Crawford has also published the autobiography Parcel Arrived Safely: Tied With String. Since 1987, he has served as the leader and public face for the British social cause organizationthe Sick Children's Trust.[2]
Early life and education
Crawford was brought up by his mother, Doris Agnes Mary Pike, and her parents, Montague Pike and his wife, Edith (née Keefe or O'Keefe), in what Crawford described as a "close-knit Roman Catholic family". His maternal grandmother was born in County Londonderry, Ireland, and lived to be 99 years old.[3] His mother's first husband, Arthur Dumbell "Smudge" Smith,[4] who was not his biological father, was killed, aged 22, on 6 September 1940 during the Battle of Britain, less than a year after they married.[5][6] Sixteen months after Smith's death, Crawford was born, the result of a short-lived relationship, and given his mother's surname, which was that of her first husband.
During his early years, Crawford divided his time between the army camp in Wiltshire, where he and his mother lived during the war, and the Isle of Sheppey in Kent. The isle was where his mother had grown up and where Crawford would later live with his mother and maternal grandparents. He attended St Michael's, a Catholic school in Bexleyheath which was run by nuns whom Crawford later described as not being shy in their use of corporal punishment. At the end of the Second World War, his mother remarried, this time to a grocer, Lionel Dennis "Den" Ingram. The couple moved to Herne Hill[7] in London, where Crawford attended Oakfield Preparatory School, Dulwich, where he was known as Michael Ingram. His mother's second marriage was abusive, according to Crawford.[3]
Acting career
Career beginnings
Crawford made his first stage appearance in the role of Sammy the Little Sweep in his school production of Benjamin Britten's Let's Make an Opera, conducted by Donald Mitchell,[8] which was then transferred to Brixton Town Hall in London. He auditioned, unsuccessfully, for the role of Miles in Britten's The Turn of the Screw – the role being given to another boy soprano, David Hemmings; but it appears that Crawford's audition sufficiently impressed Britten as in 1955 he hired him to play Sammy, alternating with David Hemmings, in another production of Let's Make an Opera, this time at the Scala Theatre in London.[9] He also participated in the recording of that opera (as Michael Ingram, singing the role of Gay Brook) made that same year, conducted by the composer.[9][10]
In 1958, Crawford was hired by the English Opera Group to create the role of Jaffet in another Britten opera, Noye's Fludde, based on the story of Noah and the Great Flood.[8] Crawford remembers that it was while working in this production that he realised he seriously wanted to become an actor. It was in between performances of Let's Make an Opera and Noye's Fludde that he was advised to change his name, "to avoid confusion with a television newsman called Michael Ingram[s] who was registered with British Equity".[11]
In 1961, Crawford appeared in an episode of One Step Beyond called "The Villa" in which he played a character experimenting with strobe lights. Crawford appears in the only surviving episode of the 1960 British crime series Police Surgeon alongside Ian Hendry. This series would spawn the much better-known The Avengers.
Early adult career
At age nineteen, he was approached to play an American, Junior Sailen, in the film The War Lover (1962), which starred Steve McQueen. To prepare for the role, he would spend hours listening to Woody Woodbury, a famous American comedian of the time, to try to perfect an American accent. After The War Lover, Crawford briefly returned to the stage and, after playing the lead role in the 1963 British film Two Left Feet, was offered a role in the British television series, Not So Much a Programme, More a Way of Life, as the Mod-style, tough-talking, motorbike-riding Byron. It was this character that attracted film director Richard Lester to hire him for the role of Colin in The Knack ...and How to Get It in 1965. The film was a huge success in the UK.
In 1967, Crawford made his Broadway début in Peter Shaffer's Black Comedy with Lynn Redgrave (making her début as well) in which he demonstrated his aptitude and daring for extreme physical comedy, such as walking into walls and falling down staircases. While working in the show, he was noticed by Gene Kelly and was called to Hollywood to audition for him for a part in the film adaptation of the musical Hello, Dolly!. He was cast and shared top billing with Barbra Streisand and Walter Matthau. Despite becoming one of the highest-grossing films of 1969, it failed to recoup its $25million budget at the box office. It went on to win three Academy Awards, was nominated for a further four (including Best Picture), and is now considered to be one of the greatest musical films ever.[14][15][16]
Crawford's later films fared less successfully, although Alice's Adventures in Wonderland, in which he played the White Rabbit, enjoyed moderate success in the UK. After performing in Alice's Adventures in Wonderland, and with offers of work greatly reduced and much of his salary from Hello, Dolly! lost, reportedly due to underhanded investments by his agent,[11] Crawford faced a brief period of unemployment, in which he helped his wife stuff cushions (for their upholstery business) and took a job as an office clerk in an electric company to pass the time between. During this difficult time, his marriage fell apart and divorce followed in 1975.[11]
Some Mothers Do 'Ave 'Em
Crawford's acting career took off again after he appeared on the London stage in the farce No Sex Please, We're British, in which he played the part of frantic chief cashier Brian Runnicles. His performance led to an invitation to star in a BBC television comedy series about a childlike and eternally haphazard man who causes disaster everywhere he goes. Crawford was not the first choice for the role of Frank Spencer in Some Mothers Do 'Ave 'Em. Originally, the part had been offered to comedy actor Ronnie Barker but after he and Norman Wisdom had turned it down, Crawford took on the challenge, adopting a similar characterisation to that which he used when playing Brian Runnicles. Cast alongside him was actress Michele Dotrice in the role of Frank's long-suffering wife, Betty, and the series premiered in 1973.
Some Mothers Do 'Ave 'Em soon became one of the BBC's most popular television series. Initially, only two series were produced, from 1973 to 1975, while the show's creators felt that it should stop while at its peak. There was a brief hiatus until popular demand saw it revived for a final series in 1978. The immense popularity that followed the sitcom was due perhaps to the unusual amount of physical comedy involved. Crawford said he had always been a fan of comedians such as Charlie Chaplin, Buster Keaton and Laurel and Hardy, as well as the great sight gags employed in the days of silent film, and saw Some Mothers as the ideal opportunity to use such humour himself. He performed all of his own stunts during the show's run, and never used a double.[11]
1970s
While he was playing in Some Mothers Do 'Ave 'Em, Crawford was approached to star in the musical Billy (based on the novel Billy Liar), which opened in 1974 at the Theatre Royal, Drury Lane in London. This was his first leading man role on the West End stage and helped to cement his career as both a singer and showman. The part was demanding, requiring proficiency in both song and dance, and in preparation for the role, Crawford began taking both more seriously, studying singing under the tutelage of vocal coach Ian Adam and spending hours perfecting his dancing capabilities with choreographer Onna White.[11]
Billy gave the many fans of Crawford's portrayal of Frank Spencer an opportunity to see him in a broadly similar role on the stage, and was a considerable hit (904 West End performances). After the closing of Some Mothers Do 'Ave 'Em, Crawford continued to perform in plays and musicals, starring in Flowers for Algernon (1979) in the role of Charley Gordon, based on the book of the same title. He pursued another role on an ITV sitcom, Chalk and Cheese, as the slovenly, uncouth Dave Finn. The show did not go over well with his fans: the popularity of Crawford's portrayal of Frank Spencer, and the similar Billy Fisher character, had left him somewhat typecast, to the extent that they could not accept his very different role as Dave Finn. Crawford abandoned the show during its first series and returned to theatre work.[11]
1980s
Condorman
Crawford starred in the 1981 Disney comedy/adventure film Condorman, playing an eccentric American comic book writer and illustrator named Woody Wilkins who is asked by his friend at the CIA to help a Russian woman to defect while acting out the fantasy of bringing his comic book creation, Condorman, to life.[citation needed] Critics panned the film. On their television show, critics Gene Siskel and Roger Ebert featured the film in their round-up of the year's worst films pointing out the less-than-special effects such as the visible harness and cable used to suspend Condorman in the air and the obvious bluescreen effect. The film performed poorly at the box office but years later gained a cult following among Disney fans.[11]
Barnum
Also in 1981, Crawford starred in the original London production of Cy Coleman's Barnum (1981) as the illustrious American showman P. T. Barnum. He trained at the Big Apple Circus School in New York City to prepare for the ambitious stunts, learning to walk the tight-rope, juggle and slide down a rope from the rafters of the theatre. After further training for the second opening of Barnum, he was awarded a British Amateur Gymnastics Association badge and certificate as a qualified coach.[11]
Barnum opened on 11 June 1981 at the London Palladium, where it ran for 655 performances. Crawford and Deborah Grant headed the cast. It was well-received, becoming a favourite of Margaret Thatcher as well as the Queen Mother. Crawford earned his first Olivier Award for Best Actor in a Musical on the London stage. After the initial production of the show, he worked extensively with Torvill and Dean, and can be seen rinkside with them as they received their "perfect six" marks in the 1983 world championships for their 'Barnum' routine.[17][18]
In 1984 a revival of Barnum opened in Manchester at the Opera House, ending the tour at the Victoria Palace in the West End. In 1986 this production, with a new cast, though still headed by Crawford, was recorded for television and broadcast by the BBC. Crawford's Barnum is one of the longest runs by a leading actor.
The Phantom of the Opera
In 1984, at the final preview of Starlight Express, Crawford happened to run into the show's creator, Andrew Lloyd Webber. Lloyd Webber had met Crawford socially several times and remembered him from his work in Flowers for Algernon. He informed Crawford that he was working on a new project based on a Gaston Leroux novel and wanted to know whether he was interested. Crawford said he was, but the show was still in the early planning stages, and nothing had been decided. Several months passed, during which Lloyd Webber had already created a pitch video featuring his then-wife Sarah Brightman as the female lead Christine, and British rocker Steve Harley as the Phantom, singing the title song in the manner of a contemporary new wave video. Crawford was turned off by that, supposing the songwriter had chosen to do a "rock opera"-inspired spectacle in lieu of a more traditional operatic musical.[11]
Since casting Harley, however, Lloyd Webber had also begun to regret his artistic choices. According to the Behind the Mask documentary, he and producer Cameron Mackintosh agreed that Harley was neither an actor nor a commanding theatre presence, two areas in which Crawford had gained significant experience by this point. As production continued on the show, the bulk of the score was revealing itself to be far more classical and operatic, entirely unsuited to Harley's rough, contemporary voice. Wanting instead a performer with a more classic, melodic voice, as described in the original book, he began yet another search for the perfect actor to play his Phantom. Crawford's landing of the role was due in large part to the coincidence that he and Brightman were taking lessons from the same vocal coach, Ian Adam. Brightman and her husband had arrived early for her lesson, and it was while waiting that they chanced to hear Crawford practising the aria Care Selve, from the opera Atalanta by Handel. Intrigued, Lloyd Webber asked Adam who his student was. Soon after, Crawford was called in for an audition and was hired virtually on the spot.[11]
Many critics were sceptical; Crawford was still largely pigeonholed as the hapless Frank Spencer, and questions were asked about his ability to manage such a vocally and dramatically demanding role.
In September 1986, Crawford began his performances in London at Her Majesty's Theatre. In October 1987, he was replaced in London by Dave Willetts, as he transferred over to Broadway. In January 1988, he started performances of the show on Broadway and in October of that same year, he was replaced by Timothy Nolen. Crawford then went on to start performing the show in Los Angeles in 1989. He played the Phantom for three and a half years and over 1,300 performances across the three productions, winning an Olivier Award (Best Actor in a Musical), a Tony Award (Best Performance by an Actor in a Lead Role, Musical), a New York Drama Desk Award, and a Los Angeles Drama Critics Circle Award for Distinguished Achievement in Theatre (Lead Performance).[19]
During the run of Phantom in Los Angeles, Crawford was asked to perform "The Music of the Night" at the Inaugural Gala for President George H. W. Bush in Washington, D.C., on 19 January 1989. At the gala, Crawford was presented with a cake in celebration of his 47th birthday.
On 29 April 1990, after three and a half years and over 1,300 performances later, Crawford left the show for the final time. He admits to having been saddened at his departure, and, during the final Lair scene, altered the Phantom's line to "Christine... I loved you", acknowledging that this was his final performance.[20]
However, on 31 December 1990, he returned to the role in Los Angeles replacing Robert Guillaume in the role. Crawford played his true final performance on 28 April 1991. Davis Gaines replaced him in the production.[21][22]
1990s
At the request of Liz Kirschner, wife of film producer David Kirschner, he obtained the role of Cornelius in 20th Century Fox's animated film Once Upon a Forest, which was produced by her husband.
In 1995, Crawford created the high-profile starring role in EFX, the US$70million production which officially opened the 1,700-seat MGM Grand Theatre in Las Vegas. The Atlantic Theater label released the companion album to EFX. Early into the run, Crawford suffered an accident during a performance (which involved him sliding from a wire hanger from the back of the theatre all the way to the stage and then jumping down 12 feet (3.7m) to the stage itself) and left the show to recover from his injury, which resulted in an early hip replacement operation.[23]
In the mid 1990s, Michael began a long-term relationship with Natasha MacAller, an American dancer and chef.[24]
2000s to present
In 2001, Crawford sang Baby Mine from Disney's Dumbo on its 60th anniversary VHS and DVD. Crawford had a short comeback to Broadway as the Count von Krolock in the short-lived musical Dance of the Vampires (2002–03). He originated the role of Count Fosco in Lloyd Webber's The Woman in White, which opened at the Palace Theatre, London in September 2004. However, he was forced to leave the show three months later because of ill health caused by dehydration resulting from the enormous fat-suit he wore during the performance. He spent several months recuperating and was thus unable to reprise the role on Broadway.[25] He learned he was suffering from the post-viral condition myalgic encephalomyelitis (ME), which debilitated him for six years.[26]
He later moved to New Zealand briefly, both to be near his daughter and her family in Australia[27] and to convalesce from his illness.[26]
In 2006, Crawford attended the Gala Performance of the stage version of The Phantom of the Opera on Broadway at the Majestic Theatre to celebrate the show's becoming the longest-running musical in Broadway history (surpassing the run of Cats). He was delighted with it, stating this was the first time he had been an audience member of any of the shows he had done.[28]
On 23 October 2010, Crawford attended the celebratory 10,000th performance of The Phantom of the Opera in London alongside composer Andrew Lloyd Webber. Crawford spoke of his own memories of the first performance 24 years ago, and was then presented, along with Lloyd Webber, with a special cake to commemorate the landmark achievement.[29]
Beginning with previews in February 2011, Crawford originated the part of the Wizard in the new Andrew Lloyd Webber/Tim Rice musical version of The Wizard of Oz at the London Palladium, which had its official opening on 1 March 2011.[30] He stated on This Morning: Sunday, on 14 August 2011, that he had signed on for a further six months in the show.[31] He left the production on 5 February 2012; the same day as co-star Danielle Hope played her final performance as Dorothy. From 14 February, Russell Grant took over the role.[32]
On 2 October 2011 Crawford made a special appearance during the finale of The Phantom of the Opera at the Royal Albert Hall — a fully staged production of the musical at the famous London venue – marking 25 years since the show received its world premiere. Although reunited with Sarah Brightman, he did no real singing as he had just finished performing in a matinee of The Wizard of Oz at the London Palladium.[33]
On 18 March 2016 Crawford and Dotrice reprised their roles in a one-off special of Some Mothers Do 'Ave 'Em, broadcast as part of the Sport Relief charity fundraiser event.[34]
Crawford starred in the new West End musical The Go-Between which premiered on 27 May 2016 at Apollo Theatre.[35] He appeared in the 60th anniversary performance of Britten's Noye's Fludde in London in 2018, performing the Voice of God, and recalled in a BBC Radio 3 interview Benjamin Britten's valuable support in his early career.[36]
Recording career and chart success
In 1987, during Crawford's starring role in The Phantom of the Opera, a double A-sided single was released featuring two songs from the musical: "The Music of the Night", sung by Crawford, and "Wishing You Were Somehow Here Again", sung by his Phantom co-star Sarah Brightman. It reached number seven in the UK Singles Chart.[37]
Songs from the Stage and Screen was followed by other charting studio albums recorded by Crawford, including With Love / The Phantom Unmasked (1989), Michael Crawford Performs Andrew Lloyd Webber (1991), A Touch of Music in the Night (1993), On Eagle's Wings (1998) and The Disney Album (2001), as well as several compilation albums.[37]A Touch of Music in the Night included a new version of the Phantom song "The Music of the Night", this time recorded as a duet between Crawford and Barbra Streisand. Released as a single, it reached number 54 in the UK Singles Chart in early 1994.[37] It was also included on Streisand's album Back to Broadway (1993), and was nominated for Best Pop Performance by a Duo or Group with Vocals at the 1994 Grammy Awards.[38]
Concert tours
Crawford has performed many concert tours in the US, Canada, the UK, Australia and New Zealand, beginning with The Music of Andrew Lloyd Webber in 1992. In 1998, Crawford began Michael Crawford: Live In Concert tour around the United States. One performance, done at the Cerritos Arts Center in Los Angeles, was filmed and broadcast on PBS for their annual fundraiser.
In 2006, he made a small concert tour of Australia and New Zealand, as well as a one-night benefit to open the LaSalle Bank Theatre in Chicago. He has also done various Michael Crawford International Fan Association (MCIFA) exclusive concerts around the US.[39] The MCIFA makes contributions to many charities.
Charity work
Since the late 1980s, Crawford has affiliated himself with various charities, particularly for the good of children. He is a patron of the Lighthouse Foundation in Australia, and has also been President of the Sick Children's Trust since 1987.[40]
Personal life
Crawford has three children. Two, born in 1966 and 1968, were daughters from his first marriage to Gabrielle Lewis.[41]
In 2007, Crawford relocated to New Zealand for health reasons, as he sought recovery from his diagnosed myalgic encephalitis and to be closer to one of his daughters who had settled in Australia.[42][43][44]
Millennium Chorus: The Greatest Story Ever Sung (2000) – "How Still How Silent"
Child of the Promise: A Musical Story Celebrating The Birth of Christ (2000) – "After All These Years", "Zacharias & Gabriel Recitative" (with Russ Taff), "He Will Prepare the Way"
Andrew Lloyd Webber, Baron Lloyd-Webber, is an English composer and impresario of musical theatre. Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 21 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass.
Sir Cameron Anthony Mackintosh is a British theatrical producer and theatre owner notable for his association with many commercially successful musicals. At the height of his success in 1990, he was described as being "the most successful, influential and powerful theatrical producer in the world" by the New York Times. He is the producer of shows including Les Misérables, The Phantom of the Opera, Cats, Miss Saigon, Mary Poppins, Oliver!, and Hamilton.
The Phantom of the Opera is a musical by Andrew Lloyd Webber, lyrics by Charles Hart, additional lyrics by Richard Stilgoe, and a libretto by Lloyd Webber and Stilgoe. Based on the novel by Gaston Leroux, it tells the tragic story of beautiful soprano Christine Daaé, who becomes the obsession of a mysterious and disfigured musical genius living in the subterranean labyrinth beneath the Paris Opéra House.
Sarah Brightman is an English classical crossover soprano singer and actress.
The Phantom of the Opera is a 2004 musical romantic drama film based on Andrew Lloyd Webber's musical of the same name, which in turn is based on Gaston Leroux's novel, Le Fantôme de l'Opéra. Produced and co-written by Lloyd Webber and directed by Joel Schumacher, it stars Gerard Butler as the titular character, with Emmy Rossum, Patrick Wilson, Miranda Richardson, Minnie Driver, Simon Callow, Ciarán Hinds, Victor McGuire and Jennifer Ellison in supporting roles.
Anthony Warlow is an Australian musical theatre performer, noted for his character acting and considerable vocal range. He is a classically trained lyric baritone and made his debut with the Australian Opera in 1980.
Michael Ashley Ball is an English singer, presenter and actor. In 1985, he made his West End debut as Marius Pontmercy in the original production of Les Misérables. In 1989, he reached number two in the UK Singles Chart with "Love Changes Everything", from the musical Aspects of Love, where he played Alex Dillingham. He played the role in the West End and on Broadway. His album Coming Home To You reached number one in the UK making it his 4th number one album to date. On 24 April 2020, Ball and Captain Tom Moore entered the UK Singles Chart at number one with a cover of "You'll Never Walk Alone", with combined chart sales of 82,000 making it the fastest-selling single of 2020.
Colm Wilkinson, also known as C. T. Wilkinson, is an Irish singer and actor who is best known for originating the lead role of Jean Valjean in Les Misérables and for creating the title role in The Phantom of the Opera (1985) preview at the Sydmonton Festival and the original Canadian production.
Barnum is an American musical with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman. It is based on the life of showman P. T. Barnum, covering the period from 1835 through 1880 in America and major cities of the world where Barnum took his performing companies. The production combines elements of traditional musical theater with the spectacle of the circus. The characters include jugglers, trapeze artists and clowns, as well as such real-life personalities as Jenny Lind and General Tom Thumb.
Steven Neal Barton was an American actor, singer, dancer, teacher, choreographer, and stage director. He worked internationally in the United States, London, Germany, Austria, and Switzerland. He is most well-known for originating the role of Raoul, Vicomte de Chagny in the West End and Broadway productions of Andrew Lloyd Webber’s The Phantom of the Opera, and later taking over the title role of The Phantom of the Opera in the Broadway production. He also originated the starring role of Graf von Krolock in Dance of the Vampires.
Dave Willetts is an English singer and actor known for having leading roles in West End musicals.
Shuler Paul Hensley is an American singer and actor.
Christine Daaé is a fictional character and the female protagonist of Gaston Leroux's 1910 novel The Phantom of the Opera and of the various adaptations of the work. Erik, the Phantom of the Opera and Viscount Raoul de Chagny both fall in love with her.
Terrence Vaughan Mann is an American actor and baritone singer. He is best known for his appearances on the Broadway stage, which include Lyman in Barnum, The Rum Tum Tugger in Cats, Inspector Javert in Les Misérables, The Beast in Beauty and the Beast, Chauvelin in The Scarlet Pimpernel, Frank N. Furter in The Rocky Horror Show, Charlemagne in Pippin, Mal Beineke in The Addams Family, Charles Frohman / Captain James Hook in Finding Neverland, and The Man in the Yellow Suit in Tuck Everlasting. He has received three Tony Award nominations, an Emmy Award nomination, and an Outer Critics Circle Award for Outstanding Actor in a Musical.
Ramin Karimloo is a Canadian actor, singer, and songwriter recognized for his work in London's West End and New York's Broadway theatre.
"The Music of the Night" is a major song from the 1986 musical The Phantom of the Opera. The music was written by Andrew Lloyd Webber, with lyrics by Charles Hart and Richard Stilgoe. Initially made famous by Michael Crawford, the actor who originated the role of the Phantom both in the West End and on Broadway, "The Music of the Night" has appeared on many cast recordings of the musical, sold millions of copies worldwide, and has been translated into many languages.
Dame Gillian Barbara Lynne was an English ballerina, dancer, choreographer, actress, and theatre-television director, noted for her theatre choreography associated with two of the longest-running shows in Broadway history, Cats and The Phantom of the Opera. At age 87, she was made a DBE in the 2014 New Year Honours List.
Love Never Dies is a romantic musical with music by Andrew Lloyd Webber, lyrics by Glenn Slater, and a book by Lloyd Webber, Ben Elton, Frederick Forsyth, and Slater. It is a sequel to the long-running 1986 musical The Phantom of the Opera and was loosely adapted from Forsyth's 1999 novel The Phantom of Manhattan.
Marcus Lovett is an American singer and actor who was born in Glen Ellyn, Illinois. He is known for his roles in musical theatre. His credits include leading roles in The Phantom of the Opera, Aspects of Love, Carousel and King David.
Anna O'Byrne is an Australian actress and soprano singer best known for her portrayal of Christine Daaé in Andrew Lloyd Webber's The Phantom of the Opera and the original Australian production of Lloyd Webber's sequel, Love Never Dies, for which she was nominated for a Green Room Award.
1 2 Donald Mitchell, Philip Reed and Mervyn Cooke (eds) Letters from a Life: Selected Letters of Benjamin Britten, Vol 3, 1946–1951. Faber and Faber, London, 2004, p. 28. ISBN978-0571222827.
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