A figurehead is a carved wooden decoration found at the bow of ships, generally of a design related to the name or role of a ship. They were predominant between the sixteenth and twentieth centuries, and modern ships' badges fulfil a similar role.
A figurehead is a carved wooden decoration found at the bow of ships, generally of a design related to the name or role of a ship. They were predominant between the sixteenth and twentieth centuries, and modern ships' badges fulfil a similar role.
Early ships often had some form of bow ornamentation (e.g. the eyes painted on the bows of Greek and Phoenician galleys, the Roman practice of putting carvings of their deities on the bows of their galleys, and the Viking ships of ca. A.D. 800–1100). The menacing appearance of toothy and bug-eyed figureheads on Viking ships were considered a form of apotropaic magic, serving the function of warding off evil spirits. [1]
The Ancient Egyptians placed figures of holy birds on the prow. A wall relief at Medinet Habu depicting Ramses III defeating the Sea Peoples in the Battle of the Nile Delta circa 1200 BC depicts Ancient Egiptian ships with a fierce lioness figurehead carved on the bow of two of the ships. Likely this depicted their warrior goddess, Sekhmet, who was seen as their protector. The Phoenicians used horses representing speed. The Ancient Greeks used the heads of boars to symbolise acute vision and ferocity while Roman boats often mounted a carving of a centurion representing valour in battle. In northern Europe, serpents, bulls, dolphins, and dragons were customary and by the thirteenth century, the swan was used representing grace and mobility. [2]
In Germany, Belgium, and the Netherlands, it was once believed that spirits or faeries called Kaboutermannekes (gnomes, little men, faeries) dwelt in the figureheads. The spirit guarded the ship from sickness, rocks, storms, and dangerous winds. If the ship sank, the Kaboutermannekes guided the sailors' souls to the Land of the Dead. To sink without a Kaboutermanneke condemned the sailor's soul to haunt the sea forever, so Dutch sailors believed. A similar belief was found in early Scandinavia.[ citation needed ]
In pre-colonial Burma, during the Konbaung dynasty, figureheads were used to distinguish several types of royal barges allocated to different members of the royal court; each barge had a specific mythical figurehead at the front.
A general practice of figureheads was introduced in Europe with the galleons of the sixteenth century, as the figurehead as such could not come to be until ships had a stemhead structure on which to place it. [3] During the period from the seventeenth to the eighteenth centuries the carved subjects of figureheads varied from representations of saints to patriotic emblems such as the unicorns or lions popular on British ships. When the ship was named after a royal or naval personage the head and bust of the individual might be shown. [4]
As with the stern ornamentation, the purpose of the figurehead was often to indicate the name of the ship in a non-literate society (albeit in a sometimes very convoluted manner); and always, in the case of naval ships, to demonstrate the wealth and might of the owner. At the height of the Baroque period, some ships boasted gigantic figureheads, weighing several tons and sometimes twinned on both sides of the bowsprit.[ citation needed ]
A large figurehead, being carved from massive wood and perched on the very foremost tip of the hull, adversely affected the sailing qualities of the ship. This, and cost considerations, led to figureheads being made dramatically smaller during the eighteenth century, and in some cases they were abolished altogether around 1800. After the Napoleonic wars they made something of a comeback, but were then often in the form of a small waist-up bust rather than the oversized full figures previously used. The clipper ships of the 1850s and 1860s customarily had full figureheads, but these were relatively small and light. During their final stage of common use figureheads ranged in length from about 18 inches (46 cm) to 9 feet (2.7 m). [5]
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Figureheads as such died out with the military sailing ship. In addition the vogue for ram bows meant that there was no obvious place to mount one on battleships. [6] An exception was HMS Rodney which was the last British battleship to carry a figurehead. [6] Smaller ships of the Royal Navy continued to carry them. The last example may well have been the sloop HMS Cadmus launched in 1903. [7] Her sister ship Espiegle was the last to sport a figurehead until her breaking up in 1923. Early steamships sometimes had gilt scroll-work and coats-of-arms at their bows. This practice lasted up until about World War I. The 1910 German liner SS Imperator originally sported a large bronze figurehead of an eagle (the Imperial German symbol) standing on a globe. The few extra feet of length added by the figurehead made Imperator the longest ship in the world at the time of her launch.
It is still common practise for warships to carry ships' badges, large plaques mounted on the superstructure with a unique design relating to the ship's name or role. For example, Type 42 destroyers of the Royal Navy, which are named after British cities, carry badges depicting the coat of arms of their namesake.
On smaller vessels, a billethead might be substituted. This was a smaller, nonfigural carving, most often a curl of foliage. [8] [9]
A trireme was an ancient vessel and a type of galley that was used by the ancient maritime civilizations of the Mediterranean Sea, especially the Phoenicians, ancient Greeks and Romans.
Ship models or model ships are scale models of ships. They can range in size from 1/6000 scale wargaming miniatures to large vessels capable of holding people.
A ship of the line was a type of naval warship constructed during the Age of Sail from the 17th century to the mid-19th century. The ship of the line was designed for the naval tactic known as the line of battle, which involved the two columns of opposing warships manoeuvering to volley fire with the cannons along their broadsides. In conflicts where opposing ships were both able to fire from their broadsides, the faction with more cannons firing – and therefore more firepower – typically had an advantage.
Viking ships were marine vessels of unique structure, used in Scandinavia from the Viking Age throughout the Middle Ages. The boat-types were quite varied, depending on what the ship was intended for, but they were generally characterized as being slender and flexible boats, with symmetrical ends with true keel. They were clinker built, which is the overlapping of planks riveted together. Some might have had a dragon's head or other circular object protruding from the bow and stern for design, although this is only inferred from historical sources. Viking ships were used both for military purposes and for long-distance trade, exploration and colonization.
A gig is a type of boat. It was optimised for speed under oar, but usually also fitted with a sailing rig for appropriate conditions. The type was in use by Deal boatmen in the 18th century. It first occurred as a naval ship's boat after Deal boatbuilders recommended a different design to boats ordered from them by the Royal Navy to equip the cutters purchased in the 1760s to combat smuggling. The captains of larger warships soon sought permission to substitute a gig for one of the heavier boats which were then used; some even had a gig built at their own expense. The gig therefore became part of the usual complement of ship's boats used in warships.
The bucentaur was the ceremonial barge of the doges of Venice. It was used every year on Ascension Day up to 1798 to take the doge out to the Adriatic Sea to perform the "Marriage of the Sea" – a ceremony that symbolically wedded Venice to the sea.
HMS Hibernia was a 110-gun first-rate ship of the line of the Royal Navy. She was launched at Plymouth dockyard on 17 November 1804, and was the only ship built to her draught, designed by Sir John Henslow.
A galley is a type of ship optimised for propulsion by oars. Galleys were historically used for warfare, trade, and piracy mostly in the seas surrounding Europe. It developed in the Mediterranean world during antiquity and continued to exist in various forms until the early 19th century. It typically had a long, slender hull, shallow draft, and often a low freeboard. Most types of galleys also had sails that could be used in favourable winds, but they relied primarily on oars to move independently of winds and currents or in battle. The term "galley" originated from a Greek term for a small type of galley and came in use in English from about 1300. It has occasionally been used for unrelated vessels with similar military functions as galley but which were not Mediterranean in origin, such as medieval Scandinavian longships, 16th-century Acehnese ghalis and 18th-century North American gunboats.
Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the 8th-11th centuries. Viking art has many design elements in common with Celtic, Germanic, the later Romanesque and Eastern European art, sharing many influences with each of these traditions.
Oared vessel tactics were the dominant form of naval tactics used from antiquity to the late 16th century when sailing ships began to replace galleys and other types of oared ships as the principal form of warships. Throughout antiquity, through the Middle Ages until the 16th century, the weapons relied on were the ship itself, used as a battering ram or to sink the opponent with naval rams, the melee weapons of the crew, missile weapons such as bolts from heavy crossbows fixed on the bulwarks, bows and arrows, weights dropped from a yard or pole rigged out, and the various means of setting fire to enemy ships. The latter could be done by shooting arrows with burning tow or by Greek fire ejected through specially designed siphons.
The Maritime history of Europe represents the era of recorded human interaction with the sea in the northwestern region of Eurasia in areas that include shipping and shipbuilding, shipwrecks, naval battles, and military installations and lighthouses constructed to protect or aid navigation and the development of Europe. Europe is situated between several navigable seas and intersected by navigable rivers running into them in a way which greatly facilitated the influence of maritime traffic and commerce. Great battles have been fought in the seas off of Europe that changed the course of history forever, including the Battle of Salamis in the Mediterranean, the Battle of Gravelines at the eastern end of the English Channel in the summer of 1588, in which the “Invincible” Spanish Armada was defeated, the Battle of Jutland in World War I, and World War II’s U-boat war.
The Anthony Roll is a written record of ships of the English Tudor navy of the 1540s, named after its creator, Anthony Anthony. It originally consisted of three rolls of vellum, depicting 58 naval vessels along with information on their size, crew, armament, and basic equipment. The rolls were presented to King Henry VIII in 1546, and were kept in the royal library. In 1680 King Charles II gave two of the rolls to Samuel Pepys, who had them cut up and bound as a single volume book, which is now in the Pepys Library at Magdalene College, Cambridge. The third roll remained in the royal collection until it was given by King William IV to his daughter Lady Mary Fox, who sold it to the British Museum in 1858; it is now owned by the British Library.
The Andrei Pervozvanny class were a pair of pre-dreadnought battleships built in the first decade of the twentieth century for the Baltic Fleet of the Imperial Russian Navy. They were conceived by the Naval Technical Committee in 1903 as an incremental development of the Borodino-class battleships with increased displacement and heavier secondary armament. The disastrous experiences of the Russo-Japanese War of 1904–1905 and the unrest resulting from the 1905 Russian Revolution led to countless redesigns, change orders and delays in construction. Despite the designers' repeated attempts to modernize the ships while under construction, they were obsolete in concept from the beginning, and even more so when they entered service in 1911.
Naval heraldry is a form of identification used by naval vessels from the end of the 19th century onwards, after distinguishing features such as figureheads and gilding were discouraged or banned by several navies.
Naval boarding action is an offensive tactic used in naval warfare to come up against an enemy watercraft and attack by inserting combatants aboard that vessel. The goal of boarding is to invade and overrun the enemy personnel on board in order to capture, sabotage, or destroy the enemy vessel. While boarding attacks were originally carried out by ordinary sailors who are proficient in hand-to-hand combat, larger warships often deploy specially trained and equipped regular troops such as marines and special forces as boarders. Boarding and close-quarters combat had been a primary means to conclude a naval battle since antiquity, until the early modern period when heavy naval artillery gained tactical primacy at sea.
There are many customs and traditions associated with the Royal Navy of the United Kingdom. Many of these traditions have carried on to other Commonwealth navies, such as Canada, India, Australia and New Zealand. These include formal customs such as separate crests associated with ships, ensigns and fleet reviews. There are also several less formal customs and traditions, including Naval slang commonly referred to as Jack Speak and the traditional games of Uckers and Euchre.
The Istanbul Naval Museum is a national naval museum, located in the Beşiktaş district of Istanbul, Turkey. It was established in 1897 by the Ottoman Minister of the Navy Bozcaadalı Hasan Hüsnü Pasha.
An udema, also udenma, was a type of warship built for the Swedish archipelago fleet in the late 18th and early 19th centuries. It was developed for warfare in the Archipelago Sea in the Baltic and along the coasts of Svealand and Finland against the Russian navy. The udema was designed by the prolific naval architect Fredrik Henrik af Chapman for use in an area of mostly shallow waters and groups of islands and islets that extend from Stockholm all the way to the Gulf of Finland.
The archipelago fleet, officially the "fleet of the army", was a maritime branch of the Swedish Armed Forces which existed between 1756 and 1823. Its purpose was to protect the coasts of Sweden, which was surrounded by a natural barrier of archipelagoes. Throughout its existence, the fleet was a largely independent arm of the Swedish Army, separate from the Swedish Navy, with the exception of a few years in the late 1760s. In a number of respects, it was a precursor of the Swedish Coastal Artillery and its coastal fleet.
Johannes ("Johan") Törnström was Admiralty sculptor to the Swedish Navy at the Karlskrona naval base. He carved a number of figureheads for naval vessels, which are now housed at the Marinmuseum.
