Address | Coventry Street London, W1 United Kingdom |
---|---|
Coordinates | 51°30′37″N0°07′55″W / 51.51025°N 0.13201°W |
Public transit | Piccadilly Circus |
Owner | Delfont Mackintosh Theatres |
Designation | Grade II |
Type | West End theatre |
Capacity | 1,148 on 2 levels |
Production | The Book of Mormon |
Construction | |
Opened | January 1884 |
Rebuilt | 1937 (Robert Cromie) |
Architect | C. J. Phipps |
Website | |
Prince of Wales Theatre website at Delfont Mackintosh Theatres |
The Prince of Wales Theatre is a West End theatre in Coventry Street, near Leicester Square in London. It was established in 1884 and rebuilt in 1937, and extensively refurbished in 2004 by Sir Cameron Mackintosh, its current owner. The theatre should not be confused with the former Scala Theatre in London that was known as the Prince of Wales Royal Theatre or Prince of Wales's Theatre from 1865 until its demolition in 1903.
The first theatre on the site opened in January 1884 when C.J. Phipps built the Prince's Theatre for actor-manager Edgar Bruce. It was a traditional three-tier theatre, seating just over 1,000 people. The theatre was renamed the Prince of Wales Theatre in 1886 after the future Edward VII. Located between Piccadilly Circus and Leicester Square, the theatre was favourably situated to attract theatregoers.
The first production in the theatre was an 1884 revival of W. S. Gilbert's The Palace of Truth starring Herbert Beerbohm Tree, preceded by a one-act comedy, In Honour Bound. This was soon followed by a free adaptation of Ibsen's A Doll's House , called Breaking a Butterfly. In 1885, Lillie Langtry, reputedly the first "society" lady to become an actress, played in Princess George and The School for Scandal . The first hit production at the theatre was the record-breaking comic opera, Dorothy , starring Marie Tempest, which was so successful that its authors used the profits to build the Lyric Theatre, where it moved in 1888. The wordless mime play L'Enfant Prodigue premiered in 1891 which, together with A Pierrot's Life in 1897, brought respectability to mime troupes in Britain. On 23 December 1886, Henry Savile Clarke and Walter Slaughter's musical Alice in Wonderland (the first major production of the Alice books) debuted at the theatre, with Phoebe Carlo in the title role. Lewis Carroll attended a performance seven days later. [1]
George Edwardes' musical play, In Town , often considered the first English musical comedy, was presented at the theatre in 1892 and was followed by Edwardes' even more successful A Gaiety Girl in 1893. In 1895, Basil Hood's Gentleman Joe, the Hansom Cabby began a long run starring the low comedian, Arthur Roberts, in the title role. The theatre then began to present straight plays with Maeterlinck's Pelléas et Mélisande (1898, with incidental music by Fauré) and Wills's adaptation of Dickens' A Tale of Two Cities as The Only Way (1899, also starring Harvey). Charles Hawtrey starred in the successful A Message from Mars (1901). In 1900–01, Marie Tempest played the title roles in the play English Nell (based on Simon Dale's novel about Nell Gwynn), Peg Woffington, a dramatisation of Charles Reade's novel, as well as Becky Sharp in a dramatisation of Thackeray's Vanity Fair .
The theatre played more musical comedies beginning in 1903, including the Frank Curzon and Isabel Jay hits Miss Hook of Holland (1907, its matinee version, Little Miss Hook of Holland was performed by children for children), King of Cadonia (1908), and The Balkan Princess (1910), and later the World War I hits, Broadway Jones (1914), Carminetta (1917), and Yes, Uncle! (1917).
The theatre then hosted plays such as Avery Hopwood's farce Fair and Warmer (1918) and Ivor Novello's The Rat (1924, Novello's first play, in which he also starred), and revues including A to Z (1921), Co-Optimists (1923), and Charlot's Revue (1924). They starred Gertrude Lawrence, Jack Buchanan, Beatrice Lillie, Stanley Holloway, and Jessie Matthews. Ms Matthews also starred, along with Richard Hearne, in "Wild Rose", featuring the memorable Jerome Kern song "Look for the Silver Lining". These were followed by The Blue Train (1927), Alibi (1928, directed by Gerald du Maurier with Charles Laughton as Hercule Poirot), By Candlelight (1928), and Journey's End (1929). In 1930, Edith Evans became the manager at the theatre, presenting and starring in Delilah, which was not a success. Beginning in 1932, the theatre presented a series of risqué "Folies"-style revues, including Voila! Les Dames (1935) and its last production, Encore les Dames (1937). These shows were so successful that they funded the rapid rebuilding of the theatre in 1937.
After 50 years, the theatre's 800 seats were deemed insufficient for productions of the day, and it was demolished. On 17 June 1937, Gracie Fields sang to the workmen as she laid the foundation stone of the new Art Deco-decorated theatre, designed by Robert Cromie, and the theatre opened on 27 October that year. The new theatre's seating capacity was about 1,100, and it had a larger stage and improved facilities for both the artists and the public, including a large, stylish stalls bar (the bar itself was 14 metres long), complete with dance floor. The first productions at the new theatre were Les Folies de Paris et Londres, starring George Robey, followed by Folies De Can-Can in 1938, a continuation of the old theatre's series of successful risqué revues, which ran continuously until 2 am every night. The musical comedy, Present Arms, was offered in 1940, and in 1941 the theatre screened the UK premiere of Charlie Chaplin's The Great Dictator . The film had been banned in many parts of Europe, and the theatre's owner, Alfred Esdaile, was fined for showing it. [2]
In 1943, Strike a New Note was notable for Sid Field's London debut, and he returned to the theatre in Strike it Again (1944), and yet again in Piccadilly Hayride (1946, a revue that ran for 778 performances). [3] In 1949, Harvey , Mary Coyle Chase's comedy about an imaginary rabbit, was a success, as was Diamond Lil in 1948 starring Mae West. In the 1950s, the theatre hosted variety and revues, starring such famous performers as Norman Wisdom, Peter Sellers, Bob Hope, Gracie Fields, Benny Hill, Hughie Green, Frankie Howerd, and Morecambe and Wise.
In 1958, Bernard Delfont and Michael Dorfman took over the lease of the theatre from Moss Empires. [4] In 1959, Paul Osborn's The World of Susie Wong became the theatre's longest-running play to date with 832 performances. On 4 November 1963, The Beatles performed From Me to You, She Loves You, Till There Was You, and Twist and Shout at the Prince of Wales Theatre, during the Royal Variety Show in the presence of The Queen Mother and her younger daughter.
Neil Simon's play, Come Blow Your Horn , starring Michael Crawford, played in 1962, followed by a season of Martha Graham's dance company, including the world première of her ballet Circe. Next was a string of Broadway musicals, including Funny Girl in 1966 with Barbra Streisand, Sweet Charity (1967), and Promises, Promises (1969). The Threepenny Opera was revived in 1972. In 1976, Bernard Slade's Same Time, Next Year was a hit, as was I Love My Wife (1977), and Bedroom Farce (1978). In 1982, Underneath the Arches was a long-running hit. Andrew Lloyd Webber's Aspects of Love (1989) smashed all previous box-office records at the theatre, running for 1,325 performances. More recent productions are listed below.
Refurbishment was carried out in 2004 to increase the seating capacity slightly to 1,160 seats and to modernise the theatre's facilities. New bars were added, the auditorium completely rebuilt, the backstage areas refurbished and the theatre's famous tower and exterior completely gutted and refurbished with new LED lighting and a crisp modern finish.
The theatre re-opened with ABBA's musical Mamma Mia! on 16 April 2004. On 18 August 2007, Mamma Mia! became the longest-running show at the time at the Prince of Wales, overtaking the previous record held by Aspects of Love with 1,326 performances. The production marked another landmark on Thursday 23 August 2007, celebrating its 3,500th performance since its 1999 world premiere at the Prince Edward Theatre in Old Compton Street, London. The production left the theatre on 1 September 2012 and transferred to the Novello Theatre on 6 September 2012.
After a short run of Let it Be , before it transferred to the Savoy for a short run, the theatre is now home to The Book of Mormon which has become the theatre's longest running musical. [5]
Due to the COVID-19 pandemic, The Book of Mormon was forced to close in March 2020. On 2 August 2021, the theatre re-opened with The Windsors: Endgame based on the Channel 4 sitcom The Windsors . Due to The Book of Mormon reopening on 15 November 2021, The Windsors played its final performance on 9 October 2021.
On 6 June 2024 The Book of Mormon celebrated its 4,000th performance at the theatre. [6]
The theatre was grade II listed by English Heritage in April 1999. [7]
Ivor Novello was a Welsh actor, dramatist, singer and composer who became one of the most popular British entertainers of the first half of the 20th century.
Mamma Mia! is a jukebox musical written by British playwright Catherine Johnson based on songs recorded by Swedish group ABBA and composed by members Benny Andersson and Björn Ulvaeus. The musical's title is taken from the group's 1975 chart-topper "Mamma Mia". Ulvaeus and Andersson were involved in the development of the show from the beginning, while singer Anni-Frid Lyngstad was involved financially in the production and also appeared at many of the premieres around the world.
The Prince Edward Theatre is a West End theatre situated on Old Compton Street, just north of Leicester Square, in the City of Westminster, London.
The Palace Theatre is one of the main theatres in Manchester, England. It is situated on Oxford Street, on the north-east corner of the intersection with Whitworth Street. The Palace and its sister theatre the Opera House on Quay Street are operated by the same parent company, Ambassador Theatre Group. The original capacity of 3,675 has been reduced to its current 1,955.
The Vaudeville Theatre is a West End theatre on the Strand in the City of Westminster. Opening in 1870, the theatre staged mostly vaudeville shows and musical revues in its early days. The theatre was rebuilt twice, although each new building retained elements of the previous structure. The current building dates from 1926, and the capacity is now 690 seats. Early stage mechanisms, including rare thunder drums and lightning sheets, survive in the theatre.
Lionel John Alexander Monckton was an English composer of musical theatre. He became Britain's most popular composer of Edwardian musical comedy in the early years of the 20th century.
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George Joseph Edwardes was an English theatre manager and producer of Irish ancestry who brought a new era in musical theatre to the British stage and beyond.
The Gaiety Theatre was a West End theatre in London, located on Aldwych at the eastern end of the Strand. The theatre was first established as the Strand Musick Hall in 1864 on the former site of the Lyceum Theatre. In 1868, it became known as the Gaiety Theatre and was, at first, known for music hall and then for musical burlesque, pantomime and operetta performances. From 1868 to the 1890s, it had a major influence on the development of modern musical comedy.
The Princess Theatre, originally Princess's Theatre, is a 1452-seat theatre in Melbourne, Victoria, Australia. Established in 1854 and rebuilt in 1886 to a design by noted Melbourne architect William Pitt, it is the oldest surviving entertainment site on mainland Australia. Built in an elaborate Second Empire style, it reflects the opulence of the "Marvellous Melbourne" boom period, and had a number of innovative features, including state of the art electric stage lighting and the world's first sliding ceiling, which was rolled back on warm nights to give the effect of an open-air theatre.
Daly's Theatre was a theatre in the City of Westminster. It was located at 2 Cranbourn Street, just off Leicester Square. It opened on 27 June 1893, and was demolished in 1937.
In Town is a musical comedy written by Adrian Ross and James T. Tanner, with music by F. Osmond Carr and lyrics by Ross. The plot of In Town, though thin, is a smart tale of backstage and society intrigue. One of the popular songs from the show was "The Man About Town".
Linzi Hateley is an English stage actress. At the age of 21, in 1992, she became one of the youngest nominees for a Laurence Olivier Award for Best Actress in a Musical for her performance as the Narrator in the West End revival of Joseph and the Amazing Technicolor Dreamcoat.
Zena Dare was an English actress and singer who was famous for her performances in Edwardian musical comedy and other musical theatre and comedic plays in the first half of the 20th century.
Sarah Lark is a Welsh singer and actress who rose to fame when she competed as one of the finalists in the BBC talent show-themed television series I'd Do Anything in 2008.
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Judith Sarah Jarman Craymer is an English creator and producer of musical theatre who has also worked in the film, television and music industries. She is the founder of Littlestar Services Ltd. Craymer worked on Mamma Mia!, which has been seen by more than 65 million people worldwide. Ten years after the film adaptation grossed more than $600 million around the world, Craymer produced an all-new original movie musical based on the songs of ABBA, Mamma Mia! Here We Go Again. Since opening in July 2018 the film has become the most successful live musical movie sequel of all time grossing just less than $400 million. Craymer was nominated for the "Carl Foreman award for special achievement by a British director, writer or producer in their first feature film" at the 62nd British Academy Film Awards for the film version of Mamma Mia! She has been dubbed "the greatest showbiz impresario" of the first decade of the 21st century and has consequently been entered in Debrett's.
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The WhatsOnStage Awards, founded in 2001 as the Theatregoers' Choice Awards, are a fan-driven set of awards organised by the theatre website WhatsOnStage.com, based on a popular vote recognising performers and productions of English theatre, with an emphasis on London's West End theatre.
Dec. 30th.—To London with M—, and took her to "Alice in Wonderland," Mr. Savile Clarke's play at the Prince of Wales's Theatre... as a whole, the play seems a success.