Circlet

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A circlet is a piece of headwear that is similar to a diadem or a corolla. [1] [2] [3] The word 'circlet' is also used to refer to the base of a crown or a coronet, with or without a cap. [4] [5] Diadem and circlet are often used interchangeably, [6] and 'open crowns' with no arches (as opposed to 'closed crowns') have also been referred to as circlets. [7] In Greek this is known as stephanos, and in Latin as corona aperta, although stephanos is associated more with laurel wreaths and the crown of thorns said to have been placed on the head of Jesus. [8]

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Heraldic circlet

Arms of The Lord Grey of Codnor, CBE Blason des Cornwall-Legh barons Grey de Codnor WITH Orn ext circlet des CBE.svg
Arms of The Lord Grey of Codnor, CBE

In heraldry, a circlet of an order of knighthood may be placed around the shield of the bearer to signify membership of a particular order. In British heraldry, this pertains to the grades of Commander and above (i.e. Knight Commander and Knight Grand Cross).

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<span class="mw-page-title-main">Crown</span> Form of headwear, symbolizing the power of a ruler

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<span class="mw-page-title-main">Papal tiara</span> Crown worn by popes of the Roman Catholic Church

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<span class="mw-page-title-main">Supporter</span> Figures usually placed on either side of an heraldic shield and depicted holding it up

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<span class="mw-page-title-main">Order of the British Empire</span> British order of chivalry

The Most Excellent Order of the British Empire is a British order of chivalry, rewarding contributions to the arts and sciences, work with charitable and welfare organisations, and public service outside the civil service. It was established on 4 June 1917 by King George V and comprises five classes across both civil and military divisions, the most senior two of which make the recipient either a knight if male or dame if female. There is also the related British Empire Medal, whose recipients are affiliated with, but not members of, the order.

<span class="mw-page-title-main">Royal arms of England</span> National arms of England

The royal arms of England are the arms first adopted in a fixed form at the start of the age of heraldry as personal arms by the Plantagenet kings who ruled England from 1154. In the popular mind they have come to symbolise the nation of England, although according to heraldic usage nations do not bear arms, only persons and corporations do. The blazon of the arms of Plantagenet is: Gules, three lions passant guardant in pale or armed and langued azure, signifying three identical gold lions with blue tongues and claws, walking past but facing the observer, arranged in a column on a red background. Although the tincture azure of tongue and claws is not cited in many blazons, they are historically a distinguishing feature of the arms of England. This coat, designed in the High Middle Ages, has been variously combined with those of the Kings of France, Scotland, a symbol of Ireland, the House of Nassau and the Kingdom of Hanover, according to dynastic and other political changes occurring in England, but has not altered since it took a fixed form in the reign of Richard I of England (1189–1199), the second Plantagenet king.

<span class="mw-page-title-main">Order of the Bath</span> British order of chivalry established 1725

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<span class="mw-page-title-main">Iron Crown</span> Italian reliquary and royal insignia

The Iron Crown is a relic and may be one of the oldest royal insignia of Christendom. It was made in the Early Middle Ages, consisting of a circlet of gold and jewels fitted around a central silver band, which tradition held to be made of iron beaten out of a nail of the True Cross. In the medieval Kingdom of Italy, the crown came to be seen as a relic from the Kingdom of the Lombards and was used as regalia for the coronation of the Holy Roman Emperors as kings of Italy. It is kept in the Duomo of Monza.

<span class="mw-page-title-main">Order of the Thistle</span> Order of chivalry associated with Scotland

The Most Ancient and Most Noble Order of the Thistle is an order of chivalry associated with Scotland. The current version of the Order was founded in 1687 by King James VII of Scotland, who asserted that he was reviving an earlier Order. The Order consists of the Sovereign and sixteen Knights and Ladies, as well as certain "extra" knights. The Sovereign alone grants membership of the Order; they are not advised by the Government, as occurs with most other Orders.

<span class="mw-page-title-main">Crown Jewels of the United Kingdom</span> British royal regalia

The Crown Jewels of the United Kingdom, originally the Crown Jewels of England, are a collection of royal ceremonial objects kept in the Tower of London, which include the coronation regalia and vestments worn by British monarchs.

<span class="mw-page-title-main">Mitre</span> Liturgical headdresses worn by Christian bishops and abbots

The mitre or miter, is a type of headgear now known as the traditional, ceremonial headdress of bishops and certain abbots in traditional Christianity. Mitres are worn in the Catholic Church, Eastern Orthodox Church, Oriental Orthodox Churches, the Anglican Communion, some Lutheran churches, for important ceremonies, by the Metropolitan of the Malankara Mar Thoma Syrian Church, and also, in the Catholic Church, all cardinals, whether or not bishops, and some Eastern Orthodox archpriests.

<span class="mw-page-title-main">Order of the Star of India</span> British order of chivalry established 1861

The Most Exalted Order of the Star of India is an order of chivalry founded by Queen Victoria in 1861. The Order includes members of three classes:

  1. Knight Grand Commander (GCSI)
  2. Knight Commander (KCSI)
  3. Companion (CSI)
<span class="mw-page-title-main">Order of the Indian Empire</span> British order of chivalry established 1878

The Most Eminent Order of the Indian Empire is an order of chivalry founded by Queen Victoria on 1 January 1878. The Order includes members of three classes:

  1. Knight Grand Commander (GCIE)
  2. Knight Commander (KCIE)
  3. Companion (CIE)
<span class="mw-page-title-main">Crest (heraldry)</span> Top component of an heraldic display

A crest is a component of a heraldic display, consisting of the device borne on top of the helm. Originating in the decorative sculptures worn by knights in tournaments and, to a lesser extent, battles, crests became solely pictorial after the 16th century.

<span class="mw-page-title-main">Torse</span> Twisted roll of fabric in heraldry

In heraldry, a torse or wreath is a twisted roll of fabric laid about the top of the helmet and the base of the crest. It has the dual purpose of masking the join between helm and crest, and of holding the mantling in place.

<span class="mw-page-title-main">Mural crown</span> Heraldic crown resembling a wall

A mural crown is a crown or headpiece representing city walls, towers, or fortresses. In classical antiquity, it was an emblem of tutelary deities who watched over a city, and among the Romans a military decoration. Later the mural crown developed into a symbol of European heraldry, mostly for cities and towns, and in the 19th and 20th centuries was used in some republican heraldry.

<span class="mw-page-title-main">Laurel wreath</span> Wreath made of branches and leaves of the bay laurel

A laurel wreath is a round wreath made of connected branches and leaves of the bay laurel, an aromatic broadleaf evergreen, or later from spineless butcher's broom or cherry laurel. It is a symbol of triumph and is worn as a chaplet around the head, or as a garland around the neck.

<span class="mw-page-title-main">Blazon</span> Art of describing heraldic arms in proper terms

In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.

<span class="mw-page-title-main">Badge of the Royal Air Force</span> Insignia

The badge of the Royal Air Force is the heraldic emblem used to represent the RAF which features an eagle superimposed on a circlet which is surmounted by a crown.

References

  1. Iorwerth Eiddon Stephen Edwards (1976). Tutankhamun's Jewelry. Egypt: Metropolitan Museum of Art. p. 9. ISBN   978-0-87099-155-4.
  2. John Steane (2003). The Archaeology of the Medieval English Monarchy. Routledge. p. 31. ISBN   978-1-134-64159-8.
  3. Albert Barnes (1859). Notes Explanatory and Practical on the Book of Revelation. Harper & brothers. p. 246.
  4. Nicholas Carlisle (1813). A Topographical Dictionary of Scotland, and of the Islands in the British Seas. G. and W. Nicol and Bell and Bradfute. p. 482.
  5. Francis Joseph Baigent; Charles James Russell (1864). A Practical Manual of Heraldry and of Heraldic Illumination: With a Glossary of the Principal Terms Used in Heraldry. G. Rowney. pp. 39–40.
  6. Edward Francis Twining (1967). European Regalia. Batsford. p. 66. ISBN   9787410002039.
  7. A Lady (1840). Anecdotes, Personal Traits, and Characteristic Sketches of Victoria the First. William Bennett. p. 547.
  8. Chris Woodall (2015). Atonement: God's Means of Effecting Man's Reconciliation. Wipf and Stock Publishers. p. 173. ISBN   978-1-4982-0795-9.