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Frock has been used since Middle English as the name for an article of clothing, typically coat-like, for men and women.
In British English and in Commonwealth countries the word may be used as an alternative term for a girl's or woman's dress, in particular for a dress suitable for a smart occasion but (in UK English usage) with a hemline higher than a full-length ballgown. In Australia it is frequently used this way, with the phrase "to frock up" meaning to wear a formal dress or gown for a special occasion. [1]
Relatedly, a frock coat is a men's coat style of the 19th century, characterized by full skirts reaching to the lower thigh or knee. Despite the similarity in the name, the frock coat should be regarded as being a distinct garment quite separate from the frock. In the French language the frock coat is called 'une redingote' (from English "riding coat"), and so unlike the English language implies no immediate relationship to the frock which is called 'une fraque'. Indeed, the modern French word for a tail coat is "un frac" which better betrays the historical relationship between the tail coat and the frock. In construction the frock coat could scarcely be more different from the frock for unlike the latter it is usually double breasted, lacks any pockets, lacks a high collar, has V-shaped lapels, is closely fitted and is constructed with a waist seam.
Originally, a frock was a loose, long garment with wide, full sleeves, such as the habit of a monk or priest, commonly belted. (This is the origin of the modern term defrock or unfrock, meaning "to eject from the priesthood".)
Throughout the early modern period, "frock" continually applied to various types of clothing, but generally denoting a loosely fitted garment in practice seemingly ranging in styles from resembling a banyan to a tunic.
From the 16th century to the early 20th century, frock was applied to a woman's dress or gown, in the fashion of the day, often indicating an unfitted, comfortable garment for wear in the house, or (later) a light overdress worn with a slip or underdress.
From the 17th century on, a frock was a thigh- or full-length loose outer garment worn by shepherds, workmen, and farm workers in Great Britain, generally of heavy linen with a broad flat collar, now usually called a smock-frock. In some areas, this traditional frock buttons up the front in the manner of a coat, while in others it is a pullover style.
As such, a frock remains a dense knitted overgarment worn by sailors and fishermen, as guernsey frock, jersey frock (now usually simply guernsey and jersey).
In 18th century Britain and the United States, a frock was an unfitted men's coat for hunting or other country pursuits, with a broad, flat collar, derived from the traditional working-class frock.
The precise historical evolution of the frock after the second half of the 18th century is obscure, as is its contrasting features to the justaucorps, the evening wear dress coat, and the supplanting 19th century frock coat.
Some late in the 18th century versions had it made with a cutaway front without a waist seam. This may have been one of the predecessors of the frock coat or at least the dress coat with horizontally cutaway fronts worn for daytime wear by the early 19th century and from which the modern-day evening wear tail dress coat for white tie is derived. The frock coat in turn became cut away into the modern morning coat, giving us the two modern version of tail coats, but the evolution is blurry. Notwithstanding, it seems as if the frock was gradually supplanted by the frock coat in the early 19th century, whereas the former frock style was relegated to evening wear.
Shapewise, also the great coat may similarly be historically derived from the frock [ who? ] as it similarly is single breasted, with a high and broad collar, waist pockets, and also lacked a waist seam early in its history as can be seen in an example[ which? ] in the Victoria and Albert Museum, London.
In contemporary times, a "frock" may still designate a woman's or girl's, or child's dress or light overdress. [2] [3]
White tie, also called full evening dress or a dress suit, is the most formal evening Western dress code. For men, it consists of a black tail coat worn over a white dress shirt with a starched or pique bib, white piqué waistcoat and the white bow tie worn around a standing wing collar. Mid or high-waisted black trousers with galon, a braid of trim consisting of two silk stripes to conceal the outer seams of the trousers, along with court shoes complete the outfit. Orders, decorations and medals may be worn. Acceptable accessories include a black top hat, white gloves, a white scarf, a pocket watch, a white pocket square, and a boutonnière. Women wear full-length ball or evening gowns with evening gloves and, optionally, tiaras, jewellery, and a small handbag.
A coat is typically an outer garment for the upper body, worn by any gender for warmth or fashion. Coats typically have long sleeves and are open down the front, and closing by means of buttons, zippers, hook-and-loop fasteners, toggles, a belt, or a combination of some of these. Other possible features include collars, shoulder straps, and hoods.
A tailcoat is a knee-length coat characterised by a rear section of the skirt, with the front of the skirt cut away.
A nightgown, nightie or nightdress is a loosely hanging item of nightwear, and is commonly worn by women and girls. A nightgown is made from cotton, silk, satin, or nylon and may be decorated with lace appliqués or embroidery at the bust and hem.
An overcoat is a type of long coat intended to be worn as the outermost garment, which usually extends below the knee. Overcoats are most commonly used in winter when warmth is more important.
1860s fashion in European and European-influenced countries is characterized by extremely full-skirted women's fashions relying on crinolines and hoops and the emergence of "alternative fashions" under the influence of the Artistic Dress movement.
1870s fashion in European and European-influenced clothing is characterized by a gradual return to a narrow silhouette after the full-skirted fashions of the 1850s and 1860s.
A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress. These include the reverse collar and lapels, where the outer edge of the lapel is often cut from a separate piece of cloth from the main body and also a high degree of waist suppression around the waistcoat, where the coat's diameter round the waist is less than round the chest. This is achieved by a high horizontal waist seam with side bodies, which are extra panels of fabric above the waist used to pull in the naturally cylindrical drape. As was usual with all coats in the 19th century, shoulder padding was rare or minimal.
Clerical clothing is non-liturgical clothing worn exclusively by clergy. It is distinct from vestments in that it is not reserved specifically for use in the liturgy. Practices vary: clerical clothing is sometimes worn under vestments, and sometimes as the everyday clothing or street wear of a priest, minister, or other clergy member. Eastern Orthodox clerical clothing is a subset of a monk's habit.
Clothing terminology comprises the names of individual garments and classes of garments, as well as the specialized vocabularies of the trades that have designed, manufactured, marketed and sold clothing over hundreds of years.
A smock-frock or smock is an outer garment traditionally worn by rural workers, especially shepherds and waggoners. Today, the word smock refers to a loose overgarment worn to protect one's clothing, for instance by a painter.
1840s fashion in European and European-influenced clothing is characterized by a narrow, natural shoulder line following the exaggerated puffed sleeves of the later 1820s and 1830s. The narrower shoulder was accompanied by a lower waistline for both men and women.
1850s fashion in Western and Western-influenced clothing is characterized by an increase in the width of women's skirts supported by crinolines or hoops, the mass production of sewing machines, and the beginnings of dress reform. Masculine styles began to originate more in London, while female fashions originated almost exclusively in Paris.
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another. French style was defined by elaborate court dress, colourful and rich in decoration, worn by such iconic fashion figures as Marie Antoinette.
During the 1820s in European and European-influenced countries, fashionable women's clothing styles transitioned away from the classically influenced "Empire"/"Regency" styles of c. 1795–1820 and re-adopted elements that had been characteristic of most of the 18th century, such as full skirts and clearly visible corseting of the natural waist.
1880s fashion in Western and Western-influenced countries is characterized by the return of the bustle. The long, lean line of the late 1870s was replaced by a full, curvy silhouette with gradually widening shoulders. Fashionable waists were low and tiny below a full, low bust supported by a corset. The Rational Dress Society was founded in 1881 in reaction to the extremes of fashionable corsetry.
A gown, from the Saxon word, gunna, is a usually loose outer garment from knee-to-full-length worn by people of both sexes in Europe from the Early Middle Ages to the 17th century, and continuing today in certain professions; later, the term gown was applied to any full-length woman's garment consisting of a bodice and an attached skirt. A long, loosely fitted gown called a Banyan was worn by men in the 18th century as an informal coat.
Fashion in the period 1900–1909 in the Western world continued the severe, long and elegant lines of the late 1890s. Tall, stiff collars characterize the period, as do women's broad hats and full "Gibson Girl" hairstyles. A new, columnar silhouette introduced by the couturiers of Paris late in the decade signaled the approaching abandonment of the corset as an indispensable garment.
A man's suit of clothes, in the sense of a lounge or business or office suit, is a set of garments which are crafted from the same cloth. This article discusses the history of the lounge suit, often called a business suit when featuring dark colors and a conservative cut.
Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, the declining fashionability of highly elaborate Rococo styles, and the widespread embrace of the rationalistic or "classical" ideals of Enlightenment philosophes.
