Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
A palisade, sometimes called a stakewall or a paling, is typically a row of closely placed, high vertical standing tree trunks or wooden or iron stakes used as a fence for enclosure or as a defensive wall. Palisades can form a stockade.
The wyvern is a type of mythical draconic beast or lesser dragon with two legs, two wings, and often a pointed tail.
The coat of arms of Chile dates from 1834 and was designed by the English artist Charles Wood Taylor (1792–1856). It is made up by a figurative background divided in two equal parts: the top one is blue and the bottom, red. A five pointed white star is in the centre of the shield. This background is supported in one side by an Andean condor, the most significant bird of prey from the Andes, and in the other, by a huemul, a mammal endemic to Chile. Both animals wear golden naval crowns symbolising the heroic deeds of the Chilean Navy in the Pacific Ocean.
In British heraldry, a coronet is any crown whose bearer is less than sovereign or royal in rank, irrespective of the crown's appearance. In other languages, this distinction is not made, and usually the same word for crown is used irrespective of rank In this use, the English coronet is a purely technical term for all heraldic images of crowns not used by a sovereign, and implies nothing about the actual shape of the crown depicted. A Coronet is another type of crown, but is reserved for the lower ranks of nobility like Marquesses and Marchionesses, Earls and Countesses, Barons and Baronesses, and some Lords and Ladies. The specific design and attributes of the crown or coronet signifies the hierarchy and ranking of its owner.
The Naval Crown was a gold crown surmounted with small replicas of the prows of ships. It was a Roman military award, given to the first man who boarded an enemy ship during a naval engagement.
The coat of arms of Ireland is blazoned as Azure a harp Or, stringed Argent. These arms have long been Ireland's heraldic emblem. References to them as being the arms of the king of Ireland can be found as early as the 13th century. These arms were adopted by Henry VIII of England when he ended the period of Lordship of Ireland and declared Ireland to be a kingdom again in 1541. When the crowns of England, Scotland and Ireland were united in 1603, they were integrated into the unified royal coat of arms of kingdoms of England, Scotland and Ireland. The harp was adopted as the emblem of the Irish Free State when it separated from the United Kingdom in 1922. They were registered as the arms of Ireland with the Chief Herald of Ireland on 9 November 1945.
A cross pattée, cross patty or Pate, or cross paty, also known as a cross formy or cross formée or Templar cross, is a type of Christian cross with arms that are narrow at the centre, and often flared in a curve or straight line shape, to be broader at the perimeter. The form appears very early in medieval art, for example in a metalwork treasure binding given to Monza Cathedral by Lombard queen Theodelinda, and the 8th-century lower cover of the Lindau Gospels in the Morgan Library. An early English example from the start of the age of heraldry proper is found in the arms of Baron Berkeley.
A mural crown is a crown or headpiece representing city walls, towers, or fortresses. In classical antiquity, it was an emblem of tutelary deities who watched over a city, and among the Romans a military decoration. Later the mural crown developed into a symbol of European heraldry, mostly for cities and towns, and in the 19th and 20th centuries was used in some republican heraldry.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjälbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
Naval heraldry is a form of identification used by naval vessels from the end of the 19th century onwards, after distinguishing features such as figureheads and gilding were discouraged or banned by several navies.
A crown is often an emblem of a sovereign state, usually a monarchy, but also used by some republics.
The wild boar and boar's head are common charges in heraldry.
The coat of arms of the Valencian Community is the official emblem of the self-government institutions of the Valencian Community. It is based on the armorial achievement used from the reign of King Peter IV to John II, called the Great. In 1978 the former Council of the Valencian Country approved it “...for being the oldest known representative emblem of the former Kingdom of Valencia, that had located on the Xerea Gate of the city of Valencia”.
The astral crown is a gold crown surmounted with eight low points. The centrals and laterals points are topped with a star, with an unspecified number of points, between two wings.
A national coat of arms is a symbol which denotes an independent state in the form of a heraldic achievement. While a national flag is usually used by the population at large and is flown outside and on ships, a national coat of arms is normally considered a symbol of the government or the head of state personally and tends to be used in print, on armorial ware, and as a wall decoration in official buildings. The royal arms of a monarchy, which may be identical to the national arms, are sometimes described as arms of dominion or arms of sovereignty.
The coat of arms of the Castilla–La Mancha is described in the Spanish Law 1 of 30 June 1983, the Law of the coat of arms of Castilla-La Mancha Region and further regulated by Decree 132 of 5 July 1983, approving the official design of the coat of arms of Castilla-La Mancha and Decree 115 of 12 November 1985, supplementing Decree 132/1983.
The coat of arms of Barcelona is the official emblem of the City Council of Barcelona, the capital of Catalonia, has its origin in the Middle Ages, these arms were first documented in 1329. The Government of Catalonia conferred the coat of arms and the flag as official symbols of the municipality in 2004. It has an escutcheon in lozenge which is commonly used in municipal coats of arms of cities in Catalonia. Currently the City Council of Barcelona also uses an isotype based on the heraldry of the city.
The coat of arms of Castile was the heraldic emblem of its monarchs. Historian Michel Pastoureau says that the original purpose of heraldic emblems and seals was to facilitate the exercise of power and the identification of the ruler, due to what they offered for achieving these aims. These symbols were associated with the kingdom, and eventually also represented the intangible nature of the national sentiment or sense of belonging to a territory.
Heraldry is the system of visual identification of rank and pedigree which developed in the European High Middle Ages, closely associated with the courtly culture of chivalry, Latin Christianity, the Crusades, feudal aristocracy, and monarchy of the time. Heraldic tradition fully developed in the 13th century, and it flourished and developed further during the Late Middle Ages and the Early Modern period. Originally limited to nobility, heraldry is adopted by wealthy commoners in the Late Middle Ages. Specific traditions of Ecclesiastical heraldry also develop in the late medieval period. Coats of arms of noble families, often after their extinction, becomes attached to the territories they used to own, giving rise to municipal coats of arms by the 16th century.
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