aram Bagh of Agra is thought to have been the first charbagh in South Asia.
From the beginnings of the Mughal Empire, the construction of gardens was a beloved imperial pastime. [3] Babur, the first Mughal conqueror-king, had gardens built in Lahore and Dholpur. Humayun, his son, does not seem to have had much time for building—he was busy reclaiming and increasing the realm—but he is known to have spent a great deal of time at his father's gardens. [4] Akbar built several gardens first in Delhi, [5] then in Agra, Akbar's new capital. [6] These tended to be riverfront gardens rather than the fortress gardens that his predecessors built. Building riverfront rather than fortress gardens influenced later Mughal garden architecture considerably.
Akbar's son, Jahangir, did not build as much, but he helped to lay out the famous Shalimar garden and was known for his great love for flowers. [7] His trips to Kashmir are believed to have begun a fashion for naturalistic and abundant floral design. [8]
Jahangir's son, Shah Jahan, marks the apex of Mughal garden architecture and floral design. He is famous for the construction of the Taj Mahal, a sprawling funereal paradise in memory of his favorite wife, Mumtaz Mahal. [9] He is also responsible for the Red Fort at Delhi and the Mahtab Bagh, a night garden that was filled with night-blooming jasmine and other pale flowers, located opposite the Taj across the Yamuna river at Agra. [10] The pavilions within are faced with white marble to glow in the moonlight. This and the marble of the Taj Mahal are inlaid with semiprecious stone depicting scrolling naturalistic floral motifs, the most important being the tulip, which Shah Jahan adopted as a personal symbol. [11]
Gol Bagh was the largest recorded garden of the Indian subcontinent, [12] encompassing the town of Lahore with a five-mile belt of greenery; [13] it existed until as late as 1947. [13] The initiator of the Mughal gardens in India was Zaheeruddin Babur who had witnessed the beauty of Timurid gardens in Central Asia during his early days. In India, Babur laid out the gardens more systematically. Fundamentally, the Mughal gardens have had edifices in a symmetrical arrangement within enclosed towns with provisions for water channels, cascades, water tanks and fountains etc. Thus, the Mughals maintained the tradition of building fourfold (chaharbagh)-symmetrical garden. Babur, however, applied the term chaharbagh in its widest sense which includes terraced gardens on mountain slopes and his extravagant rock cut garden, the Bagh-i Nilufar at Dholpur.
After Babur, the tradition of building chaharbagh touched its zenith during the time of Shah Jahan. However, modern scholars are now increasingly questioning the excessive use of the term chaharbagh in the interpretation of Mughal gardens, since it was not always symmetrical. This view finds archaeological support also. The excavated Mughal garden at Wah (12 km west of Taxila), near Hasan Abdal, associated with Mughal emperors Akbar, Jahangir and Shah Jahan reveals that the pattern and overall design has not been symmetrical on the first and second terraces.
As for location, the Mughal emperors were much particular in selecting places of great natural beauty. Often they selected mountain slopes with gushing water to layout gardens, the finest example being Bagh-i Shalimar and Bagh-i Nishat in Kashmir.
Almost all the Mughal gardens contained buildings such as residential palaces, forts, mausoleums, and mosques. The gardens became an essential feature of almost each kind of Mughal monuments and were interrelated to these monuments which can be categorized as: (i) gardens attached with Imperial palaces, forts and gardens which beautified private residential buildings of the nobles (ii) Religious and sacred structures i.e., tombs and mosques erected in the gardens, and (iii) Resort and public building in the pleasure gardens.
Like Persian and Central Asian gardens, water became the central and connecting theme of the Mughal gardens. Water played an effective role in the Mughal gardens right from the time of Babur. He was more interested in 'beauty' than 'ecclesiastical prescription. The beauty of Babur's classic chaharbagh was the central watercourse and its flowing water. Most of these gardens were divided into four quadrants by two axis comprised with water channels and pathways to carry the water under gravitational pressure. At every intersecting point, there used to be a tank. In India, the early gardens were irrigated from the wells or tanks, but under the Mughals the construction of canals or the use of existing canals for the gardens provided more adequate and dependable water supply. Thus, the most important aspect of the waterworks of gardens was the permanent source of water supply. The hydraulic system needs enquiry about the 'outside water source' as well as 'inside distribution of water' in the paradisiacal Mughal gardens. The principal source of water to the Mughal gardens were: (i) lakes or tanks (ii) wells or step-wells (iii) canals, harnessed from the rivers, and (iv) natural springs.
The fountain was the symbol of 'life cycle' which rises and merges and rises again. The Paradise possessed two fountains: 'salsabil' and 'uyun'. 131 Salih Kambuh, a native of Lahore, described very artistically the water system and its symbolic meaning in the garden of Shalamar at Lahore that 'in the center of this earthly paradise a sacred stream flows with its full elegance and chanting, fascinating and exhilarating nature and passes through the gardens irrigating the flower beds. Its water is as beautiful as greenery. The vast stream is just like clouds pouring rains and opens the doors of divine mercy. Its chevron patterns (abshar) are like an institution of worship where the hearts of believers are enlightened. The Mughals developed hydraulic system by using Persian wheel to lift the water and obtained adequate pressure necessary for gardens. The main reason behind the location of gardens on the bank of river was that water was raised to the level of the enclosure wall by Persian Wheel standing on the bank from where it was conducted through aqueduct, to the garden where it ran from the top of the wall in a terra-cotta pipe which also produced adequate pressure needed to work the fountains. [14]
Mughal gardens design derives primarily from the medieval Islamic garden, although there are nomadic influences that come from the Mughals' Turkic-Mongolian ancestry as well as inherent elements from Ancient Persia. Julie Scott Meisami describes the medieval Islamic garden as "a hortus conclusus, walled off and protected from the outside world; within, its design was rigidly formal, and its inner space was filled with those elements that man finds most pleasing in nature. Its essential features included running water (perhaps the most important element) and a pool to reflect the beauties of sky and garden; trees of various sorts, some to provide shade merely, and others to produce fruits; flowers, colorful and sweet-smelling; grass, usually growing wild under the trees; birds to fill the garden with song; the whole is cooled by a pleasant breezes.
The garden might include a raised hillock at the center, reminiscent of the mountain at the center of the universe in cosmological descriptions, and often surmounted by a pavilion or palace." [16] The Turkish-Mongolian elements of the Mughal garden are primarily related to the inclusion of tents, carpets and canopies reflecting nomadic roots. Tents indicated status in these societies, so wealth and power were displayed through the richness of the fabrics as well as by size and number. [17]
Fountainry and running water was a key feature of Mughal garden design. Water-lifting devices like geared Persian wheels (saqiya) were used for irrigation and to feed the water-courses at Humayun's Tomb in Delhi, Akbar's Gardens in Sikandra and Fatehpur Sikhri, the Lotus Garden of Babur at Dholpur and the Shalimar Bagh in Srinagar. Royal canals were built from rivers to channel water to Delhi, Fatehpur Sikhri and Lahore. The fountains and water-chutes of Mughal gardens represented the resurrection and regrowth of life, as well as to represent the cool, mountainous streams of Central Asia and Afghanistan that Babur was famously fond of. Adequate pressure on the fountains was applied through hydraulic pressure created by the movement of Persian wheels or water-chutes (chaadar) through terra-cotta pipes, or natural gravitational flow on terraces. It was recorded that the Shalimar Bagh in Lahore had 450 fountains, and the pressure was so high that water could be thrown 12 feet into the air, falling back down to create a rippling floral effect on the surface of the water. [18]
The Mughals were obsessed with symbol and incorporated it into their gardens in many ways. The standard Quranic references to paradise were in the architecture, layout, and in the choice of plant life; but more secular references, including numerological and zodiacal significances connected to family history or other cultural significance, were often juxtaposed. The numbers eight and nine were considered auspicious by the Mughals and can be found in the number of terraces or in garden architecture such as octagonal pools. [19] Garden flora also had symbolic meanings. The Cypress trees represented eternity and flowering fruit trees represented renewal. [19]
An early textual references about Mughal gardens are found in the memoirs and biographies of the Mughal emperors, including those of Babur, Humayun and Akbar. Later references are found from "the accounts of India" written by various European travellers (Bernier for example). The first serious historical study of Mughal gardens was written by Constance Villiers-Stuart, with the title Gardens of the Great Mughals (1913). [20] She was consulted by Edwin Lutyens and this may have influenced his choice of Mughal style for the Viceroy's Garden in 1912.
Agra is a city on the banks of the Yamuna river in the Indian state of Uttar Pradesh, about 230 kilometres (140 mi) south-east of the national capital Delhi and 330 km west of the state capital Lucknow. With a population of roughly 1.6 million, Agra is the fourth-most populous city in Uttar Pradesh and twenty-third most populous city in India.
The Lahore Fort is a citadel in the city of Lahore in Punjab, Pakistan. The fortress is located at the northern end of Walled city of Lahore and spreads over an area greater than 20 hectares. It contains 21 notable monuments, some of which date to the era of Emperor Akbar. The Lahore Fort is notable for having been almost entirely rebuilt in the 17th century, when the Mughal Empire was at the height of its splendor and opulence.
The Shalamar Gardens are a Mughal garden complex located in Lahore, Punjab, Pakistan. The gardens date from the period when the Mughal Empire was at its artistic and aesthetic zenith, and are now one of Pakistan's most popular tourist destinations.
The Agra Fort is a historical fort in the city of Agra, and also known as Agra's Red Fort. Mughal emperor Humayun was crowned at this fort. It was later renovated by the Mughal emperor Akbar from 1565 and the present-day structure was completed in 1573. It served as the main residence of the rulers of the Mughal dynasty until 1638, when the capital was shifted from Agra to Delhi. It was also known as the "Lal-Qila" or "Qila-i-Akbari". Before being captured by the British, the last Indian rulers to have occupied it were the Marathas. In 1983, the Agra fort was inscribed as a UNESCO World Heritage Site because of its importance during the Mughal Dynasty. It is about 2.5 kilometers (1.6 mi) northwest of its more famous sister monument, the Taj Mahal. The fort can be more accurately described as a walled city. It was later renovated by Shah Jahan.
Humayun's tomb is the tomb of Mughal emperor, Mirza Nasir al-Din Muhammad commonly known as Humayun situated in Delhi, India. The tomb was commissioned by Humayun's first wife and chief consort, Empress Bega Begum under her patronage in 1558, and designed by Mirak Mirza Ghiyas and his son, Sayyid Muhammad, Persian architects chosen by her. It was the first garden-tomb on the Indian subcontinent, and is located in Nizamuddin East, Delhi, close to the Dina-panah Citadel, also known as Purana Qila, that Humayun found in 1538. It was also the first structure to use red sandstone at such a scale. The tomb was declared a UNESCO World Heritage Site in 1993, and since then has undergone extensive restoration work, which is complete. Besides the main tomb enclosure of Humayun, several smaller monuments dot the pathway leading up to it, from the main entrance in the West, including one that even pre-dates the main tomb itself, by twenty years; it is the tomb complex of Isa Khan Niazi, an Afghan noble in Sher Shah Suri's court of the Suri dynasty, who fought against the Mughals, constructed in 1547 CE.
The tradition and style of garden design represented by Persian gardens or Iranian gardens is a style of "landscape" garden which emerged in the Achaemenid Empire. The paradise garden, an example of Persian garden, has influenced the design of gardens from Andalusia to India and beyond. The gardens of the Alhambra show the influence of Persian garden philosophy and style in a Moorish palace scale, from the era of al-Andalus in Spain. Humayun's Tomb and the Taj Mahal have some of the largest Persian gardens in the world, from the era of the Mughal Empire in India.
Mughal architecture is the type of Indo-Islamic architecture developed by the Mughals in the 16th, 17th and 18th centuries throughout the ever-changing extent of their empire in the Indian subcontinent. It developed from the architectural styles of earlier Muslim dynasties in India and from Iranian and Central Asian architectural traditions, particularly Timurid architecture. It also further incorporated and syncretized influences from wider Indian architecture, especially during the reign of Akbar. Mughal buildings have a uniform pattern of structure and character, including large bulbous domes, slender minarets at the corners, massive halls, large vaulted gateways, and delicate ornamentation; examples of the style can be found in modern-day Afghanistan, Bangladesh, India and Pakistan.
Shalimar Bagh is a Mughal garden in Srinagar, Jammu and Kashmir, India, linked through a channel to the northeast of Dal Lake. It is also known as Shalimar Gardens, Farah Baksh, and Faiz Baksh. The other famous shoreline garden in the vicinity is Nishat Bagh, 'The Garden of Delight'. The Bagh was built by Mughal Emperor Jahangir in 1619. The Bagh is considered the high point of Mughal horticulture. It is now a public park and also referred to as the "Crown of Srinagar".
A charbagh or chaharbagh is a Persian and Indo-Persian quadrilateral garden with a layout comprising four gardens traditionally separated by waterways, together representing the four gardens and four rivers of Paradise mentioned in the Quran. The chaharbagh may also be divided by walkways instead of flowing water. Such gardens are found in countries throughout West Asia, South Asia, North Africa and the former al-Andalus. A famous example of charbagh is the charbagh of the Taj Mahal in India.
Indo-Islamic architecture is the architecture of the Indian subcontinent produced by and for Islamic patrons and purposes. Despite an initial Arab presence in Sindh, the development of Indo-Islamic architecture began in earnest with the establishment of Delhi as the capital of the Ghurid dynasty in 1193. Succeeding the Ghurids was the Delhi Sultanate, a series of Central Asian dynasties that consolidated much of North India, and later the Mughal Empire by the 15th century. Both of these dynasties introduced Islamic architecture and art styles from West Asia into the Indian subcontinent.
The Tomb of Jahangir is a 17th-century mausoleum built for the Mughal Emperor Jahangir. The mausoleum dates from 1637, and is located in Shahdara Bagh near city of Lahore, Pakistan, along the banks of the Ravi River. The site is famous for its interiors that are extensively embellished with frescoes and marble, and its exterior that is richly decorated with pietra dura. The tomb, along with the adjacent Akbari Sarai and the Tomb of Asif Khan, are part of an ensemble currently on the tentative list for UNESCO World Heritage status.
The Aram Bagh is the oldest Mughal Garden in India, originally built by the Mughal Emperor Babur in 1528, located about five kilometers northeast of the Taj Mahal in Agra, India. Babur was temporarily buried there before being interred in Kabul.
The Taj Mahal represents the finest and most sophisticated example of Indo-Islamic architecture. Its origins lie in the moving circumstances of its commission and the culture and history of an Islamic Mughal empire's rule of large parts of India. The distraught Mughal Emperor Shah Jahan commissioned the project upon the death of one of his favorite wives Mumtaz Mahal.
Ruqaiya Sultan Begum was the first wife and one of the three chief consorts of the third Mughal emperor, Akbar.
The Tomb of Nur Jahan is a 17th-century mausoleum in Lahore, Pakistan, that was built for the Mughal empress Nur Jahan. The tomb's marble was plundered during the Sikh era in 18th century for use at the Golden Temple in Amritsar. The red sandstone mausoleum, along with the nearby tomb of Jahangir, tomb of Asif Khan, and Akbari Sarai, forms part of an ensemble of Mughal monuments in Lahore's Shahdara Bagh.
Persian Inscriptions on Indian Monuments is a book written in Persian by Dr Ali Asghar Hekmat E Shirazi and published in 1956 and 1958 and 2013. New edition contains the Persian texts of more than 200 epigraphical inscriptions found on historical monuments in India, many of which are currently listed as national heritage sites or registered as UNESCO world heritage, published in Persian; an English edition is also being printed.
Kandahari Begum was the first wife of the Mughal emperor Shah Jahan and the mother of his first child, Princess Parhez Banu Begum.
The Subah of Lahore was a province of the Mughal Empire encompassing the central Punjab region, now divided between Pakistan and India. It was created as one of the original 12 Subahs of the Mughal Empire under the administrative reforms carried by emperor Akbar in 1580. The province ceased to exist after the death of its last viceroy, Adina Beg in 1758, with large parts being incorporated into Durrani Empire.
Shalimar Bagh also known as Shalimar Garden is a Mughal garden located on the banks of Yamuna river in Delhi, India. It was named as Aizzabad Bagh when the garden was laid by Izz-un-Nissa wife of Mughal emperor Shah Jahan in 1653 as a tribute and replica of Shalimar Bagh, Kashmir, laid by erstwhile Mughal emperor Jahangir in 1619, the Shalimar Bagh of Delhi is now abandoned but still houses shade trees, majestic parterre and structure such as Sheesh Mahal and the garden pavilion.