Headband

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Iranian king wearing headband Silver coin of Bahram II (cropped).jpg
Iranian king wearing headband
A hard plastic headband, or Alice band Plastic hairband.JPG
A hard plastic headband, or Alice band
Baby wearing a headband Cute baby girl.jpg
Baby wearing a headband

A headband or hairband [1] is a clothing accessory worn in the hair or around the forehead, usually to hold hair away from the face or eyes. Headbands generally consist of a loop of elastic material or a horseshoe-shaped piece of flexible plastic or metal. They come in assorted shapes and sizes and are used for both fashion and practical or utilitarian purposes.

Contents

In the UK, horseshoe-shaped headbands are sometimes called "Alice bands" after the headbands that Alice is often depicted wearing in Through the Looking-Glass . [2]

Tartessian gold headband from the Iron Age Aliseda diadema de tipo iberico.jpg
Tartessian gold headband from the Iron Age

History

Greeks and Romans

The beginning of headbands was no later than around 475 BC to 330 BC, with the ancient Greeks, who wore hair wreaths. The Greeks and Romans wore these pieces for very special occasions or an important event. Cultures such as the Etruscans and Romans started to decorate their wreaths with jewels made up of gold and silver. While wreaths are certainly a likely beginning of today's headbands, some believe that current day hair bands have slowly taken shape from scarves that were worn around the head or were modified from the band of hats that tied under the chin.

Early 20th century

In the early 20th century, wide headbands known as headache bands were very popular accessories in women's fashion. Their name came from the belief that the tight pressure they provided around the forehead could relieve or prevent headaches. The French called such a garment a bandeau (bandeaux, plural). In the 1910s, headache bands would likely have been more lacy in design—a crochet central panel decorated with ribbons and rosettes and bordered with lace, for example. [3] Examples from the 1920s and 1930s are more apt to be dramatic sheaths in exotic fabrics and decorated with feathers, and would have been worn with fashions by couturiers such as Paul Poiret. [4] These sorts of headache bands probably achieved their peak of popularity in the 1920s. Today, items called headache bands are apt to be strictly utilitarian and medical in focus.

During the same period, jewelled headache bands or headbands, often in precious metals and precious gems, were popular. [5]

1920s

In the 1920s, the jewelry did not matter in the cost of materials nor value, rather the focus was on the design. [6] Headbands were known as bandeaus. They were worn in the evenings with the most formal dresses, until 1925. [7]

Styles of this kind of accessories include:

  • Brain Binder
  • Feather Headband
  • Haircomb
  • Headwrap [7]
  • Skullcap
  • Tiara
  • Wrap style

1960s

During the 1950s and 1960s, many glamorous young women in Britain and the US wore plastic headbands with the beehive hairstyle, or silk veils when driving. At the same time, working-class women wrapped strips of cloth around their hair as protection from the industrial smog and dirty rain.

1970s

After the Summer of Love of 1967, hippies wore tie dye and paisley bandanas as headbands [8] in imitation of Leftist activists and guerrillas. These were also worn by many hard rock and heavy metal guitarists such as Jimi Hendrix, Keith Richards, Ted Nugent, Bruce Springsteen, or Link Wray during the early and mid 70s to keep cool on stage.

1980s

Deely boppers were a fad in 1982.

Princess Diana famously wore an emerald and diamond choker as a headband in Melbourne on the occasion of a state tour of Australia in 1985. [9]

Symbolism

The flag of Corsica shows a man wearing a headband. Flag of Corsica.svg
The flag of Corsica shows a man wearing a headband.

In Japanese culture, hachimaki headbands may symbolise determination or devotion. [10]

Traditionally in Korea, warriors and members of military organizations such as the hwarang wore specialized headbands that kept hair firmly in place. Practically, these headbands served to clear any obstruction to the eyes so as to not hinder the soldier in combat. Emblematically, the headbands served to symbolize strength of loyalty and submission to the state.

Contemporary Korean high school students, particularly male students, are often portrayed donning headbands in preparation for the rigorous college entrance examinations. Students commonly write encouraging or inspiring phrases on these headbands, such as "do or die!". This practice has been largely popularized by the media.

Fashion

Materials and uses

Rafael Nadal wearing green head band during a tennis match Nadal Australian Open 2009 5.jpg
Rafael Nadal wearing green head band during a tennis match
A headband depicting the Tree of Currier House (Harvard College) CHausHeadband.JPG
A headband depicting the Tree of Currier House (Harvard College)

There are many materials used for headbands such as wood, leather, plastic, metal, fabric, hemp, teeth, human and animal hair, bone, and novelty materials. The leather headbands are usually glued onto a harder plastic headband, or they are hand-stitched. Plastic headbands, which are most common, can be wavy, straight or angled and come in many colors. Metal can be used to form and support leather headbands. Metal-only headbands may be plain or decorated, sometimes with precious jewels. Fabric headbands are comfortable because they do not dig into the head. They usually have an elastic band, so that the headband forms to the head. Toothed headbands have comb-like teeth that are connected to the top part of the headband. Their teeth ensure that the hair stays in place.

Novelty headbands can be used for holidays and may have decorations attached such as bunny ears, reindeer ears, Santa Claus hats and others. Headbands are often part of a larger fashion statement—they can be color-coded and matched accordingly to one's outfit.

Utilitarian uses

Headbands, or sweatbands, are worn around the forehead during physical activity to absorb sweat and keep it from reaching the eyes. Sweatbands are often made of a continuous loop of terrycloth, as it is a particularly absorbent fabric. Folded bandanas, usually knotted behind the head, also serve this purpose. Headbands are usually used for sports but have not been popular since the late 1970s or early 1980s. LeBron James is one of the most notable players who wears a headband during basketball games. They also come in the form of wristbands.

Headbands are also used for protection from cold and windy weather. These headbands are sometimes called earbands, which are made from a broad strip of heavy fabric, and have a contoured shape designed to fit over the ears, forehead, and neckline. Compared to winter hats, headbands have the advantages of providing warmth to exposed skin with minimal interference with the wearer's hairdo, allowing heat buildup formed by heavy exercise to vent through the top of the head, and requiring less storage space when not being worn. This type of headband is often used by skiers, snowboarders, runners, and workers who spend time in the cold weather.

Headbands are also available to prevent water from entering a person's ears while swimming. These headbands are thin, made of neoprene, and fit the head very tightly. These headbands are useful for swimmers who need to protect themselves from swimmer's ear but find traditional earplugs or ear putty uncomfortable.

Padded headbands are also available as protective equipment. They are used widely in association football, and are mandatory for girls' lacrosse in Florida. [11]

See also

Related Research Articles

<span class="mw-page-title-main">Tiara</span> Jeweled head ornament

A tiara is a jeweled head ornament. Its origins date back to ancient Iran, which was then adapted by Greco-Romans. In the late 18th century, the tiara came into fashion in Europe as a prestigious piece of jewelry to be worn by women at formal occasions. The basic shape of the modern tiara is a semi-circle, usually made of silver, gold or platinum and richly decorated with precious stones, pearls or cameos.

<span class="mw-page-title-main">Mitre</span> Liturgical headdresses worn by Christian bishops and abbots

The mitre or miter is a type of headgear now known as the traditional, ceremonial headdress of bishops and certain abbots in traditional Christianity. Mitres are worn in the Catholic Church, Eastern Orthodox Church, Oriental Orthodox Churches, the Anglican Communion, some Lutheran churches, for important ceremonies, by the Metropolitan of the Malankara Mar Thoma Syrian Church, and also, in the Catholic Church, all cardinals, whether or not bishops, and some Eastern Orthodox archpriests.

<span class="mw-page-title-main">Cufflink</span> Items of jewelry

Cufflinks are items of jewelry that are used to secure the cuffs of dress shirts. Cufflinks can be manufactured from a variety of different materials, such as glass, stone, leather, metal, precious metal or combinations of these. Securing of the cufflinks is usually achieved via toggles or reverses based on the design of the front section, which can be folded into position. There are also variants with chains or a rigid, bent rear section. The front sections of the cufflinks can be decorated with gemstones, inlays, inset material or enamel and designed in two or three-dimensional forms.

<span class="mw-page-title-main">Lappet</span> Hanging part of a headdress or garment

A lappet is a decorative flap, fold or hanging part of a headdress or garment. Worn in a pair, or as a singular long strip giving a symmetrical drape, lappets were a popular form of women's headwear until the early twentieth century, and are still a feature of religious garments. Examples of lappets are to be found on the papal tiara and on the nemes headdress of the kings of ancient Egypt. The same term is also used for similar-looking anatomical features on some animals.

Hairband may refer to:

<span class="mw-page-title-main">1650–1700 in Western fashion</span>

Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque. Following the end of the Thirty Years' War and the Restoration of England's Charles II, military influences in men's clothing were replaced by a brief period of decorative exuberance which then sobered into the coat, waistcoat and breeches costume that would reign for the next century and a half. In the normal cycle of fashion, the broad, high-waisted silhouette of the previous period was replaced by a long, lean line with a low waist for both men and women. This period also marked the rise of the periwig as an essential item of men's fashion.

<span class="mw-page-title-main">1880s in Western fashion</span> Costume and fashion of the 1880s

1880s fashion in Western and Western-influenced countries is characterized by the return of the bustle. The long, lean line of the late 1870s was replaced by a full, curvy silhouette with gradually widening shoulders. Fashionable waists were low and tiny below a full, low bust supported by a corset. The Rational Dress Society was founded in 1881 in reaction to the extremes of fashionable corsetry.

<span class="mw-page-title-main">1960s in fashion</span> Costume and fashion in the 1960s

Fashion of the 1960s featured a number of diverse trends, as part of a decade that broke many fashion traditions, adopted new cultures, and launched a new age of social movements. Around the middle of the decade, fashions arising from small pockets of young people in a few urban centers received large amounts of media publicity, and began to heavily influence both the haute couture of elite designers and the mass-market manufacturers. Examples include the mini skirt, culottes, go-go boots, and more experimental fashions, less often seen on the street, such as curved PVC dresses and other PVC clothes.

<span class="mw-page-title-main">1500–1550 in European fashion</span> Costume in the first half of the 16th century

Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation became prominent. The tall, narrow lines of the late Medieval period were replaced with a wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders. Sleeves were a center of attention, and were puffed, slashed, cuffed, and turned back to reveal contrasting linings.

<span class="mw-page-title-main">1920s in Western fashion</span> Clothing in the 1920s

Western fashion in the 1920s underwent a modernization. Women's fashion continued to evolve from the restrictions of gender roles and traditional styles of the Victorian era. Women wore looser clothing which revealed more of the arms and legs, that had begun at least a decade prior with the rising of hemlines to the ankle and the movement from the S-bend corset to the columnar silhouette of the 1910s. Men also began to wear less formal daily attire and athletic clothing or 'Sportswear' became a part of mainstream fashion for the first time.

<span class="mw-page-title-main">Armenian dress</span> Armenian traditional clothing

The Armenian Taraz, also known as Armenian traditional clothing, reflects a rich cultural tradition. Wool and fur were used by the Armenians along with the cotton that was grown in the fertile valleys. During the Urartian period, silk imported from China was used by royalty. Later, the Armenians cultivated silkworms and produced their own silk.

<span class="mw-page-title-main">Bandeau</span> Strapless form of brassiere or swimsuit top

A bandeau is a garment comprising, in appearance, a strip of cloth. Today, the term frequently refers to a garment that wraps around a woman's breasts. It is usually part of a bikini in sports or swimsuit. It is similar to a tube top, but narrower. It is usually strapless, sleeveless, and off the shoulder. Bandeaux are commonly made from elastic material to stop them from slipping down, or are tied or pinned at the back or front. In the first half of the 20th century, a "bandeau" was a narrow band worn by women to bind the hair, or as part of a headdress.

<span class="mw-page-title-main">1200–1300 in European fashion</span> Costume in the years 1200-1300

Costume during the thirteenth century in Europe was relatively simple in its shapes, rich in colour for both men and women, and quite uniform across the Roman Catholic world as the Gothic style started its spread all over Europe in dress, architecture, and other arts.

Hairstyling tools may include hair irons, hair dryers, hairbrushes, hair rollers, diffusers and various types of scissors.

The Medieval period in England is usually classified as the time between the fall of the Roman Empire to the beginning of the Renaissance, roughly the years AD 410–1485. For various peoples living in England, the Anglo-Saxons, Anglo-Danes, Normans and Britons, clothing in the medieval era differed widely for men and women as well as for different classes in the social hierarchy. The general styles of Early medieval European dress were shared in England. In the later part of the period, men's clothing changed much more rapidly than women's styles. Clothes were very expensive, and both men and women were divided into social classes by regulating the colors and styles that various ranks were permitted to wear. In the early Middle Ages, clothing was typically simple and, particularly in the case of lower-class peoples, served only basic utilitarian functions such as modesty and protection from the elements. As time went on the advent of more advanced textile techniques and increased international relations, clothing gradually got more and more intricate and elegant, even with those under the wealthy classes, up into the renaissance.

<span class="mw-page-title-main">Headgear</span> Any covering for the head; element of clothing which is worn on ones head

Headgear, headwear, or headdress is any element of clothing which is worn on one's head, including hats, helmets, turbans and many other types. Headgear is worn for many purposes, including protection against the elements, decoration, or for religious or cultural reasons, including social conventions.

<span class="mw-page-title-main">Fashion and clothing in the Philippines</span> Fashion and folk costume of the Philippines

The clothing style and fashion sense of the Philippines in the modern-day era have been influenced by the indigenous peoples, Chinese waves of immigration, the Spaniards, and the Americans, as evidenced by the chronology of events that occurred in Philippine history. At present, Filipinos conform their way of dressing based on classic fashion or prevailing fashion trends.

<span class="mw-page-title-main">Egyptian cultural dress</span>

Egyptian cultural dress is the clothes, shoes, jewelry, and other items of fashion common to the Egyptian people and recognizable as particularly representative of Egyptian culture.

References

  1. "Ira Khan Flaunts 'Bride-To-Be' Hairband As She Steps Out In Mumbai On Wedding Day". Free Press Journal. 3 January 2024.
  2. Chembers 21 Century Dictionary. Allied Publishers. ISBN   978-81-86062-26-5.
  3. "Fancy headache band, early 20th century". Archived from the original on 11 July 2017. Retrieved 27 January 2012.
  4. "A Headband By Any Other Name". July 7, 2011. Archived from the original on 13 November 2011. Retrieved 27 January 2012.
  5. "A Feather in Your Cap: How Women Wore Their Hats, from Marie Antoinette to WWII". March 16, 2010. Retrieved 27 January 2012.
  6. "1920s Jewelry Styles History". vintagedancer.com. Retrieved 2022-09-14.
  7. 1 2 "1920s Headband, Headpiece & Hair Accessory Styles". vintagedancer.com. Retrieved 2022-09-14.
  8. Issitt, Micah Lee (22 October 2009). Hippies: A Guide to an American Subculture: A Guide to an American Subculture. ABC-CLIO. ISBN   9780313365737 . Retrieved 19 December 2016 via Google Books.
  9. "Princess Diana in Australia, 1985, A Look Back at Princess Diana's Jewelry". Archived from the original on 1 February 2012. Retrieved 27 January 2012.
  10. "Japan – die Heimat der Stirnbänder" (in German).
  11. Pennington, Bill (31 March 2015). "Headgear Rule for Girls' Lacrosse Ignites Outcry". The New York Times. Retrieved 19 December 2016.