In the West, the cassock is little used today except for religious services, save for traditionalist and those other Catholic clergy and religious who continue to wear the cassock as their standard attire. However, in many countries it was the normal everyday wear of the clergy until the 1960s, when it was largely replaced by clerical suits, distinguished from lay dress by being generally black and by a black shirt incorporating a clerical collar.
The word cassock comes from Middle Frenchcasaque, meaning a long coat. In turn, the Old French word may come ultimately from Turkishkazak (nomad, adventurer– the source of the word Cossack), an allusion to their typical riding coat, or from Persianکژاغندkazhāgand (padded garment) – کژkazh (raw silk) + آغندāgand (stuffed).[1] The name was originally specially applied to the dress worn by soldiers and horsemen, and later to the long garment worn in civil life by both men and women. As an ecclesiastical term, the word cassock came into use somewhat late (as a translation of the old names of subtanea, vestis talaris, toga talaris, or tunica talaris), being mentioned in Canon LXXIV (74) of the Anglican1604 Canons;[2] and it is in this sense alone that it now survives.
The word soutane is a French word, coming from Latinsubtana, the adjectival form of subtus (beneath).[3]
The cassock (or soutane) comes in a number of styles or cuts, though no particular symbolism attaches to these. A Roman cassock often has a series of buttons down the front. In some English-speaking countries these buttons may be merely ornamental, with a concealed fly-front buttoning, known as a Chesterfield front, used to fasten the garment. A French cassock also has buttons sewn to the sleeves after the manner of a suit, and a slightly broader skirt. An Ambrosian cassock has a series of only five buttons under the neck, with a sash on the waist. A Jesuit cassock, in lieu of buttons, has a fly fastened with hooks at the collar and is bound at the waist with a cincture knotted on the right side.
The 1969 Instruction on the dress of prelates stated that for all of them, even cardinals, the dress for ordinary use may be a simple black cassock without coloured trim.[5]
A band cincture or sash, known also as a fascia, may be worn with the cassock. The Instruction on the dress of prelates specifies that the two ends that hang down by the side have silk fringes, abolishing the sash with tassels.[6] A black faille fascia is worn by priests, deacons, and major seminarians, while a purple faille fascia is used by bishops, protonotaries apostolic, honorary prelates, and chaplains of His Holiness, when wearing a cassock with coloured trim. A black watered-silk fascia is permitted for priests attached to the papal household, a purple watered-silk fascia for bishops attached to the papal household (for example, Apostolic Nuncios), and a scarlet watered-silk fascia for cardinals. The Pope wears a white watered-silk fascia, sometimes with his coat of arms on the ends.
In choir dress, chaplains of His Holiness wear their purple-trimmed black cassocks with a cotta, but bishops, protonotaries apostolic, and honorary prelates use (with a cotta or, in the case of bishops, a rochet and mozzetta) cassocks that are fully purple (this purple corresponds more closely with a Roman purple and is approximated as fuchsia) with scarlet trim, while those of cardinals are fully scarlet with scarlet trim. Cardinals have the additional distinction of having both choir cassock sleeves and the fascia made of scarlet watered-silk. The cut of the choir cassock is still a Roman-cut or French-cut Roman cassock.
In the past, a cardinal's cassock was made entirely of watered silk, with a train that could be fastened at the back of the cassock. This train was abolished by the motu proprioValde solliciti of Pope Pius XII with effect from 1 January 1953.[7] With the same motu proprio, the Pope ordered that the violet cassock (then used in penitential periods and in mourning) be made of wool, not silk,[8] and in February 1965, under Pope Paul VI, a circular of the Sacred Ceremonial Congregation abolished the use of watered silk also for the red cassock.[9]
An elbow-length shoulder cape, open in front, is sometimes worn with the cassock, either fixed to it or detachable. It is known as a pellegrina. It is distinct from the mozzetta, which is buttoned in front and is worn over a rochet.
The general rule of the Roman Catholic Church is that the pellegrina may be worn with the cassock by cardinals and bishops.[10] In 1850, the year in which he restored the Catholic hierarchy in England and Wales, Pope Pius IX was understood to grant to all priests there the privilege of wearing a replica in black of his own white caped cassock.[11] Since then, the wearing of the pellegrina with the cassock has been a sign of a Roman Catholic priest in England and Wales, Scotland, Ireland, Australia, and New Zealand, although sometimes imitated by Anglican priests.
In his 1909 book, Costume of Prelates of the Catholic Church, John Abel Felix Prosper Nainfa proposed[12] the use of the English word "simar", instead of the word "cassock", for the garment with shoulder cape, which he treated as distinct from the cassock proper. Others too have made the same distinction between the "simar" (with pellegrina) and the "cassock" (without), but many scholars disagree with Nainfa's distinction.[13] More particularly, documents of the Holy See make no such distinction, using the term cassock or vestis talaris whether a pellegrina is attached or is not. Thus the 1969 instruction states that, for cardinals and bishops, "the elbow-length cape, trimmed in the same manner as this cassock, may be worn over it".[10]Cassock, rather than simar, is the term that is usually applied to the dress of Popes and other Catholic ecclesiastics. The instruction also gives no support to Nainfa's claim that the cassock with shoulder cape should not be worn in church services, which moreover would be of difficult application, since the cassock with pellegrina is generally made as a single garment, with a non-detachable pellegrina.
Nainfa wrote that at that time the garment with shoulder cape was in Italian called a zimarra, a term, however, that in that language is today used rather of a historical loose-fitting overgown, quite unlike the close-fitting cassock with pellegrina worn by Catholic clergy,[14][15] and similar to the fur-lined Schaube[de] that was used in northern Europe.[16][17] Images of the historical zimarra as worn by women can be seen at "Dressing the Italian Way"[18] and "The Italian Showcase".[19]
In cold weather, the manto, an ankle-length cape with or without shoulder cape, or the greca, also known as the douillette, an ankle-length double-breasted overcoat, is traditionally worn over the cassock. For bishops and priests both the manto and greca are solid black in colour, while for the pope the manto is red and the greca is white.
Pope (Often with pellegrina. His coat of arms is embroidered at the bottom of his fascia.)
Cardinal (Often with pellegrina.)
Bishop (Often with pellegrina.) (Also worn by Protonotaries Apostolic and Honorary Prelates, but without pellegrina and zucchetto.)
Chaplain of His Holiness
Priest/Deacon/ Seminarian
Anglican and Methodist
An Anglican priest wearing the standard double-breasted Sarum cassock
The Anglican church uses single and double-breasted cassocks. For many this is to indicate tradition (single-breasted in the Anglo-Catholic tradition and double-breasted in the evangelical end of the church).
The double-breasted cassock fastens at the shoulders on the opposing side of the breast and at the waist with one concealed button. The latter usually has a single small stem-button sewn at centre front about 12–15 centimetres (4+1⁄2–6in) below the centre-front neck line which is used to secure the academic hood, worn for Choir Dress.
Cassocks are often worn without a cincture and some opt for a buckled belt.[20]
Black is the most common colour for priests (presbyters), readers, vergers, and server cassocks. Lighter colours, such as white are used in tropical countries and some cathedrals have colours specific for their location. Piping is also used in the Anglican church to indicate position held with red being used for Deans, Archdeacons and Cathedral Canons. Bishops and Archbishops often wear purple cassocks. This has been practise since the 19th century. More recently the Archbishops have chosen to wear black, this can be seen in the ministries of Rowan Williams and Justin Welby. A comparatively recent custom - since the reign of Edward VII - is that scarlet cassocks are properly worn only by Chaplains to the King and by members of Royal foundations such as Westminster Abbey and some Cambridge college chapels.[21] They are also worn by the Head Master and Master of the King's Scholars of Westminster School.[22] Nonetheless, many cathedral canons wear full crimson cassocks rather than with mere piping,[citation needed] as do many servers guilds and choirs due to longstanding practice.
Cassocks are sometimes also worn by readers, altar servers, and choir members, when they do this is the double-breasted style. Readers and altar servers usually wear black cassocks, but those worn by choirs are usually coloured.[citation needed]
Ministers (presbyters) of the Methodist Church of Great Britain also traditionally wear a double-breasted cassock (as in the evangelical Anglican tradition).[23]
Bishop
Canon (cassock colour may vary)
Presbyter/Deacon/Layperson cassock colour may vary if worn by, for instance, a chorister
The Cassock is also worn occasionally in American Lutheran churches. In previous years, the cassock was worn in combination with a white surplice which almost entirely covered it. It is customary for a minority of clergy to wear it on special high holidays such as Good Friday and Ash Wednesday. Most commonly, Lutheran pastors wear an alb over a clerical shirt (with clergy collar). Vestments, most commonly a stole, are worn over the alb.
In the Church of Scotland, and Presbyterian churches which trace their heritage back to the Scottish church, they typically use the Anglican style of cassock. In addition, it is not uncommon to see full-length cassocks worn in the blue of the Flag of Scotland, which is also tied to the academic dress of the University of St Andrews. As is the custom within the Church of England, ministers of the Church of Scotland who are chaplains to the royal family also wear a scarlet cassock. Over this is typically worn a preaching gown or the academic gown of the minister. During the Edwardian and Victorian era, it was common to see a shortened, double-breasted black silk cassock worn under the gown. It generally reached to the knees and was tied with a simple cincture. However, with the liturgical movement of the 20th century, the classic cassock came back into fashion.
Presbyterians in Canada tend to follow the custom of the Church of Scotland, whereas Presbyterians in the United States typically wear an American Geneva gown over a sleeveless cassock or a non-cuffed gown over an Anglican or Roman style cassock. The American Geneva gown is often supplied with a cuff sewn into the double-bell sleeve (this innovation is a remnant of the cassock sleeve that was formerly worn underneath).
As is the practice in the Anglican churches, cassocks may be worn by others who are not ministers. Ordained elders and deacons, as they serve as worship leaders, readers, and administer communion may also wear cassocks which tend to be black. Those worn by choirs and other worship leaders are usually coloured (for instance, The Shadyside Presbyterian Church (U.S.A.) choir is dressed in red cassocks under white surplices).
In Eastern Christianity there are two types of cassock: the Inner Cassock and the Outer Cassock or Rason. Monastics always wear a black cassock. There is no rule about colouration for non-monastic clergy, but black is the most common. Blue or grey are also seen frequently, while white is sometimes worn for Pascha. In the Eastern Churches, cassocks are not dress for any lay ministry. Generally, one has to be blessed to wear a cassock usually in the case of exercising a clerical duty.
Types of Eastern cassocks
The inner cassock (more often simply cassock) is an ankle length garment worn by all major and minor clergy, monastics, and often by male seminarians. The Slavic, or "Russian" style (Russian: подрясникpodryasnik, Ukrainian: підрясникpidryasnyk) is double-breasted, closely fitted through the torso and flaring out to the skirt, with a high collar buttoned off-center, and may be cinctured with either a leather or wide cloth belt.[24] The Greek version, called an anteri (αντερί), rason (ράσον), or zostiko (ζωστικό) is somewhat fuller, gathered at the waist with a narrow cloth belt, and with a high collar buttoned in the front.[25] The inner cassock is usually worn by all clergy members under their liturgical vestments.
The outer cassock (Russian: рясаryasa, Ukrainian: рясаryasa, Ancient Greek: εξώρασον, ράσονexorason) is a voluminous garment worn over the inner cassock by bishops, priests, deacons, and monastics as their regular outerwear.[26] It is not worn by seminarians, readers or subdeacons in the Russian tradition. In the Greek tradition, however, chanters may wear it in church, usually with no inner cassock beneath but directly over secular clothing. The outer cassock should be worn by a priest celebrating a service such as Vespers where the rubrics call for him to be less than fully vested, but it is not worn by any clergy beneath the sticharion. It may be worn with the bottoms of the sleeves turned back, which are sometimes faced in a contrasting colour. The Greek version tends to be somewhat lighter weight and more fully cut than the Russian. It is originally a monastic garment, and in the Russian tradition a man must be explicitly blessed by the bishop to wear it following his ordination to the diaconate.
A cassock vest ("kontorasson" (κοντόρασον), "amaniko" (αμάνικο), "gileko" (γιλέκο)) is sometimes worn over the inner cassock. This is a closely fitted collarless vest, usually falling slightly below the waist. The vest has its origins in the outer cassock and therefore should be worn only by clergy and monastics who would, in formal or liturgical settings, wear the outer cassock.[27][28]
A cassock coat may be worn on very cold days, with the same cut as the outer cassock but slightly larger and of heavier material. It may or may not have a fur-lined collar.[29] The coat is worn over the outer cassock, although many clerics may wear it in lieu of a coat on colder days.
Eastern Catholic and Orthodox examples
Bishop
Priest with grey Zostikon, a Kontorasson, and a Skufia.
Priest (married)
Hieromonk (celibate Priest)
Monk
Chanter/Subdeacon/Deacon dressed in the Zostikon
Oriental Orthodox examples
Syriac Patriarch
Syriac Bishop
Coptic Priest
Syriac Priest
Coptic & Syriac Priest (monk)
Non-clerical 17th-century garment
The term cassock can also refer to a loose-fitting, pullover, hip-length jacket worn by ordinary soldiers in the 17th century.[citation needed] A cassock has attached sleeves and is open down the sides, similar to a mandilion. Such garments are popularly recognized as the formal uniform of the Musketeers of the Guard in The Three Musketeers– though this is suspect historically.
Related Research Articles
A surplice is a liturgical vestment of Western Christianity. The surplice is in the form of a tunic of white linen or cotton fabric, reaching to the knees, with wide or moderately wide sleeves.
Vestments are liturgical garments and articles associated primarily with the Christian religion, especially by Eastern Churches, Catholics, Lutherans, and Anglicans. Many other groups also make use of liturgical garments; among the Reformed (Calvinist) Churches this was a point of controversy in the Protestant Reformation and sometimes since, in particular during the ritualist controversies in the Church of England in the 19th century.
The cope is a liturgical vestment, more precisely a long mantle or cloak, open in front and fastened at the breast with a band or clasp. It may be of any liturgical colour.
Formal wear or full dress is the Western dress code category applicable for the most formal occasions, such as weddings, christenings, confirmations, funerals, Easter and Christmas traditions, in addition to certain state dinners, audiences, balls, and horse racing events. Generally permitted other alternatives, though, are the most formal versions of ceremonial dresses, full dress uniforms, religious clothing, national costumes, and most rarely frock coats. In addition, formal wear is often instructed to be worn with official full size orders and medals.
Monsignor is a form of address or title for certain members of the clergy in the Catholic Church. Monsignor is the apocopic form of the Italian monsignore, meaning "my lord". "Monsignor" can be abbreviated as Mons. or Msgr. In some countries, the title "monsignor" is used as a form of address for bishops. However, in English-speaking countries, the title is unrelated to the episcopacy, though many priests with the title later become bishops.
A rochet is a white vestment generally worn by a Roman Catholic or Anglican bishop in choir dress. It is unknown in the Eastern churches. The rochet in its Roman form is similar to a surplice, except that the sleeves are narrower. In its Anglican form it is a descendant of the traditional albs worn by deacons and priests. In the Roman Catholic tradition, the rochet comes below the knee and its sleeves and hem are sometimes made of lace; in the Anglican tradition, the rochet comes down almost to the hem of the cassock and its sleeves are gathered at the wrist.
A chimere is a garment worn by Anglican bishops in choir dress, and, formally as part of academic dress.
Papal regalia and insignia are the official items of attire and decoration proper to the Pope in his capacity as the visible head of the Catholic Church and sovereign of the Vatican City State.
Clerical clothing is non-liturgical clothing worn exclusively by clergy. It is distinct from vestments in that it is not reserved specifically for use in the liturgy. Practices vary: clerical clothing is sometimes worn under vestments, and sometimes as the everyday clothing or street wear of a priest, minister, or other clergy member. In some cases, it can be similar or identical to the habit of a monk or nun.
A clerical collar, clergy collar, or, informally, dog collar, is an item of Christian clerical clothing.
A pectoral cross or pectorale is a cross that is worn on the chest, usually suspended from the neck by a cord or chain. In ancient history and the Middle Ages, pectoral crosses were worn by both clergy and laity. By the Late Middle Ages, the pectoral cross came to be a special indicator of position worn by bishops. In the Roman Catholic Church, the wearing of a pectoral cross remains restricted to popes, cardinals, bishops and abbots. In Eastern Orthodox Church and Byzantine Catholic Churches that follow a Slavic Tradition, priests also wear pectoral crosses, while deacons and minor orders do not. The modern pectoral cross is relatively large, and is different from the small crosses worn on necklaces by many Christians. Most pectoral crosses are made of precious metals and some contain precious or semi-precious gems. Some contain a corpus like a crucifix while others use stylized designs and religious symbols.
Choir dress is the traditional vesture of the clerics, seminarians and religious of Christian churches worn for public prayer and the administration of the sacraments except when celebrating or concelebrating the Eucharist. It differs from the vestments worn by the celebrants of the Eucharist, being normally made of fabrics such as wool, cotton or silk, as opposed to the fine brocades used in vestments. It may also be worn by lay assistants such as acolytes and choirs. It was abandoned by most of the Protestant churches that developed from the sixteenth-century Reformation.
The mozzetta is a short elbow-length sartorial vestment, a cape that covers the shoulders and is buttoned over the frontal breast area. It is worn over the rochet or cotta as part of choir dress by some of the clergy of the Catholic Church, among them the pope, cardinals, bishops, abbots, canons and religious superiors. There used to be a small hood on the back of the mozzetta of bishops and cardinals, but this was discontinued by Pope Paul VI. The hood, however, was retained in the mozzette of certain canons and abbots, and in that of the popes, often trimmed in satin, silk or ermine material.
A religious habit is a distinctive set of religious clothing worn by members of a religious order. Traditionally some plain garb recognizable as a religious habit has also been worn by those leading the religious eremitic and anchoritic life, although in their case without conformity to a particular uniform style.
The ferraiolo is a type of cape traditionally worn by clergy in the Catholic Church on formal, non-liturgical occasions. It can be worn over the shoulders, or behind them, extends in length to the ankles, is tied in a bow by narrow strips of cloth at the front, and does not have any 'trim' or piping on it.
A simar, as defined in the 1913 Webster's Dictionary, is "a woman's long dress or robe; also light covering; a scarf." The word is derived from French simarre, and is also written as cimar, cymar, samare, and simare.
The fascia is a sash worn by clerics and seminarians with the cassock in the Roman Catholic Church and in the Anglican Church. It is not worn as a belt but is placed above the waist between the navel and the breastbone (sternum). The ends that hang down are worn on the left side of the body and placed a little forward but not completely off the left hip.
In sewing, piping is a type of trim or embellishment consisting of a strip of folded fabric so as to form a "pipe" inserted into a seam to define the edges or style lines of a garment or other textile object. Usually the fabric strip is cut on the bias. It may be made from either self-fabric or contrasting fabric, or of leather.
The pellegrina is a cape-like item of clerical dress worn by some Catholic ecclesiastics.
↑ Edwards, Nina (15 December 2011). On The Button. I.B.Tauris. p.178. ISBN9781848855847. In the Roman Catholic version the 33 buttons are said to represent the years of Jesus's life; in the Anglican the 39 buttons are thought by some to represent the 39 Articles of Faith. The Ambrosian cassock has only five buttons, with a broad sash at the waist; the French cassock has buttons elegantly up the sleeves as in a modern lounge suit; Jesuits prefer a fly fastening and no buttons on show whatsoever.
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