Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
The fleur-de-lis, also spelled fleur-de-lys, is a common heraldic charge in the shape of a lily. Most notably, the fleur-de-lis is depicted on the traditional coat of arms of France that was used from the High Middle Ages until the French Revolution in 1792, and then again in brief periods in the 19th century. This design still represents France and the House of Bourbon in the form of marshalling in the arms of Spain, Quebec and Canada, for example.
In heraldry, tenné is a "stain", or non-standard tincture, of orange, light brown or orange-tawny colour.
Tincture is the limited palette of colours and patterns used in heraldry. The need to define, depict, and correctly blazon the various tinctures is one of the most important aspects of heraldic art and design.
In heraldry, variations of the field are any of a number of ways that a field may be covered with a pattern, rather than a flat tincture or a simple division of the field.
In British heraldry, a coronet is any crown whose bearer is less than sovereign or royal in rank, irrespective of the crown's appearance. In other languages, this distinction is not made, and usually the same word for crown is used irrespective of rank In this use, the English coronet is a purely technical term for all heraldic images of crowns not used by a sovereign, and implies nothing about the actual shape of the crown depicted. A Coronet is another type of crown, but is reserved for the lower ranks of nobility like Marquesses and Marchionesses, Earls and Countesses, Barons and Baronesses, and some Lords and Ladies. The specific design and attributes of the crown or coronet signifies the hierarchy and ranking of its owner.
In heraldry, cadency is any systematic way to distinguish arms displayed by descendants of the holder of a coat of arms when those family members have not been granted arms in their own right. Cadency is necessary in heraldic systems in which a given design may be owned by only one person at any time, generally the head of the senior line of a particular family.
The rule of tincture is a design philosophy found in some heraldic traditions that states "metal should not be put on metal, nor colour on colour". Heraldic furs such as ermine and vair, and charges described as "proper", are generally exempt from the rule of tincture.
Portuguese heraldry encompasses the modern and historic traditions of heraldry in Portugal and the Portuguese Empire. Portuguese heraldry is part of the larger Iberian tradition of heraldry, one of the major schools of heraldic tradition, and grants coats of arms to individuals, cities, Portuguese colonies, and other institutions. Heraldry has been practiced in Portugal at least since the 12th century, however it only became standardized and popularized in the 16th century, during the reign of King Manuel I of Portugal, who created the first heraldic ordinances in the country. Like in other Iberian heraldic traditions, the use of quartering and augmentations of honor is highly representative of Portuguese heraldry, but unlike in any other Iberian traditions, the use of heraldic crests is highly popular.
Norwegian heraldry has roots in early medieval times, soon after the use of coats of arms first appeared in continental Europe. Some of the medieval coats of arms are rather simple of design, while others have more naturalistic charges. The king-granted coats of arms of later times were usually detailed and complex. Especially in the late 17th century and the 18th century, many ennobled persons and families received coats of arms with shields containing both two and four fields, and some even with an inescutcheon above these.
The rose is a common device in heraldry. It is often used both as a charge on a coat of arms and by itself as an heraldic badge. The heraldic rose has a stylized form consisting of five symmetrical lobes, five barbs, and a circular seed. The rose is one of the most common plant symbols in heraldry, together with the lily, which also has a stylistic representation in the fleur-de-lis.
A crown is often an emblem of a sovereign state, usually a monarchy, but also used by some republics.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
Danish heraldry has its roots in medieval times when coats of arms first appeared in Europe. Danish heraldry is a branch of the German-Nordic heraldic tradition.
As Emperor of the French, Napoleon I created titles in a newly established noblesse impériale to institute a stable elite in the First French Empire, after the instability resulting from the French Revolution.
Finnish heraldry has a common past with Swedish heraldry until 1809 and it belongs to German heraldric tradition.
A number of cross symbols were developed for the purpose of the emerging system of heraldry, which appeared in Western Europe in about 1200. This tradition is partly in the use of the Christian cross an emblem from the 11th century, and increasingly during the age of the Crusades. Many cross variants were developed in the classical tradition of heraldry during the late medieval and early modern periods. Heraldic crosses are inherited in modern iconographic traditions and are used in numerous national flags.
Amalie Wilhelmine Henriette Ernestine Bianca von Forcade de Biaix was a daughter of Captain Friedrich Wilhelm Leopold Konstantin Quirin Freiherr von Forcade de Biaix, Lord of Schleibitz, Hamm, Groß-Naedlitz and Loslau, and Amalie Ernestine Wilhelmine Elisabeth von Poser und Groß-Naedlitz. She was a descendant of the noble family of Forcade.
The first instance of a figure of the lion as symbol of the Kingdom of León is found in minted coins of Alfonso VII, called the Emperor (1126–1157). Until then, the cross had a preponderant position on documents and coins of Leonese monarchs since that reign the cross was gradually displaced by the lion. The Spanish historian and heraldist Martín de Riquer explained that the lion was already used as heraldic emblem in 1148. At the end of the reign of Alfonso VII, the figure of this animal began to appear on royal documents as personal device of the monarch and became pervasive during reigns of Ferdinand II (1157-1188) and Alfonso IX (1188-1230).
The coat of arms of Lyon, the ancient capital of the Gauls, reflects the rich history of the city across different periods of its existence and the power that has exercised authority over the city. It was created in 1320, although the current version, which dates from 1859, reprises the form that it had before the end of the Ancien Régime after having undergone several temporary modifications.
