There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing, including the national dress of Japan, the kimono, and Western clothing, which encompasses all else not recognised as either national dress or the dress of another country.
A skirt is the lower part of a dress or a separate outer garment that covers a person from the waist downwards.
A sari is a women's garment from the Indian subcontinent, that consists of an un-stitched stretch of woven fabric arranged over the body as a robe, with one end attached to the waist, while the other end rests over one shoulder as a stole (shawl), sometimes baring a part of the midriff. It may vary from 4.1 to 8.2 metres in length, and 60 to 120 centimetres in breadth, and is form of ethnic wear in India, Sri Lanka, Nepal, Bangladesh and Pakistan. There are various names and styles of sari manufacture and draping, the most common being the Nivi style. The sari is worn with a fitted bodice also called a choli and a petticoat called ghagra, parkar, or ul-pavadai. It remains fashionable in the Indian subcontinent today.
A folk costume expresses a national identity through clothing or costume, which is usually associated with a specific region or period of time in history. It can also indicate social, marital, or religious status. If the costume is used to represent the culture or identity of a specific ethnic group, it is usually known as ethnic costume. Such costumes often come in two forms: one for everyday occasions, the other for traditional festivals and formal wear. The word "costume" in this context is sometimes considered pejorative due to the multiple senses of the word, and in such cases "clothing", "garments" or "regalia" can be substituted without offense.
Clothing in India varies with the different ethnicities, geography, climate, and cultural traditions of the people of each region of India. Historically, clothing has evolved from simple garments like kaupina, langota, achkan, lungi, sari, to rituals and dance performances. In urban areas, western clothing is common and uniformly worn by people of all social levels. India also has a great diversity in terms of weaves, fibers, colors, and the material of clothing. Sometimes, color codes are followed in clothing based on the religion and ritual concerned. The clothing in India also encompasses a wide variety of Indian embroidery, prints, handwork, embellishments, and styles of wearing clothes. A wide mix of Indian traditional clothing and western styles can be seen in India.
Costume design is the creation of clothing for the overall appearance of a character or performer. Costume may refer to the style of dress particular to a nation, a class, or a period. In many cases, it may contribute to the fullness of the artistic, visual world which is unique to a particular theatrical or cinematic production. The most basic designs are produced to denote status, provide protection or modesty, or provide visual interest to a character. Costumes may be for a theater, cinema, musical performance, cosplay, parties, or other events. Costume design should not be confused with costume coordination which merely involves altering existing clothing, although both create stage clothes.
A ballerina skirt, also referred to as a Juliet skirt or a romance skirt, is a full skirt that is worn by ballet dancers and is composed of multiple layers of fabric. Ballet dancers wear the longer version of the skirt, while for fashion purposes the skirt is worn shorter, like a mini skirt for better dancing, the cocktail version. The standard ballerina attire is composed of fabric with a wire, in order for tulle to be visualized as stiff when it is around their waists. The Juliet styled skirt is free-flowing and covers the majority of their legs to place a high emphasis on the performer's legs.
A dirndl is a feminine dress which originated in German-speaking areas of the Alps. It is traditionally worn by women and girls in Austria, Bavaria, Liechtenstein, Switzerland and Alpine regions of Italy. A dirndl consists of a close-fitting bodice with a low neckline, a blouse worn under the bodice, a wide high-waisted skirt and an apron.
The wrapper, lappa, or pagne is a colorful garment widely worn in West Africa by both men and women. It has formal and informal versions and varies from simple draped clothing to fully tailored ensembles. The formality of the wrapper depends on the fabric used to create or design it.
Serbian traditional clothing, also called as Serbian national costume or Serbian dress, refers to the traditional clothing worn by Serbs living in Serbia, Croatia, Bosnia and Herzegovina, Montenegro, and the extended Serbian diaspora communities in Austria, Australia, Bulgaria, Canada, France, Germany, Greece, Hungary, North Macedonia, Romania, Russia, Slovenia, United States, etc. Like any traditional dress of a nation or culture, it has been lost to the advent of urbanization, industrialization, and the growing market of international clothing trends. The wide range of regional folk costumes show influence from historical Austrian, Hungarian, German, Italian, and Ottoman Turkish presence. Nonetheless, the costumes are still a pinnacle part of Serbian folk culture. From the 19th century and onwards, Serbs have adopted western-styled clothing. This change has started in larger settlements such as cities and towns, although it was not uncommon to see rural women in traditional working costumes all the way until the end of 1970s. Today, these national costumes are only worn by some elderly in rural areas but are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious and national holidays, weddings, tourist attractions, and by dancing groups who dance the traditional Serbian kolo, or circle dance.
Mundum neriyatum is the traditional clothing of women in Kerala, a state in southwestern India. It is the oldest remnant of the ancient form of the sari which covered only the lower part of the body. In the mundum neriyatum, the most basic traditional piece is the mundu or lower garment which is the ancient form of the sari denoted in Malayalam as tuṇi, while the nēriyatu forms the upper garment the mundu. The mundum neriyatum consists of two pieces of cloth, and could be worn in either the traditional style with the nēriyatu tucked inside the blouse, or in the modern style with the nēriyatu worn over the left shoulder.
Pakaian is the term for clothing in Malaysia's national language. It is referring to things to wear such as shirts, pants, shoes etc. Since Malaysia is a multicultural nation: Malay, Chinese, Indian and hundreds of other indigenous groups of Malay Peninsula and Borneo, each has its own traditional and religious articles of clothing all of which are gender-specific and may be adapted to local influences and conditions. Previously, traditional clothes were worn daily. However, by excluding Baju Melayu, Baju Kurung many are now only worn on special occasions such as marriage ceremonies and cultural events.
Fashion design is the art of applying design, aesthetics, clothing construction and natural beauty to clothing and its accessories. It is influenced by culture and different trends, and has varied over time and place. "A fashion designer creates clothing, including dresses, suits, pants, and skirts, and accessories like shoes and handbags, for consumers. He or she can specialize in clothing, accessory, or jewelry design, or may work in more than one of these areas."
Ghagra choli is a type of ethnic clothing for women from the Indian Subcontinent, notably in the Indian states of Rajasthan, Gujarat, Madhya Pradesh, Uttar Pradesh, Bihar, Haryana, Punjab, Himachal Pradesh, Uttarakhand, Jammu and Kashmir, as well as in the Pakistani provinces of Punjab and Sindh. In Punjab, the lehenga is traditionally worn with a kurti. It is a combination of the gagra or lehenga and the choli (blouse), however in contemporary and modern usage lehenga choli is the more popular and widely accepted term by fashion designers, trend setters, and boutiques in South Asia, since ghagra is synonymous with the half-slip (petticoat) worn as an undergarment below the sari.
The national costume of Indonesia is the national attire that represents the Republic of Indonesia. It is derived from Indonesian culture and Indonesian traditional textile traditions. Today the most widely recognized Indonesian national attires include batik and kebaya, although originally those attires mainly belong within the island of Java and Bali, most prominently within Javanese, Sundanese and Balinese culture. Since Java has been the political and population center of Indonesia, folk attire from the island has become elevated into national status.
Traditional Thai clothing refers to the traditional styles of dress worn by the Thai people. It can be worn by men, women, and children. Traditional clothing for Thai women usually consists of a pha nung or a chong kraben, a blouse, and a sabai. Northern and northeastern women may wear a sin instead of a pha nung and a chong kraben with either a blouse or a suea pat. Chut thai for men includes a chong kraben or pants, a Raj pattern shirt, with optional knee-length white socks and a sabai. Chut thai for northern Thai men is composed of a sado, a white Manchu-styled jacket, and sometimes a khian hua. In formal occasions, people may choose to wear a so-called formal Thai national costume.
History of clothing in the Indian subcontinent can be traced to the Indus Valley civilization or earlier. Indians have mainly worn clothing made up of locally grown cotton. India was one of the first places where cotton was cultivated and used even as early as 2500 BCE during the Harappan era. The remnants of the ancient Indian clothing can be found in the figurines discovered from the sites near the Indus Valley civilisation, the rock-cut sculptures, the cave paintings, and human art forms found in temples and monuments. These scriptures view the figures of human wearing clothes which can be wrapped around the body. Taking the instances of the sari to that of turban and the dhoti, the traditional Indian wears were mostly tied around the body in various ways.
Clothing in Myanmar varies depending on the ethnicity, geography, climate and cultural traditions of the people of each region of Myanmar (Burma). The most widely recognized Burmese national costume is the longyi, which is worn by both males and females nationwide. Burmese clothing also features great diversity in terms of textiles, weaves, fibers, colours and materials, including velvet, silk, lace, muslin, and cotton.
The fashion industry in Nigeria plays an important cultural role and contributes significantly to the country's economy. Clothing incorporates a variety of colours, fabrics, and embellishments. Many of the component cultures of Nigeria wear styles that are characteristic of their tribal society and customs. Nigeria produces fashionable textiles and finished garments and has designers who have achieved international recognition.
Xiuhefu is a two-piece garment set of attire which was designed to look like a style of traditional Chinese wedding dress and follows the traditional Chinese yichang clothing system. The Xiuhefu is a modern recreation version of the Qing dynasty wedding aoqun, a form of Hanfu, which was worn by the Han Chinese women, composed of a qun as lower garment and an ao as an upper garment. It was developed in modern China and became popular in 2001 when it was popularized by when Zhou Xun, the actress who played the role of Xiu He, in the Chinese television drama Juzi Hongle(橘子紅了; 'Orange turned red'), thus gaining its contemporary name from name of the television drama character. It is often confused with another traditional Chinese wedding dress known as qungua due to their similarities in appearance.
