Tricking is a method for indicating the tinctures (colours) used in a coat of arms by means of text abbreviations written directly on the illustration. Tricking and hatching are the two primary methods employed in the system of heraldry to show colour in black and white illustrations.
Heraldry has always had some methods to designate the tinctures of arms. The earliest such method was blazon, which is describing the arms by words. The earliest surviving blazon is from the work of Chrétien de Troyes from the late 12th century. [2] The English heraldry system still uses a form of blazon almost unchanged since the reign of Edward I.
Traditionally, images in heraldic manuscripts such as rolls of arms and armorials are all coloured. With the spread of the printing press, woodblock printing and copperplate engravings from the late 15th century, there arose the need for designating the colours in uncoloured illustrations as well, since printing in full colour was too labour- and cost-intensive. As a rule, two main methods were applied to achieve this – tricking, or giving designations to the tinctures after the initials of the given colours; and hatching, which is ascribing designations to the tinctures by means of lines and dots. While the first method was introduced and developed by the heralds, the second model was developed and adopted by the heraldists.[ citation needed ] In addition, some other methods were also in use such as giving designations to tinctures by using the numbers from 1 to 7.[ citation needed ]
Until the 16th century, heraldic sources designated tinctures with the regular names of the colours. [3] By the middle of the century, heraldic writers started using the initials of the tinctures after the initials of the given colours. [4] Almost simultaneously, Don Alphonsus [Francisco] Ciacconius, a Rome-based Spanish Dominican scholar, named the tinctures after their Latin initials.[ citation needed ] Or was designated with "A", for aurum; argent with "a" for argentum; azure with "c" for caeruleus; gules with "r" for rubeus; and vert by "v" for viridis. Though the sign for sable (niger in Latin) was not present in his system, traditionally it was designated with the black colour itself.
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From the early 17th century, tricking declined. However, it is sometimes still in use, mainly in British heraldry.
Heralds did not like hatching, since tricking was much easier to write and engrave. The College of Arms gave preference to tricking even beyond the 17th century, sometimes even on the coloured and hatched images. However, tricking's letters were often traced badly since they were not always immediately understood, thus leading to erroneous interpretations.
Otto Titan von Hefner, a 19th-century German herald, maintained that the first traces of hatching on the woodcuts began during the 15th and 16th centuries. Both tricking as well as hatching were applied by Vincenzo Borghini, a Benedictine monk, philologist and outstanding historian. He drew a difference between the metals and the colours on the woodcuts of his work by leaving the places blank on the arms for all metals; similarly all colours were hatched by the same way, as the colour vert is being used today. Besides this, tinctures were designated in the fields and on the ordinaries and charges by tricking: R–rosso–gules, A–azure–azure, N–nigro–sable, G–gialbo–yellow (Or), and B–biancho–white (argent). Notably, vert was not present on the arms presented by him.
Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
In heraldry, gules is the tincture with the colour red. It is one of the class of five dark tinctures called "colours", the others being azure (blue), sable (black), vert (green) and purpure (purple).
In heraldry, tenné is a "stain", or non-standard tincture, of orange, light brown or orange-tawny colour.
Tincture is the limited palette of colours and patterns used in heraldry. The need to define, depict, and correctly blazon the various tinctures is one of the most important aspects of heraldic art and design.
In heraldry, the field (background) of a shield can be divided into more than one area, or subdivision, of different tinctures, usually following the lines of one of the ordinaries and carrying its name. Shields may be divided this way for differencing or for purposes of marshalling, or simply for style. The lines that divide a shield may not always be straight, and there is a system of terminology for describing patterned lines, which is also shared with the heraldic ordinaries.
In heraldry, variations of the field are any of a number of ways that a field may be covered with a pattern, rather than a flat tincture or a simple division of the field.
In British heraldry, sable is the tincture equivalent to black. It is one of the five dark tinctures called colours.
In heraldry and vexillology, fimbriation is the placement of small stripes of contrasting colour around common charges or ordinaries, usually in order for them to stand out from the background, but often simply due to the designer's subjective aesthetic preferences, or for a more technical reason to avoid what would otherwise be a violation of the rule of tincture. While fimbriation almost invariably applies to both or all sides of a charge, there are very unusual examples of fimbriation on one side only. Another rather rare form is double fimbriation, where the charge or ordinary is accompanied by two stripes of colour instead of only one. In cases of double fimbriation the outer colour is blazoned first. The municipal flag of Mozirje, in Slovenia, show an example of fimbriation that itself is fimbriated.
The rule of tincture is a design philosophy found in some heraldic traditions that states "metal should not be put on metal, nor colour on colour". Heraldic furs such as ermine and vair, and charges described as "proper", are generally exempt from the rule of tincture.
In heraldry, azure is the tincture with the colour blue, and belongs to the class of tinctures called "colours". In engraving, it is sometimes depicted as a region of horizontal lines or else is marked with either az. or b. as an abbreviation.
The term azure shares origin with the Spanish word "azul", which refers to the same color, deriving from Hispanic Arabic lazawárd the name of the deep blue stone now called lapis lazuli. The word was adopted into Old French by the 12th century, after which the word passed into use in the blazon of coats of arms.
In British heraldry, vert is the tincture equivalent to green. It is one of the five dark tinctures called colours.
Portuguese heraldry encompasses the modern and historic traditions of heraldry in Portugal and the Portuguese Empire. Portuguese heraldry is part of the larger Iberian tradition of heraldry, one of the major schools of heraldic tradition, and grants coats of arms to individuals, cities, Portuguese colonies, and other institutions. Heraldry has been practiced in Portugal at least since the 12th century, however it only became standardized and popularized in the 16th century, during the reign of King Manuel I of Portugal, who created the first heraldic ordinances in the country. Like in other Iberian heraldic traditions, the use of quartering and augmentations of honor is highly representative of Portuguese heraldry, but unlike in any other Iberian traditions, the use of heraldic crests is highly popular.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
Hatching is a conventional system for monochrome denotation of heraldic armory, whereby the tinctures (colours) are represented by dots and lines. This technique is employed in cases where colours, for either aesthetic, practical or economic reasons are not reproduced – e.g. on surfaces such as woodcuts or engravings, seals and coins.
Don Alphonsus Ciacconius was a Spanish Dominican scholar in Rome. His name is also spelt as Alfonso Chacón and Ciacono. Chacón is known mainly for two of his works: Historia utriusque belli dacici a Traiano Caesare gesti, and Vitae, et res gestae pontificum romanorum et S.R.E. Cardinalium ab initio nascentis ecclesiae usque ad Clementem IX. P.O.M. Alphonsi Ciaconii Ordinis Praedicatorum & aliorum opera descriptae.
Finnish heraldry has a common past with Swedish heraldry until 1809 and it belongs to German heraldric tradition.
The coat of arms of Stellaland was the official heraldic symbol of the short-lived Stellaland state in South Africa from 1883 to 1885. It was later revived as the municipal arms of Stellaland's capital, Vryburg.
In heraldry, a stain is one of a few non-standard tinctures or colours, which are only known to occur in post-medieval heraldry and may be used as part of a rebatement of honour. However, in heraldic practice almost none of these rebatements are in fact found; and in British heraldry the stains find only exceptional use, other than for purposes of livery.
Rose is the non-traditional tincture of rose or pink as used in heraldry.
A roundel is a circular charge in heraldry. Roundels are among the oldest charges used in coats of arms, dating from the start of the age of heraldry in Europe, circa 1200–1215. Roundels are typically a solid colour but may be charged with an item or be any of the furs used in heraldry. Roundels are similar to the annulet, which some heralds would refer to as a false roundel.
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