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Creswell Crags | |
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Location | Creswell, Derbyshire |
Coordinates | 53°15′49″N1°11′38″W / 53.26361°N 1.19389°W |
Geology | Limestone |
Creswell Crags is an enclosed limestone gorge on the border between Derbyshire and Nottinghamshire, England, near the villages of Creswell and Whitwell. The cliffs in the ravine contain several caves that were occupied during the last ice age, between around 43,000 and 10,000 years ago. Its caves contain the northernmost cave art in Europe. The evidence of occupation found in the rich series of sediments that accumulated over many thousands of years is regarded as internationally unique in demonstrating how prehistoric people managed to live at the extreme northernmost limits of their territory during the Late Pleistocene period. [1] [2]
The caves contain occupation layers with evidence of flint tools from the Mousterian, proto-Solutrean, Creswellian and Maglemosian cultures. They were seasonally occupied by nomadic groups of people during the Upper Palaeolithic and Mesolithic periods. Evidence of Neolithic, Bronze Age, Roman and post-medieval activity has also been found there. There is evidence of Neanderthal occupation 50,000–60,000 years ago, a brief Gravettian occupation around 32,000 years ago and use of all the main caves during the Magdalenian around 14,000 years ago. [3]
The site is open to the public and has a visitor centre with a small museum of objects associated with the caves, including a stuffed cave hyena. As a result of its unique features, Creswell Crags has been designated as a Site of Special Scientific Interest (SSSI). [4] It has also been put forward as a potential World Heritage Site.
Before Creswell village was built around the colliery in the late 19th century, there were only farms around the entrance to the Crags. The local Anglo Saxon villages were Whitwell, Elmton and Thorpe (Salvin). Creswell was the name of the farm nearest to the colliery site, and so a drop-off point for materials used in the building of the colliery. At that time Creswell Crags was known locally as Whitwell Crags. The Crags may be what was referred to by the Anglo Saxon poets who recorded King Alfred's grandson, King Edmund, conquering the 5 boroughs from the Viking Earls in 942 AD, reaching as far as Dore and "Hwitan Wylles Geat" (the Whitwell Gap).
The most occupied caves were:
A bone engraved with a horse's head and other worked bone items along with the remains of a variety of prehistoric animals have been found in excavations since 1876, including hyenas and hippopotami. The "Ochre Horse" was found on 29 June 1876 at the back of the western chamber in the Robin Hood Cave. [7]
In 2003, the Ochre Horse was estimated to be between 11,000 and 13,000 years old. [8]
In April 2003, engravings and bas-reliefs were found on the walls and ceilings of some of the caves, an important find as it had previously been thought that no British cave art existed. The discoveries, made by Paul Bahn, Sergio Rippoll and Paul Pettitt, included an animal originally identified as an ibex but later confirmed as a stag. These, and subsequent finds included carvings on the ceiling of Church Hole Cave, have made Creswell a site of international importance. [9] The finds are the most northerly yet discovered in Europe. Their subject matter includes representations of animals including bison and, arguably, several different bird species. Some workers, however, consider that the "bird" figures are more likely to be female anthropomorphs. The engravers seem to have made use of the naturally uneven cave surface in their carvings and it is likely that they relied on the early-morning sunlight entering the caves to illuminate the art.
Thin layers of calcium carbonate flowstone overlaying some of the engravings were dated using the uranium-series disequilibrium method, which showed the oldest of these flowstones to have formed at least 12,800 years ago. [8] This provides a minimum age for the underlying engraving. The scientists and archaeologists concluded that it was most likely the engravings were contemporary with evidence for occupation at the site during the late glacial interstadial around 13,000–15,000 years ago. Most of the engravings are found in Church Hole Cave on the Nottinghamshire side of the gorge. Since this discovery, however, an engraved reindeer from a cave on the Gower Peninsula has yielded two minimum dates (through uranium-series dating) of 12,572 years BP and 14,505 years BP. [10]
Not all of the figures identified as prehistoric art are in fact human made. An example given by archaeologists Paul Bahn and Paul Pettitt is the 'horse-head', Which they say is "highly visible and resembles a heavily maned horse-head... lacks any trace of work: it is a combination of erosion, black stains for the head, and natural burrow cast reliefs for the mane." Others are a 'bison-head' which they think may be natural and a 'bear' image which "lacks any evidence of human work." Notwithstanding they believe that more figures may be discovered in the future. [11]
The site was the subject of the BBC Radio 4 documentaries Unearthing Mysteries, Nature and Drawings on the Wall, and featured in the 2005 BBC Two television programme Seven Natural Wonders , as one of the wonders of the Midlands. In the Drawings on the Wall (Episode 1) Dr Paul Pettitt was interviewed about the so-called 'naked ladies' engravings in Church Hole Cave.[ citation needed ]
Creswell Crags first applied for World Heritage Site status in 1986, but was unsuccessful. Since then further research and development has been carried out and, in 2011, it was again put forward for consideration. [12] In 2012 it was added to the United Kingdom's 'tentative list' – an essential prerequisite to formal nomination, evaluation and potential inscription as a World Heritage Site. [1] [13] The Tentative List identifies the universal outstanding value of Creswell Crags as being:
- The outstanding landscape of a narrow limestone gorge containing a complex of caves having long-intact palaeoenvironmental cave and gorge sediment sequences, containing rich cultural archaeological remains as well as diverse animal bone, plant macro- and micro-fossil assemblages
- In situ Palaeolithic rock art on the walls and ceilings of caves, dated directly to 13,000 years ago, providing direct cultural associations with Late Magdalenian human groups operating at extreme northern latitudes [1]
In addition, Creswell Crags' significance has been enhanced by the discovery of a number of pieces of portable art made of engraved bone – the UK's only known figurative Ice Age art – as well as assemblages of bone, stone and ivory tools. [1]
The Red "Lady" of Paviland is an Upper Paleolithic partial male skeleton dyed in red ochre and buried in Wales 33,000 BP. The bones were discovered in 1823 by William Buckland in an archaeological dig at Goat's Hole Cave which is a limestone cave between Port Eynon and Rhossili on the Gower Peninsula, near Swansea in south Wales. Buckland believed the skeleton was a Roman era female. Later, William Solace examined Goat's Cave Paviland in 1912. There, Solace found flint arrow heads and tools and correctly concluded that the skeleton was in fact a male hunter-gatherer or warrior during the last Ice Age.
In archaeology, cave paintings are a type of parietal art, found on the wall or ceilings of caves. The term usually implies prehistoric origin. These paintings were often created by Homo sapiens, but also Denisovans and Neanderthals; other species in the same Homo genus. Discussion around prehistoric art is important in understanding the history of the Homo sapiens species and how Homo sapiens have come to have unique abstract thoughts. Some point to these prehistoric paintings as possible examples of creativity, spirituality, and sentimental thinking in prehistoric humans.
The Chauvet-Pont-d'Arc Cave in the Ardèche department of southeastern France is a cave that contains some of the best-preserved figurative cave paintings in the world, as well as other evidence of Upper Paleolithic life. It is located near the commune of Vallon-Pont-d'Arc on a limestone cliff above the former bed of the river Ardèche, in the Gorges de l'Ardèche.
The Creswellian is a British Upper Palaeolithic culture named after the type site of Creswell Crags in Derbyshire by Dorothy Garrod in 1926. It is also known as the British Late Magdalenian. According to Andreas Maier: "In current research, the Creswellian and Hamburgian are considered to be independent but closely related entities which are rooted in the Magdalenian." The Creswellian is dated between 13,000 and 11,800 BP and was followed by the most recent ice age, the Younger Dryas, when Britain was at times unoccupied by humans.
Magdalenian cultures are later cultures of the Upper Paleolithic and Mesolithic in western Europe. They date from around 17,000 to 12,000 years ago. It is named after the type site of La Madeleine, a rock shelter located in the Vézère valley, commune of Tursac, in France's Dordogne department.
Font-de-Gaume is a cave near Les Eyzies-de-Tayac-Sireuil in the Dordogne department of south-west France. The cave contains prehistoric polychrome cave paintings and engravings dating to the Magdalenian period. Discovered in 1901, more than 200 images have been identified in Font-de-Gaume. Along with other nearby prehistoric archeological sites, Font-de-Gaume was inscribed on the UNESCO World Heritage List in 1979 as the Prehistoric Sites and Decorated Caves of the Vézère Valley.
The art of the Upper Paleolithic represents the oldest form of prehistoric art. Figurative art is present in Europe and Southeast Asia, beginning around 50,000 years ago. Non-figurative cave paintings, consisting of hand stencils and simple geometric shapes, are somewhat older, at least 40,000 years old, and possibly as old as 64,000 years. This latter estimate is due to a controversial 2018 study based on uranium-thorium dating, which would imply Neanderthal authorship and qualify as art of the Middle Paleolithic.
The Prehistoric Sites and Decorated Caves of the Vézère Valley is a UNESCO World Heritage Site in France since 1979. It specifically lists 15 prehistoric sites in the Vézère valley in the Dordogne department, mostly in and around Les Eyzies-de-Tayac-Sireuil, which has been called the "Capital of Prehistory". This valley is exceptionally rich in prehistoric sites, with more than 150 known sites including 25 decorated caves, and has played an essential role in the study of the Paleolithic era and its art. Three of the sites are the namesakes for prehistoric periods; the Micoquien, Mousterian, and Magdalenian. Furthermore, the Cro-Magnon rock shelter gave its name to the Cro-Magnon, the generic name for the European early modern humans. Many of the sites were discovered or first recognised as significant and scientifically explored by the archaeologists Henri Breuil and Denis Peyrony in the early twentieth century, while Lascaux, which has the most exceptional rock art of these, was discovered in 1940.
Cro-Magnons or European early modern humans (EEMH) were the first early modern humans to settle in Europe, migrating from western Asia, continuously occupying the continent possibly from as early as 56,800 years ago. They interacted and interbred with the indigenous Neanderthals of Europe and Western Asia, who went extinct 40,000 to 35,000 years ago. The first wave of modern humans in Europe left no genetic legacy to modern Europeans; however, from 37,000 years ago a second wave succeeded in forming a single founder population, from which all subsequent Cro-Magnons descended and which contributes ancestry to present-day Europeans. Cro-Magnons produced Upper Palaeolithic cultures, the first major one being the Aurignacian, which was succeeded by the Gravettian by 30,000 years ago. The Gravettian split into the Epi-Gravettian in the east and Solutrean in the west, due to major climatic degradation during the Last Glacial Maximum (LGM), peaking 21,000 years ago. As Europe warmed, the Solutrean evolved into the Magdalenian by 20,000 years ago, and these peoples recolonised Europe. The Magdalenian and Epi-Gravettian gave way to Mesolithic cultures as big game animals were dying out and the Last Glacial Period drew to a close.
Les Combarelles is a cave in Les Eyzies de Tayac, Dordogne, France, which was inhabited by Cro-Magnon people between approximately 13,000 to 11,000 years ago. Holding more than 600 prehistoric engravings of animals and symbols, the two galleries in the cave were crucial in the re-evaluation of the mental and technical capabilities of these prehistoric humans around the turn of the 20th century. In 1979, along with other nearby paleolithic sites and cave paintings, the cave was inscribed on the UNESCO World Heritage List as part of the Prehistoric Sites and Decorated Caves of the Vézère Valley.
The Wolverine pendant of Les Eyzies is a bone pendant decorated with an engraved drawing of a wolverine, probably from the cave of Les Eyzies, Dordogne, France. The pendant is from the late Magdalenian period and around 12,500 years old. It now forms part of the Christy Collection in the British Museum, where it is normally on display in Room 2. Between 7 February - 26 May 2013 it was displayed in the exhibition at the British Museum Ice Age Art: Arrival of the Modern Mind
The Robin Hood Cave Horse is a fragment of a rib engraved with a horse's head, discovered in 1876, in the Robin Hood Cave in Creswell Crags, Derbyshire. It is the only piece of Upper Paleolithic portable art showing an animal to have been found in Britain. It is now in the British Museum, but normally not on display. In 2013, it was displayed in the exhibition at the British Museum Ice Age Art: Arrival of the Modern Mind. A replica of the artifact is displayed at the Creswell Crags Museum.
Kendrick's Cave on the Great Orme, Llandudno, Wales, was the site of important archaeological finds by Thomas Kendrick in 1880. The site is a small natural cavern on the south of the Great Orme Head, a limestone massif on the seaward side of Llandudno.
The Pinhole Cave Man or Pin Hole Cave Man is the common name for an engraving of a human figure on a woolly rhinoceros rib bone dating to the Upper Paleolithic that is now in the British Museum. In 1926, a woolly rhinoceros rib that was broken at both ends was found in Pin Hole Cave, Creswell Crags, Derbyshire, England.
Paul Barry Pettitt, FSA is a British archaeologist and academic. He specialises in the Palaeolithic era, with particular focus on claims of art and burial practices of the Neanderthals and Pleistocene Homo sapiens, and methods of determining the age of artefacts from this time. Since 2013, he has been Professor of Archaeology at Durham University. He previously taught at Keble College, Oxford and the University of Sheffield.
The abri de Cap Blanc is a prehistoric limestone rock shelter with Magdalenian animal sculptures. It is in the Marquay commune on the right bank of the Beune River, a few kilometers west of Eyzies-de-Tayac, in Dordogne.
The Vogelherd Cave is located in the eastern Swabian Jura, south-western Germany. This limestone karst cave came to scientific and public attention after the 1931 discovery of the Upper Palaeolithic Vogelherd figurines, attributed to paleo-humans of the Aurignacian culture. These miniature sculptures made of mammoth ivory rank among the oldest uncontested works of art of mankind. Because of the cultural importance of these sculptures and the cave's testimony to the development of Paleolithic art and culture, in 2017 the site became part of the UNESCO World Heritage Site called Caves and Ice Age Art in the Swabian Jura.
The La Garma cave complex is a parietal art-bearing paleoanthropological cave system in Cantabria, Spain. It is located just north of the village of Omoño, part of the municipality of Ribamontán al Monte. The cave complex is noted for one of the best preserved floors from the Paleolithic containing more than 4,000 fossils and more than 500 graphical units. It is part of the Cave of Altamira and Paleolithic Cave Art of Northern Spain World Heritage Site.
The small Sirgenstein Cave, ‹See Tfd›German: Sirgensteinhöhle is situated 565 m (1,854 ft) above sea level inside the 20 m (66 ft) high Sirgenstein, a limestone rock. The cave sits 35 m (115 ft) above the Ach River valley bottom in the central Swabian Jura, southern Germany. Archaeologist R. R. Schmidt excavated the site in 1906 during which he identified indices of prehistoric human presence. He recorded the complete stratigraphic sequence of Palaeolithic and Neolithic origin. In his 1910 analysis Schmidt inspired future archaeologists with his pioneering concept of including the excavation site within its geographic region, contextualizing it within a wide scientific spectrum and demonstrated valuable results as he correlated the Sirgenstein layer structure to those of prehistoric sites in France. Mammoth ivory beads dating from 39,000 to 35,000 years ago have been uncovered at the cave. Because of its historical and cultural significance and its testimony to the development of Paleolithic art, the cave was inscribed on the UNESCO World Heritage List as part of the Caves and Ice Age Art in the Swabian Jura site in 2017.