Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
A coat of arms is a heraldic visual design on an escutcheon, surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique to the armiger. The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter.
The flag of Albania depicts a silhouetted black double-headed eagle in the center of a red background. The red stands for bravery, strength, valour and bloodshed, while the Eagle – traditionally the symbol of Albanians – represents the sovereign state of Albania. The flag was established as the national flag of Albania when the country gained its independence from the Ottoman Empire in 1912.
When the Roman Empire divided into east and west in 395, the territories of modern Albania became a part of the Byzantine Empire. At the end of the 12th century, the Principality of Arbanon was formed which lasted until mid 13th century, after its dissolution it was followed with the creation of the Albanian Kingdom after an alliance between the Albanian noblemen and Angevin dynasty. After a war against the Byzantine empire led the kingdom occasionally decrease in size until the Angevins eventually lost their rule in Albania and led the territory ruled by several different Albanian chieftains until the mid 14th century which for a short period of time were conquered by the short-lived empire of Serbia. After its fall in 1355 several chieftains regained their rule and significantly expanded until the arrival of the Ottomans after the Battle of Savra.
The coat of arms of Albania is an adaptation of the flag of Albania and is based on the symbols of Gjergj Kastrioti Skanderbeg. It features the black double-headed eagle, documented in official use since 1458, as evidenced from a sealed document uncovered in the Vatican Secret Archive, addressed to Pope Pius II and co-sealed by notary Johannes Borcius de Grillis. The stylized gold helmet is partially based on the model of crown-like rank that once belonged to Skanderbeg, currently on display at the Kunsthistorisches Museum in Vienna, first mentioned in 1593 in the Ambras armory inventory and depicted in 1601/03 in the "Armamentarium Heroicum" of Jakob Schrenck von Notzing. The ruler of Austria, Ferdinand II, acquired the helmet from the Duke of Urbino, so mentioned in a letter sent to him from the duke, dated 15 October 1578.
Sulima is a Polish coat of arms. It was used by several szlachta families in the Kingdom of Poland and the Polish–Lithuanian Commonwealth. Notable people using the symbol were Zawisza Czarny—a famous Polish knight—and the Sułkowski family.
The League of Lezhë, also commonly referred to as the Albanian League, was a military and diplomatic alliance of the Albanian aristocracy, created in the city of Lezhë on 2 March 1444. The League of Lezhë is considered the first unified independent Albanian country in the Medieval age, with Skanderbeg as leader of the regional Albanian chieftains and nobles united against the Ottoman Empire. Skanderbeg was proclaimed "Chief of the League of the Albanian People," while Skanderbeg always signed himself as "DominusAlbaniae".
The eagle is used in heraldry as a charge, as a supporter, and as a crest. Heraldic eagles can be found throughout world history like in the Achaemenid Empire or in the present Republic of Indonesia. The European post-classical symbolism of the heraldic eagle is connected with the Roman Empire on one hand, and with Saint John the Evangelist on the other.
The double-headed eagle is an iconographic symbol originating in the Bronze Age. The earliest predecessors of the symbol can be found in Mycenaean Greece and in the Ancient Near East, especially in Mesopotamian and Hittite iconography. Most modern uses of the emblem are directly or indirectly associated with its use by the Palaiologos dynasty of the Byzantine Empire, a use possibly derived from the Roman Imperial Aquila. High medieval iterations of the motif can be found in Islamic Spain, France, the Bulgarian Empire and the Serbian principality of Raška. From the 13th century onward it appeared within the Islamic world in the Seljuk Sultanate of Rum and the Mamluk Sultanate, and within the Christian world in Albania, the Holy Roman Empire, Russia, and Serbia. In a few places, among them the Holy Roman Empire and Russia, the motif was further augmented to create the less prominent triple-headed eagle.
The Arianiti were a noble Albanian family that ruled large parts of Albania and neighboring territories from the 11th to the 16th century. Their domain stretched across the Shkumbin valley and the old Via Egnatia road and reached east to today's Bitola.
The Kastrioti were an Albanian noble family, active in the 14th and 15th centuries as the rulers of the Principality of Kastrioti. At the beginning of the 15th century, the family controlled a territory in the Mat and Dibra regions. The most notable member was Gjergj Kastrioti, better known as Skanderbeg, regarded today as an Albanian hero for leading the resistance against Mehmed the Conqueror's efforts to expand the Ottoman Empire into Albania. After Skanderbeg's death and the fall of the Principality in 1468, the Kastrioti family gave their allegiance to the Kingdom of Naples and were given control over the Duchy of San Pietro in Galatina and the County of Soleto, now in the Province of Lecce, Italy. Ferrante, son of Gjon Kastrioti II, Duke of Galatina and Count of Soleto, is the direct ancestor of all male members of the Kastrioti family today. Today, the family consists of two Italian branches, one in Lecce and the other in Naples. The descendants of the House of Kastrioti in Italy use the family name "Castriota Scanderbeg".
The Principality of Kastrioti was one of the Albanian principalities during the Late Middle Ages. It was formed by Pal Kastrioti who ruled it until 1407, after which his son, Gjon Kastrioti ruled until his death in 1437 and then ruled by the national hero of Albania, Skanderbeg.
The term Albanian Principalities refers to a number of principalities created in the Middle Ages in Albania and the surrounding regions in the western Balkans that were ruled by Albanian nobility. The 12th century marked the first Albanian principality, the Principality of Arbanon. It was later, however, in the 2nd half of the 14th century that these principalities became stronger, especially with the fall of the Serbian Empire after 1355. Some of these principalities were notably united in 1444 under the military alliance called League of Lezhë up to 1480 which defeated the Ottoman Empire in more than 28 battles. They covered modern day Albania,western and central Kosovo, Epirus, areas up to Corinth, western North Macedonia, southern Montenegro. The leaders of these principalities were some of the most noted Balkan figures in the 14th and 15th centuries such as Gjin Bua Shpata, Andrea II Muzaka, Gjon Zenebishi, Karl Topia, Andrea Gropa, Balsha family, Gjergj Arianiti, Gjon Kastrioti, Skanderbeg, Dukagjini family and Lek Dukagjini.
German heraldry is the tradition and style of heraldic achievements in Germany and the Holy Roman Empire, including national and civic arms, noble and burgher arms, ecclesiastical heraldry, heraldic displays and heraldic descriptions. German heraldic style is one of the four major broad traditions within European heraldry and stands in contrast to Gallo-British, Latin and Eastern heraldry, and strongly influenced the styles and customs of heraldry in the Nordic countries, which developed comparatively late. Together, German and Nordic heraldry are often referred to as German-Nordic heraldry.
Russian heraldry involves the study and use of coats of arms and other heraldic insignia in the country of Russia. Compare the socialist heraldry of the Soviet period of Russian history (1917–1991).
The House of Dukagjini is an Albanian noble family which ruled over an area of Northern Albania and Western Kosovo known as the Principality of Dukagjini in the 14th and 15th centuries. They may have been descendants of the earlier Progoni family, who founded the first Albanian state in recorded history, the Principality of Arbanon. The city of Lezhë was their most important holding.
The Albanian nobility was an elite hereditary ruling class in Albania, parts of the western Balkans and later in parts of the Ottoman world. The Albanian nobility was composed of landowners of vast areas, often in allegiance to states like the Byzantine Empire, various Serbian states, the Republic of Venice, the Ottoman Empire and the Kingdom of Naples in addition to the Albanian principalities. They often used Byzantine, Latin or Slavic titles, such as sebastokrator, despot, dux, conte and zupan.
A national coat of arms is a symbol which denotes an independent state in the form of a heraldic achievement. While a national flag is usually used by the population at large and is flown outside and on ships, a national coat of arms is normally considered a symbol of the government or the head of state personally and tends to be used in print, on armorial ware, and as a wall decoration in official buildings. The royal arms of a monarchy, which may be identical to the national arms, are sometimes described as arms of dominion or arms of sovereignty.
Skanderbeg's rebellion was an almost 25-year long anti-Ottoman rebellion led by the Albanian military commander Skanderbeg in what is today Albania and its neighboring countries. It was a rare successful instance of resistance by Christians during the 15th century and through his leadership led Albanians in guerrilla warfare against the Ottomans.
Heraldry is the system of visual identification of rank and pedigree which developed in the European High Middle Ages, closely associated with the courtly culture of chivalry, Latin Christianity, the Crusades, feudal aristocracy, and monarchy of the time. Heraldic tradition fully developed in the 13th century, and it flourished and developed further during the Late Middle Ages and the Early Modern period. Originally limited to nobility, heraldry is adopted by wealthy commoners in the Late Middle Ages. Specific traditions of Ecclesiastical heraldry also develop in the late medieval period. Coats of arms of noble families, often after their extinction, becomes attached to the territories they used to own, giving rise to municipal coats of arms by the 16th century.
Kastrioti family’s coat of arms according to Korjenić-Neorić Armorial (1595)
The Albanian double-headed eagle painted on the walls of St. Anthony Church, Durrës
Coat of arms of the Muzaka family found in bas-relief on the residence wall of Palazzo Argentina, Francavilla Fontana, mentioned by Rosario Jurlaro in his work I Musachi despoti d'Epiro: in Puglia a salvamento.
Opposite the town of Alessio, above a hill on the right bank of the Drin river, stands the small Franciscan monastery of St. Antonius where this symbolic coat of arms was found. In contemporary Albanian history, this coat of arms is speculatively attributed to one Anton Scura, a supposed patriarch of the noble Scura family, which held sway over the territories in nearby Delbnisht, present-day Kurbin. No reliable records of an Anton Scura from sources of antiquity have been found.
Coat of arms of the Balsa (14th century)
Earliest artistic depiction of the Dukagjini family coat of arms
