Draped garment

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Buddha in draped clothing. Gandhara Buddha (tnm).jpeg
Buddha in draped clothing.

A draped garment (draped dress) [1] is a garment that is made of a single piece of cloth that is draped around the body; drapes are not cut away or stitched as in a tailored garment. Drapes can be held to the body by means of knotting, pinning, fibulae, clasps, sashes, belts, tying drawstrings, or just plain friction and gravity alone. Many draped garments consist of only one single piece. [2] [3]

Contents

An advanced form of the garment is the tailored dress, which is constructed from fabric that has been cut into pieces and stitched together to fit various parts of the body. In comparison to draped dresses, they are more fitted to the body. [1]

History

Draping is a most ancient and widespread form of clothing. Many visual arts of the Romans and Indian sculptures, terracottas, cave paintings, and wood carvings (also shown in picture gallery) representing men and women show the same, unstitched clothes with various wrapping and draping styles.

Uttariya, and Antariya are few evident clothing items of draped garments from the Vedic period. Kasaya, another rectangular piece of the Buddhist robe, is a real example of the draped garment. Further evolved forms are Sari, and Odhni, etc. [4] [5] [6] [7] [8]

The kāṣāya also called jiāshā (Chinese: 袈裟), Kasaya consists of three pieces i.e. the saṃghāti the most visible part of the buddhist attire. It was worn over the upper robe (uttarāsaṅga). Uttarāsaṅga is a robe covering the upper body [9] that comes over the undergarment, or antarvāsa. The antarvāsa is the inner robe covering the lower body. The latter are covered with saṃghāti. [10]

Examples

More examples of draped clothing are:

Present day use

Haute couture

Wrapped and draped dresses continue to inspire many fashion designers. Madame Grès was a well-known French couturier known for her draping art. Her most notable work are so-called floor-length draped Grecian goddess gowns.[ citation needed ]

See also

Related Research Articles

Sari Womans draped garment of Indian Subcontinent

A sari or saree is a women's garment from the Indian subcontinent that consists of an unstitched drape varying from 4.5 to 9 yards in length and 600 to 1,200 millimetres in breadth that is typically wrapped around the waist, with one end draped over the shoulder, partly baring the midriff. It is traditionally worn in the countries of India, Pakistan, Bangladesh, Sri Lanka and Nepal. There are various styles of sari manufacture and draping, the most common being the Nivi style. The sari is worn with a fitted bodice commonly called a choli and a petticoat called ghagra, parkar, or ul-pavadai. It remains fashionable in the Indian Subcontinent today.

<i>Kurta</i> Various forms of loose and long shirts or tunics worn traditionally in South Asia

A kurta is a loose collarless shirt worn in many regions of South Asia, and now also worn around the world. Tracing its roots to Central Asian nomadic tunics, or upper body garments, of the late-ancient- or early-medieval era, the kurta has evolved stylistically over the centuries, especially in South Asia, as a garment for everyday wear as well as for formal occasions.

Dhoti Traditional garment worn by men in the Indian subcontinent

The dhoti, also known as veshti, vetti, dhuti, mardani, chaadra, dhotar, or Jaiñbohorpanchey, is a type of sarong, tied in a manner that outwardly resembles "loose trousers". It is a lower garment forming part of the national or ethnic costume for men in the Indian subcontinent. The dhoti is fashioned out of a rectangular piece of unstitched cloth, usually around 4.5 metres (15 ft) long, wrapped around the waist and the legs and knotted either in the front or the back. Dhotis come in plain or solid colours, silk dhotis with embroidered borders are considered to be formal wear. The dhoti is touted as the male counterpart of the sari worn by females to religious and secular ceremonies (functions).Pitambar is a yellow silk dhoti, worn on auspicious occasions.

Peplos Garment worn by women of Ancient Greece

A peplos is a body-length garment established as typical attire for women in ancient Greece by circa 500 BC, during the late Archaic and Classical period. It was a long, rectangular cloth with the top edge folded down about halfway, so that what was the top of the rectangle was now draped below the waist, and the bottom of the rectangle was at the ankle. The peplos was draped and open on one side of the body, like the Doric chiton.The garment was then gathered about the waist and the folded top edge pinned over the shoulders. The folded-down top of the cloth provided the appearance of a second piece of clothing.

Clothing in India is dependent upon the different ethnicities, geography, climate, and cultural traditions of the people of each region of India. Historically, male and female clothing has evolved from simple garments like kaupina, langota, achkan, lungi, sari, well as rituals and dance performances. In urban areas, western clothing is common and uniformly worn by people of all social levels. India also has a great diversity in terms of weaves, fibers, colours, and material of clothing. Sometimes, color codes are followed in clothing based on the religion and ritual concerned. The clothing in India also encompasses the wide variety of Indian embroidery, prints, handwork, embellishment, styles of wearing clothes. A wide mix of Indian traditional clothing and western styles can be seen in India.

Himation Mantle or wrap worn by ancient Greek men and women from the Archaic through the Hellenistic periods

A himation was a type of clothing, a mantle or wrap worn by ancient Greek men and women from the Archaic through the Hellenistic periods. It was usually worn over a chiton and/or peplos, but was made of heavier drape and played the role of a cloak or shawl. When the himation was used alone, without a chiton, and served both as a chiton and as a cloak, it was called an achiton. The himation was markedly less voluminous than the Roman toga. It was usually a large rectangular piece of woollen cloth. Many vase paintings depict women wearing a himation as a veil covering their faces.

Religious habit Distinctive set of garments worn by members of a religious order

A religious habit is a distinctive set of religious clothing worn by members of a religious order. Traditionally some plain garb recognizable as a religious habit has also been worn by those leading the religious eremitic and anchoritic life, although in their case without conformity to a particular uniform style.

Mundum neriyatum Traditional clothing

Mundum neriyatum is the traditional clothing of women in Kerala, a state in southwestern India. It is the oldest remnant of the ancient form of the sari which covered only the lower part of the body. In the mundum neriyatum, the most basic traditional piece is the mundu or lower garment which is the ancient form of the sari denoted in Malayalam as tuṇi, while the nēriyatu forms the upper garment the mundu. The mundum neriyatum consists of two pieces of cloth, and could be worn in either the traditional style with the nēriyatu tucked inside the blouse, or in the modern style with the nēriyatu worn over the left shoulder.

Uttariya Upper body garment of Vedic period

An uttariya is a loose piece of upper body clothing. It is a single piece of cloth that falls from the back of the neck to curl around both arms and could also drape the top half of the body. An Uttariya is similar to a veil, a long scarf and shawl.

<i>Kasaya</i> (clothing) Robes worn by fully-ordained Buddhist monks and nuns

Kāṣāya are the robes of fully ordained Buddhist monks and nuns, named after a brown or saffron dye. In Sanskrit and Pali, these robes are also given the more general term cīvara, which references the robes without regard to color.

History of clothing and textiles Study of fashion and clothing by period in time

The study of the history of clothing and textiles traces the development, use, and availability of clothing and textiles over human history. Clothing and textiles reflect the materials and technologies available in different civilizations at different times. The variety and distribution of clothing and textiles within a society reveal social customs and culture.

Clothing in the ancient world What people wore in antiquity as inferred from archaeological and historical evidence

The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures, clothing indicated the social status of various members of society.

Ghagra choli Traditional clothing of women from Indian Subcontinent

Ghagra choli,, is a type of ethnic clothing for women from Indian Subcontinent, notably in the Indian states of Rajasthan, Gujarat, Madhya Pradesh, Uttar Pradesh, Bihar, Haryana, Punjab, Himachal Pradesh, Uttarakhand, Jammu and Kashmir, as well as in the Pakistani provinces of Punjab and Sindh. In Punjab, the lehenga is traditionally worn with a kurti. It is a combination of the gagra or lehenga and the choli (blouse), however in contemporary and modern usage lehenga choli is the more popular and widely accepted term by fashion designers, trend setters, and boutiques in South Asia, since ghagra is synonymous with the half-slip worn as an undergarment below the sari.

Clothing in ancient Greece Clothing style in ancient Greece

Clothing in ancient Greece primarily consisted of the chiton, peplos, himation, and chlamys. Ancient Greek civilians typically wore two pieces of clothing draped about the body: an undergarment and a cloak.

Wrap (clothing)

In the context of clothing, a wrap can refer to a shawl or stole or other fabric wrapped about the upper body, or a simple skirt-type garment made by wrapping a piece of material round the lower body. Many people of all genders throughout the world wear wraps in everyday life, although in the West they are largely worn by women. They are sometimes sewn at the edges to form a tube which keeps the required size. A wrap may be secured by a corner being tucked beneath the wrapped material, by making a knot, or using ties, buttons or velcro.

Biblical clothing Clothing of the people in biblical times

The clothing of the people in biblical times was made from wool, linen, animal skins, and perhaps silk. Most events in the Old and New Testament take place in ancient Israel, and thus most biblical clothing is ancient Hebrew clothing. They wore underwear and cloth skirts.

History of clothing in the Indian subcontinent Aspect of history

History of clothing in the Indian subcontinent can be traced to the Indus Valley Civilization or earlier. Indians have mainly worn clothing made up of locally grown cotton. India was one of the first places where cotton was cultivated and used even as early as 2500 BCE during the Harappan era. The remnants of the ancient Indian clothing can be found in the figurines discovered from the sites near the Indus Valley Civilisation, the rock-cut sculptures, the cave paintings, and human art forms found in temples and monuments. These scriptures view the figures of human wearing clothes which can be wrapped around the body. Taking the instances of the sari to that of turban and the dhoti, the traditional Indian wears were mostly tied around the body in various ways.

An antariya is a lower body garment from ancient India. It is a long white or coloured strip of cotton passed through the legs, tucked at the back and covering the legs loosely, then flowing into long pleats at front of the legs.

Stanapatta Chest band

Stanapatta (Stanmasuka) was a loose wrap cloth for the upper body. It was a chest band used in ancient India. It was a simple upper garment of the females during the ancient time similar to the mamillare or strophium used by the Roman women. Stanapatta was a part of Poshak. Kālidāsa mentions kurpasika, another form of breastband that is synonymized with uttarasanga and stanapatta by him. Innerwears for lower parts were called nivi or nivi bandha. The Skandamata sculpture of Malhar depicts the use of stanapatta and kanchuki in ancient times.

Poshak Vedic term used for costumes

Poshak (पोशाक) is the Hindi term used for the complete attire used in the vedic period. As mentioned in Sanskrit literature and Buddhist Pali literature during the 6th century BC, the costumes belonging to the Vedic and post-Vedic period 1500 BCE to 350 BCE consisted of the antariya, which is the lower garment, the uttariya, which is a veil worn over the shoulder or the head, and the stanapatta, which is a chest band. The modernday Sari is one of the evolved poshak earlier known as Sattika that was single garment to wrap around the waist and cover the head.

References

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  2. Priest; Faiola-Priest, Theodora (1990). Guide to Clothing. McGraw-Hill School Division. p. 55. ISBN   978-0-07-050943-6.
  3. Beck, Astrid B. (1995). Fortunate the Eyes that See: Essays in Honor of David Noel Freedman in Celebration of His Seventieth Birthday. William B. Eerdmans Publishing Company. pp. 534, 540. ISBN   978-0-8028-0790-8.
  4. Tripathi, Ratikanta (1987). Social and Religious Aspects in Bengal Inscriptions. Firma KLM. p. 98.
  5. Biswas, A. (2017-09-15). Indian Costumes. Publications Division Ministry of Information & Broadcasting. ISBN   978-81-230-2564-3.
  6. "The history of sari: The nine yard wonder - Times of India". The Times of India. Retrieved 2021-01-21.
  7. Kumar, Ritu (2006). Costumes and Textiles of Royal India. Antique Collectors' Club. pp. 14, 16. ISBN   978-1-85149-509-2.
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  9. Monier-Williams, Sir Monier (2014-11-06). Buddhism, In its Connexion With Brahmanism and Hinduism, and In Its Contrast with Christianity. New York: Macmillan And Co.
  10. Rienjang, Wannaporn; Stewart, Peter (2020-09-02). The Global Connections of Gandhāran Art: Proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019. Classical Art Research Centre. p. 171. ISBN   978-1-78969-696-7.