The Ajanta Caves are 30 rock-cut Buddhist cave monuments dating from the second century BCE to about 480 CE in Aurangabad district of Maharashtra state in India. Ajanta Caves are a UNESCO World Heritage Site. Universally regarded as masterpieces of Buddhist religious art, the caves include paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art, particularly expressive paintings that present emotions through gesture, pose and form.
Sarnath is a place located 10 kilometres northeast of Varanasi, near the confluence of the Ganges and the Varuna rivers in Uttar Pradesh, India.
In Buddhism, Avalokiteśvara, also known as Lokeśvara and Chenrezig, is a tenth-level bodhisattva associated with great compassion (mahakaruṇā). He is often associated with Amitabha Buddha. Avalokiteśvara has numerous manifestations and is depicted in various forms and styles. In some texts, he is even considered to be the source of all Hindu deities.
The Ellora Caves are a UNESCO World Heritage Site in Aurangabad district, Maharashtra, India. It is one of the largest rock-cut Hindu temple cave complexes in the world, with artwork dating from the period 600–1000 AD, also including several Buddhist and Jain caves. The complex is a leading example of Indian rock-cut architecture, and several are not strictly "caves" in that they have no roof. Cave 16 features the largest single monolithic rock excavation in the world, the Kailash temple, a chariot-shaped monument dedicated to the god Shiva. The Kailash temple excavation also features sculptures depicting various Hindu deities as well as relief panels summarizing the two major Hindu epics.
Vajrapāṇi is one of the earliest-appearing bodhisattvas in Mahayana Buddhism. He is the protector and guide of Gautama Buddha and rose to symbolize the Buddha's power.
The Kanheri Caves are a group of caves and rock-cut monuments cut into a massive basalt outcrop in the forests of the Sanjay Gandhi National Park, on the island of Salsette in the western outskirts of Mumbai, India. They contain Buddhist sculptures and relief carvings, paintings and inscriptions, dating from the 1st century CE to the 10th century CE. Kanheri comes from the Sanskrit Krishnagiri, which means "black mountain".
Vihāra generally refers to a Buddhist temple or Buddhist monastery for Buddhist renunciates, mostly in the Indian subcontinent. The concept is ancient and in early Pali texts, it meant any arrangement of space or facilities for dwellings. The term evolved into an architectural concept wherein it refers to living quarters for monks with an open shared space or courtyard, particularly in Buddhism. The term is also found in Jain monastic literature, usually referring to temporary refuge for wandering monks or nuns during the annual Indian monsoons. In modern Jainism, the monks continue to wander from town to town except during the rainy season (chaturmasya), and the term "vihara" refers to their wanderings.
Buddhist religious architecture developed in the Indian subcontinent. Three types of structures are associated with the religious architecture of early Buddhism: monasteries (viharas), places to venerate relics (stupas), and shrines or prayer halls, which later came to be called temples in some places.
The Bagh Caves are a group of nine rock-cut monuments, situated among the southern slopes of the Vindhyas in Bagh town of Dhar district in Madhya Pradesh state in central India. These monuments are located at a distance of 97 km from Dhar town. These are renowned for mural paintings by master painters of ancient India. The use of the word "cave" is a bit of a misnomer, since these are not natural, but instead examples of Indian rock-cut architecture.
Kadri Manjunatha Temple is a historic temple in Mangalore in the state of Karnataka, India. The incharge and priests in the temple are Shivalli Madhva Brahmins.
Buddhist art is visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE.
Sculpture in the Indian subcontinent, partly because of the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, essentially consists of sculpture of stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during these periods, but there are only a few survivals. The main Indian religions had all, after hesitant starts, developed the use of religious sculpture by around the start of the Common Era, and the use of stone was becoming increasingly widespread.
Dambulla cave temple, also known as the Golden Temple of Dambulla, is a World Heritage Site (1991) in Sri Lanka, situated in the central part of the country. This site is situated 148 kilometres (92 mi) east of Colombo, 72 kilometres (45 mi) north of Kandy and 43 kilometres (27 mi) north of Matale.
The Ghorawadi caves, also known as Ghoradeshwar caves or Shelarwadi caves, are around 25 km (16 mi) northwest of Pune, India, were originally Buddhist caves, and now contain carvings and statues of Buddhist and Hindu deities.
The Trirashmi Caves, or Nashik Caves or Pandavleni
Indian rock-cut architecture is more various and found in greater abundance in that country than any other form of rock-cut architecture around the world. Rock-cut architecture is the practice of creating a structure by carving it out of solid natural rock. Rock that is not part of the structure is removed until the only rock left makes up the architectural elements of the excavated interior. Indian rock-cut architecture is mostly religious in nature.
Ratnagiri is the site of a ruined mahavihara, once the major Buddhist monastery in modern Odisha, India. It is located on a hill in between the Brahmani and Birupa rivers in Jajpur district. It is close to other Buddhist sites in the area, including Lalitagiri and Udayagiri, and 100 km (62 mi) from the state capital Bhubaneswar and 70km from the former state capital Cuttack.
Mulkirigala Raja Maha Vihara is an ancient Buddhist temple in Mulkirigala, Sri Lanka. It has been built on a 205 m (673 ft) high natural rock, surrounded with another four rocks known as Benagala, Kondagala, Bisogala and Seelawathiegala. The temple site is located about 2 km (1.2 mi) from the Mulkirigala junction and can be reached from either Dikwella or Tangalle towns. The temple has been formally recognised by the Government as an archaeological site in Sri Lanka. The designation was declared on 8 April 1988 under the government Gazette number 501.
Sirpur Group of Monuments are an archaeological and tourism site containing Hindu, Jain and Buddhist monuments from the 5th to 12th centuries in Mahasamund district of the state of Chhattisgarh, India. Located near an eponymous village, it is 78 kilometres (48 mi) east of Raipur, the capital of the state. The site is spread near the banks of the river Mahanadi.
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550. The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. Gupta art is characterized by its "Classical decorum", in contrast to the subsequent Indian medieval art, which "subordinated the figure to the larger religious purpose".
