Bibi Ka Maqbara | |
---|---|
Taj Mahal of Deccan | |
Location | Aurangabad, Maharashtra, India |
Coordinates | 19°54′05″N75°19′13″E / 19.90151°N 75.320195°E |
Founder | Azam Shah (Son of Aurangzeb) |
Built | 1668 |
Built for | Dilras Banu Begum |
Architect | Ata-ullah, Hanspat Rai |
Architectural style(s) | Mughal architecture |
The Bibi Ka Maqbara (English: "Tomb of the Lady" [1] [2] ) is a tomb located in the city of Aurangabad in the Indian state of Maharashtra. It was commissioned in 1660 by the Mughal emperor Aurangzeb's son, Prince Azam Shah, in the memory of his mother Dilras Banu Begum (posthumously known as Rabia-ul-Durrani). [3] [4] [5] It bears a striking resemblance to the Taj Mahal, the mausoleum of Aurangzeb's mother, Mumtaz Mahal, which is why it is also called the Taj of the Deccan. [6] Bibi Ka Maqbara is the second largest structure built by Aurangzeb, the largest being the Badshahi Mosque. [7]
The comparison to the Taj Mahal has often obscured its very own considerable charm. [8] Bibi Ka Maqbara is the "principal monument" of Aurangabad and its historic city. [9] [10] An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. [11] Ata-ullah was the son of Ustad Ahmad Lahauri, the principal designer of the Taj Mahal. [12] Aurangzeb's son, Muhammad Azam Shah was in later years put in charge of overseeing the repair-work of the mausoleum by Shah Jahan.
Dilras Banu Begum was born a princess of the prominent Safavid dynasty of Iran (Persia) [13] and was the daughter of Mirza Badi-uz-Zaman Safavi (titled Shahnawaz Khan), [14] who was the viceroy of Gujarat. [15] She married Prince Muhi-ud-din (later known as Aurangzeb upon his accession) on 8 May 1637 in Agra. [16] Dilras was his first wife and chief consort, as well as his favourite. [17] [18] [19] [20] They had five children — Zeb-un-Nissa, Zinat-un-Nissa, Zubdat-un-Nissa, Muhammad Azam Shah and Sultan Muhammad Akbar.
After giving birth to her fifth child, Muhammad Akbar, Dilras Banu Begum possibly suffered from puerperal fever, due to complications caused by the delivery and died a month after the birth of her son on 8 October 1657. Upon her death, Aurangzeb's pain was extreme and their eldest son, Azam Shah, was so grieved that he had a nervous breakdown. [21] It became Dilras' eldest daughter, Princess Zeb-un-Nissa's responsibility to take charge of her newborn brother. [14] Zeb-un-Nissa doted on her brother a lot, and at the same time, Aurangzeb greatly indulged his motherless son and the prince soon became his best-loved son. [22]
In 1660, Aurangzeb commissioned a mausoleum at Aurangabad to act as Dilras' final resting place, known as Bibi Ka Maqbara ("Tomb of the Lady"). Here, Dilras was buried under the posthumous title of 'Rabia-ud-Daurani' ("Rabia of the Age"). In the following years, her tomb was repaired by her son Azam Shah under Aurangzeb's orders. Bibi Ka Maqbara was the largest structure that Aurangzeb had to his credit and bears a striking resemblance to the Taj Mahal, the mausoleum of Dilras' mother-in-law, Empress Mumtaz Mahal, who herself died in childbirth. Aurangzeb, himself, is buried a few kilometers away from her mausoleum in Khuldabad.
Bibi Ka Maqbara is believed to have been built between 1668 and 1669 C.E. According to the "Tarikh Namah" of Ghulam Mustafa, the cost of construction of the mausoleum was Rs. 668,203-7 (rupees six lakh, sixty-eight thousand, two hundred three and seven annas) – Aurangzeb allocated only Rs. 700,000 for its construction. [23] An inscription found on the main entrance door mentions that this mausoleum was designed and erected by Ata-ullah, an architect and Hanspat Rai, an engineer respectively. The marble for this mausoleum was brought from mines near Jaipur. According to Tavernier, around three hundred carts laden with marble, drawn by at least 12 oxen, were seen by him during his journey from Surat to Golconda. The mausoleum was intended to rival the Taj Mahal, but the decline in architecture and proportions of the structure (both due to the severe budgetary constraints imposed by Aurangzeb) had resulted in a different and particular monument with its own significant beauty. [11]
The mausoleum is laid out in a charbagh formal garden. It stands at the center of a huge enclosure measuring approximately 458 m. N-S X 275 m. E-W. Baradaris or pillared pavilions are located at the center of the north, east, and western parts of the enclosure wall. The high enclosure wall is crenelated with pointed arched recesses and bastions at regular intervals. The recesses are divided by pilasters, crowned with small minarets. The mausoleum is built on a high square platform with four minarets at its corners, which is approached by a flight of steps from the three sides. A mosque is found to the west of the main structure, a later addition by the Nizam of Hyderabad, resulting in the closure of the west entrance.
Entry to the mausoleum is through a main entrance gate on its south, which has foliage designs on brass plate on wood covering from the exterior. After passing through the entrance a small tank is provided and a low-profile screen wall leads to the main structure. The screened pathway has a series of fountains at its center.
The mausoleum is encased with marble up to the dado level. Above the dado level, it is constructed of basaltic trap up to the base of the dome; the latter is again built of marble. A fine plaster covers the basaltic trap and given a fine polished finish and adorned with fine stucco decorations. The mortal remains of Rabia Daurani are placed below the ground level surrounded by an octagonal jali pierced marble screen with exquisite designs, which can be approached by a descending flight of steps. The roof of this chamber that corresponds to the ground level of the mausoleum is pierced by an octagonal opening and given a low barricaded marble screen. This makes the tomb viewable from the ground level through this octagonal opening. The mausoleum is crowned by a dome pierced with trellis works and accompanying panels decorated with flower designs. [11] The structure is in the form of a hexagon, its angles ornamented with minarets. [24]
Mirza Abu'l Fayaz Qutb-ud-Din Mohammad Azam, commonly known as Azam Shah, was briefly the seventh Mughal emperor from 14 March to 20 June 1707. He was the third son of the sixth Mughal emperor Aurangzeb and his chief consort Dilras Banu Begum.
Mughal architecture is the type of Indo-Islamic architecture developed by the Mughals in the 16th, 17th and 18th centuries throughout the ever-changing extent of their empire in the Indian subcontinent. It developed from the architectural styles of earlier Muslim dynasties in India and from Iranian and Central Asian architectural traditions, particularly Timurid architecture. It also further incorporated and syncretized influences from wider Indian architecture, especially during the reign of Akbar. Mughal buildings have a uniform pattern of structure and character, including large bulbous domes, slender minarets at the corners, massive halls, large vaulted gateways, and delicate ornamentation; examples of the style can be found in modern-day Afghanistan, Bangladesh, India and Pakistan.
Tomb of I'timād-ud-Daulah is a Mughal mausoleum in the city of Agra in the Indian state of Uttar Pradesh. Often described as a "jewel box", sometimes called the "Bachcha Taj" or the "Baby Taj", the tomb of I'timād-ud-Daulah is often regarded as a draft of the Taj Mahal.
Aurangabad district, officially known as Chhatrapati Sambhaji Nagar district, is one of the 36 districts of the state of Maharashtra in western India. It borders the districts of Nashik to the west, Jalgaon to the north, Jalna to the east, and Ahmednagar to the south. The city of Aurangabad houses the district's administrative headquarters. The district has an area of 10,100 km2, of which 37.55% is urban and the rest is rural. Aurangabad District is a major tourism region in Marathwada, with attractions including the Ajanta Caves and Ellora Caves.
Indo-Islamic architecture is the architecture of the Indian subcontinent produced by and for Islamic patrons and purposes. Despite an initial Arab presence in Sindh, the development of Indo-Islamic architecture began in earnest with the establishment of Delhi as the capital of the Ghurid dynasty in 1193. Succeeding the Ghurids was the Delhi Sultanate, a series of Central Asian dynasties that consolidated much of North, East, and Central India, and later by the Mughal Empire during the early 16th century. Both of these dynasties introduced Islamic architecture and art styles from West Asia into the Indian subcontinent.
Zeb-un-Nissa was a Mughal princess and the eldest child of Emperor Aurangzeb and his chief consort, Dilras Banu Begum. She was also a poet, who wrote under the pseudonym of "Makhfi".
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Mirza Muhammad Akbar was a Mughal prince and the fourth son of Emperor Aurangzeb and his chief consort Dilras Banu Begum. He went into exile in Safavid Persia after a failed rebellion against his father in the Deccan.
Dilras Banu Begum was the first wife and chief consort of Emperor Aurangzeb, the sixth Mughal emperor. She is also known by her posthumous title, Rabia-ud-Durrani. The Bibi Ka Maqbara in Aurangabad, which bears a striking resemblance to the Taj Mahal, was commissioned by her husband to act as her final resting place.
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Zinat-un-Nissa Begum was a Mughal princess and the second daughter of Emperor Aurangzeb and his chief consort, Dilras Banu Begum. Her father had conferred upon her the honorable title of Padshah Begum.
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Events in the year 1707 in India.
The Tomb of Nur Jahan is a 17th-century mausoleum in Lahore, Pakistan, that was built for the Mughal empress Nur Jahan. The tomb's marble was plundered during the Sikh era in 18th century for use at the Golden Temple in Amritsar. The red sandstone mausoleum, along with the nearby tomb of Jahangir, tomb of Asif Khan, and Akbari Sarai, forms part of an ensemble of Mughal monuments in Lahore's Shahdara Bagh.
Persian Inscriptions on Indian Monuments is a book written in Persian by Dr Ali Asghar Hekmat E Shirazi and published in 1956 and 1958 and 2013. New edition contains the Persian texts of more than 200 epigraphical inscriptions found on historical monuments in India, many of which are currently listed as national heritage sites or registered as UNESCO world heritage, published in Persian; an English edition is also being printed.
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Ataullah Rushdi bin Ahmad Ma'mar was a 17th-century architect and a mathematics writer from the Mughal Empire of present-day India. He designed the Bibi Ka Maqbara at Aurangabad and some buildings at Shahjahanabad. As a mathematics writer, he translated the Arabic-language Khulasat al-Hisab and the Sanskrit-language Bijaganita into Persian.
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