The Aurangabad caves, are twelve rock-cut Buddhist shrines located on a hill running roughly east to west, close to the city of Aurangabad, Maharashtra. The first reference to the Aurangabad Caves is in the great chaitya of Kanheri Caves. The Aurangabad Caves were dug out of comparatively soft basalt rock during the 6th and 7th century.
The caves are divided into three separate groups depending on their location: [1] these are usually called the "Western Group", with Caves I to V (1 to 5), the "Eastern Group", with Caves VI to IX (6 to 9), and a "Northern Cluster", with the unfinished Caves X to XII (9 to 12). [2]
The carvings at the Aurangabad Caves are notable for including Hinayana style stupa, Mahayana art work and Vajrayana goddess. These caves are among those in India that show 1st millennium CE Buddhist artwork with goddesses such as Durga, and gods such as Ganesha, although Buddhist caves in other parts of India with these arts are older. [3] Numerous Buddhist deities of the Tantra tradition are also carved in these caves. [3] [4]
The cave temples of Aurangabad carved between the 6th and the 8th century are nine kilometers from Aurangabad city center, a few kilometers from the campus of Dr Babasaheb Ambedkar Marathwada University, Soneri Mahal and the Bibi-ka-Maqbara. [5]
Carved in the Sihaychal ranges, the Aurangabad caves somewhat have been overshadowed by the UNESCO World Heritage monuments of Ellora and Ajanta cave temples. Though its sculptures are comparable to Ajanta and Ellora, the caves are much smaller, more decrepit and less visited. Though in the 20th century, a few scholars started looking at these cave temples as a missing link between Ajanta and Ellora and also after an exhaustive study, were compelled to describe it as a " Sensitive remaking of life situated in time and space span". [1] It is a protected monument under the Archaeological Survey of India. [6]
"Caves I and III of Aurangabad and last caves of Ajanta co-existed as is apparent from striking parallels which we come across while examining both the sites. Again at Aurangabad after a careful study of both caves I and III, the conclusion the Historians have come to is that cave III was earlier to cave I. In Cave III the artist seems to have decorated with surprisingly neat and organized designs of fretwork, scrolls, panel of couples, tassels, flowers, geometrical designs, and highest point of perfection and consummation." [7]
The Ajanta Caves are 30 rock-cut Buddhist cave monuments dating from the second century BCE to about 480 CE in Aurangabad district of Maharashtra state in India. Ajanta Caves are a UNESCO World Heritage Site. Universally regarded as masterpieces of Buddhist religious art, the caves include paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art, particularly expressive paintings that present emotions through gesture, pose and form.
The Ellora Caves are a UNESCO World Heritage Site in Aurangabad district, Maharashtra, India. It is one of the largest rock-cut Hindu temple cave complexes in the world, with artwork dating from the period 600–1000 AD, also including several Buddhist and Jain caves. The complex is a leading example of Indian rock-cut architecture, and several are not strictly "caves" in that they have no roof. Cave 16 features the largest single monolithic rock excavation in the world, the Kailash temple, a chariot-shaped monument dedicated to the god Shiva. The Kailash temple excavation also features sculptures depicting various Hindu deities as well as relief panels summarizing the two major Hindu epics.
Vihāra generally refers to a Buddhist temple or Buddhist monastery for Buddhist renunciates, mostly in the Indian subcontinent. The concept is ancient and in early Pali texts, it meant any arrangement of space or facilities for dwellings. The term evolved into an architectural concept wherein it refers to living quarters for monks with an open shared space or courtyard, particularly in Buddhism. The term is also found in Jain monastic literature, usually referring to temporary refuge for wandering monks or nuns during the annual Indian monsoons. In modern Jainism, the monks continue to wander from town to town except during the rainy season (chaturmasya), and the term "vihara" refers to their wanderings.
A chaitya, chaitya hall, chaitya-griha, refers to a shrine, sanctuary, temple or prayer hall in Indian religions. The term is most common in Buddhism, where it refers to a space with a stupa and a rounded apse at the end opposite the entrance, and a high roof with a rounded profile. Strictly speaking, the chaitya is the stupa itself, and the Indian buildings are chaitya halls, but this distinction is often not observed. Outside India, the term is used by Buddhists for local styles of small stupa-like monuments in Nepal, Cambodia, Indonesia and elsewhere. In Thailand a stupa itself, not a stupa hall, is called a chedi, a local Thai word derived from the Pali Cetiya. In the historical texts of Jainism and Hinduism, including those relating to architecture, chaitya refers to a temple, sanctuary or any sacred monument.
Rock-cut architecture is the creation of structures, buildings, and sculptures by excavating solid rock where it naturally occurs. Intensely laborious when using ancient tools and methods, rock-cut architecture was presumably combined with quarrying the rock for use elsewhere. In India and China, the terms cave and cavern are often applied to this form of man-made architecture, but caves and caverns that began in natural form are not considered to be rock-cut architecture even if extensively modified. Although rock-cut structures differ from traditionally built structures in many ways, many rock-cut structures are made to replicate the facade or interior of traditional architectural forms. Interiors were usually carved out by starting at the roof of the planned space and then working downward. This technique prevents stones falling on workers below. The three main uses of rock-cut architecture were temples, tombs, and dwellings.
Aurangabad district, officially known as Chhatrapati Sambhaji Nagar district, is one of the 36 districts of the state of Maharashtra in western India. It borders the districts of Nashik to the west, Jalgaon to the north, Jalna to the east, and Ahmednagar to the south. The city of Aurangabad houses the district's administrative headquarters. The district has an area of 10,100 km2, of which 37.55% is urban and the rest is rural. Aurangabad District is a major tourism region in Marathwada, with attractions including the Ajanta Caves and Ellora Caves.
Indian rock-cut architecture is more various and found in greater abundance in that country than any other form of rock-cut architecture around the world. Rock-cut architecture is the practice of creating a structure by carving it out of solid natural rock. Rock that is not part of the structure is removed until the only rock left makes up the architectural elements of the excavated interior. Indian rock-cut architecture is mostly religious in nature.
Maharashtra attracts tourists from other Indian states and foreign countries. It was the second most visited Indian state by foreigners and fifth most visited state by domestic tourists in the country in 2021. Aurangabad is the tourism capital of Maharashtra.
Bhadkal Gate is a structure in Aurangabad City in Maharashtra, India. This gate is the biggest in the city. It was built by Ahamadnagar's Murtaza Nizamshah's vizier Malik Ambar to commemorate the victory against the Mughals in 1612. It is also known as Victory Gate.
Dulari Qureshi is an Indian academic, art historian and author. She has written more than 1,000 articles on art, culture and tourism development and its impacts on monuments. She is a retired professor and Director in the Department of Tourism Administration, Dr. Babasaheb Ambedkar Marathwada University, Aurangabad. She is also the Cultural chairperson of the Ellora-Ajanta Aurangabad Festival. One of her significant contributions is the discovery of inscriptions at Pitalkhora near Aurangabad. Qureshi is the President of Indian Tourist Congress. She is from Aurangabad, Maharashtra.
Maharashtra state in India is known for its Famous caves and cliffs. It is said that the varieties found in Maharashtra are wider than the caves and rock-cut architecture found in the rock cut areas of Egypt, Assyria, Persia and Greece. The Buddhist monks first started these caves in the 2nd century BC, in search of serene and peaceful environment for meditation, and they found these caves on the hillsides.
The Pitalkhora Caves, in the Satmala range of the Western Ghats of Maharashtra, India, are an ancient Buddhist site consisting of 14 rock-cut cave monuments which date back to the third century BCE, making them one of the earliest examples of rock-cut architecture in India. Located about 40 kilometers from Ellora, the site is reached by a steep climb down a flight of concrete stairs, past a waterfall next to the caves.
Banoti waterfall is a remote and desolate location off the village of Banoti in the Soegaon taluka of the Aurangabad district in the Maharashtra state of India. This waterfall is least known in spite of being quite picturesque and enchanting. Access to the place is difficult without involving a long trek from the nearest village of Banoti.
Tourism in Marathwada refers to tourism in the Marathwada region of Maharashtra state in India. Aurangabad is a regional headquarters in Marathwada, and the tourism capital of Maharashtra state. Out of the four UNESCO World Heritage Sites in Maharashtra, two are in the Marathwada region. There are also 110 monuments in Marathwada which are protected by Government of Maharashtra and recognized by Archaeological Survey of India.
The Lomas Rishi Cave, also called the Grotto of Lomas Rishi, is one of the man-made Barabar Caves in the Barabar and Nagarjuni hills of Jehanabad district in the Indian state of Bihar. This rock-cut cave was carved out as a sanctuary. It was built during the Ashokan period of the Maurya Empire in the 3rd century BC, as part of the sacred architecture of the Ajivikas, an ancient religious and philosophical group of India that competed with Jainism and became extinct over time. Ājīvikas were atheists and rejected ritualism of the Puranic karma Kāṇḍa as well as Buddhist ideas. They were ascetic communities and meditated in the Barabar caves. Still, the Lomas Rishi cave lacks an explicit epigraphical dedication to the Ajivikas, contrary to most other Barabar Caves, and may rather have been built by Ashoka for the Buddhists.
The Manmodi Caves are a complex of a rock-cut caves about 3 km to the south of the city of Junnar in India. Other caves surrounding the city of Junnar are: Tulja Caves, Shivneri Caves and Lenyadri caves.
The Buddhist caves in India form an important part of Indian rock-cut architecture, and are among the most prolific examples of rock-cut architecture around the world. There are more than 1,500 known rock cut structures in India, out of which about 1000 were made by Buddhists, 300 by Hindus, and 200 by Jains. Many of these structures contain works of art of global importance, and many later caves from the Mahayana period are adorned with exquisite stone carvings. These ancient and medieval structures represent significant achievements of structural engineering and craftsmanship.
The chamail is a type of poncho-like clothing from Central Asia.