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For other uses see: Basket (disambiguation)
A basket is a container that is traditionally constructed from stiff fibers, and can be made from a range of materials, including wood splints, runners, and cane. While most baskets are made from plant materials, other materials such as horsehair, baleen, or metal wire can be used. Baskets are generally woven by hand. Some baskets are fitted with a lid, while others are left open on top.
Baskets serve utilitarian as well as aesthetic purposes. Some baskets are ceremonial, that is religious, in nature. [1] While baskets are usually used for harvesting, storage and transport, [2] specialized baskets are used as sieves for a variety of purposes, including cooking, processing seeds or grains, tossing gambling pieces, rattles, fans, fish traps, and laundry.
Prior to the invention of woven baskets, people used tree bark to make simple containers. These containers could be used to transport gathered food and other items, but crumbled after only a few uses. Weaving strips of bark or other plant material to support the bark containers would be the next step, followed by entirely woven baskets. The last innovation appears to be baskets so tightly woven that they could hold water.[ citation needed ]
Depending on soil conditions, baskets may or may not be preserved in the archaeological record. Sites in the Middle East show that weaving techniques were used to make mats, and possibly also baskets, circa 8000 BCE.[ citation needed ] Twined baskets date back to 7000 [1] in Oasisamerica. Baskets made with interwoven techniques were common at 3000 BCE.
Baskets were originally designed as multi-purpose vessels to carry and store materials and to keep stray items about the home. The plant life available in a region affects the choice of material, which in turn influences the weaving technique. Rattan and other members of the Arecaceae or palm tree family, the thin grasses of temperate regions, and broad-leaved tropical bromeliads each require a different method of twisting and braiding to be made into a basket. The practice of basket making has evolved into an art. Artistic freedom allows basket makers a wide choice of colors, materials, sizes, patterns, and details.
The carrying of a basket on the head, particularly by rural women, has long been practiced. Representations of this in Ancient Greek art are called Canephorae.
The phrase "to hell in a handbasket" means to deteriorate rapidly. The origin of this use is unclear. "Basket" is sometimes used as an adjective for a person who is born out of wedlock. [3] This occurs more commonly in British English. "Basket" also refers to a bulge in a man's crotch. [3] The word “basket” is frequently used in the colloquial “don’t put all your eggs in one basket.” In this sense, the basket is a metaphor for a chance at success.
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Basket makers use a wide range of materials, including:
Esparto, halfah grass, or esparto grass is a fiber produced from two species of perennial grasses of north Africa, Spain and Portugal. It is used for crafts, such as cords, basketry, and espadrilles. Stipa tenacissima and Lygeum spartum are the species used to produce esparto.
A straw hat is a wide-brimmed hat woven out of straw or straw-like synthetic materials. Straw hats are a type of sun hat designed to shade the head and face from direct sunlight, but are also used in fashion as a decorative element or a uniform.
Wicker is a method of weaving used to make products such as furniture and baskets, as well as a descriptor to classify such products. It is the oldest furniture making method known to history, dating as far back as c. 3000 BC. Wicker was first documented in ancient Egypt, then having been made from pliable plant material, but in modern times it is made from any pliable, easily woven material. The word wicker or "wisker" is believed to be of Scandinavian origin: vika, which means "to fold" in Swedish. Wicker is traditionally made of material of plant origin, such as willow, rattan, reed, and bamboo, though the term also applies to products woven from synthetic fibers. Wicker is light yet sturdy, making it suitable for items that will be moved often like porch and patio furniture. Rushwork and wickerwork are terms used in England. A typical braiding pattern is called Wiener Geflecht, Viennese Braiding, as it was invented in 18th century Vienna and later most prominently used with the Thonet coffeehouse chair.
Basket weaving is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even furniture. Craftspeople and artists specialized in making baskets may be known as basket makers and basket weavers. Basket weaving is also a rural craft.
The history of art stretches back centuries to ancient times, but the most famous period is undoubtedly the Khmer art of the Khmer Empire (802–1431), especially in the area around Angkor and the 12th-century temple-complex of Angkor Wat, initially Hindu and subsequently Buddhist. After the collapse of the empire, these and other sites were abandoned and overgrown, allowing much of the era's stone carving and architecture to survive to the present day. Traditional Cambodian arts and crafts include textiles, non-textile weaving, silversmithing, stone carving, lacquerware, ceramics, wat murals, and kite-making.
Korean paper or hanji (Korean: 한지) refers to traditional handmade paper from Korea. Hanji is made from the inner bark of the paper mulberry, a tree native to Korea that grows well on its rocky mountainsides. Another crucial material used in its creation is the mucilage that oozes from the roots of Hibiscus manihot. This substance helps suspend the individual fibers in water.
Mike Dart is a Native American basket weaver and citizen of the Cherokee Nation, who lives in Oklahoma.
Alaska Native cultures are rich and diverse, and their art forms are representations of their history, skills, tradition, adaptation, and nearly twenty thousand years of continuous life in some of the most remote places on earth. These art forms are largely unseen and unknown outside the state of Alaska, due to distance from the art markets of the world.
The visual arts of the Indigenous peoples of the Americas encompasses the visual artistic practices of the Indigenous peoples of the Americas from ancient times to the present. These include works from South America and North America, which includes Central America and Greenland. The Siberian Yupiit, who have great cultural overlap with Native Alaskan Yupiit, are also included.
Salish are skilled weavers and knitters of the Pacific Northwest. They are most noted for their beautiful twill blankets many of which are very old. The adoption of new fabrics, dyes, and weaving techniques allow us to study a wide variety of Salish weavings today.
The pasiking is the indigenous basket-backpack found among the various ethno-linguistic groups of Northern Luzon in the Philippines. Pasiking designs have sacred allusions, although most are purely aesthetic. These artifacts, whether handwoven traditionally or with contemporary variations, are considered exemplars of functional basketry in the Philippines and among Filipinos.
Resin wicker, also known as all-weather wicker, is a type of heavy-duty textile made from synthetic resin, such as polyethylene, and woven to imitate traditional wicker.
The textile arts of the Indigenous peoples of the Americas are decorative, utilitarian, ceremonial, or conceptual artworks made from plant, animal, or synthetic fibers by Indigenous peoples of the Americas.
Baleen basketry is a particular type of basketry, an Alaska Native art made from whale baleen developed in Barrow, Point Hope, and Wainwright, Alaska by North Alaskan Iñupiaq people. Created at the dawn of the 20th century, the baskets made with baleen were based on willow-root prototypes. Thin strips of baleen are cut and attached to ivory disks at the start. A coiling method is used to sew baleen bands together, ending with a carved ivory knob on the handle. Most baleen baskets are made by men for sale to tourists, but over time distinctive styles have developed, and since the 1970s more women have become involved in what was originally a predominantly male occupation. Expertly carved finials made by the Siberian Yupik of the St. Lawrence Island and Iñupiaq of the King Island are often used as the handles.
Basketry of Mexico has its origins far into the pre Hispanic period, pre-dating ceramics and the domestication of crops. By the time the Spanish arrived, there were a number of indigenous forms, a number of which are still made today. These and products that the Spanish introduced form the combined tradition that remains today. Like other Mexican handcrafts, sales to tourists and collectors is important, but basketry is not as popular as other handcrafts. Basketry techniques and materials vary from region to region depending on the vegetation available, with important traditions in Sonora, State of Mexico, Michoacán, Veracruz, Oaxaca and the Yucatán Peninsula.
Bambooworking is the activity or skill of making items from bamboo, and includes architecture, carpentry, furniture and cabinetry, carving, joinery, and weaving. Its historical roots in Asia span cultures, civilizations, and millennia, and is found across East, South, and Southeast Asia.
Bamboo weaving is a form of bambooworking and a traditional Japanese craft, with a range of different applications, weaving styles and appearances. Japanese bamboo weaving is particularly well known for its use in basket weaving.
Lisa Telford is a Git'ans Git'anee Haida weaver who creates contemporary garments, shoes and other objects using Northwest Coast style weaving techniques. Her work serves as a commentary on Native identity, stereotypes and fashion.
Lena Frank Dick was a Washoe basket maker best known for her tight weaves and figurative designs. Her baskets were primarily aesthetic as opposed to utilitarian.
Appalachian folk art is a regional form of folk art based in the Appalachian region in the United States. In an article about the contemporary form of this art, Chuck Rosenak stated, "the definition of folk art is obscure". Folk art is a way to convey the feelings and mannerisms of cultures through handmade visual art and communicates a message to the observer. Though folk art itself was brought to the Americas by Europeans, it has adapted to each region and has cultivated traditions in each region.