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A draped garment is a garment that is made of a single piece of cloth that is draped around the body; drapes are not cut away or stitched as in a tailored garment. Drapes can held to the body by means of knotting, pinning, fibulae, clasps, sashes, belts, tying drawstrings, or just plain friction and gravity alone. Many draped garments are one-piece garments.
A nightgown, nightie or nightdress is a loosely hanging item of nightwear, today almost exclusively worn by women. A nightgown is made from cotton, silk, satin, or nylon and may be decorated with lace appliqués or embroidery at the bust and hem.
An evening gown, evening dress or gown is a long dress usually worn at formal occasions. The drop ranges from ballerina, tea, to full-length. Such gowns are typically worn with evening gloves. Evening gowns are usually made of luxurious fabrics such as chiffon, velvet, satin, organza, etc. Silk is a popular fibre for many evening gowns. Although the terms are used interchangeably, ball gowns and evening gowns differ in that a ball gown will always have a full skirt and a fitted bodice, while an evening gown can be any silhouette—sheath, mermaid, A-line, or trumpet shaped—and may have straps, halters or even sleeves.
Pantalettes are undergarments covering the legs worn by women, girls, and very young boys in the early- to mid-19th century.
1880s fashion in the in Western and Western-influenced countries is characterized by the return of the bustle. The long, lean line of the late 1870s was replaced by a full, curvy silhouette with gradually widening shoulders. Fashionable waists were low and tiny below a full, low bust supported by a corset. The Rational Dress Society was founded in 1881 in reaction to the extremes of fashionable corsetry.
Western fashion in the 1920s underwent a modernization. For women, fashion had continued to change away from the extravagant and restrictive styles of the Victorian and Edwardian periods, and towards looser clothing which revealed more of the arms and legs, that had begun at least a decade prior with the rising of hemlines to the ankle and the movement from the S-bend corset to the columnar silhouette of the 1910s. Men also began to wear less formal daily attire and athletic clothing or 'Sportswear' became a part of mainstream fashion for the first time. The 1920s are characterized by two distinct periods of fashion: in the early part of the decade, change was slower, and there was more reluctance to wear the new, revealing popular styles. From 1925, the public more passionately embraced the styles now typically associated with the Roaring Twenties. These styles continued to characterize fashion until the worldwide depression worsened in 1931.
Fashion in fourteenth-century Europe was marked by the beginning of a period of experimentation with different forms of clothing. Costume historian James Laver suggests that the mid-14th century marks the emergence of recognizable "fashion" in clothing, in which Fernand Braudel concurs. The draped garments and straight seams of previous centuries were replaced by curved seams and the beginnings of tailoring, which allowed clothing to more closely fit the human form. Also, the use of lacing and buttons allowed a more snug fit to clothing.
The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures, clothing indicated the social status of various members of society.
A dress is a garment traditionally worn by women or girls consisting of a skirt with an attached bodice. It consists of a top piece that covers the torso and hangs down over the legs. A dress can be any one-piece garment containing a skirt of any length, and can be formal or casual.
Twelfth century European fashion was simple and differed only in details from the clothing of the preceding centuries. Men wore knee-length tunics for most activities, and men of the upper classes wore long tunics, with hose and mantle or cloaks. Women wore long tunics or dresses. A close fit to the body, full skirts, and long flaring sleeves were characteristic of upper-class fashion for both men and women.
Anglo-Saxon dress refers to the clothing and accessories worn by the Anglo-Saxons from the middle of the fifth century to the eleventh century. Archaeological finds in Anglo-Saxon cemeteries have provided the best source of information on Anglo-Saxon costume. It is possible to reconstruct Anglo-Saxon dress using archaeological evidence combined with Anglo-Saxon and European art, writing and literature of the time period. Archaeological finds have both supported and contradicted the characteristic Anglo-Saxon costume as illustrated and described by these contemporary sources.
The United States is one of the leading countries in the fashion design industry, along with France, Italy, the United Kingdom, Germany and Japan. Apart from professional business attire, American fashion is eclectic and predominantly informal. While Americans' diverse cultural roots are reflected in their clothing, particularly those of recent immigrants, cowboy hats, boots, jeans, and leather motorcycle jackets are emblematic of specifically American styles.
The Medieval period in England is usually classified as the time between the fall of the Roman Empire to the beginning of the Renaissance, roughly the years AD 410–1485. For various peoples living in England, the Anglo-Saxons, Anglo-Danes, Normans and Britons, clothing in the medieval era differed widely for men and women as well as for different classes in the social hierarchy. The general styles of Early medieval European dress were shared in England. In the later part of the period, men's clothing changed much more rapidly than women's styles. Clothes were very expensive and both the men and women of lower social classes continued also divided social classes by regulating the colors and styles these various ranks were permitted to wear. In the early Middle Ages, clothing was typically simple and, particularly in the case of lower-class peoples, served only basic utilitarian functions such as modesty and protection from the elements. As time went on the advent of more advanced textile techniques and increased international relations, clothing gradually got more and more intricate and elegant, even with those under the wealthy classes, up into the renaissance.
Shalwar kameez is a traditional combination dress worn by women, and in some regions by men, in South Asia, and Central Asia.
Sindhi women wear the Ghagra Choli or the sari and the men wear the shalwar kameez or the kurta with pyjamma. However, before the adoption of the Shalwar kameez, the sari and the kurta, Sindhi's had their own traditional costumes.
Mughal clothing refers to clothing developed by the Mughals in the 16th, 17th and 18th centuries throughout the extent of their empire in the Indian subcontinent. It was characterized by luxurious styles and was made with muslin, silk, velvet and brocade. Elaborate patterns including dots, checks, and waves were used with colors from various dyes including cochineal, sulfate of iron, sulfate of copper and sulfate of antimony were used.
The term jama refers to a long coat which was popular in South Asia during the Mughal period.
Clothing in Myanmar varies depending on the ethnicity, geography, climate and cultural traditions of the people of each region of Myanmar (Burma). The most widely recognized Burmese national costume is the longyi, which is worn by both males and females nationwide. Burmese clothing also features great diversity in terms of textiles, weaves, fibers, colours and materials, including velvet, silk, lace, muslin, and cotton.
Shaluka was a ladies' garment, a sleeveless tunic with a hip-length worn over a short, tight bodice called a kanchli or angiya. It was a part of the court costume of orient culture. The shape was like a half-sleeve kurta or tunic, reaching up to mid-thigh that could be worn under other garments.
Peshwaj was a ladies outfit similar to a gown or jama coat with front open, tied around the waist, having full sleeves, and the length was full neck to heels. Peshwaj was one of the magnificent costumes of the mughal court ladies. The material was used to be sheer and fine muslins with decorated borders of zari and lacework.
References
- ↑ Srivastava, M. P. (1989). Social and Cultural Trends in Islamic India, 1206-1719 A.D. Vohra Publishers. p. 33. ISBN 978-81-85072-53-1.
- ↑ Ansari, Mohammad Azhar (1974). Social Life of the Mughal Emperors, 1526-1707. Shanti Prakashan. p. 81.
- ↑ ''in ancient India , the majority of women dressed in unstitched lengths of loom - woven fabric , ranging in size from small breast bands to long ... They wore long , loose jama - like robes which fastened at the front and had both round and V - necked openings . These gowns were worn over a yalek ( a long undergarment that reached to the ankles ) with a long , narrow paijama , a patka tied around the waist ...'' Costumes and Textiles of Royal India - Page 216books.google.co.in › books Ritu Kumar, Cathy Muscat · 1999https://www.google.co.in/books/edition/Costumes_and_Textiles_of_Royal_India/1HcNAQAAMAAJ?hl=en&gbpv=1&bsq=Ya
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