In architecture, a semi-dome (or half-dome) is a half dome that covers a semi-circular area in a building.
In architecture, a semi-dome (or half-dome) is a half dome that covers a semi-circular area in a building.
Semi-domes are a common feature of apses in Ancient Roman and traditional church architecture, and in mosques and iwans in Islamic architecture.
A semi-dome, or the whole apse, may also be called a conch after the scallop shell often carved as decoration of the semi-dome (all shells were conches in Ancient Greek), though this is usually used for subsidiary semi-domes, rather than the one over the main apse. [1] Small semi-domes have been often decorated in a shell shape from ancient times, [2] as in Piero della Francesca's Throned Madonna with saints and Federigo da Montefeltro, [3] and the example in the gallery below. Islamic examples may use muqarnas decorative corbelling, while in Late Antique, Byzantine and medieval church architecture the semi-dome is the classic location for a focal mosaic, or later fresco. [4]
Found in many Ancient Greek exedras, the semi-dome became a common feature of the apse at the end of Ancient Roman secular basilicas, which was adopted in Early Christian architecture as the commonest shape for churches, becoming the focal point for decoration. In buildings like Hagia Sophia in Byzantine architecture, apsidal openings or exhedras from the central nave appear in several directions, not just to the liturgical east. [5] The tetraconch, triconch and cross-in-square are other typically Eastern Christian church plans that produce several semi-domes.
When the Byzantine styles were adapted in Ottoman architecture, which was even less concerned with maintaining a central axis, a multiplicity of domes and semi-domes becomes the dominating feature of both the internal space and the external appearance of the building. The buildings of Mimar Sinan and his pupil Sedefkar Mehmed Agha are the masterpieces of this style. Mihrabs are another common location for semi-domes.
In Western Europe the external appearance of a semi-dome is less often exploited than in Byzantine and Ottoman architecture, and is often disguised as a sloping rather than curved semi-circular roof. [6]
Cincinnati Union Terminal in Cincinnati, Ohio features the largest semi-dome in the Western hemisphere, measuring 180 feet wide and 106 feet high. [7]
Hagia Sophia, officially the Hagia Sophia Grand Mosque, is a mosque and a major cultural and historical site in Istanbul, Turkey. The last of three church buildings to be successively erected on the site by the Eastern Roman Empire, it was completed in 537 AD. The site was an Eastern Orthodox church from 360 AD to 1204, when it was converted to a Catholic church following the Fourth Crusade. It was reclaimed in 1261 and remained Eastern Orthodox until the Ottoman conquest of Constantinople in 1453. It served as a mosque until 1935, when it became a museum. In 2020, the site once again became a mosque.
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.
A dome is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a matter of controversy and there are a wide variety of forms and specialized terms to describe them.
Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaudí's incomplete Sagrada Família and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque.
Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire, usually dated from 330 AD, when Constantine the Great established a new Roman capital in Byzantium, which became Constantinople, until the fall of the Byzantine Empire in 1453. There was initially no hard line between the Byzantine and Roman Empires, and early Byzantine architecture is stylistically and structurally indistinguishable from late Roman architecture. The style continued to be based on arches, vaults and domes, often on a large scale. Wall mosaics with gold backgrounds became standard for the grandest buildings, with frescos a cheaper alternative.
In architecture, an apse is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an exedra. In Byzantine, Romanesque, and Gothic Christian church architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end, regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines.
Hagia Irene or Hagia Eirene, sometimes known also as Saint Irene, is an Eastern Orthodox church located in the outer courtyard of Topkapı Palace in Istanbul. It is the oldest known church in the city and the only Byzantine church in Istanbul that was never converted into a mosque, as it was used as an arsenal for storing weapons until the 19th century. The Hagia Irene today operates as a museum and concert hall.
Sacral architecture is a religious architectural practice concerned with the design and construction of places of worship or sacred or intentional space, such as churches, mosques, stupas, synagogues, and temples. Many cultures devoted considerable resources to their sacred architecture and places of worship. Religious and sacred spaces are amongst the most impressive and permanent monolithic buildings created by humanity. Conversely, sacred architecture as a locale for meta-intimacy may also be non-monolithic, ephemeral and intensely private, personal and non-public.
The Little Hagia Sophia mosque, formerly the Church of Saints Sergius and Bacchus, is a former Greek Orthodox church dedicated to Saints Sergius and Bacchus in Constantinople, built between 532 and 536, and converted into a mosque during the Ottoman Empire.
The Pammakaristos Church, also known as the Church of Theotokos Pammakaristos, is one of the most famous Byzantine churches in Istanbul, Turkey, and was the last pre-Ottoman building to house the Ecumenical Patriarchate. Converted in 1591 into the Fethiye Mosque, it is today partly a museum housed in a side chapel or parekklesion. One of the most important examples of Constantinople's Palaiologan architecture, the church contains the largest quantity of Byzantine mosaics in Istanbul after the Hagia Sophia and Chora Church.
The Hagia Sophia is a church located in Thessaloniki, Greece. With its current structure dating from the 7th century, it is one of the oldest churches in the city still standing today. Because of its outstanding Byzantine art and architecture, in addition to its importance in early Christianity, it is one of several monuments in Thessaloniki listed as a UNESCO World Heritage Site in 1988.
Kalenderhane Mosque is a former Eastern Orthodox church in Istanbul, converted into a mosque by the Ottomans. With high probability the church was originally dedicated to the Theotokos Kyriotissa. The building is sometimes referred to as Kalender Haneh Jamissi and St. Mary Diaconissa. This building represents one among the few extant examples of a Byzantine church with domed Greek cross plan.
Gül Mosque is a former Byzantine church in Istanbul, Turkey, converted into a mosque by the Ottomans.
A cross-in-square or crossed-dome plan was the dominant architectural form of middle- and late-period Byzantine churches. It featured a square centre with an internal structure shaped like a cross, topped by a dome.
Italy has the richest concentration of Late Antique and medieval mosaics in the world. Although the art style is especially associated with Byzantine art and many Italian mosaics were probably made by imported Greek-speaking artists and craftsmen, there are surprisingly few significant mosaics remaining in the core Byzantine territories. This is especially true before the Byzantine Iconoclasm of the 8th century.
Domes were a characteristic element of the architecture of Ancient Rome and of its medieval continuation, the Byzantine Empire. They had widespread influence on contemporary and later styles, from Russian and Ottoman architecture to the Italian Renaissance and modern revivals. The domes were customarily hemispherical, although octagonal and segmented shapes are also known, and they developed in form, use, and structure over the centuries. Early examples rested directly on the rotunda walls of round rooms and featured a central oculus for ventilation and light. Pendentives became common in the Byzantine period, provided support for domes over square spaces.
The early domes of the Middle Ages, particularly in those areas recently under Byzantine control, were an extension of earlier Roman architecture. The domed church architecture of Italy from the sixth to the eighth centuries followed that of the Byzantine provinces and, although this influence diminishes under Charlemagne, it continued on in Venice, Southern Italy, and Sicily. Charlemagne's Palatine Chapel is a notable exception, being influenced by Byzantine models from Ravenna and Constantinople. The Dome of the Rock, an Umayyad Muslim religious shrine built in Jerusalem, was designed similarly to nearby Byzantine martyria and Christian churches. Domes were also built as part of Muslim palaces, throne halls, pavilions, and baths, and blended elements of both Byzantine and Persian architecture, using both pendentives and squinches. The origin of the crossed-arch dome type is debated, but the earliest known example is from the tenth century at the Great Mosque of Córdoba. In Egypt, a "keel" shaped dome profile was characteristic of Fatimid architecture. The use of squinches became widespread in the Islamic world by the tenth and eleventh centuries. Bulbous domes were used to cover large buildings in Syria after the eleventh century, following an architectural revival there, and the present shape of the Dome of the Rock's dome likely dates from this time.
Persian domes or Iranian domes have an ancient origin and a history extending to the modern era. The use of domes in ancient Mesopotamia was carried forward through a succession of empires in the Greater Iran region.
The symbolic meaning of the dome has developed over millennia. Although the precise origins are unknown, a mortuary tradition of domes existed across the ancient world, as well as a symbolic association with the sky. Both of these traditions may have a common root in the use of the domed hut, a shape which was associated with the heavens and translated into tombs.
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