Type | Clothing worn from the waist or hips. |
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Material | fabric |
A skirt is the lower part of a dress or a separate outer garment that covers a person from the waist downwards. [1]
At its simplest, a skirt can be a draped garment made out of a single piece of fabric (such as pareos). However, most skirts are fitted to the body at the waist or hips and fuller below, with the fullness introduced by means of darts, gores, pleats, or panels. Modern skirts are usually made of light to mid-weight fabrics, such as denim, jersey, worsted, or poplin. Skirts of thin or clingy fabrics are often worn with slips to make the material of the skirt drape better and for modesty.
In modern times, skirts are very commonly worn by women and girls. Some exceptions include the izaar, worn by many Muslim cultures, and the kilt, a traditional men's garment in Scotland, Ireland, and sometimes England.
The hemline of skirts can vary from micro to floor-length and can vary according to cultural conceptions of modesty and aesthetics as well as the wearer's personal taste, which can be influenced by such factors as fashion and social context. Most skirts are complete garments, but some skirt-looking panels may be part of another garment such as leggings, shorts, and swimsuits.
Skirts have been worn since prehistoric times as the simplest way to cover the lower body. Figurines produced by the Vinča culture (c. 5700–4500 BC) located on the territory of present-day Serbia and neighboring Balkans from the start of the Copper Age show women in skirt-like garments. [2]
A straw-woven skirt dating to 3900 BC was discovered in Armenia at the Areni-1 cave. [3] Skirts were the standard attire for men and women in all ancient cultures in the Near East and Egypt. The Sumerians in Mesopotamia wore kaunakes (Ancient Greek : καυνάκης , romanized: kaunákēs, ultimately from Sumerian : 𒌆𒄖𒅘𒆪TÚGGU-NAK-KU), [4] [5] a type of fur skirt tied to a belt. The term originally referred to a sheep's fleece, but eventually came to be applied to the garment itself. Eventually, the animal pelts were replaced by "kaunakes cloth", a textile that imitated fleecy sheepskin. [6] Kaunakes cloth also served as a symbol in religious iconography, such as in the fleecy cloak of John the Baptist. [7] [8]
Ancient Egyptian garments were mainly made of linen. For the upper classes, they were beautifully woven and intricately pleated. [9] Around 2130 BC, during the Old Kingdom of Egypt, men wore wraparound skirts (kilts) known as the shendyt. They were made of a rectangular piece of cloth wrapped around the lower body and tied in front. By the Middle Kingdom of Egypt, longer skirts, reaching from the waist to ankles and sometimes hanging from the armpits, became fashionable. During the New Kingdom of Egypt, kilts with a pleated triangular section became fashionable for men. [10] Beneath these, a shente, or triangular loincloth whose ends were fastened with cord ties, were worn. [11]
During the Bronze Age, in the Southern parts of Western and Central Europe, wraparound dress-like garments were preferred. However, in Northern Europe, people also wore skirts and blouses. [12]
In the Middle Ages, men and women preferred dress-like garments. The lower part of men's dresses were much shorter in length compared to those for women. They were wide cut and often pleated or gored so that horse riding was more comfortable. Even a knight's armor had a short metal skirt below the breastplate. It covered the straps attaching the upper legs iron cuisse to the breastplate. Technological advances in weaving in the 13th–15th century, like foot-treadle floor looms and scissors with pivoted blades and handles, improved tailoring trousers and tights. They became fashionable for men and henceforth became standard male attire whilst becoming taboo for women. [13] [14]
One of the earliest known cultures to have females wear clothing resembling miniskirts were the Duan Qun Miao (Chinese :短裙苗), which literally means "Short Skirt Miao". This was in reference to the short miniskirts "that barely cover the buttocks" worn by women of the tribe, and which were probably shocking to observers in premodern and early modern times. [15]
In the Middle Ages, some upper-class women wore skirts over three meters in diameter at the bottom.[ citation needed ] At the other extreme, the miniskirts of the 1960s were minimal garments that may have barely covered the underwear when the woman was seated. Costume historians[ who? ] typically use the word "petticoat" to describe skirt-like garments of the 18th century or earlier.[ citation needed ]
During the 19th century, the cut of women's dresses in western culture varied more widely than in any other century. Waistlines started just below the bust (the Empire silhouette) and gradually sank to the natural waist. Skirts started fairly narrow and increased dramatically to the hoopskirt and crinoline-supported styles of the 1860s; then fullness was draped and drawn to the back by means of bustles. In the 1890s, the rainy daisy skirt was introduced for walking or sportswear. It had a significantly shorter hemline measuring as much as six inches off the ground and would eventually influence the wider introduction of shorter hemlines in the early 20th century. [16]
In the 19th century, in the United States and United Kingdom, there was a movement against skirts as part of the Victorian dress reform movement, and in the United States, the National Dress Reform Association. [ citation needed ] There was also the invention of different ways to wear skirts. For example, in 1851, early women's rights advocate Elizabeth Smith Miller introduced Amelia Bloomer to a garment initially known as the "Turkish dress", which featured a knee-length skirt over Turkish-style pantaloons. [17] Bloomer came to advocate and promote the dress, including instructions for making it, in The Lily , a newspaper dedicated to the "Emancipation of Woman from Intemperance, Injustice, Prejudice, and Bigotry". This inspired a craze for the dress, which came to be known as bloomers. [18] Elizabeth Cady Stanton, Susan B. Anthony, and Lucy Stone, other early advocates for women's rights, also adopted this style of dress in the 1850s, referring to it as the "freedom dress". [19] Concurrently, some female labourers, notably the pit brow women working at coal pits in the Wigan area, began wearing trousers beneath a short skirt as a practical component of their uniform. This attracted the attention of the public, and various photographers produced records of the women's unconventional manner of dress through the mid to late 19th century. [20]
After 1915, ankle-length skirts were not generally worn in the daytime. For the next fifty years fashionable skirts became short (1920s), then long (1930s), then shorter (in the War Years with their restrictions on fabric), then long (the "New Look"), then shortest of all from 1967 to 1970, when skirts became as short as possible while avoiding exposure of underwear, which was considered taboo.[ citation needed ]
Since the 1970s and the rise of pants/trousers for women as an option for all but the most formal of occasions, no one skirt length has dominated fashion for long, with short and ankle-length styles often appearing side by side in fashion magazines and catalogs.[ citation needed ]
Fashion designers such as Jean Paul Gaultier, Vivienne Westwood, Kenzo and Marc Jacobs have also shown men's skirts. Transgressing social codes, Gaultier frequently introduces the skirt into his men's wear collections as a means of injecting novelty into male attire, most famously the sarong seen on David Beckham. [21]
This section needs additional citations for verification .(September 2024) |
Image | Name | Description |
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Maxi skirt | An ankle-length daytime skirt, popular with women in the late 1960s as a reaction against miniskirts. [22] | |
Midi skirt | A skirt with hem halfway between ankle and knee, below the widest part of the calf. Introduced by designers in 1967 as a reaction to very short mini skirts. [22] | |
Miniskirt | A skirt ending between knee and upper thigh, 1960s onwards. | |
Microskirt | An extremely short miniskirt. | |
High-low skirt | A skirt with an asymmetrical headline. |
Image | Name | Description |
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A-line skirt | A skirt with a slight flare, roughly in the shape of a capital letter A. | |
Bell-shaped skirt | A bell-shaped skirt, flared noticeably from the waist but then, unlike a church bell, cylindrical for much of its length. | |
Circle skirt | A skirt cut in sections to make one or more circles with a hole for the waist, so the skirt is very full but hangs smoothly from the waist without darts, pleats, or gathers. | |
Culottes | A form of divided skirt, split skirt, or pantskirt constructed like a pair of shorts, but hanging like a skirt. [23] | |
Full skirt | A skirt with fullness gathered into the waistband. | |
Gored skirt | A skirt that fits through the waistline and flares at the hem. May be made of from four to twenty-four shaped sections. Dates from the 14th century and much used in the 19th century. Very popular in the late 1860s, mid-1890s, early 20th century, 1930s, 1940s, and now worn as a classic skirt style. [22] | |
Inverted pleated skirt | A skirt made by bringing two folds of fabric to a center line in front and/ or back. May be cut straight at sides or be slightly flared. Has been a basic type of skirt since the 1920s. [22] | |
Pleated skirt | A skirt with fullness reduced to fit the waist by means of regular pleats ('plaits') or folds, which can be stitched flat to hip-level or free-hanging. | |
Slit skirt/Split skirt | A skirt that has one or more slits (or splits). | |
Pencil skirt or straight skirt | A tailored skirt hanging straight from the hips and fitted from the waist to the hips by means of darts or a yoke. It may have a vent or kick-pleat set in the hem for ease of walking. | |
Underskirt | Simple, basic skirt over which an overskirt, or drapery, hangs. [22] | |
Wrap or wraparound skirt | A skirt that wraps around the waist with an overlap of material. |
Image | Name | Description |
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Ballerina skirt | A mid-calf full skirt popular in the 1950s. | |
Broomstick skirt | A light-weight ankle-length skirt with many crumpled pleats formed by compressing and twisting the garment while wet, such as around a broomstick. (1980s and on) | |
Bubble skirt | Also called tulip skirt or balloon skirt. A voluminous skirt whose hem is tucked back under to create a "bubble effect" at the bottom. Popular in the 1950s, 1980s and again in the 2010s. [22] | |
Cargo skirt | A plain utilitarian skirt with belt loops and numerous large pockets, based on the military style of cargo pants and popularised in the 1990s. | |
Crinoline | A very full skirt supported by hoops or multiple petticoats, popular at various times from the mid 19th century onwards. | |
Dirndl | A skirt in the Bavarian-Austrian dirndl style, made of a straight length of fabric gathered at the waist. The style derives from Tyrolean peasant costume. [22] | |
Denim skirt | A skirt made of denim, often designed like 5-pocket jeans, but found in a large variety of styles. | |
Godet skirt | A skirt with godets, triangular pieces of fabric inserted upward from the hem to create more fullness. Popular in the 1930s. [22] | |
Hobble skirt | A long and tight skirt with a hem narrow enough to significantly impede the wearer's stride. | |
Kilt-skirt | A wrap-around skirt with overlapping aprons in front and pleated around the back. Though traditionally designed as women's wear, it is fashioned to mimic the general appearance of a man's kilt. | |
Leather skirt | A skirt made of leather. | |
Lehenga | Also called Ghagra or Garara. A long, pleated skirt, often embroidered, worn mostly as the bottom part of the Gagra choli in North India and Pakistan. [24] | |
Mandala skirt | A skirt with a mandala motif. | |
Mini-crini | A mini-length version of the crinoline, designed by Vivienne Westwood in the mid 1980s. [25] | |
Poodle skirt | A poodle skirt is a circle or near-circle skirt with an appliqued poodle or other decoration (1950s) | |
Puffball skirt | Also called "puff" or "pouf". A bouffant skirt caught in at the hem to create a puffed silhouette. Popular in the mid-late 1980s when it was inspired by Westwood's "mini-crini". [26] | |
Rah-rah skirt/Cheerleader skirt | A short, tiered, and often colourful skirt fashionable in the early-mid-1980s. | |
Sarong | A square or rectangle of fabric wrapped around the body and tied on one hip to create a skirt that can be worn by both sexes | |
Samare | A long-skirted jacket, in which a loose jacket with extra frills hung down to the knees in the style of a gown. [27] [28] | |
Skort/scooter skirt | A skirt that has an attached pair of shorts underneath for modesty. Alternatively, but with similar effect, a pair of shorts incorporating a skirt-like flap across the front of the body. | |
Skater skirt | A short, high-waisted circle skirt with a hemline above the knee, often made of lighter materials to give the flowing effect that mimics the skirts of figure skaters. | |
Squaw dress | A one or two piece outfit based on Native American clothing. Fashionable in the 1940s and 50s. [29] | |
Swing skirt | A flared skirt, circular or cut in gores, fitted at hips with a wide flare at the hem. Popular in the late 1930s and at interval since. Very popular in the mid-1980s. [22] | |
T-skirt | A skirt made from a tee-shirt. The T-skirt is generally modified to result in a pencil skirt, with invisible zippers, full length two-way separating side zippers, as well as artful fabric overlays and yokes. | |
Tiered skirt | A skirt made of several horizontal layers, each wider than the one above, and divided by stitching. Layers may look identical in solid-colored garments, or may differ when made of printed fabrics. | |
Prairie skirt | Variant of a tiered skirt, a flared skirt with one or more flounces or tiers (1970s and on). | |
Trouser skirt | A straight skirt with the part above the hips tailored like men's trousers, with belt loops, pockets, and fly front. |
There are a number of garments marketed to men which fall under the category of "skirt" or "dress". These go by a variety of names and form part of the traditional dress for men from various cultures. Usage varies – the dhoti is part of everyday dress on the Indian subcontinent while the kilt is more usually restricted to occasional wear and the fustanella is used almost exclusively as costume. Robes, which are a type of dress for men, have existed in many cultures, including the Japanese kimono, the Chinese cheongsam, the Arabic thobe, and the African Senegalese kaftan. Robes are also used in some religious orders, such as the cassock in Christianity and various robes and cloaks that may be used in pagan rituals. Examples of men's skirts and skirt-like garments from various cultures include:
Aside from the wearing of kilts, in the Western world skirts, dresses, and similar garments are generally viewed exclusively as women's clothing which, historically, was not always the case. [31] However, some Western men have taken up skirts as forms of civil protest. [32] Other Western men advocate skirts as a measure of co-equality between women and men.[ citation needed ]
The skirt is a part of uniforms for girls in many schools around the world, with lengths varying depending on local culture. The pleated tartan skirt began as a component of girls' school uniforms in the early twentieth century in the United Kingdom. [33] Most UK schools now allow girls to wear trousers, but many girls still wear skirts in primary and secondary schools, even where the choice of trousers is given. In the late 20th and early 21st century, many schools began changing their uniform rules to allow trousers for girls amidst opposition to skirts-only policies - the most publicised possibly being Jo Hale vs Whickham Comprehensive in 2000. [34] Although it is commonly accepted that girls may wear trousers to school, no test case is known to have been brought before the courts, making the legal position uncertain on requiring skirts as part of girls' uniforms. The rule is still enforced in many schools, particularly independent and selective state schools. In fact, United Kingdom government guidelines expressly state the decision of allowing girls to wear trousers is with individual schools. [35]
In the 1980s in Puerto Rico, Ana Irma Rivera Lassén was not allowed to enter court in trousers and was told to wear a skirt. She sued the judge and won. [36]
In 2022, the United States Court of Appeals for the Fourth Circuit ruled against the Charter Day School in North Carolina, which had required girls to wear skirts due to the idea that girls are "fragile vessels" deserving "gentle" treatment from boys. The court ruled the requirement was unconstitutional. [37]
Since 2004, the International Skating Union has allowed women to wear trousers instead of skirts in competition if they wish. [38]
Many forms of dancing require women to wear skirts or dresses, either by convention or competition rules. In Scottish highland dancing, for example, women wear the Aboyne dress, which actually involves a skirt, for the national dances, and wear a kilt-based outfit for the Highland dances.
A kilt is a garment resembling a wrap-around knee-length skirt, made of twill-woven worsted wool with heavy pleats at the sides and back and traditionally a tartan pattern. Originating in the Scottish Highland dress for men, it is first recorded in the 16th century as the great kilt, a full-length garment whose upper half could be worn as a cloak. The small kilt or modern kilt emerged in the 18th century, and is essentially the bottom half of the great kilt. Since the 19th century, it has become associated with the wider culture of Scotland, and more broadly with Gaelic or Celtic heritage.
There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing, including the national dress of Japan, the kimono, and Western clothing, which encompasses all else not recognised as either national dress or the dress of another country.
A miniskirt is a skirt with its hemline well above the knees, generally at mid-thigh level, normally no longer than 10 cm (4 in) below the buttocks; and a dress with such a hemline is called a minidress or a miniskirt dress. A micro-miniskirt or microskirt is a miniskirt with its hemline at the upper thigh, at or just below crotch or underwear level.
Hakama are a type of traditional Japanese clothing. Originally stemming from Ku pinyin: Kù, the trousers worn by members of the Chinese imperial court in the Sui and Tang dynasties, this style was adopted by the Japanese in the form of hakama in the 6th century. Hakama are tied at the waist and fall approximately to the ankles. They are worn over a kimono specially adapted for wearing hakama, known as a hakamashita.
A coat is typically an outer garment for the upper body, worn by any gender for warmth or fashion. Coats typically have long sleeves and are open down the front, and closing by means of buttons, zippers, hook-and-loop fasteners, toggles, a belt, or a combination of some of these. Other possible features include collars, shoulder straps, and hoods.
A tunic is a garment for the torso, usually simple in style, reaching from the shoulders to a length somewhere between the hips and the ankles. It might have arm-sleeves, either short or full-length. Most forms have no fastenings. The name derives from the Latin tunica, the basic garment worn by both men and women in Ancient Rome, which in turn was based on earlier Greek garments that covered wearers' waists.
Fashion in the 1890s in Western countries is characterized by long elegant lines, tall collars, and the rise of sportswear. It was an era of great dress reforms led by the invention of the drop-frame safety bicycle, which allowed women the opportunity to ride bicycles more comfortably, and therefore, created the need for appropriate clothing.
1870s fashion in European and European-influenced clothing is characterized by a gradual return to a narrow silhouette after the full-skirted fashions of the 1850s and 1860s.
Clothing terminology comprises the names of individual garments and classes of garments, as well as the specialized vocabularies of the trades that have designed, manufactured, marketed and sold clothing over hundreds of years.
1840s fashion in European and European-influenced clothing is characterized by a narrow, natural shoulder line following the exaggerated puffed sleeves of the later 1820s and 1830s. The narrower shoulder was accompanied by a lower waistline for both men and women.
A pleat is a type of fold formed by doubling fabric back upon itself and securing it in place. It is commonly used in clothing and upholstery to gather a wide piece of fabric to a narrower circumference.
Fashion of the 1960s featured a number of diverse trends, as part of a decade that broke many fashion traditions, adopted new cultures, and launched a new age of social movements. Around the middle of the decade, fashions arising from small pockets of young people in a few urban centers received large amounts of media publicity, and began to heavily influence both the haute couture of elite designers and the mass-market manufacturers. Examples include the mini skirt, culottes, go-go boots, and more experimental fashions, less often seen on the street, such as curved PVC dresses and other PVC clothes.
Fashion in the period 1900–1909 in the Western world continued the severe, long and elegant lines of the late 1890s. Tall, stiff collars characterize the period, as do women's broad hats and full "Gibson Girl" hairstyles. A new, columnar silhouette introduced by the couturiers of Paris late in the decade signaled the approaching abandonment of the corset as an indispensable garment.
The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures, clothing indicated the social status of various members of society.
The 1910s in Western fashion encompasses styles from 1910 to 1919. Western fashion in this period carries influences from oriental and neoclassical inspirations as well as the subsequent effects of World War I. Over the decade, Women's fashion experienced a shift towards shorter hemlines and dropped waistlines in addition to the more practical garments necessitated by the war. In men's fashion, evening wear largely continued to adhere to previous conventions while trends in informal outerwear continued to evolve. During the period, shifts in fashion made way for styles associated with the Jazz Age of the 1920s.
Outside Western cultures, men's clothing commonly includes skirts and skirt-like garments; however, in the Americas and much of Europe, skirts are usually seen as feminine clothing and socially stigmatized for men and boys to wear, despite having done so for centuries. While there are exceptions, most notably the cassock and the kilt, these are not generally considered skirts in the typical sense of fashion wear; rather they are worn as cultural and vocational garments. People have variously attempted to promote the fashionable wearing of skirts by men in Western culture and to do away with this gender distinction.
A dress is a one-piece outer garment that is worn on the torso and hangs down over the legs and is primarily worn by women or girls. Dresses often consist of a bodice attached to a skirt.
Trousers, slacks, or pants are an item of clothing worn from the waist to anywhere between the knees and the ankles, covering both legs separately. In some parts of the United Kingdom, the word pants is ambiguous: it can mean underpants rather than trousers. Shorts are similar to trousers, but with legs that come down only to around the area of the knee, higher or lower depending on the style of the garment. To distinguish them from shorts, trousers may be called "long trousers" in certain contexts such as school uniform, where tailored shorts may be called "short trousers" in the UK.
Ruqun is a set of attire in Hanfu which consists of a short jacket typically called ru worn under a long Chinese skirt called qun. However, when use as a general term, ruqun can broadly describe a set of attire which consists of a separated upper garment and a wrap-around lower skirt, or yichang, in which yi means the "upper garment" and the chang means the "lower garment". In a broad sense, ruqun can include the shanqun and aoqun in its definition.