A surcoat or surcote initially was an outer garment commonly worn in the Middle Ages by both men and women in Western Europe. It can either refer to a coat worn over other clothes or the outermost garment itself. The name derives from French meaning "over the coat", a long, loose, often sleeveless coat reaching down to the feet.
A coat is a garment worn by either sex, for warmth or fashion. Coats typically have long sleeves and are open down the front, closing by means of buttons, zippers, hook-and-loop fasteners, toggles, a belt, or a combination of some of these. Other possible features include collars, shoulder straps and hoods.
A tailcoat is a knee-length coat with the front of the skirt cut away, so as to leave only the rear section of the skirt, known as the tails.
A crinoline is a stiff or structured petticoat designed to hold out a woman's skirt, popular at various times since the mid-19th century. Originally, crinoline described a stiff fabric made of horsehair ("crin") and cotton or linen which was used to make underskirts and as a dress lining.
Gabardine is a tough, tightly woven fabric used to make suits, overcoats, trousers, uniforms, windbreakers and other garments.
A petticoat or underskirt is an article of clothing, a type of undergarment worn under a skirt or a dress. Its precise meaning varies over centuries and between countries.
A bodice is an article of clothing for women and girls, covering the body from the neck to the waist. In modern usage it typically refers to a specific type of upper garment common in Europe during the 16th to the 18th century, or to the upper portion of a modern dress to distinguish it from the skirt and sleeves. The term comes from pair of bodies.
A shrug is a cropped, cardigan-like garment with short or long sleeves cut in one with the body, typically knitted, usually for women. Generally, a shrug covers less of the body than a vest would, but it is more tailored than a shawl. Shrugs are typically worn as the outermost layer of an outfit, with a full shirt, tank top, or dress beneath.
A dress is a garment traditionally worn by women or girls consisting of a skirt with an attached bodice. It consists of a top piece that covers the torso and hangs down over the legs. A dress can be any one-piece garment containing a skirt of any length and can be formal or casual.
Harem pants or harem trousers are baggy, long pants caught in at the ankle. Early on, the style was also called a harem skirt. The original so-called 'harem pants/skirts' were introduced to Western fashion by designers such as Paul Poiret around 1910, although they themselves were inspired by Middle East styles, and by şalvar. The term 'harem pants' subsequently became popular in the West as a generic term for baggy trousers caught in at the ankle that suggest the Turkish style, or similar styles such as bloomers, the South Asian shalwar and patiala salwar; the Bosnian dimije; sirwal ; and the Ukrainian sharovary.
A shirtdress is a style of women's dress that borrows details from a man's shirt. These can include a collar, a button front, or cuffed sleeves. Often, these dresses are made up in crisp fabrics including cotton or silk, much like a men's dress shirt would be. As they are typically cut without a seam at the waist, these dresses often have a looser fit, usually relying on a belt to define the waist. Button fronts and a forgiving fit make this a flattering look for most body types.
The sack-back gown or robe à la française was a women's fashion of the 18th century. At the beginning of the century, the sack-back gown was a very informal style of dress. At its most informal, it was unfitted both front and back and called a sacque, contouche, or robe battante. By the 1770s the sack-back gown was second only to court dress in its formality. This style of gown had fabric at the back arranged in box pleats which fell loose from the shoulder to the floor with a slight train. In front, the gown was open, showing off a decorative stomacher and petticoat. It would have been worn with a wide square hoop or panniers under the petticoat. Scalloped ruffles often trimmed elbow-length sleeves, which were worn with separate frills called engageantes.
The Chesterfield is a formal dark knee-length overcoat with a velvet collar introduced around the 1840s in the United Kingdom, with prominence attributed to its namesake George Stanhope, 6th Earl of Chesterfield, then a leader of British fashion.
A Dolly Varden, in this sense, is a woman's outfit fashionable from about 1869 to 1875 in Britain and the United States. It is named after a character in Charles Dickens, and the items of clothing referred to are usually a hat or dress.
A bergère hat is a flat-brimmed straw hat with a shallow crown, usually trimmed with ribbon and flowers. It could be worn in various ways with the brim folded back or turned up or down at whim. It is also sometimes called a milkmaid hat. It was widely worn in the mid-18th century, and versions may be seen in many British and French paintings of the period, such as The Swing by Fragonard, and in portraits by Thomas Gainsborough and Johann Zoffany, amongst others. It has been suggested that the hat was named after Madame Bergeret, who is holding a shepherdess-style hat in a Boucher portrait painted c.1766.
A caraco is a style of woman's jacket that was fashionable from the mid-18th to early 19th centuries. Caracos were thigh-length and opened in front, with tight three-quarter or long sleeves. Like gowns of the period, the back of the caraco could be fitted to the waist or could hang in pleats from the shoulder in the style of a sack back. Caracos were generally made of printed linen or cotton.
A herigaut is a gown-like garment worn in the thirteenth and early fourteenth centuries. Alternative spellings include herigald, heregaud, gerygoud and herigans. It was three-quarters to full length with hanging sleeves. Sometimes the sleeves were tucked at the top to increase fullness below. Although it was primarily a men's garment, women occasionally wore it as well. Along with the garnache, it is a variant of the garde-corps, and it is also related to the houppelande.
A boudoir cap is a form of lingerie hat that was popularly worn in the nineteenth and early twentieth centuries. In its original form, the boudoir cap was worn over undressed hair, and has been compared to the 18th century mob cap. Particularly towards the end it was designed to be worn in the privacy of the boudoir with negligees or nightwear. It was often made from lightweight lingerie-type fabrics such as muslin or net and trimmed with silk ribbon and lace. During its later revival in the 1910s and 1920s, it was used to protect short hairstyles whilst sleeping, or first thing in the morning as ideal "for the smart bedroom woman." Towards the end of the 1920s and into the 1930s, the boudoir cap evolved into a form of decorative hairnet.
The Chapeau à la Paméla, Pamela hat or Pamela bonnet described a type of straw hat or bonnet popular during the 1790s and into the first three quarters of the 19th century. It was named after the heroine of Samuel Richardson's 1741 novel Pamela; or, Virtue Rewarded. While Pamela hats and bonnets underwent a variety of changes in shape and form, they were always made from straw. The mid-19th-century version of the Pamela hat was a smaller version of an early 19th-century wide-brimmed style called the gipsy hat.
A partlet or partlett is a fashion accessory of the sixteenth century. The partlet was a sleeveless garment worn over the neck and shoulders, or to fill in a low neckline.
