Lingerie is a category of primarily women's clothing including undergarments, sleepwear, and lightweight robes. The choice of the word is often motivated by an intention to imply that the garments are alluring, fashionable, or both. In a 2015 US survey, 75% of women and 26% of men reported having worn sexy lingerie in their lifetime.
A robe is a loose-fitting outer garment. Unlike garments described as capes or cloaks, robes usually have sleeves. The English word robe derives from Middle English robe ("garment"), borrowed from Old French robe, itself taken from the Frankish word *rouba, and is related to the word rob.
A nightgown, nightie or nightdress is a loosely hanging item of nightwear, and is commonly worn by women and girls. A nightgown is made from cotton, silk, satin, or nylon and may be decorated with lace appliqués or embroidery at the bust and hem.
A chemise or shift is a classic smock, or a modern type of women's undergarment or dress. Historically, a chemise was a simple garment worn next to the skin to protect clothing from sweat and body oils, the precursor to the modern shirts commonly worn in Western nations.
A bodice is an article of clothing traditionally for women and girls, covering the torso from the neck to the waist. The term typically refers to a specific type of upper garment common in Europe during the 16th to the 18th century, or to the upper portion of a modern dress to distinguish it from the skirt and sleeves. The name bodice is etymologically an odd plural spelling of "body" and comes from an older garment called a pair of bodies.
Clothing terminology comprises the names of individual garments and classes of garments, as well as the specialized vocabularies of the trades that have designed, manufactured, marketed and sold clothing over hundreds of years.
A mantua is an article of women's clothing worn in the late 17th century and 18th century. Originally a loose gown, the later mantua was an overgown or robe typically worn over stays, stomacher and a co-ordinating petticoat.
A bedgown is an article of women's clothing for the upper body, usually thigh-length and wrapping or tying in front. Bedgowns of lightweight printed cotton fabric were fashionable at-home morning wear in the 18th century. Over time, bedgowns became the staple upper garment of British and American female working-class street wear from the 18th to early 19th centuries, worn over petticoats and often topped with an apron. Made of sturdy cotton, linen, wool or linsey-woolsey, these bedgowns were simply cut to a T-shaped pattern, and were worn overlapped in front or with the front skirts cutaway. The term "bed gown" to describe this item of clothing was used as late as 1876.
A dressing gown, housecoat or morning gown is a robe, a loose-fitting outer garment, worn by either men or women. They are similar to a bathrobe but without the absorbent material.
Fashion in the period 1550–1600 in Western European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached its peak in the 1530s, and by mid-century a tall, narrow line with a V-lined waist was back in fashion. Sleeves and women's skirts then began to widen again, with emphasis at the shoulder that would continue into the next century. The characteristic garment of the period was the ruff, which began as a modest ruffle attached to the neckband of a shirt or smock and grew into a separate garment of fine linen, trimmed with lace, cutwork or embroidery, and shaped into crisp, precise folds with starch and heated irons.
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another. French style was defined by elaborate court dress, colourful and rich in decoration, worn by such iconic fashion figures as Marie Antoinette.
Fashion in the period 1600–1650 in Western European clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
The robe à la polonaise or polonaise is a woman's garment of the later 1770s and 1780s or a similar revival style of the 1870s inspired by Polish national costume, consisting of a gown with a cutaway, draped and swagged overskirt, worn over an underskirt or petticoat. From the late 19th century, the term polonaise also described a fitted overdress which extended into long panels over the underskirt, but was not necessarily draped or swagged.
Fashion in the period 1690–1740 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not only royalty and aristocrats, but also middle and even lower classes. Clothing during this time can be characterized by soft pastels, light, airy, and asymmetrical designs, and playful styles. Wigs remained essential for men and women of substance, and were often white; natural hair was powdered to achieve the fashionable look. The costume of the eighteenth century, if lacking in the refinement and grace of earlier times, was distinctly quaint and picturesque.
A banyan is a garment worn by European men and women in the late 17th and 18th century, influenced by the Japanese kimono brought to Europe by the Dutch East India Company in the mid-17th century. "Banyan" is also commonly used in present-day Indian English and other countries in the Indian Subcontinent to mean "vest" or "undershirt".
See-through clothing is any garment of clothing made with lace, mesh or sheer fabric that allows the wearer's body or undergarments to be seen through its fabric. See-through fabrics were fashionable in Europe in the eighteenth century. There was a "sheer fashion trend" starting with designer clothing from 2008. See-through or sheer fabric, particularly in skintone colours, is sometimes called illusion, as in 'illusion bodice' due to giving the impression of exposed flesh, or a revealing ensemble.
Fashion in the period 1500–1550 in Western Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation became prominent. The tall, narrow lines of the late Medieval period were replaced with a wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders. Sleeves were a center of attention, and were puffed, slashed, cuffed, and turned back to reveal contrasting linings.
A dress is a garment traditionally worn by women or girls consisting of a skirt with an attached bodice. It consists of a top piece that covers the torso and hangs down over the legs. A dress can be any one-piece garment containing a skirt of any length, and can be formal or casual.
Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, the declining fashionability of highly elaborate Rococo styles, and the widespread embrace of the rationalistic or "classical" ideals of Enlightenment philosophes.
An overskirt is a type of women's short skirt which is draped over another garment, such as a skirt, breeches, or trousers. Although peplum is often used as another term for overskirt, it should not be confused with the peplos or "peplum dress", which was worn in ancient Greece.
