Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
A coat of arms is a heraldic visual design on an escutcheon, surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique to the armiger. The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter.
The coat of arms of Germany displays a black eagle with a red beak, a red tongue and red feet on a golden field, which is blazoned: Or, an eagle displayed sable beaked langued and membered gules. This is the Bundesadler, formerly known as Reichsadler. It is one of the oldest coats of arms in the world, and today the oldest national symbol used in Europe.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
The eagle is used in heraldry as a charge, as a supporter, and as a crest. Heraldic eagles can be found throughout world history like in the Achaemenid Empire or in the present Republic of Indonesia. The European post-classical symbolism of the heraldic eagle is connected with the Roman Empire on one hand, and with Saint John the Evangelist on the other.
Swedish heraldry encompasses heraldic achievements in modern and historic Sweden. Swedish heraldic style is consistent with the German-Nordic heraldic tradition, noted for its multiple helmets and crests which are treated as inseparable from the shield, its repetition of colours and charges between the shield and the crest, and its scant use of heraldic furs. Because the medieval history of the Nordic countries was so closely related, their heraldic individuality developed rather late. Swedish and Finnish heraldry have a shared history prior to the Diet of Porvoo in 1809; these, together with Danish heraldry, were heavily influenced by German heraldry. Unlike the highly stylized and macaronic language of English blazon, Swedish heraldry is described in plain language, using only Swedish terminology.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjälbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
Ecclesiastical heraldry refers to the use of heraldry within Christianity for dioceses, organisations and Christian clergy. Initially used to mark documents, ecclesiastical heraldry evolved as a system for identifying people and dioceses. It is most formalized within the Catholic Church, where most bishops, including the Pope, have a personal coat of arms. Clergy in Anglican, Lutheran, Eastern Catholic and Eastern Orthodox churches follow similar customs, as do institutions such as schools and dioceses.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
The Reichsadler is the heraldic eagle, derived from the Roman eagle standard, used by the Holy Roman Emperors, later by the Emperors of Austria and in modern coat of arms of Austria and Germany.
Danish heraldry has its roots in medieval times when coats of arms first appeared in Europe. Danish heraldry is a branch of the German-Nordic heraldic tradition.
Siebmachers Wappenbuch is a roll of arms first published in 1605 as two heraldic multivolume book series of armorial bearings or coats of arms of the nobility of the Holy Roman Empire, as well as coats of arms of city-states and some burgher families. Founded and compiled by Johann Ambrosius Siebmacher, a German heraldic artist, copperplate engraver, etcher and publisher from Nuremberg, these works became an important source of heraldry of the German-speaking regions.
Burgher arms or bourgeois arms are coats of arms borne by persons of the burgher social class of Europe since the Middle Ages. By definition, however, the term is alien to British heraldry, which follows other rules.
Attributed arms are Western European coats of arms given retrospectively to persons real or fictitious who died before the start of the age of heraldry in the latter half of the 12th century. Once coats of arms were the established fashion of the ruling class, society expected a king to be armigerous. Arms were assigned to the knights of the Round Table, and then to biblical figures, to Roman and Greek heroes, and to kings and popes who had not historically borne arms. Individual authors often attributed different arms for the same person, although the arms for major figures eventually became fixed.
In heraldic achievements, the helmet or helm is situated above the shield and bears the torse and crest. The style of helmet displayed varies according to rank and social status, and these styles developed over time, in step with the development of actual military helmets. In some traditions, especially German and Nordic heraldry, two or three helmets may be used in a single achievement of arms, each representing a fief to which the bearer has a right. For this reason, the helmets and crests in German and Nordic arms are considered essential to the coat of arms and are never separated from it.
Icelandic heraldry is the study of coats of arms and other insignia used in Iceland. It belongs to the German-Nordic heraldic tradition, as the heraldry of Iceland has been primarily influenced by the heraldic traditions of Norway, Denmark and other Nordic countries. Iceland does not have a strong sense of heraldic tradition, however, because the country lacks a governing body to oversee this. As a result, coats of arms registered as such are virtually nonexistent in modern Iceland. While many municipalities use more or less heraldic logos, there are no heraldic standards to which these must adhere, and they are registered as graphic designs rather than as coats of arms.
A number of cross symbols were developed for the purpose of the emerging system of heraldry, which appeared in Western Europe in about 1200. This tradition is partly in the use of the Christian cross an emblem from the 11th century, and increasingly during the age of the Crusades. Many cross variants were developed in the classical tradition of heraldry during the late medieval and early modern periods. Heraldic crosses are inherited in modern iconographic traditions and are used in numerous national flags.
The coat of arms of Oxford is the official heraldic arms of Oxford, England, used by Oxford City Council.
A national coat of arms is a symbol which denotes an independent state in the form of a heraldic achievement. While a national flag is usually used by the population at large and is flown outside and on ships, a national coat of arms is normally considered a symbol of the government or the head of state personally and tends to be used in print, on armorial ware, and as a wall decoration in official buildings. The royal arms of a monarchy, which may be identical to the national arms, are sometimes described as arms of dominion or arms of sovereignty.
Heraldry is the system of visual identification of rank and pedigree which developed in the European High Middle Ages, closely associated with the courtly culture of chivalry, Latin Christianity, the Crusades, feudal aristocracy, and monarchy of the time. Heraldic tradition fully developed in the 13th century, and it flourished and developed further during the Late Middle Ages and the Early Modern period. Originally limited to nobility, heraldry is adopted by wealthy commoners in the Late Middle Ages. Specific traditions of Ecclesiastical heraldry also develop in the late medieval period. Coats of arms of noble families, often after their extinction, becomes attached to the territories they used to own, giving rise to municipal coats of arms by the 16th century.
