Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
A coat of arms is a heraldic visual design on an escutcheon, surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique to the armiger. The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter.
Jasper Tudor, Duke of Bedford was the uncle of King Henry VII of England and a leading architect of his nephew's successful accession to the throne in 1485. He was a member of the Tudor family of Penmynydd.
In heraldry, a compartment is a design placed under the shield, usually rocks, a grassy mount, or some sort of other landscape upon which the supporters are depicted as standing. Care must be taken to distinguish true compartments from items upon which supporters are merely resting one or more feet, or, sometimes, mere heraldic badges or pure decoration under the shield, and, conversely, care must also be taken in very unusual cases such as the coat of arms of Belize and Gabon, in which what may be taken to be a crest, trees in both coats of arms rising above the shield, is really part of the compartment. It is sometimes said to represent the land held by the bearer. As an official part of the blazon it is a comparatively late feature of heraldry, often derived from the need to have different supporters for different families or entities, although sometimes the compartment is treated in the blazon separately from the supporters.
Tinctures are the colours, metals, and furs used in heraldry. Nine tinctures are in common use: two metals, or and argent ; the colours gules (red), azure (blue), vert (green), sable (black), and purpure (purple); and the furs ermine, which represents the winter fur of a stoat, and vair, which represents the fur of a red squirrel. The use of other tinctures varies depending on the time period and heraldic tradition in question.
The coat of arms of Poland is a white, crowned eagle with a golden beak and talons, on a red background.
In heraldry, an ordinary is one of the two main types of charges, beside the mobile charges. An ordinary is a simple geometrical figure, bounded by straight lines and running from side to side or top to bottom of the shield. There are also some geometric charges known as subordinaries, which have been given lesser status by some heraldic writers, though most have been in use as long as the traditional ordinaries. Diminutives of ordinaries and some subordinaries are charges of the same shape, though thinner. Most of the ordinaries are theoretically said to occupy one-third of the shield; but this is rarely observed in practice, except when the ordinary is the only charge.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
In British heraldry, sable is the tincture equivalent to black. It is one of the five dark tinctures called colours.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjälbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
Alerion is a term for a heraldic bird. Historically, it referred to the regular heraldic eagle. Later, heralds used the term alerion to refer to "baby eagles" or "eaglets". To differentiate them from mature eagles, alerions were shown as an eagle displayed inverted without a beak or claws (disarmed). To differentiate it from a decapitate (headless) eagle, the alerion has a bulb-shaped head with an eye staring towards the dexter of the field. This was later simplified in modern heraldry as an abstract winged oval.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
A heraldic shield has been associated with the historic county of Sussex since the seventeenth century. The device, displaying six martlets or heraldic swallows on a shield, later formed the basis of the flag of Sussex and the armorial bearings granted to the county councils of East and West Sussex.
In heraldry, the term attitude describes the position in which a figure is emblazoned as a charge, a supporter, or as a crest. The attitude of a heraldic figure always precedes any reference to the tincture of the figure and its parts. Some attitudes apply only to predatory beasts, exemplified by the beast most usual to heraldry – the heraldic lion; other terms apply to docile animals, such as the doe, usually emblazoned as a "hind".
Sir John Arundell (1474–1545) Knight Banneret, of Lanherne, St Mawgan-in-Pyder, Cornwall, was "the most important man in the county", being Receiver-General of the Duchy of Cornwall. His monumental brass in the church at St Columb Major in Cornwall was described by Dunkin (1882) as "perhaps the most elaborate and interesting brass to be found in Cornwall".
Heraldry is the system of visual identification of rank and pedigree which developed in the European High Middle Ages, closely associated with the courtly culture of chivalry, Latin Christianity, the Crusades, feudal aristocracy, and monarchy of the time. Heraldic tradition fully developed in the 13th century, and it flourished and developed further during the Late Middle Ages and the Early Modern period. Originally limited to nobility, heraldry is adopted by wealthy commoners in the Late Middle Ages. Specific traditions of Ecclesiastical heraldry also develop in the late medieval period. Coats of arms of noble families, often after their extinction, becomes attached to the territories they used to own, giving rise to municipal coats of arms by the 16th century.
Walter de Beauchamp, of Beauchamp's Court, Alcester in Warwickshire and of Beauchamp Court, Powick in Worcestershire, was Steward of the Household to King Edward I from 1289 to 1303. He was the younger brother of William de Beauchamp, 9th Earl of Warwick (c.1238-1298), the first of his family to hold that title and was the founder of the junior line of the Beauchamp family known as "Beauchamp of Powick".
The coat of arms of McGill University is the official emblem of the university and derives from a heraldic device assumed during the lifetime of the university's founder, James McGill. The first iteration was designed in 1906 by Percy Nobbs, then director of the McGill School of Architecture. The design subsequently varied for decades after until the university's current coat of arms, largely resembling the original design, was finally adopted by the Board of Governors in 1975. Today, the university has approved multiple logos across its faculties and departments, including a separate coat of arms used by the Macdonald Campus.
