The Society of London Theatre (SOLT) announced that 2018 was a record year for the capital's theatre industry with attendances topping 15.5 million for the first time since the organisation began collecting audience data in 1986. Box office revenues exceeded £765 million.[10] While attendance in 2019 was down 1.4% compared to the previous year, box office revenues reached a record £799 million.[11] In 2023, audiences reached a record 17.1 million.[12]
Theatre in London flourished after the English Reformation. The first permanent public playhouse, known as The Theatre, was constructed in 1576 in Shoreditch by James Burbage. It was soon joined by The Curtain. Both are known to have been used by William Shakespeare's company. In 1599, the timber from The Theatre was moved to Southwark, where it was used in building the Globe Theatre in a new theatre district formed beyond the controls of the City corporation. Regarding theatre as sinful, these theatres were closed in 1642 due to the Puritans who would later influence the interregnum of 1649.[13][14] On 24 January 1643, the actors protested against the ban by writing a pamphlet titled The Actors remonstrance or complaint for the silencing of their profession, and banishment from their severall play-houses.[15]
After the Restoration (1660), Puritan legislation was declared null and void, and theatre (among other arts) exploded.[14][16] Two companies were licensed to perform, the Duke's Company and the King's Company. Performances were held in converted buildings, such as Lisle's Tennis Court. The first West End theatre, known as Theatre Royal in Bridges Street, was designed by Thomas Killigrew and built on the site of the present Theatre Royal, Drury Lane.[8] It opened on 7 May 1663 and was destroyed by a fire nine years later. It was replaced by a new structure designed by Christopher Wren and renamed the Theatre Royal, Drury Lane.[17][18] One of the first actresses on the stage, Nell Gwyn became a star of restoration comedy.[19]
Outside the West End, Sadler's Wells Theatre opened in Islington on 3 June 1683. Taking its name from founder Richard Sadler and monastic springs that were discovered on the property,[20][21] it operated as a "Musick House", with performances of opera; as it was not licensed for plays. In the West End, the Theatre Royal Haymarket opened on 29 December 1720 on a site slightly north of its current location, and the Royal Opera House opened in Covent Garden on 7 December 1732.[22]John Gay's ballad opera The Beggar's Opera ran for 62 performances in 1728, and held the record for London's longest run for nearly a century. It has been called "the most popular play of the eighteenth century."[23] Another musical show, Tom and Jerry, or Life in London (1821), was the first London production to reach 100 consecutive performances.[24]Tom and Jerry's combination of a tour of London interspersed with song and dance, gave rise to numerous similar, loosely constructed entertainments, and "planted the seeds for later musical comedy and revue".[25]
The Patent theatre companies retained their duopoly on drama well into the 19th century, and all other theatres could perform only musical entertainments. By the early 19th century, however, music hall entertainments became popular, and presenters found a loophole in the restrictions on non-patent theatres in the genre of melodrama. Melodrama did not break the Patent Acts, as it was accompanied by music. Initially, these entertainments were presented in large halls, attached to public houses, but purpose-built theatres began to appear in the East End, such as the Pavilion Theatre in Whitechapel.[26] The comic theatrical genre the harlequinade was also popular among London audiences. Its most famous performer, Joseph Grimaldi, best known for developing the modern day white-face clown, made his stage debut at Drury Lane in 1780.[27]
Original interior of Savoy Theatre in 1881, the year it was fitted with the incandescent light bulb developed by Sir Joseph Swan to become the first public building in the world to be lit entirely by electricity.
The West End theatre district became established with the opening of many small theatres and halls, including the Adelphi in The Strand on 17 November 1806. South of the River Thames, the Old Vic, Waterloo Road, opened on 11 May 1818. The expansion of the West End theatre district gained pace with the Theatres Act 1843, which relaxed the conditions for the performance of plays, and The Strand gained another venue when the Vaudeville opened on 16 April 1870. The next few decades saw the opening of many new theatres in the West End. The Adelphi hosted A Christmas Carol; or, Past, Present, and Future in 1844, a play adapted from the novella A Christmas Carol by Charles Dickens—who came to several stage rehearsals during which he made suggestions—with his book published weeks earlier in December 1843.[30][31]
One of the most popular playwrights in London in the 1890s, Oscar Wilde, premiered his second comedy, A Woman of No Importance, at Haymarket Theatre in 1893. The subject of widespread public and media interest, Lillie Langtry (an associate of Wilde) made her West End debut in the comedy She Stoops to Conquer in 1881.[34] In 1878, Ellen Terry joined Henry Irving's company as his leading lady, and for more than the next two decades she was considered the leading Shakespearean and comic actress in Britain.[35] Opened in 1903, the New Theatre debuted The Scarlet Pimpernel in 1905, a play that introduced a heroic figure with an alter ego into the public consciousness.[36] The theatre was renamed the Noël Coward Theatre in 2006 after the playwright Noël Coward. Constructed in 1897, Her Majesty's Theatre hosted a number of premieres, including George Bernard Shaw's Pygmalion in 1914.[37] The theatre building boom continued until about the First World War.[38]
"Theatreland", London's main theatre district, contains approximately 40 venues and is located in and near the heart of the West End of London. It is traditionally defined by the Strand to the south, Oxford Street to the north, Regent Street to the west, and Kingsway to the east. However, a few other nearby theatres are also considered "West End" despite being outside the area proper; an example is The Apollo Victoria Theatre, in Westminster. Prominent theatre streets include Drury Lane, Shaftesbury Avenue and the Strand. The works staged are predominantly musicals, classic and modern straight plays, and comedy performances.[41]
Many theatres in the West End are of late Victorian or Edwardian construction and are privately owned. Many are architecturally impressive, and the largest and best maintained feature grand neo-classical, Romanesque, or Victorian façades and luxurious, detailed interior design and decoration. Theatre names, such as Empire, Lyceum, Palladium, Alhambra and Hippodrome, emphasised a grandeur of scale.[42]
However, owing to the age of the buildings, leg room is often cramped, and audience facilities such as bars and toilets are often much smaller than in modern theatres. The protected status of the buildings and their confined urban locations, combined with financial constraints, make it very difficult to make substantial improvements to the level of comfort offered. In 2003, the Theatres Trust estimated that an investment of £250million over the following 15 years was required for modernisation,[43] and stated that 60% of theatres had seats from which the stage was not fully visible.[44]
Starting in 2004, there were several incidents of falling plasterwork, or performances being cancelled because of urgent building repairs being required. These events culminated in the partial collapse of the ceiling of the Apollo Theatre in December 2013.[46] Of these earlier incidents, only one led to people being hurt,[47] but at the Apollo 76 people needed medical treatment for their injuries.[48] A number of West End theatres have undergone refurbishments, including the Victoria Palace Theatre following the run of Billy Elliot in 2016.[45] The Dominion Theatre refurbishment was completed in 2017 with the unveiling of a new double-sided LED screen, the largest and highest resolution projecting screen on the exterior of a West End theatre.[49]
In 2012, gross sales of £529,787,692 were up 0.27% and attendances also increased 0.56% to 13,992,773-year-on-year.[50] In 2013, sales again rose this time by 11% to £585,506,455,[51] with attendances rising to 14,587,276.[52] This was despite slightly fewer performances occurring in 2013.[53]
On 16 March 2020, following government advice due to the COVID-19 pandemic, all theatres in the West End were closed until further notice.[54] Theatres in London were allowed to re-open (with social distancing) on 17 May 2021, with full capacity permitted from 19 July.[55] Opening in October 2022, @sohoplace is the first new West End theatre in 50 years.[56]
The length of West End shows depends on ticket sales. The longest-running musical in West End history is Les Misérables, produced by Cameron Mackintosh, which has been running in London since October 1985. It overtook Andrew Lloyd Webber's Cats, which closed in 2002 after running for 8,949 performances and 21 years, as the longest-running West End musical of all time on 9 October 2006. Other long-runners include Lloyd Webber's The Phantom of the Opera,Willy Russell's Blood Brothers, and Abbajukebox musicalMamma Mia! which have also subsequently overtaken Cats. However, the non-musical Agatha Christie play The Mousetrap is the longest-running production in the world, and has been performed continuously since 1952.[57][58]
The following shows are confirmed as future West End productions. The theatre in which they will run is either not yet known or currently occupied by another show.
The Royal Opera House is widely regarded as one of the greatest opera houses in the world, comparable with the Palais Garnier and La Scala. Commonly known simply as Covent Garden due to its location, it is home to the Royal Opera, Royal Ballet and a resident symphony orchestra, and hosts guest performances from other leading opera, ballet and performance companies from around the world. In 1735 its first season of operas, by George Frideric Handel, began and many of his English oratorios were specifically written for Covent Garden and had their premieres here.[90]
Opened in 1977, the Donmar Warehouse became an independent producing house in 1992 with Sam Mendes as artistic director.
There are a great number of stage productions in London outside the West End. Much of this is known as fringe theatre (referred to as Off West End) which is the equivalent of off-Broadway and off-off-Broadway theatre in New York City. Among these are the Menier Chocolate Factory, Bush Theatre and the Donmar Warehouse. Fringe venues range from well-equipped small theatres to rooms above pubs, and the performances range from classic plays, to cabaret, to plays in the languages of London's ethnic minorities. The performers range from emerging young professionals to amateurs. Productions at the Donmar included the 1980 play Educating Rita which starred Julie Walters in the title role before she reprised the role in the 1983 film.[92]
London theatres outside the West End also played an important role in the early history of drama schools. In 1833, actress Frances Maria Kelly managed the Royal Strand Theatre in Westminster where she funded and operated a dramatic school, the earliest record of a drama school in England.[96] In 1840, she financed the Royalty Theatre in Soho which opened as Miss Kelly's Theatre and Dramatic School.[97]
Awards
There are a number of annual awards for outstanding achievements in London theatre:
↑ Orlova-Alvarez, Tamara; Alvarez, Joe (30 January 2019). "John Malkovich Is Coming To West End". Ikon London Magazine. Archived from the original on 30 January 2019. Retrieved 10 January 2022.
1 2 "The Savoy Theatre", The Times, 3 October 1881. "An interesting experiment was made at a performance of Patience yesterday afternoon, when the stage was for the first time lit up by the electric light, which has been used in the auditorium ever since the opening of the Savoy Theatre. The success of the new mode of illumination was complete, and its importance for the development of scenic art can scarcely be overrated. The light was perfectly steady throughout the performance, and the effect was pictorially superior to gas, the colours of the dresses – an important element in the “æsthetic” opera – appearing as true and distinct as by daylight. The Swan incandescent lamps were used, the aid of gaslight being entirely dispensed with".
↑ Carroll, Lewis (1979). The Letters of Lewis Carroll, Volumes 1–2. Oxford University Press. p.657. Dec. 30th.—To London with M—, and took her to "Alice in Wonderland," Mr. Savile Clarke's play at the Prince of Wales's Theatre... as a whole, the play seems a success.
↑ Markowitz, Judith A. (2019). Robots That Kill: Deadly Machines and Their Precursors in Myth, Folklore, Literature, Popular Culture and Reality. McFarland. p.105.
↑ "Agatha Christie's: The Mousetrap". St. Martin's Theatre. Archived from the original on 26 June 2012. Retrieved 27 November 2019. Here you will find all the information you need about the longest running show, of any kind, in the world.
↑ Burwick, Frederick (2015). British Drama of the Industrial Revolution. Cambridge University Press. p.46.
↑ An earlier theatre, also named the Royalty, existed in Wells Street, Wellclose Square, London from 1787 until the early part of the nineteenth century. See Wilmot-Buxton, Harry John. "William Clarkson Stanfield", Chapter IX, English Painters, Sampson Low, Marston, Searle & Rivington (1883), accessed 22 November 2013
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