The Ajanta Caves are 29 rock-cut Buddhist cave monuments dating from the second century BCE to about 480 CE in the Aurangabad District of Maharashtra state in India. Ajanta Caves are a UNESCO World Heritage Site. Universally regarded as masterpieces of Buddhist religious art, the caves include paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art, particularly expressive paintings that present emotions through gesture, pose and form.
Ellora Caves are a multi-religious rock-cut cave complex with inscriptions dating from the period 6th century CE onwards, located in the Aurangabad District of Maharashtra, India. They are also called verul caves.
The Kanheri Caves are a group of caves and rock-cut monuments cut into a massive basalt outcrop in the forests of the Sanjay Gandhi National Park, on the former island of Salsette in the western outskirts of Mumbai, India. They contain Buddhist sculptures and relief carvings, paintings and inscriptions, dating from the 1st century CE to the 10th century CE. Kanheri comes from the Sanskrit Krishnagiri, which means "black mountain".
A Buddhist temple or Buddhist monastery is the place of worship for Buddhists, the followers of Buddhism. They include the structures called vihara, chaitya, stupa, wat and pagoda in different regions and languages. Temples in Buddhism represent the pure land or pure environment of a Buddha. Traditional Buddhist temples are designed to inspire inner and outer peace.
Vihāra generally refers to a Buddhist monastery for Buddhist renunciates, mostly in the Indian subcontinent. The concept is ancient and in early Sanskrit and Pali texts, it meant any arrangement of space or facilities for dwellings. The term evolved into an architectural concept wherein it refers to living quarters for monks with an open shared space or courtyard, particularly in Buddhism. The term is also found in Ajivika, Hindu and Jain monastic literature, usually referring to temporary refuge for wandering monks or nuns during the annual Indian monsoons. In modern Jainism, the monks continue to wander from town to town except during the rainy season (Chaturmas), and the term "vihara" refers to their wanderings.
A chaitya, chaitya hall, chaitya-griha, refers to a shrine, sanctuary, temple or prayer hall in Indian religions. The term is most common in Buddhism, where it refers to a space with a stupa and a rounded apse at the end opposite the entrance, and a high roof with a rounded profile. Strictly speaking, the chaitya is the stupa itself, and the Indian buildings are chaitya halls, but this distinction is often not observed. Outside India, the term is used by Buddhists for local styles of small stupa-like monuments in Nepal, Cambodia, Indonesia and elsewhere. In Thailand a stupa, not a stupa hall, is called a chedi. In the historical texts of Jainism and Hinduism, including those relating to architecture, chaitya refers to a temple, sanctuary or any sacred monument.
Buddhist religious architecture developed in the Indian subcontinent. Three types of structures are associated with the religious architecture of early Buddhism: monasteries (viharas), places to venerate relics (stupas), and shrines or prayer halls, which later came to be called temples in some places.
The Karla Caves, Karli Caves, Karle Caves or Karla Cells, are a complex of ancient Buddhist Indian rock-cut caves at Karli near Lonavala, Maharashtra. It is just 10.9 Kilometers away from Lonavala. Other caves in the area are Bhaja Caves, Patan Buddhist Cave, Bedse Caves and Nasik Caves. The shrines were developed over the period – from the 2nd century BCE to the 5th century CE. The oldest of the cave shrines is believed to date back to 160 BCE, having arisen near a major ancient trade route, running eastward from the Arabian Sea into the Deccan.
The Bagh Caves are a group of nine rock-cut monuments, situated among the southern slopes of the Vindhyas in Bagh town of Dhar district in Madhya Pradesh state in central India. These monuments are located at a distance of 97 km from Dhar town. These are renowned for mural paintings by master painters of ancient India. The use of the word "cave" is a bit of a misnomer, since these are not natural, but instead examples of Indian rock-cut architecture.
Rock-cut architecture is the creation of structures, buildings, and sculptures by excavating solid rock where it naturally occurs. Intensely laborious when using ancient tools and methods, rock-cut architecture was presumably combined with quarrying the rock for use elsewhere. Though, in India and China, the terms cave and cavern are often applied to this form of man-made architecture, caves and caverns that began in natural form are not considered to be rock-cut architecture even if extensively modified. Although rock-cut structures differ from traditionally built structures in many ways, many rock-cut structures are made to replicate the facade or interior of traditional architectural forms. Interiors were usually carved out by starting at the roof of the planned space and then working downward. This technique prevents stones falling on workers below. The three main uses of rock-cut architecture were temples, tombs, and cave dwellings.
The Nasik Caves, or Trirashmi Leni, are a group of 23 caves carved between the 1st century BCE and the 3rd century CE, though additional sculptures were added up to about the 6th century, reflecting changes in Buddhist devotional practices. The Buddhist sculptures are a significant group of early examples of Indian rock-cut architecture initially representing the Early Buddhist schools tradition.
Indian rock-cut architecture is more various and found in greater abundance in that country than any other form of rock-cut architecture around the world. Rock-cut architecture is the practice of creating a structure by carving it out of solid natural rock. Rock that is not part of the structure is removed until the only rock left makes up the architectural elements of the excavated interior. Indian rock-cut architecture is mostly religious in nature.
In Indian architecture, gavaksha or chandrashala are the terms most often used to describe the motif centred on an ogee, circular or horseshoe arch that decorates many examples of Indian rock-cut architecture and later Indian structural temples and other buildings. In its original form, the arch is shaped like the cross-section of a barrel vault. It is called a chaitya arch when used on the facade of a chaitya hall, around the single large window. In later forms it develops well beyond this type, and becomes a very flexible unit, "the most common motif of Hindu temple architecture". Gavākṣha is a Sanskrit word which means "bull's or cow's eye". In Hindu temples, their role is envisioned as symbolically radiating the light and splendour of the central icon in its sanctum. Alternatively, they are described as providing a window for the deity to gaze out into the world.
Bhaja Caves are a group of 22 rock-cut caves dating back to the 2nd century BC located off the Mumbai - Pune expressway near the city of Pune, India. The caves are 400 feet above the village of Bhaja, on an important ancient trade route running from the Arabian Sea eastward into the Deccan Plateau. The inscriptions and the cave temple are protected as a Monument of National Importance, by the Archaeological Survey of India per Notification No. 2407-A. It belongs to the Early Buddhist schools in Maharashtra. The caves have a number of stupas, one of their significant features. The most prominent excavation is its chaitya, a good example of the early development of this form from wooden architecture, with a vaulted horseshoe ceiling. Its vihara has a pillared verandah in front and is adorned with unique reliefs. These caves are notable for their indications of the awareness of wooden architecture. The carvings prove that tabla – a percussion instrument – was used in India for at least 2300 years, disproving the centuries-held belief that the tabla was introduced to India by outsiders or from Turko-Arab. The carving shows a woman playing tabla and another woman, performing dance.
Bojjannakonda and Lingalakonda are two Buddhism rock-cut caves on adjacent hillocks, situated near a village called Sankaram, Anakapalle of ancient Kalinga. in the Indian state of Andhra Pradesh. The sites are believed to date between 4th and 9th Century A.D, when Buddhism is the majority religion of Sankaram. The original name of Bojjannakonda is Buddina Konda.
The Manmodi Caves are a complex of a rock-cut caves about 3 km to the south of the city of Junnar in India. Other caves surrounding the city of Junnar are: Tulja Caves, Shivneri Caves and Lenyadri caves.
Kalawan is the name of an archaeological site in the area of Taxila in Pakistan, where it is one of the largest Buddhist establishment. It is located about 2 km from the Dharmarajika stupa.
The Buddhist caves in India. Maharashtra state Aurangabad Dist. Ellora caves form an important part of Indian rock-cut architecture, and are among the most prolific examples of rock-cut architecture around the world. There are more than 1,500 known rock cut structures in India, out of which about 1000 were made by Buddhists, 300 by Hindus, and 200 by Jains. Many of these structures contain works of art of global importance, and many later caves from the Mahayana period are adorned with exquisite stone carvings. These ancient and medieval structures represent significant achievements of structural engineering and craftsmanship.
Cave temples are subterranean sacred buildings carved into the rock or created in a natural cave. Cave temples and monolithic rock temples carved out of the stone are a form of early natural architecture and rock construction, a building technique in solid rock closely related to sculpture. The most extensive artificially created cave temple complexes (subterranea) originated in India, where about 1200 complexes are documented, and in the neighboring regions of Asia.
