The Ajanta Caves are 29 rock-cut Buddhist cave monuments dating from the second century BCE to about 480 CE in the Aurangabad district of Maharashtra state in India. Ajanta Caves are a UNESCO World Heritage Site. Universally regarded as masterpieces of Buddhist religious art, the caves include paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art, particularly expressive paintings that present emotions through gesture, pose and form.
Sanchi Stupa is a Buddhist complex, famous for its Great Stupa, on a hilltop at Sanchi Town in Raisen District of the State of Madhya Pradesh, India. It is located, about 23 kilometers from Raisen town, district headquarter and 46 kilometres (29 mi) north-east of Bhopal, capital of Madhya Pradesh.
Ellora Caves are a multi-religious rock-cut cave complex with inscriptions dating from the period 6th century CE onwards, located in the Aurangabad District of Maharashtra, India. They are also called verul caves.
The Kanheri Caves are a group of caves and rock-cut monuments cut into a massive basalt outcrop in the forests of the Sanjay Gandhi National Park, on the island of Salsette in the western outskirts of Mumbai, India. They contain Buddhist sculptures and relief carvings, paintings and inscriptions, dating from the 1st century CE to the 10th century CE. Kanheri comes from the Sanskrit Krishnagiri, which means "black mountain".
Vihāra generally refers to a Buddhist monastery for Buddhist renunciates, mostly in the Indian subcontinent. The concept is ancient and in early Sanskrit and Pali texts, it meant any arrangement of space or facilities for dwellings. The term evolved into an architectural concept wherein it refers to living quarters for monks with an open shared space or courtyard, particularly in Buddhism. The term is also found in Ajivika, Hindu and Jain monastic literature, usually referring to temporary refuge for wandering monks or nuns during the annual Indian monsoons. In modern Jainism, the monks continue to wander from town to town except during the rainy season (chaturmasya), and the term "vihara" refers to their wanderings.
The Satavahanas, also referred to as the Andhras in the Puranas, were an ancient Indian dynasty based in the Deccan region. Most modern scholars believe that the Satavahana rule began in the late second century BCE and lasted until the early third century CE, although some assign the beginning of their rule to as early as the 3rd century BCE based on the Puranas, but uncorroborated by archaeological evidence. The Satavahana kingdom mainly comprised the present-day Andhra Pradesh, Telangana, and Maharashtra. At different times, their rule extended to parts of modern Gujarat, Madhya Pradesh, and Karnataka. The dynasty had different capital cities at different times, including Pratishthana (Paithan) and Amaravati (Dharanikota).
The Karla Caves, Karli Caves, Karle Caves or Karla Cells, are a complex of ancient Buddhist Indian rock-cut caves at Karli near Lonavala, Maharashtra. It is just 10.9 Kilometers away from Lonavala. Other caves in the area are Bhaja Caves, Patan Buddhist Cave, Bedse Caves and Nasik Caves. The shrines were developed over the period – from the 2nd century BCE to the 5th century CE. The oldest of the cave shrines is believed to date back to 160 BCE, having arisen near a major ancient trade route, running eastward from the Arabian Sea into the Deccan.
The Udayagiri Caves are twenty rock-cut caves near Vidisha, Madhya Pradesh primarily denoted to the Hindu gods Vishnu and Shiva from the early years of the 3rd century CE to 5th century CE. They contain some of the oldest surviving Hindu temples and iconography in India. They are the only site that can be verifiably associated with a Gupta period monarch from its inscriptions. One of India's most important archaeological sites, the Udayagiri hills and its caves are protected monuments managed by the Archaeological Survey of India.
Naneghat, also referred to as Nanaghat or Nana Ghat, is a mountain pass in the Western Ghats range between the Konkan coast and the ancient town of Junnar in the Deccan plateau. The pass is about 120 kilometres (75 mi) north of Pune and about 165 kilometres (103 mi) east from Mumbai, Maharashtra, India. It was a part of an ancient trading route, and is famous for a major cave with Sanskrit inscriptions in Brahmi script and Middle Indo-Aryan dialect. These inscriptions have been dated between the 2nd and the 1st century BCE, and attributed to the Satavahana dynasty era. The inscriptions are notable for linking the Vedic and Hinduism deities, mentioning some Vedic srauta rituals and of names that provide historical information about the ancient Satavahanas. The inscriptions present the world's oldest numeration symbols for "2, 4, 6, 7, and 9" that resemble modern era numerals, more closely those found in modern Nagari and Hindu-Arabic script.
The Badami cave temples are a complex of Hindu and Jain cave temples located in Badami, a town in the Bagalkot district in northern part of Karnataka, India. The caves are important examples of Indian rock-cut architecture, especially Badami Chalukya architecture, and the earliest date from the 6th century. Badami is a modern name and was previously known as "Vataapi", the capital of the early Chalukya dynasty, which ruled much of Karnataka from the 6th to the 8th century. Badami is situated on the west bank of a man-made lake ringed by an earthen wall with stone steps; it is surrounded on the north and south by forts built during Early Chalukya and in later times.
The Trirashmi Caves, or Nashik Caves, are a group of 23 caves carved between the 1st century BCE and the 3rd century CE, though additional sculptures were added up to about the 6th century, reflecting changes in Buddhist devotional practices. The Buddhist sculptures are a significant group of early examples of Indian rock-cut architecture initially representing the Early Buddhist schools tradition.
Udayagiri and Khandagiri Caves, formerly called Kattaka Caves or Cuttack caves, are partly natural and partly artificial caves of archaeological, historical and religious importance near the city of Bhubaneswar in Odisha, India. The caves are situated on two adjacent hills, Udayagiri and Khandagiri mentioned as Kumari Parvata in the Hathigumpha inscription. They have a number of finely and ornately carved caves built during the 1st century BCE. It is believed that most of these caves were carved out as residential blocks for Jain monks during the reign of King Kharavela. Udayagiri means "Sunrise Hill" and has 18 caves while Khandagiri has 15 caves.
Bhaja Caves are a group of 22 rock-cut caves dating back to the 2nd century BC located off the Mumbai - Pune expressway near the city of Pune, India. The caves are 400 feet above the village of Bhaja, on an important ancient trade route running from the Arabian Sea eastward into the Deccan Plateau. The inscriptions and the cave temple are protected as a Monument of National Importance, by the Archaeological Survey of India per Notification No. 2407-A. It belongs to the Early Buddhist schools in Maharashtra. The caves have a number of stupas, one of their significant features. The most prominent excavation is its chaitya, a good example of the early development of this form from wooden architecture, with a vaulted horseshoe ceiling. Its vihara has a pillared verandah in front and is adorned with unique reliefs. These caves are notable for their indications of the awareness of wooden architecture. The carvings prove that tabla – a percussion instrument – was used in India for at least 2300 years, disproving the centuries-held belief that the tabla was introduced to India by outsiders or from Turko-Arab. The carving shows a woman playing tabla and another woman, performing dance.
The Barabar Hill Caves are the oldest surviving rock-cut caves in India, dating from the Maurya Empire, some with Ashokan inscriptions, located in the Makhdumpur region of Jehanabad district, Bihar, India, 24 km (15 mi) north of Gaya.
Indo-Greek art is the art of the Indo-Greeks, who reigned from circa 200 BCE in areas of Bactria and the Indian subcontinent. Initially, between 200 and 145 BCE, they remained in control of Bactria while occupying areas of Indian subcontinent, until Bactria was lost to invading nomads. After 145 BCE, Indo-Greek kings ruled exclusively in parts of ancient India, especially in Gandhara, in what is now present-day the northwestern Pakistan. The Indo-Greeks had a rich Hellenistic heritage and artistic proficiency as seen with the remains of the city of Ai-Khanoum, which was founded as a Greco-Bactrian city. In modern-day Pakistan, several Indo-Greeks cities are known such as Sirkap near Taxila, Barikot, and Sagala where some Indo-Greek artistic remains have been found, such as stone palettes. Some Buddhist cultural objects related to the Indo-Greeks are known, such as the Shinkot casket. By far the most important Indo-Greek remains found are numerous coins of the Indo-Greek kings, considered as some of the most artistically brilliant of Antiquity. Most of the works of art of the Greco-Buddhist art of Gandhara are usually attributed to the direct successors of the Indo-Greeks in Ancient India in the 1st century CE, such as the nomadic Indo-Scythians, the Indo-Parthians and, in an already decadent state, the Kushans. Many Gandharan works of art cannot be dated exactly, leaving the exact chronology open to interpretation. With the realization that the Indo-Greeks ruled in India until at least 10-20 CE with the reign of Strato II in the Punjab, the possibility of a direct connection between the Indo-Greeks and Greco-Buddhist art has been reaffirmed recently.
The Mahameghavahana dynasty was an ancient ruling dynasty of Kalinga after the decline of the Maurya Empire. In the first century B.C., Mahameghavahana, a king of Chedirastra conquered Kalinga and Kosala. During the reign of Kharavela, the third king of Mahameghavahana dynasty, South Kosala became an integral part of the kingdom. He patronised Jainism, but did not discriminate against other religions. He is known by his Hathigumpha inscription.
The Lomas Rishi Cave, also called the Grotto of Lomas Rishi, is one of the man-made Barabar Caves in the Barabar and Nagarjuni hills of Jehanabad district in the Indian state of Bihar. This rock-cut cave was carved out as a sanctuary. It was built during the Ashokan period of the Maurya Empire in the 3rd century BC, as part of the sacred architecture of the Ajivikas, an ancient religious and philosophical group of India that competed with Jainism and became extinct over time. Ājīvikas were atheists and rejected ritualism of the Puranic karma Kāṇḍa as well as Buddhist ideas. They were ascetic communities and meditated in the Barabar caves. Still, the Lomas Rishi cave lacks an explicit epigraphical dedication to the Ajivikas, contrary to most other Barabar Caves, and may rather have been built by Ashoka for the Buddhists.
The Son Bhandar Caves are two man-made caves carved into the base of the Vaibhar Hills in Rajgir in the state of Bihar in India. Based on the dedicatory inscription found in the largest cave — which uses Gupta script of the 4th century CE — the caves are generally dated to the 3rd or 4th century CE, although some authors have suggested the caves could actually go back to the period of the Maurya Empire, possibly as early as 319 BCE. The main cave is rectangular with a trapezoidal entrance and a vaulted ceiling, reminiscent of the structure of the earlier Barabar Caves. The quality of the polish and the finish are nevertheless much inferior to that of the Barabar Caves. The stone of Son Bhandar is also much less hard than the granite of the Barabar caves, and therefore did not require the same degree of effort and technique.
The Buddhist caves in India. Maharashtra state Aurangabad Dist. Ellora caves form an important part of Indian rock-cut architecture, and are among the most prolific examples of rock-cut architecture around the world. There are more than 1,500 known rock cut structures in India, out of which about 1000 were made by Buddhists, 300 by Hindus, and 200 by Jains. Many of these structures contain works of art of global importance, and many later caves from the Mahayana period are adorned with exquisite stone carvings. These ancient and medieval structures represent significant achievements of structural engineering and craftsmanship.
The Sitabenga and Jogimara Caves, sometimes referred to either as Sitabenga Cave or Jogimara Cave, are ancient cave monuments nested in the north side of Ramgarh hills in Puta village, Chhattisgarh, India. Dated between the 3rd-century BCE to 1st-century BCE, they are notable for their non-religious inscriptions in Brahmi script and Magadhi language, and one of the oldest colored frescoes in Asia. Some scholars state that the Sitabenga cave is the oldest performance theatre on the Indian subcontinent, but others question whether it was indeed a theatre and suggest that it may have been a resting place (dharmashala) along an ancient trade route. The inscription at the Jogimara cave is equally disputed, with one translation interpreting it as a love-graffiti by a girl and a boy, while another translation interpreting it as a female dancer and a male sculptor-painter creating the two caves together to serve others. The inscription is also the oldest known mention of the word "devadasi", but this seems just a name and it is unlikely that this was related to any ancient Indian temple since the site and nearby area has no evidence of any Buddhist, Hindu or Jain temple built between the 3rd-century BCE and 8th-century CE.
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Guardian elephant
