The Stella d'Italia ("Star of Italy") that metaphorically assists the Italian soldier in the trenches in a postcard of World War I
In heraldry, the term star may refer to any star-shaped charge with any number of rays, which may appear straight or wavy, and may or may not be pierced. While there has been much confusion between the two due to their similar shape, a star with straight-sided rays is usually called a mullet in English heraldry while one with wavy rays is usually called an estoile.[1]
While a mullet may have any number of points, it is presumed to have five unless otherwise specified in the blazon, and pierced mullets are common; estoiles, however, are presumed to have six rays and (as of 1909) had not been found pierced.[1] In Scottish heraldry, an estoile is the same as in English heraldry, but mullet refers only to a mullet pierced (also called a spur revel), while one that is not pierced is called a star.[1]
Terminology
The use of the word star in blazons, and how that charge appears in coat armory, varies from one jurisdiction to another. In Scots heraldry, both star and mullet interchangeably mean a star with five straight rays;[citation needed] the official record from 1673 gives Murray of Ochtertyre azur three Starrs argent ... (Public Register, vol 1 p 188), while the Ordinary of Arms produced by a late 19th century Lyon King of Arms 'modernizes' the original as Az. three mullets arg. .... In Canadian heraldry the usual term is mullet, but there is also the occasional six-pointed star (e.g. in Vol. IV, at p.274 and in online version of the Canadian Public Register), which is what others would blazon as a six-pointed mullet. The United States Army Institute of Heraldry, the official heraldic authority in the United States, uses the term mullet in its blazons,[2] but elsewhere, as in US government documents describing the flag of the United States and the Great Seal of the United States, the term star is constantly used, and these nearly always appear with five straight-sided points.
The term mullet or molet refers to a star with straight sides, typically having five or six points, but may have any number of points specified in the blazon. If the number of points is not specified, five points are presumed in Gallo-British heraldry, and six points are presumed in German-Nordic heraldry.[citation needed]
Unlike estoiles, mullets have straight (rather than wavy) rays and may have originally represented the rowel of a spur, rather than a celestial star.[3] The term is said to be derived from Frenchmolette, a spur-rowel,[3] although it was in use in heraldry even before rowel spurs.[4]
The term estoile refers to wavy-sided stars, usually of six points, though they may also be blazoned with a different number of points, often eight (e.g. "Portsmouth County Council" pictured hereArchived 2016-11-20 at the Wayback Machine ), and many variants feature alternating straight and wavy rays (e.g. "Honford" pictured here). The term derives from Old Frenchestoile 'star', in reference to a celestial star (cf. Modern Frenchétoile), from Latinstella 'star'.
Stars are comparatively rare in European heraldry during the medieval period. An early reference of dubious historicity is reported by Johannes Letzner, who cites Conradus Fontanus (an otherwise unknown authority) to the effect that one Curtis von Meinbrechthausen, a knight of Saxony, in 1169 after committing a murder lost his rank and arms, described as an eight-pointed star beneath a chevron. In Scotland, the armigers of Clan Murray and Clan Douglas used arms with stars as early as the 12th or 13th century. Examples of stars in a late medieval heraldry of the Holy Roman Empire include those of Wentz von Niederlanstein (1350), Gemm (attested 1352), Geyer von Osterberg (1370), Enolff Ritter von Leyen (d. 1392).[5]
Under the system of cadency in use in England and Ireland since the late 15th century, a third son bears a mullet (unpierced) as a difference.[6]
Stars become much more popular as heraldic charges in the early modern era, especially in then-recent family coats of arms of burghers and patricians, as well as in coats of arms of cities (e.g. Maastricht, Bozen, Kaufbeuren).[7] The coat of arms of Valais originates in the 16th century, when seven stars representing its Seven Tithings were added to the party per pale coat of arms of the Bishop of Sion. Of the higher nobility in Siebmachers Wappenbuch (1605), the landgrave of Hessen and the counts of Waldeck and Erbach have stars in their coats of arms, as do several Swiss knights.[8]
The Stella d'Italia ("Star of Italy"), popularly known as Stellone d'Italia ("Great Star of Italy"),[10] is a five-pointed white star, which has symbolized Italy for many centuries. It is the oldest national symbol of Italy, since it dates back to Graeco-Roman mythology[9] when Venus, associated with the West as an evening star, was adopted to identify the Italian peninsula. From an allegorical point of view, the Stella d'Italiametaphorically represents the shining destiny of Italy.[11]
In the early 16th century it began to be frequently associated with Italia turrita, the national personification of the Italian peninsula. The Stella d'Italia was adopted as part of the emblem of Italy in 1947, where it is superimposed on a steel cogwheel, all surrounded by an oak branch and an olive branch. From an allegorical point of view, the Star of Italy metaphorically represents the shining destiny of Italy.[11] Its unifying value is equal to that of the flag of Italy.[9] In 1947, the Stella d'Italia was inserted at the center of the emblem of Italy, which was designed by Paolo Paschetto and which is the iconic symbol identifying the Italian State.[12]
The symbolism of a star associated with Italy first appeared in the writings of the ancient Greek poet Stesicoro, from whom it passed on to poets such as Virgil. The oldest national symbol of Italy,[9] it originated from the combination of Venus, as an evening star, with the West[15] and therefore with the Italian peninsula, one of which was Esperia, or "land of Hesperus, the star of the Evening consecrated to Venus".[15][16] This symbolism was already attested in archaic Greek literature, in 6th century BC by the poet Stesichorus, in the poem Iliupersis (Fall of Troy) that created the legend of Aeneas which described his return to the land of his ancestors (Italy) after the defeat of Troy, under the leadership of Venus.[9]
The Stella d'Italia on the first coins of a united Italy
The stars of the uniforms of the Italian Armed Forces, which have their origin in the Stella d'Italia
L'Italia turrita e stellata, 1861, Palazzo Reale of Naples. Note the little star on the crown.
Lithograph of the Italian patriot Ciro Menotti with the Star of Italy above his head (1875).
A mullet "barbed to chief" appears in the arms of the 240th Signal Battalion of the 40th Infantry Division of the California Army National Guard United States Army.[19]
In the design of modern flags and emblems, the stars (mullets, usually five-pointed) when standing alone often represent concepts like "unity" or "independence". When arranged in groups, they often enumerate provinces or other components of the nation (such as ethnic groups). In the flags of Nauru and the Marshall Islands, this enumeration is done by the points of a single star rather than by multiple number of stars.[citation needed]
Some flags of countries on the southern hemisphere show a depiction of the Southern Cross consisting of four or five stars. The star and crescent symbol is found in flags of states succeeding the Ottoman Empire, which used flags with this symbol during 1793-1923.
the Republic of Turkey was established in 1923 and its Flag Law was passed in 1936, declaring the continued use of the Ottoman flag that had been flown since 1844 (an earlier variant with an eight-pointed star dates to ca. 1793).
based on the flag of the Federal Republic of Central America. The five stars also represent the historical provinces of that state, not subdivisions of Honduras itself.
used as a governmental ensign since 1869, made the official national flag in 1902. Designed by Albert Hastings Markham under a request from Governor George Bowen.
seven-pointed stars for the Commonwealth Star and the main stars of the constellation, plus a smaller five-pointed star representing Epsilon Crucis. Based on the winning design in the 1901 Federal Flag Design Competition.
"The seven points symbolize the seven verses of the first surah of the Qur’an. The seven points also represent faith in one God, humanity, humility, national spirit, virtue, social justice, and aspiration. The star also stands for the unity of the Arab nation."
the Communist Star; "The five-pointed yellow star represents the unity of workers, peasants, intellectuals, traders and soldiers in building socialism"
"Five-starred Red Flag" (五星红旗, Wǔxīng Hóngqí), one large star representing the Communist Party surrounded by four smaller ones depicting the four then social classes
The five points of the star are said to recall the human ideogram which was displayed in the middle of the flag of the former Mali Federation.[citation needed]
five stars alongside a crescent, representing "democracy, peace, progress, justice and equality". According to Lee Kuan Yew, the Chinese population wanted five stars (influenced by the flag of the People's Republic of China) and the Muslim population wanted a crescent moon.
a diagonal line of seven five-pointed stars, plus two half-stars cut off by the flag boundary. The stars represent "Europe" and are intended to be "infinite" in number.
Not bearing heraldic stars as such, the 1915 Flag of Morocco and the 1996 flag of Ethiopia have a pentagram each, and the 1948 flag of Israel a hexagram or "star of David". The 1962 Flag of Nepal has what would technically be described as a 12-pointed mullet, but is intended to depict the Sun.[citation needed]
↑ Сабухи Ахмедов, Государственный флаг Азербайджанской Республики ("The national flag of the Republic of Azerbaijan") (in Russian), citing Мярданов М., Гулийев Я., Азярбайъан Республикасынын дювлят рямзляри. Б., 2001, pp. 74-75.
↑ Carlo Curti Gialdino, I Simboli dell'Unione europea, Bandiera – Inno – Motto – Moneta – Giornata. Roma: Istituto Poligrafico e Zecca dello Stato S.p.A., 2005. ISBN88-240-2503-X, pp.80–85. Gialdino is here cited after a translation of the Italian text published by the Centre Virtuel de la Connaissance sur l'Europe (cvce.eu):
Irrespective of the statements by Paul M. G. Levy and the recent reconstruction by Susan Hood, crediting Arsène Heitz with the original design still seems to me the soundest option. In particular, Arsène Heitz himself, in 1987, laid claim to his own role in designing the flag and to its religious inspiration when he said that 'the flag of Europe is the flag of Our Lady' [Magnificat magazine, 1987].
Secondly, it is worth noting the testimony of Father Pierre Caillon, who refers to a meeting with Arsène Heitz. Caillon tells of having met the former Council of Europe employee by chance in August 1987 at Lisieux in front of the Carmelite monastery. It was Heitz who stopped him and declared "I was the one who designed the European flag. I suddenly had the idea of putting the 12 stars of the Miraculous Medal of the Rue du Bac on a blue field. My proposal was adopted unanimously on 8 December 1955, the Feast of the Immaculate Conception. I am telling you this, Father, because you are wearing the little blue cross of the Blue Army of Our Lady of Fatima".
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