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In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon (though in modern usage flags are often additionally and more precisely defined using geometrical specifications). Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
Other armorial objects and devices – such as badges, banners, and seals – may also be described in blazon.
The noun and verb blazon (referring to a verbal description) are not to be confused with the noun emblazonment, or the verb to emblazon, both of which relate to the graphic representation of a coat of arms or heraldic device.
The word blazon is derived from French blason, 'shield'. It is found in English by the end of the 14th century. [1]
Formerly, heraldic authorities believed that the word was related to the German verb blasen'to blow (a horn)'. [2] [3] Present-day lexicographers reject this theory as conjectural and disproved. [1]
Blazon is generally designed to eliminate ambiguity of interpretation, to be as concise as possible, and to avoid repetition and extraneous punctuation. English antiquarian Charles Boutell stated in 1864:
Heraldic language is most concise, and it is always minutely exact, definite, and explicit; all unnecessary words are omitted, and all repetitions are carefully avoided; and, at the same time, every detail is specified with absolute precision. The nomenclature is equally significant, and its aim is to combine definitive exactness with a brevity that is indeed laconic. [4]
However, John Brooke-Little, Norroy and Ulster King of Arms, wrote in 1985: "Although there are certain conventions as to how arms shall be blazoned ... many of the supposedly hard and fast rules laid down in heraldic manuals [including those by heralds] are often ignored." [5]
A given coat of arms may be drawn in many different ways, all considered equivalent and faithful to the blazon, just as the letter "A" may be printed in many different fonts while still being the same letter. For example, the shape of the escutcheon is almost always immaterial, with very limited exceptions (e.g., the coat of arms of Nunavut, for which a round shield is specified).
The main conventions of blazon are as follows:
Because heraldry developed at a time when English clerks wrote in Anglo-Norman French, many terms in English heraldry are of French origin. Some of the details of the syntax of blazon also follow French practice: thus, adjectives are normally placed after nouns rather than before.
A number of heraldic adjectives may be given in either a French or an anglicised form: for example, a cross pattée or a cross patty; a cross fitchée or a cross fitchy. In modern English blazons, the anglicised form tends to be preferred. [6]
Where the French form is used, a problem may arise as to the appropriate adjectival ending, determined in normal French usage by gender and number.
"To describe two hands as appaumées, because the word main is feminine in French, savours somewhat of pedantry. A person may be a good armorist, and a tolerable French scholar, and still be uncertain whether an escallop-shell covered with bezants should be blazoned as bezanté or bezantée".
The usual convention in English heraldry is to adhere to the feminine singular form, for example: a chief undée and a saltire undée, even though the French nouns chef and sautoir are in fact masculine. Efforts have been made to ignore grammatical correctness, for example by J. E. Cussans, who suggested that all French adjectives should be expressed in the masculine singular, without regard to the gender and number of the nouns they qualify, thus a chief undé and a saltire undé. [9]
Full descriptions of shields range in complexity, from a single word to a convoluted series describing compound shields:
Quarterly I. Azure three Lions' Heads affronté Crowned Or (for Dalmatia); II. chequy Argent and Gules (for Croatia); III. Azure a River in Fess Gules bordered Argent thereon a Marten proper beneath a six-pointed star Or (for Slavonia); IV. per Fess Azure and Or over all a Bar Gules in the Chief a demi-Eagle Sable displayed addextré of the Sun-in-splendour and senestré of a Crescent Argent in the Base seven Towers three and four Gules (for Transylvania); enté en point Gules a double-headed Eagle proper on a Peninsula Vert holding a Vase pouring Water into the Sea Argent beneath a Crown proper with bands Azure (for Fiume); over all an escutcheon Barry of eight Gules and Argent impaling Gules on a Mount Vert a Crown Or issuant therefrom a double-Cross Argent (for Hungary). [10]
The field of a shield in heraldry can be divided into more than one tincture, as can the various heraldic charges. Many coats of arms consist simply of a division of the field into two contrasting tinctures. These are considered divisions of a shield, so the rule of tincture can be ignored. For example, a shield divided azure and gules would be perfectly acceptable. A line of partition may be straight or it may be varied. The variations of partition lines can be wavy, indented, embattled, engrailed, nebuly, or made into myriad other forms; see Line (heraldry). [11]
In the early days of heraldry, very simple bold rectilinear shapes were painted on shields. These could be easily recognized at a long distance and could be easily remembered. They therefore served the main purpose of heraldry: identification. [12] As more complicated shields came into use, these bold shapes were set apart in a separate class as the "honorable ordinaries". They act as charges and are always written first in blazon. Unless otherwise specified they extend to the edges of the field. Though ordinaries are not easily defined, they are generally described as including the cross, the fess, the pale, the bend, the chevron, the saltire, and the pall. [13]
There is a separate class of charges called sub-ordinaries which are of a geometrical shape subordinate to the ordinary. According to Friar, they are distinguished by their order in blazon. The sub-ordinaries include the inescutcheon, the orle, the tressure, the double tressure, the bordure, the chief, the canton, the label, and flaunches. [14]
Ordinaries may appear in parallel series, in which case blazons in English give them different names such as pallets, bars, bendlets, and chevronels. French blazon makes no such distinction between these diminutives and the ordinaries when borne singly. Unless otherwise specified an ordinary is drawn with straight lines, but each may be indented, embattled, wavy, engrailed, or otherwise have their lines varied. [15]
A charge is any object or figure placed on a heraldic shield or on any other object of an armorial composition. [16] Any object found in nature or technology may appear as a heraldic charge in armory. Charges can be animals, objects, or geometric shapes. Apart from the ordinaries, the most frequent charges are the cross – with its hundreds of variations – and the lion and eagle. Other common animals are stags, wild boars, martlets, and fish. Dragons, bats, unicorns, griffins, and more exotic monsters appear as charges and as supporters.
Animals are found in various stereotyped positions or attitudes . Quadrupeds can often be found rampant (standing on the left hind foot). Another frequent position is passant, or walking, like the lions of the coat of arms of England. Eagles are almost always shown with their wings spread, or displayed. A pair of wings conjoined is called a vol.
In English heraldry the crescent, mullet, martlet, annulet, fleur-de-lis, and rose may be added to a shield to distinguish cadet branches of a family from the senior line. These cadency marks are usually shown smaller than normal charges, but it still does not follow that a shield containing such a charge belongs to a cadet branch. All of these charges occur frequently in basic undifferenced coats of arms. [17]
To marshal two or more coats of arms is to combine them in one shield. This can be done in a number of ways, of which the simplest is impalement: dividing the field per pale and putting one whole coat in each half. Impalement replaced the earlier dimidiation – combining the dexter half of one coat with the sinister half of another – because dimidiation can create ambiguity.
A more versatile method is quartering, division of the field by both vertical and horizontal lines. As the name implies, the usual number of divisions is four, but the principle has been extended to very large numbers of "quarters".
The third common mode of marshalling is with an inescutcheon, a small shield placed in front of the main shield.
The field of a shield, or less often a charge or crest, is sometimes made up of a pattern of colours, or variation. A pattern of horizontal (barwise) stripes, for example, is called barry, while a pattern of vertical (palewise) stripes is called paly. A pattern of diagonal stripes may be called bendy or bendy sinister, depending on the direction of the stripes. Other variations include chevrony, gyronny and chequy. Wave shaped stripes are termed undy. For further variations, these are sometimes combined to produce patterns of barry-bendy, paly-bendy, lozengy and fusilly. Semés, or patterns of repeated charges, are also considered variations of the field. [18] The Rule of tincture applies to all semés and variations of the field.
Cadency is any systematic way to distinguish arms displayed by descendants of the holder of a coat of arms when those family members have not been granted arms in their own right. Cadency is necessary in heraldic systems in which a given design may be owned by only one person at any time, generally the head of the senior line of a particular family. As an armiger's arms may be used "by courtesy", either by children or spouses, while they are still living, some form of differencing may be required so as not to confuse them with the original undifferenced or "plain coat" arms. Historically, arms were only heritable by males and therefore cadency marks had no relevance to daughters; in the modern era, Canadian and Irish heraldry include daughters in cadency. These differences are formed by adding to the arms small and inconspicuous marks called brisures, similar to charges but smaller. They are placed on the fess-point, or in-chief in the case of the label. [19] Brisures are generally exempt from the rule of tincture. One of the best examples of usage from the medieval period is shown on the seven Beauchamp cadets in the stained-glass windows of St Mary's Church, Warwick. [19]
Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
Diaper is any of a wide range of decorative patterns used in a variety of works of art, such as stained glass, heraldic shields, architecture, and silverwork. Its chief use is in the enlivening of plain surfaces.
Tinctures are the colours, metals, and furs used in heraldry. Nine tinctures are in common use: two metals, or and argent ; the colours gules (red), azure (blue), vert (green), sable (black), and purpure (purple); and the furs ermine, which represents the winter fur of a stoat, and vair, which represents the fur of a red squirrel. The use of other tinctures varies depending on the time period and heraldic tradition in question.
In heraldry, the field (background) of a shield can be divided into more than one area, or subdivision, of different tinctures, usually following the lines of one of the ordinaries and carrying its name. Shields may be divided this way for differencing or for purposes of marshalling, or simply for style. The lines that divide a shield may not always be straight, and there is a system of terminology for describing patterned lines, which is also shared with the heraldic ordinaries.
In heraldry, variations of the field are any of a number of ways that a field may be covered with a pattern, rather than a flat tincture or a simple division of the field.
Ordinaries in heraldry are sometimes embellished with stripes of colour alongside them, have lumps added to them, shown with their edges arciform instead of straight, have their peaks and tops chopped off, pushed up and down out of the usual positions, or even broken apart.
Bleu celeste is a rarely occurring and non-standard tincture in heraldry. This tincture is sometimes also called ciel or simply celeste. It is depicted in a lighter shade than the range of shades of the more traditional tincture azure, which is the standard blue used in heraldry.
In heraldry, cadency is any systematic way to distinguish arms displayed by descendants of the holder of a coat of arms when those family members have not been granted arms in their own right. Cadency is necessary in heraldic systems in which a given design may be owned by only one person at any time, generally the head of the senior line of a particular family.
In heraldry, an ordinary is one of the two main types of charges, beside the mobile charges. An ordinary is a simple geometrical figure, bounded by straight lines and running from side to side or top to bottom of the shield. There are also some geometric charges known as subordinaries, which have been given lesser status by some heraldic writers, though most have been in use as long as the traditional ordinaries. Diminutives of ordinaries and some subordinaries are charges of the same shape, though thinner. Most of the ordinaries are theoretically said to occupy one-third of the shield; but this is rarely observed in practice, except when the ordinary is the only charge.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
In British heraldry, sable is the tincture equivalent to black. It is one of the five dark tinctures called colours.
The lozenge in heraldry is a diamond-shaped rhombus charge, usually somewhat narrower than it is tall. It is to be distinguished in modern heraldry from the fusil, which is like the lozenge but narrower, though the distinction has not always been as fine and is not always observed even today. A mascle is a voided lozenge—that is, a lozenge with a lozenge-shaped hole in the middle—and the rarer rustre is a lozenge containing a circular hole in the centre. A lozenge throughout has "four corners touching the border of the escutcheon". A field covered in a pattern of lozenges is described as lozengy; similar fields of mascles are masculy, and fusils, fusily. In civic heraldry, a lozenge sable is often used in coal-mining communities to represent a lump of coal.
The rule of tincture is a design philosophy found in some heraldic traditions that states "metal should not be put on metal, nor colour on colour". Heraldic furs such as ermine and vair, and charges described as "proper", are generally exempt from the rule of tincture.
Portuguese heraldry encompasses the modern and historic traditions of heraldry in Portugal and the Portuguese Empire. Portuguese heraldry is part of the larger Iberian tradition of heraldry, one of the major schools of heraldic tradition, and grants coats of arms to individuals, cities, Portuguese colonies, and other institutions. Heraldry has been practiced in Portugal at least since the 12th century, however it only became standardized and popularized in the 16th century, during the reign of King Manuel I of Portugal, who created the first heraldic ordinances in the country. Like in other Iberian heraldic traditions, the use of quartering and augmentations of honor is highly representative of Portuguese heraldry, but unlike in any other Iberian traditions, the use of heraldic crests is highly popular.
In heraldry, a bordure is a band of contrasting tincture forming a border around the edge of a shield, traditionally one-sixth as wide as the shield itself. It is sometimes reckoned as an ordinary and sometimes as a subordinary.
In heraldry, an ordinary componée, anglicised to compony and gobony, is composed of a row of squares, rectangles or other quadrilaterals, of alternating tinctures, often found as a bordure, most notably in the arms of the English House of Beaufort.
Danish heraldry has its roots in medieval times when coats of arms first appeared in Europe. Danish heraldry is a branch of the German-Nordic heraldic tradition.
In heraldry, a pile is a charge usually counted as one of the ordinaries. It consists of a wedge emerging from the upper edge of the shield and converging to a point near the base. If it touches the base, it is blazoned throughout.
In English heraldry, the bar is an heraldic ordinary consisting of a horizontal band extending across the shield. In form, it closely resembles the fess but differs in breadth: the bar occupies one-fifth of the breadth of the field of the escutcheon ; the fess occupies one-third. Heraldists differ in how they class the bar in relation to the fess. A number of authors consider the bar to be a diminutive of the fess. But, others, including Leigh (1597) and Guillim (1638), assert that the bar is a separate and distinct ‘honorouble ordinary’. As an honourable ordinary, it is co-equal with the other nine of the English system. Some authors who consider the bar a diminutive of the fess class it as a subordinary. Authorities agree that the bar and its diminutives have a number features that distinguish them from the fess.
A number of cross symbols were developed for the purpose of the emerging system of heraldry, which appeared in Western Europe in about 1200. This tradition is partly in the use of the Christian cross an emblem from the 11th century, and increasingly during the age of the Crusades. Many cross variants were developed in the classical tradition of heraldry during the late medieval and early modern periods. Heraldic crosses are inherited in modern iconographic traditions and are used in numerous national flags.
An 'achievement' is a full formal display of a coat of arms.