A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.
Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque. These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting, artefacts like Islamic glass or pottery, and textile arts, such as carpets and embroidery.
Tiles are usually thin, square or rectangular coverings manufactured from hard-wearing material such as ceramic, stone, metal, baked clay, or even glass. They are generally fixed in place in an array to cover roofs, floors, walls, edges, or other objects such as tabletops. Alternatively, tile can sometimes refer to similar units made from lightweight materials such as perlite, wood, and mineral wool, typically used for wall and ceiling applications. In another sense, a tile is a construction tile or similar object, such as rectangular counters used in playing games. The word is derived from the French word tuile, which is, in turn, from the Latin word tegula, meaning a roof tile composed of fired clay.
The Rüstem Pasha Mosque is an Ottoman mosque located in the Hasırcılar Çarşısı in the Tahtakale neighborhood of the Fatih district of Istanbul, Turkey, near the Spice Bazaar. Named after Rüstem Pasha, who served as Grand Vizier of the Ottoman Empire under Sultan Suleiman I, it was designed by the Ottoman imperial architect Mimar Sinan and completed in around 1563.
Islamic pottery occupied a geographical position between Chinese ceramics, and the pottery of the Byzantine Empire and Europe. For most of the period, it made great aesthetic achievements and influence as well, influencing Byzantium and Europe. The use of drinking and eating vessels in gold and silver, the ideal in ancient Rome and Persia as well as medieval Christian societies, is prohibited by the Hadiths, with the result that pottery and glass were used for tableware by Muslim elites, as pottery also was in China but was much rarer in Europe and Byzantium. In the same way, Islamic restrictions greatly discouraged figurative wall painting, encouraging the architectural use of schemes of decorative and often geometrically patterned titles, which are the most distinctive and original speciality of Islamic ceramics.
Star Mosque, is a mosque located in Armanitola area, Dhaka, Bangladesh. The mosque has ornate designs and is decorated with motifs of blue stars. It was built in the first half of the 19th century by Mirza Golam Pir.
The Green Mosque, also known as the Mosque of Mehmed I, is a part of a larger complex on the east side of Bursa, Turkey, the former capital of the Ottoman Turks before they captured Constantinople in 1453. The complex consists of a mosque, a mausoleum known as the Green Tomb, a madrasa, a public kitchen, and a bathhouse. The name Green Mosque comes from its green and blue interior tile decorations. It is part of the historic UNESCO World Heritage Site.
Turkish art refers to all works of visual art originating from the geographical area of what is present day Turkey since the arrival of the Turks in the Middle Ages. Turkey also was the home of much significant art produced by earlier cultures, including the Hittites, Ancient Greeks, and Byzantines. Ottoman art is therefore the dominant element of Turkish art before the 20th century, although the Seljuks and other earlier Turks also contributed. The 16th and 17th centuries are generally recognized as the finest period for art in the Ottoman Empire, much of it associated with the huge Imperial court. In particular the long reign of Suleiman the Magnificent from 1520 to 1566 brought a combination, rare in any ruling dynasty, of political and military success with strong encouragement of the arts.
Iznik pottery, or Iznik ware, named after the town of İznik in Anatolia where it was made, is a decorated ceramic that was produced from the last quarter of the 15th century until the end of the 17th century. Turkish stylization is a reflection of Chinese Porcelain.
Zellij is a style of mosaic tilework made from individually hand-chiseled tile pieces. The pieces were typically of different colours and fitted together to form various patterns on the basis of tessellations, most notably elaborate Islamic geometric motifs such as radiating star patterns composed of various polygons. This form of Islamic art is one of the main characteristics of architecture in the western Islamic world. It is found in the architecture of Morocco, the architecture of Algeria, early Islamic sites in Tunisia, and in the historic monuments of al-Andalus. From the 14th century onwards, zellij became a standard decorative element along lower walls, in fountains and pools, on minarets, and for the paving of floors.
The Shah Jahan Mosque, also known as the Jamia Masjid of Thatta, is a 17th-century building that serves as the central mosque for the city of Thatta, in the Pakistani province of Sindh. The mosque is considered to have the most elaborate display of tile work in South Asia, and is also notable for its geometric brick work - a decorative element that is unusual for Mughal-period mosques. It was built during the reign of Mughal emperor Shah Jahan, who bestowed it to the city as a token of gratitude, and is heavily influenced by Central Asian architecture - a reflection of Shah Jahan's campaigns near Samarkand shortly before the mosque was designed.
Girih are decorative Islamic geometric patterns used in architecture and handicraft objects, consisting of angled lines that form an interlaced strapwork pattern.
Islamic geometric patterns are one of the major forms of Islamic ornament, which tends to avoid using figurative images, as it is forbidden to create a representation of an important Islamic figure according to many holy scriptures.
Chinese influences on Islamic pottery cover a period starting from at least the 8th century CE to the 19th century. This influence of Chinese ceramics has to be viewed in the broader context of the considerable importance of Chinese culture on Islamic arts in general.
Jameh Mosque of Ashtarjan is a mosque in Ashtarjan, Iran, located 36 kilometers south-west of Isfahan.
The Sultan al-Ghuri Complex or Funerary complex of Sultan al-Ghuri, also known as al-Ghuriya, is a monumental Islamic religious and funerary complex built by the Mamluk sultan Qansuh al-Ghuri between 1503 and 1505 CE. The complex consists of two major buildings facing each other on al-Mu'izz li-Din Allah street, in the Fahhamin Quarter, in the middle of the historic part of Cairo, Egypt. The eastern side of the complex includes the Sultan's mausoleum, a khanqah, a sabil, and a kuttab, while the western side of the complex is a mosque and madrasa. Today the mosque-madrasa is still open as a mosque while the khanqah-mausoleum is open to visitors as a historic site.
Persian pottery or Iranian pottery is the pottery made by the artists of Persia (Iran) and its history goes back to early Neolithic Age. Agriculture gave rise to the baking of clay, and the making of utensils by the people of Iran. Through the centuries, Persian potters have responded to the demands and changes brought by political turmoil by adopting and refining newly introduced forms and blending them into their own culture. This innovative attitude has survived through time and influenced many other cultures around the world.
The Muradiye Mosque is a 15th-century Ottoman mosque in Edirne, Turkey. The building is noted for the tiles that decorate the mihrab and the walls of the prayer hall.
Sulayman Pasha al-Khadem Mosque, also known as Sariat al-Jabal Mosque, is a historical mosque established in 1528 by Suleiman Pasha Al-Khadem, one of the Ottoman rulers of Egypt. It is located inside the Cairo Citadel at the top of Mount Mokattam, and originally erected for the use of the janissaries stationed in the northern enclosure. It is the first mosque established in Egypt in Ottoman architectural style.
The Shrine of Khwaja Abd Allah, commonly called the Shrine at Gazur Gah and the Abdullah Ansari Shrine Complex, is the funerary compound of the Sufi saint Khwaja Abdullah Ansari. It is located at the village of Gazur Gah, three kilometers northeast of Herat, Afghanistan. The Historic Cities Programme of the Aga Khan Trust for Culture has initiated repairs on the complex since 2005.
