Clothing in India varies with the different ethnicities, geography, climate, and cultural traditions of the people of each region of India. Historically, clothing has evolved from simple garments like kaupina, langota, achkan, lungi, sari, to rituals and dance performances. In urban areas, western clothing is common and uniformly worn by people of all social levels. India also has a great diversity in terms of weaves, fibers, colors, and the material of clothing. Sometimes, color codes are followed in clothing based on the religion and ritual concerned. The clothing in India also encompasses a wide variety of Indian embroidery, prints, handwork, embellishments, and styles of wearing clothes. A wide mix of Indian traditional clothing and western styles can be seen in India.
The juti or jutti is a type of footwear common in North India, Pakistan, and neighboring regions. They are traditionally made up of leather and with extensive embroidery, in real gold and silver thread as inspired by royalty in the subcontinent over 400 years ago. Prior to that, Rajputs of the northwest used to wear leather juttis, also called ethnic shoes. Now with changing times, different juttis with rubber soles are made available.Today Amritsar and Patiala are important trade centers for handcrafted juttis, from where they are exported all over the world to Punjabi diaspora. Closely related to mojaris. Jutis have evolved into several localized design variations, even depending upon the shoemaker. However by large, they have no left or right distinction, and over time take the shape of the foot. They usually have flat sole, and are similar in design for both women and men, except for men they have a sharp extended tip, nokh curved upwards like traditional moustaches, and are also called khussa, and some women’s jutis are backless. Even with changing times jutis have remained part of ceremonial attire, especially at North Indian weddings, the unembellished juttis are used for everyday use for both men and women in most of Punjab, mostly called Jalsa Jutti which is blackish in color.
Byzantine dress changed considerably over the thousand years of the Empire, but was essentially conservative. Popularly, Byzantine dress remained attached to its classical Greek roots with most changes and different styles being evidenced in the upper strata of Byzantine society always with a touch of the Hellenic environment. The Byzantines liked colour and pattern, and made and exported very richly patterned cloth, especially Byzantine silk, woven and embroidered for the upper classes, and resist-dyed and printed for the lower. A different border or trimming round the edges was very common, and many single stripes down the body or around the upper arm are seen, often denoting class or rank. Taste for the middle and upper classes followed the latest fashions at the Imperial Court.
The jūnihitoe, more formally known as the itsutsuginu-karaginu-mo (五衣唐衣裳), is a style of formal court dress first worn in the Heian period by noble women and ladies-in-waiting at the Japanese Imperial Court. The jūnihitoe was composed of a number of kimono-like robes, layered on top of each other, with the outer robes cut both larger and thinner to reveal the layered garments underneath. These robes were referred to as hitoe, with the innermost robe – worn as underwear against the skin – known as the kosode. Hakama were also worn as underwear with the kosode; over time, the two would gradually become outerwear, with the kosode eventually developing into the modern-day kimono.
Serbian traditional clothing, also called as Serbian national costume or Serbian dress, refers to the traditional clothing worn by Serbs living in Serbia, Croatia, Bosnia and Herzegovina, Montenegro, and the extended Serbian diaspora communities in Austria, Australia, Bulgaria, Canada, France, Germany, Greece, Hungary, North Macedonia, Romania, Russia, Slovenia, United States, etc. Like any traditional dress of a nation or culture, it has been lost to the advent of urbanization, industrialization, and the growing market of international clothing trends. The wide range of regional folk costumes show influence from historical Austrian, Hungarian, German, Italian, and Ottoman Turkish presence. Nonetheless, the costumes are still a pinnacle part of Serbian folk culture. From the 19th century and onwards, Serbs have adopted western-styled clothing. This change has started in larger settlements such as cities and towns, although it was not uncommon to see rural women in traditional working costumes all the way until the end of 1970s. Today, these national costumes are only worn by some elderly in rural areas but are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious and national holidays, weddings, tourist attractions, and by dancing groups who dance the traditional Serbian kolo, or circle dance.
The study of the history of clothing and textiles traces the development, use, and availability of clothing and textiles over human history. Clothing and textiles reflect the materials and technologies available in different civilizations at different times. The variety and distribution of clothing and textiles within a society reveal social customs and culture.
The Armenian Taraz, also known as Armenian traditional clothing, reflects a rich cultural tradition. Wool and fur were utilized by the Armenians along with the cotton that was grown in the fertile valleys. During the Urartian period, silk imported from China was used by royalty. Later, the Armenians cultivated silkworms and produced their own silk.
The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures, clothing indicated the social status of various members of society.
Aztec clothing was worn by the Aztec people and varied according to aspects such as social standing and gender. The garments worn by Aztecs were also worn by other pre-Columbian peoples of central Mexico who shared similar cultural characteristics. The strict sumptuary laws in Aztec society dictated the type of fiber, ornamentation, and manner of wear of Aztec clothing. Clothing and cloth were immensely significant in the culture.
Khmer traditional clothing refers to the traditional styles of dress worn by the Khmer people from ancient times to the present.
Sindhi Mojari is a type of handcrafted footwear produced in the Indian subcontinent. They are traditionally made by artisans mostly using tanned leather. The uppers are made of one piece of leather or textile embroidered and embellished with brass nails, cowry shells, mirrors, bells and ceramic beads. The bonding from the upper to the sole is done by cotton thread that is eco-friendly and enmeshes the leather fibers to strengthen the bonds. Some product range also uses bright and ornate threads.
Palestinian traditional clothing are the types of clothing historically and sometimes still presently worn by Palestinians. Foreign travelers to Palestine in the 19th and early 20th centuries often commented on the rich variety of the costumes worn, particularly by the fellaheen or village women. Many of the handcrafted garments were richly embroidered and the creation and maintenance of these items played a significant role in the lives of the region's women.
Pakistani clothing refers to the ethnic clothing that is typically worn by people in the country of Pakistan and by Pakistanis. Pakistani clothes express the culture of Pakistan, the demographics of Pakistan, and cultures from Punjab, Sindh, Balochistan, Khyber Pakhtunkhwa, Gilgit-Baltistan, and Kashmir regions of the country. The clothing in each region and culture of Pakistan reflect weather conditions, way of living, the textiles and embroidery used and its distinctive style which gives it a unique identity among all cultures.
Kazakh clothing, worn by the Kazakh people, is often made of materials suited to the region's extreme climate and the people's nomadic lifestyle. It is commonly decorated with elaborate ornaments made from bird beaks, animal horns, hooves and feet. Although contemporary Kazakhs usually wear Western dress, the Turkic people wear more traditional clothing for holidays and special occasions.
In the ancient Punjab region, people wore cotton clothing. Both men and women wore knee-length tops. A scarf was worn over the tops which would be draped over the left shoulder and under the right. A large sheet would be further draped over one shoulder which would hang loose towards the knees. Both male and female wore a dhoti around the waist. Modern Punjabi dress has retained this outfit but over its long history has added other forms of dress.
Sindhi clothing are a part of the Sindhi culture. Sindhi women and men wear the Shalwar Qameez or the Kurta with Pyjama. Women also wear Sari or ghagra. However, before the adoption of the Shalwar kameez, kurta, the Sari as well as other articles of clothing, Sindhis had their own traditional costumes.
History of clothing in the Indian subcontinent can be traced to the Indus Valley civilization or earlier. Indians have mainly worn clothing made up of locally grown cotton. India was one of the first places where cotton was cultivated and used even as early as 2500 BCE during the Harappan era. The remnants of the ancient Indian clothing can be found in the figurines discovered from the sites near the Indus Valley civilisation, the rock-cut sculptures, the cave paintings, and human art forms found in temples and monuments. These scriptures view the figures of human wearing clothes which can be wrapped around the body. Taking the instances of the sari to that of turban and the dhoti, the traditional Indian wears were mostly tied around the body in various ways.
Mughal karkhanas were the manufacturing houses and workshops for craftsmen, established by the Mughals in their empire. Karkhana is a Hindustani language word that means factory. These karkhanas were small manufacturing units for various arts and crafts as well as for the emperor's household and military needs. karkhanas were named and classified based on the nature of the job. For example, 'Rangkhana' and 'Chhapakhana' were for textile dyeing and printing work. The term 'tushak-khana' was used to describe workshops that made shawls and embellished them with embroidery or needlework. Imperial or Royal Karkhanas were for luxury goods and weapons. The karkhanas were the place for various production activities and also for the exploration of new techniques and innovations. Some operations such as weaving, embroidery work, and brocade work were often done under one roof, resembling an integrated assembly line.
Katzeb was an article of dress encircling the body, at the waist with ends hanging in the front. It was a kind of sash also called Patka.
Nadiri was a type of a overcoat that was specifically reserved for the Mughal emperor Jahangir and his esteemed courtiers. The vest was an invention of his own, which he had named 'Nadiri'. Nadiri was known as kurdi among the people in Persia. The term 'nadiri' was meant to refer to rarity.
Portrait of Murad Bakhsh (1624–1661), Mughal India, attributed to Balchand
Court of Akbar
Court guards of Shah Jahan
