In archaeology, cave paintings are a type of parietal art, found on the wall or ceilings of caves. The term usually implies prehistoric origin. These paintings were often created by Homo sapiens, but also Denisovans and Neanderthals; other species in the same Homo genus. Discussion around prehistoric art is important in understanding the history of the Homo sapiens species and how Homo sapiens have come to have unique abstract thoughts. Some point to these prehistoric paintings as possible examples of creativity, spirituality, and sentimental thinking in prehistoric humans.
In the history of art, prehistoric art is all art produced in preliterate, prehistorical cultures beginning somewhere in very late geological history, and generally continuing until that culture either develops writing or other methods of record-keeping, or makes significant contact with another culture that has, and that makes some record of major historical events. At this point ancient art begins, for the older literate cultures. The end-date for what is covered by the term thus varies greatly between different parts of the world.
Cup and ring marks or cup marks are a form of prehistoric art found in the Atlantic seaboard of Europe (Ireland, Wales, Northern England, Scotland, France, Portugal, and Spain – and in Mediterranean Europe – Italy, Azerbaijan and Greece, as well as in Scandinavia and in Switzerland.
In archaeology, rock art is human-made markings placed on natural surfaces, typically vertical stone surfaces. A high proportion of surviving historic and prehistoric rock art is found in caves or partly enclosed rock shelters; this type also may be called cave art or parietal art. A global phenomenon, rock art is found in many culturally diverse regions of the world. It has been produced in many contexts throughout human history. In terms of technique, the four main groups are:
Saharan rock art is a significant area of archaeological study focusing on artwork carved or painted on the natural rocks of the central Sahara desert. The rock art dates from numerous periods starting c. 12,000 years ago, and is significant because it shows the culture of ancient African societies.
Gobustan State Historical and Cultural Reserve is located west of the settlement of Gobustan, about 40 miles (64 km) southwest of the centre of Baku. It was established in 1966, when the area was declared a national historical landmark of Azerbaijan in an attempt to preserve the prehistoric rock carvings, mud volcanoes and musical stones in the region.
The Edakkal caves are two natural caves at a remote location at Edakkal, 25 km (15.5 mi) from Kalpetta in the Wayanad district of Kerala in India. They lie 1,200 m (3,900 ft) above sea level on Ambukutty Mala, near an ancient trade route connecting the high mountains of Mysore to the ports of the Malabar Coast. Inside the caves are pictorial writings believed to date to at least 6,000 BCE, from the Neolithic man, indicating the presence of a prehistoric settlement in this region. The Stone Age carvings of Edakkal are rare and are the only known examples from South India besides those of Shenthurini, Kollam, also in Kerala. The cave paintings of Shenthurini (Shendurney) forests in Kerala are of the Mesolithic era.
The International Federation of Rock Art Organizations (IFRAO) is a coordinating body of 60 organizations concerned with prehistoric rock art.
Sydney rock engravings, or Sydney rock art, are a form of Australian Aboriginal rock art in the sandstone around Sydney, New South Wales, Australia, that consist of carefully drawn images of people, animals, or symbols. Many thousands of such engravings are known to exist in the Sydney region, although the locations of most are not publicised to prevent damage by vandalism, and to retain their sanctity, as they are still regarded as sacred sites by Indigenous Australians. There are two art environments in Sydney Basin, rock shelters and engraving sites.
The rock drawings in Valcamonica are located in the Province of Brescia, Italy, and constitute the largest collections of prehistoric petroglyphs in the world. The collection was recognized by UNESCO in 1979 and was Italy's first recognized World Heritage Site. UNESCO has formally recognized more than 140,000 figures and symbols, but new discoveries have increased the number of catalogued incisions to between 200,000 and 300,000. The petroglyphs are spread on all surfaces of the valley, but concentrated in the areas of Darfo Boario Terme, Capo di Ponte, Nadro, Cimbergo and Paspardo.
The art of the Upper Paleolithic represents the oldest form of prehistoric art. Figurative art is present in Europe and Southeast Asia, beginning between about 40,000 to 35,000 years ago. Non-figurative cave paintings, consisting of hand stencils and simple geometric shapes, are somewhat older, at least 40,000 years old, and possibly as old as 64,000 years. This latter estimate is due to a controversial 2018 study based on uranium-thorium dating, which would imply Neanderthal authorship and qualify as art of the Middle Paleolithic.
The Vallée des Merveilles, also known in Italian as the Valle delle Meraviglie, is a part of the Mercantour National Park in southern France. It holds the largest quantity of open-air Bronze Age petroglyphs in Europe, after Val Camonica in Italy, and is given special note for the area's inclusion for the European Diploma of Protected Areas.
Aboriginal sites of New South Wales consist of a large number of places in the Australian state of New South Wales where it is still possible to see visible signs of the activities and culture of the Australian Aboriginals who previously occupied these areas.
Petroglyph Canyon (24CB601) is an archaeologically significant canyon in the northwestern United States. Located on both sides of the border between Montana and Wyoming, the canyon has long been obscure due to its small size. However, it gained substantial attention in the late 20th century because of its numerous prehistoric petroglyphs, and much of it was named a historic site in the 1970s.
Cueva del Agua is a small village of the Spanish municipality of Garafia in the north-east of the island of La Palma, province of Santa Cruz de Tenerife, in the Canary Islands off the Moroccan coast.
Rock art in Iran includes archaeological petroglyphs, or carving in rock; pictographs, or painting on rock; and rock reliefs. Large numbers of prehistoric rock art, more than 50,000, have been discovered in Iran.
The Ambadevi rock shelters are part of an extensive cave site, where the oldest yet known traces of human life in the central province of the Indian subcontinent were discovered. The site is located in the Satpura Range of the Gawilgarh Hills in Betul District of the Indian state of Madhya Pradesh, north of Dharul village in Amravati district of Maharashtra. Studies of various rock paintings and petroglyphs present in the caves suggest, that the Ambadevi rock shelters were inhabited by prehistoric human settlers since around 25,000 years ago. First discoveries of clusters of numerous rock shelters and caves were made by Vijay Ingole and his team beginning on 27 January 2007. Named after the nearby ancient Ambadevi Cave Temple, the site has also been referred to as the Satpura-Tapti valley caves and the Gavilgarh-Betul rock shelters. The Ambadevi rock shelters rank among the most important archaeological discoveries of the early 21st Century in India, on par with the 20th Century discovery of the Bhimbetka rock shelters.
Gobustan Rock Art represents flora and fauna, hunting, lifestyles, and culture of pre-historic and medieval periods of time. The carvings on the rocks illustrates men, ritual dances, men with lances in their hands, animals, bull fights, camel caravans, and pictures of the sun and stars. The date of these carvings goes back to 5,000 – 20,000 years before present.
