In fashion, an accessory is an item used to contribute, in a secondary manner, to an individual's outfit. Accessories are often chosen to complete an outfit and complement the wearer's look. [1] They have the capacity to further express an individual's identity and personality. Accessories come in different shapes, sizes, hues, etc. The term came into use in the 16th century. [2]
Fashion accessories may be loosely categorized into two general areas: carried accessories and worn accessories. Carried accessories include purses and handbags, hand fans, parasols and umbrellas, wallets, canes, and ceremonial swords. Worn accessories include cravats, ties, hats, bonnets, belts and suspenders, gloves, muffs, necklaces, bracelets, watches, [a] eyewear, sashes, shawls, scarves, lanyards, socks, pins, piercings, rings, stockings and hair ties. [1]
Shoes, boots, sneakers, and all types of footwear are not accessories but 'wear for the foot'. The type of accessory that an individual chooses to wear or carry to complement their outfit can be determined by several factors, including the specific context of where the individual is going. For example, if an individual is going to work their choice of accessory would differ from someone who is going out to drinks or dinner; thus depending on work or play different accessories would be chosen. Similarly, an individual's economic status, religious and cultural background would also be a contributing factor. [4]
In Victorian fashion accessories such as fans, parasols and gloves held significance for how women experienced gender, race, and class. In this era, there was a trend for women to adopt, or aspire to, a more leisurely lifestyle. Consequently, gloves were often used by women to cover their hands and mask any signs of labour. [5] One fashion accessory commonly worn by women in Victorian England was the slide bracelet. Slide bracelets were worn after the wrist watch came into fashion. [6]
During the early 16th century, in Italy hat badges were worn by civilian men of higher social status as a decorative item, in imitation of the cap badges worn by the invading military. Hat badges were often worn in conjunction with a decorative sword and hilt. Hat badges were fashioned after plaquettes and often depicted a scene with personal relevance to the wearer. [7]
An apron is a garment that is worn over other clothing to cover the front of the body. They may have several purposes, typically as a functional accessory that protects clothes and skin from stains and marks. However, other types of aprons may be worn as a decoration, for hygienic reasons, as part of a uniform, or as protection from certain dangers such as acid, allergens or excessive heat. It can also be used at work stations to hold extra tools and pieces or protect from dust and unwanted materials.
A tailcoat is a knee-length coat characterised by a rear section of the skirt, with the front of the skirt cut away.
1860s fashion in European and European-influenced countries is characterized by extremely full-skirted women's fashions relying on crinolines and hoops and the emergence of "alternative fashions" under the influence of the Artistic Dress movement.
A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress. These include the reverse collar and lapels, where the outer edge of the lapel is often cut from a separate piece of cloth from the main body and also a high degree of waist suppression around the waistcoat, where the coat's diameter round the waist is less than round the chest. This is achieved by a high horizontal waist seam with side bodies, which are extra panels of fabric above the waist used to pull in the naturally cylindrical drape. As was usual with all coats in the 19th century, shoulder padding was rare or minimal.
Wristbands are encircling strips worn on the wrist or lower forearm. The term may refer to a bracelet-like band, similar to that of a wristwatch, to the cuff or other part of a sleeve that covers the wrist, or decorative or functional bands worn on the wrist for many different reasons. Wristbands are often worn and used similarly to event passes such as lanyards to information or allow people entry to events. These wristbands are made from loops of plastic that are placed around the wrist and are used for identification purposes.
A cocktail dress is a dress suitable at semi-formal occasions, sometimes called cocktail parties, usually in the late afternoon, and usually with accessories.
The Victorian slide bracelet was a fashion accessory formerly worn by many women in nineteenth century England. Before the creation of the wrist watch, Victorian women wore their time piece on a neck chain that stayed in place with a decorative station that supported the watch. With a variety of these "stations" to wear with different outfits, they needed some use for all that jewelry after the wrist watch came into fashion.
1840s fashion in European and European-influenced clothing is characterized by a narrow, natural shoulder line following the exaggerated puffed sleeves of the later 1820s and 1830s. The narrower shoulder was accompanied by a lower waistline for both men and women.
Fashion of the 1980s was characterized by a rejection of 1970s fashion. Punk fashion began as a reaction against both the hippie movement of the past decades and the materialist values of the current decade. The first half of the decade was relatively tame in comparison to the second half, which was when apparel became very bright and vivid in appearance.
The National Museum of Costume was located at Shambellie House, in New Abbey, Dumfries and Galloway, Scotland and it formed part of the National Museums of Scotland. The museum started operating in 1982. The museum allowed a look at fashion and the lifestyle of the wealthy from the 1850s to the 1950s. The clothes were presented in lifelike room settings. In January 2013, National Museums Scotland announced that the National Museum of Costume was to close and the site would not reopen for 2013.
Western fashion in the 1920s underwent a modernization. Women's fashion continued to evolve from the restrictions of gender roles and traditional styles of the Victorian era. Women wore looser clothing which revealed more of the arms and legs, that had begun at least a decade prior with the rising of hemlines to the ankle and the movement from the S-bend corset to the columnar silhouette of the 1910s. Men also began to wear less formal daily attire and athletic clothing or 'Sportswear' became a part of mainstream fashion for the first time.
A dress is a one-piece outer garment that is worn on the torso and hangs down over the legs and is primarily worn by women or girls. Dresses often consist of a bodice attached to a skirt.
The sack-back gown or robe à la française was a women's fashion of 18th century Europe. At the beginning of the century, the sack-back gown was a very informal style of dress. At its most informal, it was unfitted both front and back and called a sacque, contouche, or robe battante. By the 1770s the sack-back gown was second only to court dress in its formality. This style of gown had fabric at the back arranged in box pleats which fell loose from the shoulder to the floor with a slight train. In front, the gown was open, showing off a decorative stomacher and petticoat. It would have been worn with a wide square hoop or panniers under the petticoat. Scalloped ruffles often trimmed elbow-length sleeves, which were worn with separate frills called engageantes.
The Medieval period in England is usually classified as the time between the fall of the Roman Empire to the beginning of the Renaissance, roughly the years AD 410–1485. For various peoples living in England, the Anglo-Saxons, Anglo-Danes, Normans and Britons, clothing in the medieval era differed widely for men and women as well as for different classes in the social hierarchy. The general styles of Early medieval European dress were shared in England. In the later part of the period, men's clothing changed much more rapidly than women's styles. Clothes were very expensive, and both men and women were divided into social classes by regulating the colors and styles that various ranks were permitted to wear. In the early Middle Ages, clothing was typically simple and, particularly in the case of lower-class peoples, served only basic utilitarian functions such as modesty and protection from the elements. As time went on the advent of more advanced textile techniques and increased international relations, clothing gradually got more and more intricate and elegant, even with those under the wealthy classes, up into the renaissance.
Traditional clothing is one of the factors that has differentiated Kosovo from neighboring countries, dating back as far as the Illyrian era.
A car coat is an outer garment originally made to be worn by automobile drivers and passengers. First designed to provide maximum warmth and coverage, over time it became a much shorter garment. Today it describes a coat that typically ends at mid thigh. It is worn by both men and women.
A doll hat is a women's millinery design scaled down to suggest a hat that could be worn by a doll. It can be of any design and is generally worn at the front of the head. The hat is usually held in place with a band of fabric or elastic secured at the back of the head.
The Chapeau à la Paméla, Pamela hat or Pamela bonnet described a type of straw hat or bonnet popular during the 1790s and into the first three quarters of the 19th century. It was named after the heroine of Samuel Richardson's 1741 novel Pamela; or, Virtue Rewarded. While Pamela hats and bonnets underwent a variety of changes in shape and form, they were always made from straw. The mid-19th-century version of the Pamela hat was a smaller version of an early 19th-century wide-brimmed style called the gipsy hat.
The bodo blouse, locally known as baju bodo, is a sheer and transparent short-sleeved loose blouse, a traditional attire for women of the Bugis and Makassar peoples of South Sulawesi, Indonesia. A bodo blouse is traditionally combined with a matching woven sarong that covered the waist below the body.
Jewels! The Glitter of the Russian Court was the second jubileum exhibition in Amsterdam by the H'ART Museum, focussed on the personal taste for luxury by Russian nobility. The show, which was planned to run from 14 September 2019 to 15 March 2020, suffered from the pandemic and was extended twice, ending finally 16 October 2020.
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