West End theatre is mainstream professional theatre staged in the large theatres in and near the West End of London. [1] Along with New York City's Broadway theatre, West End theatre represents the highest level of commercial theatre in the English-speaking world. Seeing a West End show is a common tourist activity in London. [1] Famous screen actors, British and international alike, frequently appear on the London stage. [2] [3]
There are a total of 39 theatres in the West End, with the Theatre Royal, Drury Lane, opened in May 1663, the oldest theatre in London. [4] The Savoy Theatre—built as a showcase for the popular series of comic operas of Gilbert and Sullivan—was entirely lit by electricity in 1881. [5]
The Society of London Theatre (SOLT) announced that 2018 was a record year for the capital's theatre industry with attendances topping 15.5 million for the first time since the organisation began collecting audience data in 1986. Box office revenues exceeded £765 million. [6] While attendance in 2019 was down 1.4% compared to the previous year, box office revenues reached a record £799 million. [7]
The majority of West End theatres are owned by the Ambassador Theatre Group, Delfont Mackintosh Theatres, Nimax Theatres, LW Theatres, and the Nederlander Organization.
Theatre in London flourished after the English Reformation. The first permanent public playhouse, known as The Theatre, was constructed in 1576 in Shoreditch by James Burbage. It was soon joined by The Curtain. Both are known to have been used by William Shakespeare's company. In 1599, the timber from The Theatre was moved to Southwark, where it was used in building the Globe Theatre in a new theatre district formed beyond the controls of the City corporation. Regarding theatre as sinful, these theatres were closed in 1642 due to the Puritans who would later influence the interregnum of 1649. [8] [9] On 24 January 1643, the actors protested against the ban by writing a pamphlet titled The Actors remonstrance or complaint for the silencing of their profession, and banishment from their severall play-houses. [10]
After the Restoration (1660), Puritan legislation was declared null and void, and theatre among other arts exploded. [9] [11] Two companies were licensed to perform, the Duke's Company and the King's Company. Performances were held in converted buildings, such as Lisle's Tennis Court. The first West End theatre, known as Theatre Royal in Bridges Street, was designed by Thomas Killigrew and built on the site of the present Theatre Royal, Drury Lane. [4] It opened on 7 May 1663 and was destroyed by a fire nine years later. It was replaced by a new structure designed by Christopher Wren and renamed the Theatre Royal, Drury Lane. [12] [13] One of the first actresses on the stage, Nell Gwyn became a star of restoration comedy. [14]
Outside the West End, Sadler's Wells Theatre opened in Islington on 3 June 1683. Taking its name from founder Richard Sadler and monastic springs that were discovered on the property, [15] [16] it operated as a "Musick House", with performances of opera; as it was not licensed for plays. In the West End, the Theatre Royal Haymarket opened on 29 December 1720 on a site slightly north of its current location, and the Royal Opera House opened in Covent Garden on 7 December 1732. [17] John Gay's ballad opera The Beggar's Opera ran for 62 performances in 1728, and held the record for London's longest run for nearly a century. It has been called "the most popular play of the eighteenth century." [18] Another musical show, Tom and Jerry, or Life in London (1821), was the first London production to reach 100 consecutive performances. [19] Tom and Jerry's combination of a tour of London interspersed with song and dance, gave rise to numerous similar, loosely constructed entertainments, and "planted the seeds for later musical comedy and revue". [20]
The Patent theatre companies retained their duopoly on drama well into the 19th century, and all other theatres could perform only musical entertainments. By the early 19th century, however, music hall entertainments became popular, and presenters found a loophole in the restrictions on non-patent theatres in the genre of melodrama. Melodrama did not break the Patent Acts, as it was accompanied by music. Initially, these entertainments were presented in large halls, attached to public houses, but purpose-built theatres began to appear in the East End, such as the Pavilion Theatre in Whitechapel. [21] The comic theatrical genre the harlequinade was also popular among London audiences. Its most famous performer, Joseph Grimaldi, best known for developing the modern day white-face clown, made his stage debut at Drury Lane in 1780. [22]
The West End theatre district became established with the opening of many small theatres and halls, including the Adelphi in The Strand on 17 November 1806. South of the River Thames, the Old Vic, Waterloo Road, opened on 11 May 1818. The expansion of the West End theatre district gained pace with the Theatres Act 1843, which relaxed the conditions for the performance of plays, and The Strand gained another venue when the Vaudeville opened on 16 April 1870. The next few decades saw the opening of many new theatres in the West End. The Adelphi hosted A Christmas Carol; or, Past, Present, and Future in 1844, a play adapted from the novella A Christmas Carol by Charles Dickens which had been published weeks earlier in December 1843. [24] [25]
The Criterion Theatre opened on Piccadilly Circus on 21 March 1874, and in 1881, two more houses appeared: the Savoy Theatre in The Strand, built by Richard D'Oyly Carte specifically to showcase the comic operas of Gilbert and Sullivan, opened on 10 October (the first theatre to be lit by cooler, cleaner electric lights), and five days later the Comedy Theatre opened as the Royal Comedy Theatre on Panton Street in Leicester Square. It abbreviated its name three years later. [13] On 23 December 1886, Alice in Wonderland (the first major production of the Alice books) debuted at the Prince of Wales Theatre. Its author Lewis Carroll was involved in the stage adaptation, and he attended a performance seven days later. [26] The Palace Theatre opened in 1891. Opened in 1892, the Duke of York's Theatre debuted J. M. Barrie's play, Peter Pan, or The Boy Who Wouldn't Grow Up , on 27 December 1904. [27]
One of the most popular playwrights in London in the 1890s, Oscar Wilde, premiered his second comedy, A Woman of No Importance , at Haymarket Theatre in 1893. The subject of widespread public and media interest, Lillie Langtry (an associate of Wilde) made her West End debut in the comedy She Stoops to Conquer in 1881. [28] In 1878, Ellen Terry joined Henry Irving's company as his leading lady, and for more than the next two decades she was considered the leading Shakespearean and comic actress in Britain. [29] Opened in 1903, the New Theatre debuted The Scarlet Pimpernel in 1905, a play that introduced a heroic figure with an alter ego into the public consciousness. [30] The theatre was renamed the Noël Coward Theatre in 2006 after the playwright Noël Coward. Constructed in 1897, Her Majesty's Theatre hosted a number of premieres, including George Bernard Shaw's Pygmalion in 1914. [31] The theatre building boom continued until about the First World War. [32]
In 1930, Laurence Olivier had his first important West End success in Noël Coward's Private Lives . A number of other actors made their West End debut prior to the Second World War, including John Gielgud, Alec Guinness, Vivien Leigh and Rex Harrison; the latter's performance in Terence Rattigan's 1936 comedy French Without Tears at the Criterion Theatre established him a leading light comedian. [33] During the 1950s and 1960s, many plays were produced in theatre clubs, to evade the censorship then exercised by the Lord Chamberlain's Office. The Theatres Act 1968 finally abolished censorship of the stage in the United Kingdom. [34]
"Theatreland", London's main theatre district, contains approximately 40 venues and is located in and near the heart of the West End of London. It is traditionally defined by the Strand to the south, Oxford Street to the north, Regent Street to the west, and Kingsway to the east, but a few other nearby theatres are also considered "West End" despite being outside the area proper (e.g. The Apollo Victoria Theatre, in Westminster). Prominent theatre streets include Drury Lane, Shaftesbury Avenue and the Strand. The works staged are predominantly musicals, classic and modern straight plays, and comedy performances. [36]
Many theatres in the West End are of late Victorian or Edwardian construction and are privately owned. Many are architecturally impressive, and the largest and best maintained feature grand neo-classical, Romanesque, or Victorian façades and luxurious, detailed interior design and decoration.
However, owing to the age of the buildings, leg room is often cramped, and audience facilities such as bars and toilets are often much smaller than in modern theatres. The protected status of the buildings and their confined urban locations, combined with financial constraints, make it very difficult to make substantial improvements to the level of comfort offered. In 2003, the Theatres Trust estimated that an investment of £250 million over the following 15 years was required for modernisation, [37] and stated that 60% of theatres had seats from which the stage was not fully visible. [38] The theatre owners unsuccessfully requested tax concessions to help them meet the costs.
From 2004 onwards there were several incidents of falling plasterwork, or performances being cancelled because of urgent building repairs being required. These events culminated in the partial collapse of the ceiling of the Apollo Theatre in December 2013. [40] Of these earlier incidents, only one led to people being hurt, [41] but at the Apollo 76 people needed medical treatment for their injuries. [42] A number of West End theatres have undergone refurbishments, including the Victoria Palace Theatre following the run of Billy Elliot in 2016. [39] The Dominion Theatre refurbishment was completed in 2017 with the unveiling of a new double-sided LED screen, the largest and highest resolution projecting screen on the exterior of a West End theatre. [43]
In 2012, gross sales of £529,787,692 were up 0.27% and attendances also increased 0.56% to 13,992,773-year-on-year. [44] In 2013, sales again rose this time by 11% to £585,506,455, [45] with attendances rising to 14,587,276. [46] This was despite slightly fewer performances occurring in 2013. [47]
On 16 March 2020, following government advice due to the COVID-19 pandemic, all theatres in the West End were closed until further notice. [48] Theatres in London were allowed to re-open (with social distancing) on 17 May 2021, with full capacity permitted from 19 July. [49] Opening in October 2022, @sohoplace is the first new West End theatre in 50 years. [50]
The length of West End shows depends on ticket sales. The longest-running musical in West End history is Les Misérables , produced by Cameron Mackintosh, which has been running in London since October 1985. It overtook Andrew Lloyd Webber's Cats , which closed in 2002 after running for 8,949 performances and 21 years, as the longest-running West End musical of all time on 9 October 2006. Other long-runners include Lloyd Webber's The Phantom of the Opera, Willy Russell's Blood Brothers , and Abba jukebox musical Mamma Mia! which have also subsequently overtaken Cats. However, the non-musical Agatha Christie play The Mousetrap is the longest-running production in the world, and has been performed continuously since 1952. [51] [52]
Running since 2011, Matilda the Musical , an adaptation of Roald Dahl's Matilda, won a then-record seven Olivier Awards in 2012. [53] Running since 2016, Harry Potter and the Cursed Child , a two-part play written by Jack Thorne based on an original story by J. K. Rowling, won a record-breaking nine Olivier Awards in 2017. [54]
Theatre | Address | Capacity | Owner/Operator | Current production | Type | Opening | Closing |
---|---|---|---|---|---|---|---|
Adelphi Theatre | Strand | 1,500 | LW Theatres / Nederlander Organization | Back to the Future: The Musical | Musical | 13 September 2021 | Open-ended |
Aldwych Theatre | Aldwych | 1,200 | Nederlander Organization | Tina—The Tina Turner Musical | Musical | 17 April 2018 | Open-ended |
Ambassadors Theatre | West Street | 444 | Ambassador Theatre Group | Harry Clarke [55] | Play | 13 March 2024 | 11 May 2024* |
Apollo Theatre | Shaftesbury Avenue | 658 | Nimax Theatres | Mind Mangler: Member of the Tragic Circle [56] | Play | 14 March 2024 | 28 April 2024* |
Apollo Victoria Theatre | Wilton Road | 2,328 | Ambassador Theatre Group | Wicked | Musical | 27 September 2006 | Open-ended |
Arts Theatre | Great Newport Street | 350 | JJ Goodman Ltd. | The Choir of Man | Musical | 13 October 2022 | Open-ended |
Cambridge Theatre | Earlham Street | 1,231 | LW Theatres | Matilda the Musical | Musical | 24 November 2011 | Open-ended |
Criterion Theatre | Jermyn Street | 588 | Criterion Theatre Trust | Two Strangers (Carry a Cake Across New York) [57] | Musical | 4 April 2024 | 14 July 2024 |
Dominion Theatre | Tottenham Court Road | 2,163 | Nederlander Organization | Sister Act [58] | Musical | 21 March 2024 | 31 August 2024* |
Duchess Theatre | Catherine Street | 494 | Nimax Theatres | The Play That Goes Wrong | Play | 14 September 2014 | Open-ended |
Duke of York's Theatre | St. Martin's Lane | 640 | Ambassador Theatre Group | Jonathan Pie: Heroes and Villains | Solo | 16 April 2024 | 27 April 2024* |
Fortune Theatre | Russell Street | 432 | Ambassador Theatre Group | Operation Mincemeat | Musical | 29 March 2023 | Open-ended |
Garrick Theatre | Charing Cross Road | 718 | Nimax Theatres | For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy [59] | Play | 29 February 2024 | 1 June 2024* |
Gielgud Theatre | Shaftesbury Avenue | 994 | Delfont Mackintosh Theatres | Opening Night [60] | Musical | 6 March 2024 | 18 May 2024* |
Gillian Lynne Theatre | Drury Lane | 1,118 | LW Theatres | Standing at the Sky's Edge [61] | Musical | 28 February 2024 | 3 August 2024 |
Harold Pinter Theatre | Panton Street | 796 | Ambassador Theatre Group | The Hills of California [62] | Play | 8 February 2024 | 15 June 2024 |
His Majesty's Theatre | Haymarket | 1,216 | LW Theatres | The Phantom of the Opera | Musical | 9 October 1986 | Open-ended |
London Palladium | Argyll Street | 2,286 | LW Theatres | Hello, Dolly! [63] | Musical | 18 July 2024* | 14 September 2024 |
Lyceum Theatre | Wellington Street | 2,100 | Ambassador Theatre Group | The Lion King | Musical | 19 October 1999 | Open-ended |
Lyric Theatre | Shaftesbury Avenue | 915 | Nimax Theatres | Hadestown [64] | Musical | 21 February 2024 | Open-ended |
Noël Coward Theatre | St. Martin's Lane | 942 | Delfont Mackintosh Theatres | Player Kings [65] | Play | 1 April 2024 | 22 June 2024* |
Novello Theatre | Aldwych | 1,146 | Delfont Mackintosh Theatres | Mamma Mia! | Musical | 6 April 1999 | Open-ended |
Palace Theatre | Shaftesbury Avenue | 1,400 | Nimax Theatres | Harry Potter and the Cursed Child | Play | 25 July 2016 | Open-ended |
Phoenix Theatre | Charing Cross Road | 1,012 | Ambassador Theatre Group | Stranger Things: The First Shadow [66] | Play | 14 December 2023 | Open-ended |
Piccadilly Theatre | Denman Street | 1,232 | Ambassador Theatre Group | Moulin Rouge! | Musical | 20 January 2022 | Open-ended |
Kit Kat Club at the Playhouse Theatre | Craven Street | 550 | Ambassador Theatre Group | Cabaret | Musical | 12 December 2021 | Open-ended |
Prince Edward Theatre | Old Compton Street | 1,727 | Delfont Mackintosh Theatres | MJ the Musical [67] | Musical | 27 March 2024 | Open-ended |
Prince of Wales Theatre | Coventry Street | 1,148 | Delfont Mackintosh Theatres | The Book of Mormon | Musical | 21 March 2013 | Open-ended |
Savoy Theatre | Strand | 1,150 | Ambassador Theatre Group | Mean Girls [68] | Musical | 26 June 2024* | Open-ended |
Shaftesbury Theatre | Shaftesbury Avenue | 1,416 | DLT Entertainment | Mrs. Doubtfire [69] | Musical | 22 June 2023 | Open-ended |
@sohoplace | Charing Cross Road | 602 | Nimax Theatres | Red Pitch [70] | Play | 15 March 2024 | 4 May 2024 |
Sondheim Theatre | Shaftesbury Avenue | 1,137 | Delfont Mackintosh Theatres | Les Misérables | Musical | 8 October 1985 | Open-ended |
St Martin's Theatre | West Street | 550 | Stephen Waley-Cohen | The Mousetrap | Play | 25 November 1952 | Open-ended |
Theatre Royal, Drury Lane | Catherine Street | 1,996 | LW Theatres | Frozen | Musical | 8 September 2021 | 8 September 2024 |
Theatre Royal Haymarket | Haymarket | 888 | Access Entertainment | The Picture of Dorian Gray [71] | Play | 15 February 2024 | 11 May 2024* |
Trafalgar Theatre | Whitehall | 630 | Trafalgar Entertainment Group | People, Places and Things [72] | Play | 3 May 2024* | 10 August 2024 |
Vaudeville Theatre | Strand | 690 | Nimax Theatres | Six | Musical | 29 September 2021 | Open-ended |
Victoria Palace Theatre | Victoria Street | 1,557 | Delfont Mackintosh Theatres | Hamilton | Musical | 21 December 2017 | Open-ended |
Wyndham's Theatre | St. Martin's Court | 799 | Delfont Mackintosh Theatres | Long Day's Journey into Night [73] | Play | 2 April 2024 | 8 June 2024* |
"Theatre is such an important part of British history and British culture"
—Dame Helen Mirren after receiving the Evening Standard Award in 2013 for her performance as the Queen in The Audience . [74]
The following shows are confirmed as future West End productions. The theatre in which they will run is either not yet known or currently occupied by another show.
Production | Type | Theatre | Opening | Ref |
---|---|---|---|---|
2:22 A Ghost Story | Play | Gielgud Theatre | 25 May 2024 | [75] |
Boys from the Blackstuff | Play | Garrick Theatre | 13 June 2024 | [76] |
Robin Hood | Pantomime | London Palladium | 7 December 2024 | [77] |
The Curious Case of Benjamin Button | Musical | Ambassadors Theatre | 10 October 2024 | [78] |
The Devil Wears Prada | Musical | Dominion Theatre | 24 October 2024 | [79] |
Dr. Strangelove | Play | Noël Coward Theatre | 8 October 2024 | [80] |
Fawlty Towers: The Play | Play | Apollo Theatre | 15 May 2024 | [81] |
Heathers: The Musical | Musical | @sohoplace | 22 May 2024 | [82] |
Kathy and Stella Solve a Murder! | Musical | Ambassadors Theatre | 25 May 2024 | [83] |
Macbeth | Play | Harold Pinter Theatre | 1 October 2024 | [84] |
Next to Normal | Musical | Wyndham's Theatre | 18 June 2024 | [85] |
Oliver! | Musical | Gielgud Theatre | 14 December 2024 | [86] |
Oedipus | Play | Wyndham's Theatre | 4 October 2024 | [87] |
Romeo and Juliet | Play | Duke of York's Theatre | 11 May 2024 | [88] |
Shucked | Musical | TBA | 2025 | [89] |
Slave Play | Play | Noël Coward Theatre | 29 June 2024 | [90] |
Some Like It Hot | Musical | TBA | 2025 | [91] |
A View from the Bridge | Play | Theatre Royal Haymarket | 23 May 2024 | [92] |
Waiting for Godot | Play | Theatre Royal Haymarket | 13 September 2024 | [93] |
My Neighbour Totoro | Play | Gillian Lynne Theatre | 8 March 2025 | [94] |
Why Am I So Single? | Musical | Garrick Theatre | 27 August 2024 | [95] |
The term "West End theatre" is generally used to refer specifically to commercial productions in Theatreland. However, the leading non-commercial theatres in London enjoy great artistic prestige. These include the National Theatre, the Barbican Centre, Shakespeare's Globe (including the Sam Wanamaker Playhouse), the Old Vic, Royal Court Theatre, Sadler's Wells Theatre, and the Regent's Park Open Air Theatre. These theatres stage a high proportion of straight drama, Shakespeare, other classic plays and premieres of new plays by leading playwrights—David Hare's play Pravda starring Anthony Hopkins was described as "one of the biggest hits in the history of the National Theatre." [97] Successful productions from the non-commercial theatres sometimes transfer to one of the commercial West End houses for an extended run.
The Royal Opera House is widely regarded as one of the greatest opera houses in the world, comparable with the Palais Garnier and La Scala. Commonly known simply as Covent Garden due to its location, it is home to the Royal Opera, Royal Ballet and a resident symphony orchestra, and hosts guest performances from other leading opera, ballet and performance companies from around the world. In 1735 its first season of operas, by George Frideric Handel, began and many of his English oratorios were specifically written for Covent Garden and had their premieres here. [98]
Likewise, the London Coliseum is the resident home to the English National Opera. The theatre is also the London base for performances by the English National Ballet, who perform regular seasons throughout the year when not on tour.
The Peacock Theatre is located on the edge of the Theatreland area. Now owned by the London School of Economics and Political Science, it is used in the evenings for dance performances by Sadler's Wells, who manage the theatre on behalf of the school.
There is a great number of stage productions in London outside the West End. Much of this is known as fringe theatre (referred to as Off West End) which is the equivalent of off-Broadway and off-off-Broadway theatre in New York City. Among these are the Menier Chocolate Factory, Bush Theatre and the Donmar Warehouse. Fringe venues range from well-equipped small theatres to rooms above pubs, and the performances range from classic plays, to cabaret, to plays in the languages of London's ethnic minorities. The performers range from emerging young professionals to amateurs. Productions at the Donmar included the 1980 play Educating Rita which starred Julie Walters in the title role before she reprised the role in the 1983 film. [99]
There are many theatres located throughout Greater London, such as the Lyric Hammersmith, Theatre Royal Stratford East, Rose Theatre, Kingston, New Wimbledon Theatre, the Rudolph Steiner Theatre in Westminster, the Ashcroft Theatre in Croydon, Secombe Theatre in Sutton, the Churchill Theatre in Bromley and the Hackney Empire in Hackney.
London theatres outside the West End also played an important role in the early history of drama schools. In 1833, actress Frances Maria Kelly managed the Royal Strand Theatre in Westminster where she funded and operated a dramatic school, the earliest record of a drama school in England. [100] In 1840 she financed the Royalty Theatre in Soho which opened as Miss Kelly's Theatre and Dramatic School. [101]
There are a number of annual awards for outstanding achievements in London theatre:
Dec. 30th.—To London with M—, and took her to "Alice in Wonderland," Mr. Savile Clarke's play at the Prince of Wales's Theatre... as a whole, the play seems a success.
Here you will find all the information you need about the longest running show, of any kind, in the world.
Andrew Lloyd Webber, Baron Lloyd-Webber is an English composer and impresario of musical theatre. Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 21 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass.
The Phantom of the Opera is a musical with music by Andrew Lloyd Webber, lyrics by Charles Hart, additional lyrics by Richard Stilgoe and a libretto by Lloyd Webber and Stilgoe. Based on the 1910 French novel of the same name by Gaston Leroux, it tells the tragic story of a beautiful soprano, Christine Daaé, who becomes the obsession of a mysterious, masked musical genius living in the subterranean labyrinth beneath the Paris Opéra House.
Elphaba Thropp is the protagonist in Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire, and in its musical theatre adaptation Wicked. The character is identified with the Wicked Witch of the West from L. Frank Baum's 1900 novel The Wonderful Wizard of Oz.
Nigel Derek Harman is an English actor. Beginning his career as a child actor, he has played various roles across theatre, stage and television, including as Sky Masterson in Michael Grandage's revival of Guys and Dolls and as Lord Farquaad in the original London production of Shrek the Musical, for which he received an Olivier Award.
Matthew Warchus is an English theatre director, filmmaker and dramaturg. He has been the Artistic Director of London's The Old Vic since September 2015.
The Finborough Theatre is a fifty-seat theatre in the West Brompton area of London under artistic director Neil McPherson. The theatre presents new British writing, as well as UK and world premieres of new plays primarily from the English speaking world including North America, Canada, Ireland, and Scotland including work in the Scots language, alongside rarely seen rediscovered 19th and 20th century plays. The venue also presents new and rediscovered music theatre.
Zubin Varla is a British actor and singer. He played the role of Judas in the 1996 West End revival of Jesus Christ Superstar, alongside Steve Balsamo (Jesus), Joanna Ampil, and David Burt (Pilate). This production was staged at Lyceum Theatre. In 2022, he appeared in Tammy Faye at the Almeida Theatre, for which he won the 2023 Laurence Olivier Award for Best Actor in a Supporting Role in a Musical.
Haydn Gwynne was an English actress. She was nominated for the 1992 BAFTA TV Award for Best Light Entertainment Performance for the comedy series Drop the Dead Donkey (1990–1991), and won the 2009 Drama Desk Award for Outstanding Featured Actress in a Musical for her role in the Broadway production of Billy Elliot the Musical. She was also a five-time Olivier Award nominee, winning her first posthumously in 2024. Her other television roles included Peak Practice (1999–2000), Merseybeat (2001–2002), and playing Camilla in The Windsors from 2016 until her death in 2023.
Ramin Karimloo is a Canadian actor, singer and songwriter recognized for his work in London's West End and New York's Broadway theatre.
Sharon Delores Clarke is an English actress and singer. She is a three-time Olivier Award winner, and is best known to television audiences for her role as Lola Griffin in the medical drama Holby City, and as Grace O'Brien in Doctor Who. Clarke has also played lead roles in many West End musicals, and originated the roles of the Killer Queen in We Will Rock You and Oda Mae Brown in Ghost the Musical.
Gavin Lee is an English actor who has appeared on the stage in musical theatre, notably as Bert in the musical Mary Poppins, in both the West End and on Broadway, and as Squidward Tentacles in the original Broadway cast of SpongeBob SquarePants: The Musical.
Kevin Gerard Wallace is an Irish theatre producer.
Rupert Goold is an English director who works primarily in theatre. He is the artistic director of the Almeida Theatre, and was the artistic director of Headlong Theatre Company (2005–2013). Since 2010, Goold has been an associate director at the Royal Shakespeare Company. He was appointed Commander of the Order of the British Empire (CBE) in the 2017 for services to drama.
Clive Carter is a British actor and singer, best known for his role of "Claude Elliott and others" in the original London cast of Come From Away, for which he received an Olivier Award nomination. He studied at London Academy of Music and Dramatic Art.
The Wizard of Oz is a 2011 musical based on the 1939 film of the same name in turn based on L. Frank Baum's novel The Wonderful Wizard of Oz, with a book adapted by Andrew Lloyd Webber and Jeremy Sams. The musical uses the Harold Arlen and E. Y. Harburg songs from the film and includes some new songs and additional music by Lloyd Webber and additional lyrics by Tim Rice. It is the third stage musical adaptation of the film following the 1942 version for the St. Louis Municipal Opera and the 1987 version for the Royal Shakespeare Company.
The Harold Pinter Theatre, known as the Comedy Theatre until 2011, is a West End theatre, and opened on Panton Street in the City of Westminster, on 15 October 1881, as the Royal Comedy Theatre. It was designed by Thomas Verity and built in just six months in painted (stucco) stone and brick. By 1884 it was known as simply the Comedy Theatre. In the mid-1950s the theatre underwent major reconstruction and re-opened in December 1955; the auditorium remains essentially that of 1881, with three tiers of horseshoe-shaped balconies.
Top Hat the Musical is a 2011 stage musical based on the 1935 film of the same name, featuring music and lyrics by Irving Berlin with additional orchestration by Chris Walker. The show opened on 16 August 2011 at the Milton Keynes Theatre, touring the United Kingdom before transferring to the Aldwych Theatre in London's West End. Top Hat won multiple 2013 Laurence Olivier Awards after receiving seven nominations. The musical closed in London on 26 October 2013, with a UK and Ireland tour commencing in August 2014.
Flora Spencer-Longhurst is an English actress. She is known for her roles in the CBBC series Leonardo (2011), and the FX series The Bastard Executioner (2015).
Rachel John is a British actress, best known for her work in musical theatre, notably for originating the role of Angelica Schuyler in Hamilton in the West End.
Six is a British musical comedy in the style of a pop concert. Music, book, and lyrics by Toby Marlow and Lucy Moss. It is a modern retelling of the lives of the six wives of Henry VIII, presented in the form of a singing competition. In the show, each of the wives take turns telling their story to determine who suffered the most from their shared husband.