Theatre – the generic term for the performing arts and a usually collaborative form of fine art involving live performers to present the experience of a real or imagined event (such as a story) through acting, singing, and/or dancing before a live audience in a specific place. The performers may communicate this experience to the audience through combinations of speech, gesture, mime, puppets, music, dance, sound and spectacle — indeed any one or more elements of the other performing arts. Elements of design and stagecraft are used to enhance the physicality, presence and immediacy of the experience.[1]
Source of literature, in the form of plays, operas, dances, literary adaptations as presented in front of a live audience.[2]
Not necessarily high art: "The theater in any time is not exclusively made up of high art," wrote Brooks McNamara, "but of a complex of related forms: popular and amateur entertainment, and, in the 20th century, to a great extent, radio, television, motion pictures and the Internet."[3]
Theatre of ancient Rome – diverse art form, ranging from festival performances of street theatre, nude dancing, and acrobatics, to the staging of Plautus's broadly appealing situation comedies, to the high-style, verbally elaborate tragedies of Seneca. Although Rome had a native tradition of performance, the Hellenization of Roman culture in the 3rd century BCE had a profound and energizing effect on Roman theatre and encouraged the development of Latin literature of the highest quality for the stage.
Commedia dell'arte – a form of Italian theatre characterized by masked "types" which was popular throughout Europe between the 16th and 18th centuries, and was responsible for the advent of the actress and improvised performances based on sketches or scenarios. A special characteristic of commedia is the lazzo, a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine.[4][5] Another characteristic of commedia is pantomime.[6]
Restoration comedy – English comedies written and performed in the Restoration period from 1660 to 1710. After public stage performances had been banned for 18 years by the Puritan regime, the re-opening of the theatres in 1660 signalled a renaissance of English drama. Restoration comedy is notorious for its sexual explicitness.
Neoclassical theatre – theatrical movement that drew inspiration from the "classical" art and culture of Ancient Greece or Ancient Rome that was dominant in Europe from the mid-18th to the 19th centuries.
Off-Off-Broadway – theaters in New York City that have fewer than 100 seats,[11] though the term can be used for any show in the New York City area that has neither an Off-Broadway nor a Broadway contract.
Downtown Theater – Part of the avant-garde artistic movement that began in the 1970s and is centered below 14th Street in Manhattan.
Regional theatre – professional theatre companies outside of New York City that produce their own seasons.
Summer stock theatre – any theatre that presents stage productions only in the summer within the United States. Often viewed as a starting point for professional actors, stock casts are typically young, just out of high school or still in college.
Ancient Egyptian quasi-theatrical events – earliest recorded quasi-theatrical event dates back to 2000 BCE with the "passion plays" of Ancient Egypt. This story of the god Osiris was performed annually at festivals throughout the civilization.
Yoruba theatre – origins are traced back to the masquerade of the Egungun (the "cult of the ancestor").[13] The traditional ceremony culminates in the essence of the masquerade where it is deemed that ancestors return to the world of the living to visit their descendants.[14] In addition to its origin in ritual, Yoruba theatre can be "traced to the 'theatrogenic' nature of a number of the deities in the Yoruba pantheon, such as Obatala the arch divinity, Ogun the divinity of creativeness and Sango the divinity of the storm", whose reverence is imbued "with drama and theatre and the symbolic overall relevance in terms of its relative interpretation."[15]
Temple dance – religious performance held in the temples, such as sadir, prescribed by Agamas (scriptures that codified temple rituals, etc.). Traces of these ancient temple dances of India are seen in Bharatanatyam and Odissi.
Theatre of China – began as early as the Shang dynasty and often involved happiness, mimes, and acrobatic displays. Today it is often called Chinese opera, although this normally refers specifically to the more well-known forms such as Peking opera and Cantonese opera; there have been many other forms of theatre in China.
Thai theatre – a tradition from the Middle Ages to stage plays based on plots drawn from Indian epics. In particular, the theatrical version of Thailand's national epic Ramakien, a version of the Indian Ramayana, remains popular in Thailand even today.
Community theatre – theatrical performance made for a community that may be performed by community members, professionals, or a collaboration between the two.
Dinner theater – combines a restaurant meal with a staged play or musical.
Fringe theatre – theatre that is experimental in style or subject matter.
Happening – performances that are often multimedia, site-specific, and involve visual arts.
Immersive theater – performances that remove the stage and immerse the audiences within the performance itself.
Musical – a form of theatre combining songs, spoken dialogue, acting, and dance.
Off-Broadway – theatrical performances that take place in theatres in Manhattan in New York City with a seating capacity between 100 and 499.
Off-Off-Broadway – theatrical productions in New York City that began as part of an anti-commercial and experimental or avant-garde movement of drama and theatre. Off-Off-Broadway theatres are smaller than Broadway and Off-Broadway theatres, and usually have fewer than 100 seats.
Off West End – theatrical performances in London that take place in theatres which are not included as West End theatres and usually have seating capacities of around 40 to 400.
Operetta – a genre of light opera, light in terms both of music and subject matter. It is also closely related, in English-language works, to forms of musical theatre.
Regional theatre – theatrical performances by a professional or semi-professional theatre company that produces its own seasons. The term regional theatre most often refers to a professional theatre outside New York City.
Repertory theatre – Western theatre and opera production in which a resident company presents works from a specified repertoire, usually in alternation or rotation.
Revue – multi-act popular theatrical entertainment that combines music, dance and sketches. The revue has its roots in 19th century American popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932.
Workshop production – a form of theatrical performance, in which a play or musical is staged in a modest form which does not include some aspects of a full production.
Genres of theatre
There are a variety of genres that writers, producers and directors can employ in theatre to suit a variety of tastes:
Comedy of errors – a work that is light and often humorous or satirical in tone, in which the action usually features a series of comic instances of mistaken identity, and which typically culminates in a happy resolution of the thematic conflict.[21][22]
Comedy of situation – features characters sharing the same common environment, such as a home or workplace, accompanied with jokes as part of the dialogue.
Farce – aims at entertaining the audience by means of unlikely, extravagant, and improbable situations, disguise and mistaken identity, verbal humour of varying degrees of sophistication, which may include word play, and a fast-paced plot whose speed usually increases, culminating in an ending which often involves an elaborate chase scene.
Romantic comedy – light-hearted, humorous plotlines, centered on romantic ideals such as that true love is able to surmount most obstacles.[23]
Improvisational theatre – often comedic, and sometimes poignant or dramatic productions where actors/improvisers use improvisational acting techniques to perform spontaneously.
In-yer-face theatre – a term for drama that emerged in Great Britain in the 1990s to describe work by young playwrights who present vulgar, shocking, and confrontational material on stage as a means of involving and affecting their audiences.[24]
Reader's theatre – a style of theatre in which the actors do not memorize their lines. Rather, they either go through their blocking holding scripts and reading off their lines, or else sit/stand together on a stage and read through the script together.
Site-specific theatre – a style that takes place outside of conventional professional theatre venues and uses references to the site for often unique (one-time) performances.
Theatre for development – a type of community-based or interactive theatre practice that aims to promote civic dialogue and engagement.
Theatre of the Oppressed – a collection of theatrical forms developed by Augusto Boal in the 1970s which aim to create interactions between the audience and performers as a means of promoting social and political change.
Theatre of the Absurd – a post–World War II genre of absurdist dramas written primarily by a number of European playwrights in the late 1950s, exploring the idea of what happens when human existence has no meaning and all communication breaks down.
Tragedy – a style of theatre based on human suffering that evokes an accompanying catharsis.
There are a variety of theatrical styles used in theatre and drama. These include:
Absurdism – presents a perspective that all human attempts at significance are illogical. Ultimate truth is chaos with little certainty. There is no necessity that need drive us.
Expressionism – anti-realistic in seeing appearance as distorted and the truth lying within man. The outward appearance on stage can be distorted and unrealistic to portray an eternal truth.
Melodrama – sentimental drama with musical underscoring, often with an unlikely plot that concerns the suffering of the good at the hands of evildoers but ends happily with good triumphant. Featuring stock characters such as the noble hero, the long-suffering damsel in distress, and the cold-blooded villain.
Modernism – a broad concept that sees art, including theatre, as detached from life in a pure way and able to reflect on life critically.
Naturalism – life on stage is presented with close attention to detail, based on observations of "real life."
Postmodern theatre – originated in Europe in the middle of the 20th century out of the postmodernphilosophy as a reaction against modernist theatre. Postmodern theatre raises questions rather than attempting to supply answers or definitive truth.
Puppetry– an ancient form where performers/puppeteers manipulate performing objects. Puppetry has many variations and forms.
Realism – characters are portrayed as close to real life, with realistic settings and staging.
Types of stages
Opera house – theatre building used for opera performances that consists of a stage, an orchestra pit, audience seating, and backstage facilities for costumes and set building. While some venues are constructed specifically for operas, other opera houses are part of larger performing arts centers.[25]
Black box – usually used for student productions or presentations. A small, square space with minimum amount of lighting and sound equipment needed. Often painted black or another neutral color.
Proscenium – The proscenium arch was the most common form of theatre building in the 18th, 19th and 20th centuries. The "arch" acts like a picture frame through which the action can be seen.[26]
Cold reading – reading a script for the first time. Usually the designers have read and analyzed the text for design purposes before a cast has been selected. Sometimes a cold reading involves the entire cast, crew, and designers who are experiencing the script for the first time as an ensemble.
Curtain call – taking a bow at the end of the performance. Actors will generally acknowledge the orchestra pit (if there were any musicians) and the running crew as well as the audience.
Drama therapy – the use of theatre as therapy for a variety of issues.[29]
Everyman – the concept of the universal person that the audience can relate to.
Footlights – originally lighting was placed at the front edge of the stage under hoods so as to not bother the audience. It can be a generic term for anyone wanting to be involved with theatre. A play of that name is now a musical[30] and also a Theatrical Comedy Troupe at Cambridge University.[31]
Theatrical property – Props are the items actors pick up, use, move, etc. on stage. These can include consumables such as drinks, food, etc.
Stage – The surface upon which the sets are built upon and the actors stand to tell the story. Can be raked (that is, at an angle).
Stagecraft – usually refers to the design aspect of theatre. Examples: lights, sound, props, costumes, makeup, set.
Theatrical scenery – also referred to as the set or the scenic elements. The physical representation of the world of the play.
Theatrical superstitions – some theatre spaces have their own superstitions; there are universal ones that many theatre people adhere to.
Ticket – this is the domain of the Front of House, as well as the programs, ushers, and seeing patrons (the audience) are seated before the lights are darkened at the beginning of the play, but also at intermission.
Rehearsals – where the actors and the director (and sometimes assistant director) start to plan the movements, the tempo, timing, the energy level of all the scenes.
Dress rehearsals – where all the components (costumes, lighting, set, props, actors) come together to run through the play from start to finish, not only to get issues such as set and costume changes finalized and timed correctly, but to smooth out any minor issues with lighting, sound, tempo, etc.
Tech rehearsals – rehearsals where the actors are not involved. They give the sound, lighting, and running crew a chance to rehearse and create a rhythm that is proficient and smooth prior to dress rehearsals.
Run-throughs – The meaning of this term depends on the director. Generally, it can mean just running through an act with the actors (no technical aspects involved). Sometimes it can involve costume changes, as those can become complicated if wig changes are also required. Costume changes can be rehearsed and done in as little as 30 seconds to 2 minutes (if a wig is involved).
↑ League of Off-Broadway Theatres and Producers Inc. & The Association of Theatrical Press Agents and Managers. "Off-Broadway Minimum Basic Agreement"(PDF). Archived from the original(PDF) on 2008-02-28. Retrieved 2007-12-14.
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