Richard Lester | |
---|---|
Born | Richard Lester Liebman January 19, 1932 Philadelphia, Pennsylvania, U.S. |
Other names | Dick Lester |
Education | University of Pennsylvania (BA) |
Occupation | Film director |
Years active | 1959–2006 |
Known for | |
Spouse | Deirdre Smith (m. 1956) |
Children | 1 [2] |
Richard Lester Liebman (born January 19, 1932) [3] is a retired American film director based in the United Kingdom, famous for his comedic and campy style of shooting movies and for his work in both US and UK cinema.
He is best known for directing the Beatles' films A Hard Day's Night (1964) and Help! (1965), and the superhero films Superman II (1980) and Superman III (1983). [4] His other notable films as director include The Running Jumping & Standing Still Film (1959), The Knack ...and How to Get It (1965), A Funny Thing Happened on the Way to the Forum (1966), Petulia (1968), The Three Musketeers (1973) and its two sequels, as well as Robin and Marian (1976), and Butch and Sundance: The Early Days (1979). He is an Honorary Associate of London Film School. [5]
According to the British Film Institute, "if any single director can encapsulate the popular image of Britain in the Swinging Sixties, then it is probably Richard Lester. With his use of flamboyant cinematic devices and liking for zany humour, he captured the vitality, and sometimes the triviality, of the period more vividly than any other director." [6]
Richard Lester Liebman was born to a Jewish family [7] in Philadelphia. A child prodigy, he graduated from the William Penn Charter School, a Quaker school in Philadelphia, and began studies at the University of Pennsylvania [8] [9] at the age of 15, graduating with a degree in clinical psychology in 1951. [10] [11]
Lester started in television in 1950, working as a stage hand, floor manager, assistant director, and eventually a director in less than a year, because no one else was around who knew how to do the work. [2]
Lester was the music director on Action in the Afternoon , an American western television series that aired live on CBS from February 2, 1953, to January 29, 1954. The series originated from the studios and back lot of CBS' WCAU-TV, which was then in Philadelphia; it was broadcast Monday through Friday regardless of the weather. The half-hour series aired variously at 3:30 pm or 4:00 pm, throughout its run. [12]
In May 1955, after a period spent busking around continental Europe, [11] Lester moved to London and began work as a director in television, working for the low-budget producers the Danziger Brothers on episodes of Mark Saber , a half-hour detective series. [10]
He worked as a writer on Curtains for Harry (1955) [13] and for a few weeks, The Barris Beat (1956). [14]
A variety show he produced caught the eye of Peter Sellers, who enlisted Lester's help in translating The Goon Show to television as The Idiot Weekly, Price 2d (1956). It was a hit as were two follow-up shows: A Show Called Fred (1956) and Son of Fred (1956). [2] [15] [16]
Lester recalled that A Show Called Fred was "broadcast live and that's why I went into film directing where you can do a second take!" [17]
He wrote and directed episodes of the TV series After Hours (1958). [18]
Lester received acclaim with The Running Jumping & Standing Still Film (1959), a short film he made with Spike Milligan and Peter Sellers. [10] He did another short titled The Sound of Jazz (1959).
His first feature as director was It's Trad, Dad! (1962), [19] a low-budget musical. [20] His second was The Mouse on the Moon (1963), produced by Walter Shenson for United Artists starring Margaret Rutherford, a sequel to The Mouse That Roared (1959). [21] He returned to TV, directing episodes of Room at the Bottom (1964). [22]
The Running Jumping & Standing Still Film was a favourite of the Beatles, particularly John Lennon. When the band members were contracted to make a feature film, they chose Lester from a list of possible directors. A Hard Day's Night (1964) showed an exaggerated and simplified version of the Beatles' characters and proved to be an effective marketing tool. Many of its stylistic innovations survive as the forerunner of music videos; in particular, the multi-angle filming of a live performance. Lester was sent an award from MTV as "Father of the Music Video". [23]
A Hard Day's Night was a huge critical and commercial success. Lester then directed the first of several quintessential "swinging" films, the sex comedy The Knack... and How to Get It (1965). It was the first of three of his films with actor Michael Crawford, and the first out of four credited collaborations with screenwriter Charles Wood. The film won the Palme d'Or at the Cannes Film Festival. [24]
Lester followed The Knack... and How to Get It with the Beatles film Help! (1965). [25] A spoof of the popular James Bond spy thrillers, it was the second collaboration with screenwriter Charles Wood and another huge commercial success. Lester received a Hollywood offer to direct the film adaptation of A Funny Thing Happened on the Way to the Forum (1966). [10]
He then made the darkly surreal anti-war movie How I Won the War (1967) co-starring Crawford and Lennon, which Lester referred to as an "anti-anti-war movie". He explained that anti-war movies still took the concept of war seriously, contrasting "bad" war crimes with wars fought for "good" causes like the liberation from Nazism or, at that time, Communism, whereas with screenwriter Charles Wood, Lester set out to show war as fundamentally opposed to humanity.[ citation needed ] Although set in World War II, the film serves as an oblique reference to the Vietnam War, and at one point, breaking the fourth wall, references this directly.
He made Petulia (1968) with Julie Christie and George C. Scott, and a score by John Barry (who had also scored The Knack). [26] He returned to his anti-war theme with the post-apocalyptic black comedy The Bed Sitting Room (1969), [27] based on a play by Spike Milligan and John Antrobus. [28] The screenplay was the fourth credited collaboration between Lester and Charles Wood, but Wood provided uncredited production rewrites for more films of Lester.
How I Won the War and Bed Sitting Room performed poorly at the box office; Lester found himself unable to raise funds for a series of projects, including an adaptation of the Flashman novels. [29]
Lester's career revived when he was hired by Alexander and Ilya Salkind to do a version of The Three Musketeers (1973), based on a script by George MacDonald Fraser. The producers decided to split the first film into two after principal photography was completed, the second titled The Four Musketeers (1974). Many of the cast principals complained to the Salkinds, stating that they were only contracted to make one film, and they arrived at an agreement to avoid attorneys' fees. [30] Both movies were critically and commercially successful. [31]
He was called in at the last minute as a replacement director on Juggernaut (1974), a thriller set on a cruise liner. The success of the Musketeers films enabled Lester to raise the finances for Royal Flash (1975), based on the second of the Flashman novels by George MacDonald Fraser. Lester followed Royal Flash with Robin and Marian (1976) which was adapted from a script by James Goldman and starred Sean Connery and Audrey Hepburn. He then made The Ritz (1976) which was based on a play by Terrence McNally. [31]
Lester also directed Butch and Sundance: The Early Days (1979) and Cuba (1979) with Connery; neither film was successful commercially. [10]
Lester's next film, Superman II , was a huge success. Production on Superman II began before Superman was completed, and had to be halted to concentrate on getting the first movie completed. After the first film was released in late 1978, the Salkinds went back into production on Superman II without informing Superman director Richard Donner and placed Lester behind the camera to complete the remaining 25 percent of the film. Although Donner had shot 75 percent, a majority of what was planned for the film, much of his footage was jettisoned or reshot during Lester's time on the project. [32]
Gene Hackman, who played Lex Luthor, refused to return for the reshoots, so Lester instead used a stunt double and an impersonator to loop Luthor's lines onto footage of Hackman shot by Donner. [33] Some of Donner's original footage was integrated into television versions of the film. In November 2006, Donner's footage was re-edited into Superman II: The Richard Donner Cut , consisting primarily of his footage with Lester's footage used only for scenes not shot during Donner's principal photography of the movie. [32]
Richard Lester directed Superman III (1983), but this third installment was not as well received as its predecessors. [34] Nonetheless, it was considered a box office success, ranking 14th in that year's worldwide box office. [35]
In 1984, Lester directed the comedy Finders Keepers , starring Michael O'Keefe, Louis Gossett Jr., and Beverly D'Angelo. [36] It had a domestic total gross of $1,467,396. [37] The film generally received good reviews. [38] [39] [40] [41] [42] [43] Richard Freedman in his review published in The Montana Standard found the film to be "wonderfully wacky" and concluded that "a movie consisting almost entirely of pratfalls and sight gags can wear you down after a while, but everybody involved in Finders Keepers ensures, that this is one comedy that makes nobody in the audience a loser or a weeper." [44]
In 1988, he reunited most of the Three Musketeers cast to film The Return of the Musketeers , released the following year. During filming in Spain, actor Roy Kinnear, a close friend of Lester, died after falling from a horse. Lester finished the film, then returned only to direct Paul McCartney's concert film Get Back (1991). [31]
In 1993, he presented Hollywood U.K., a five-part series on British cinema in the 1960s for the BBC. [45]
Director Steven Soderbergh is among many who have called for a reappraisal of Lester's work and influence. He wrote Getting Away with It, published in 1999 about Lester's career; [46] the book consists of interviews with Lester.
In 2012, the British Film Institute awarded Lester a Fellowship, the British film industry's highest honour, in recognition of his work. The award was presented in a public ceremony on March 22 at the National Film Theatre, and was followed by a screening of Lester's Robin and Marian . The citation for his fellowship recognises that "Richard Lester has created a unique body of work which has enriched the lives of millions with his brilliantly surreal humour and innovative style. Although born in the US, he has lived in Britain for 60 years and created some of the most enduring and influential creations of British cinema." [47]
In Soderbergh's book Getting Away with It, Lester reveals that he is a committed atheist and debates with Soderbergh (who was then an agnostic), largely based on the arguments of Richard Dawkins. [46] While Lester studied at the University of Pennsylvania, he was a member of the Beta Rho Chapter of the Sigma Nu fraternity. [48]
Superman is a 1978 superhero film based on the DC Comics superhero Superman, played by Christopher Reeve. It is the first of four installments in the Superman film series starring Reeve as Superman. The film was directed by Richard Donner based on a screenplay by Mario Puzo, David Newman, Leslie Newman, and Robert Benton. In addition to Reeve, the film features an ensemble cast including Marlon Brando, Gene Hackman, Jeff East, Margot Kidder, Glenn Ford, Phyllis Thaxter, Jackie Cooper, Trevor Howard, Marc McClure, Terence Stamp, Valerie Perrine, Ned Beatty, Jack O'Halloran, Maria Schell, and Sarah Douglas. It depicts the origin of Superman, including his infancy as Kal-El of Krypton, son of Jor-El (Brando), and his youthful years in the rural town of Smallville. Disguised as reporter Clark Kent, he adopts a mild-mannered disposition in Metropolis and develops a romance with Lois Lane (Kidder) while battling the villainous Lex Luthor (Hackman).
Richard Donner was an American film director and producer. Described as "one of Hollywood's most reliable makers of action blockbusters," Donner directed some of the most financially-successful films of the 1970s and 1980s. His 50-year career crossed genres and influenced trends among filmmakers across the world.
Superman IV: The Quest for Peace is a 1987 superhero film directed by Sidney J. Furie and written by Lawrence Konner and Mark Rosenthal from a story by Christopher Reeve, Konner, and Rosenthal based on the DC Comics character Superman. The film stars Reeve, Gene Hackman, Jackie Cooper, Marc McClure, Jon Cryer, Sam Wanamaker, Jim Broadbent, Mariel Hemingway, and Margot Kidder.
Superman II is a 1980 superhero film directed by Richard Lester and written by Mario Puzo and David and Leslie Newman from a story by Puzo based on the DC Comics character Superman. It is the second installment in the Superman film series and a sequel to Superman (1978). A direct continuation of the first Superman, Christopher Reeve reprises his role as Superman. The returning cast includes Gene Hackman, Terence Stamp, Ned Beatty, Sarah Douglas, Margot Kidder, Marc McClure and Jack O'Halloran.
Superman III is a 1983 superhero film directed by Richard Lester from a screenplay by David Newman and Leslie Newman based on the DC Comics character Superman. It is the third installment in the Superman film series and a sequel to Superman II (1980). The film features a cast of Christopher Reeve, Richard Pryor, Jackie Cooper, Marc McClure, Annette O'Toole, Annie Ross, Pamela Stephenson, Robert Vaughn, and Margot Kidder.
Alexander Salkind was a French film producer, the second of three generations of successful international producers.
Ilya Juan Salkind Domínguez, usually known as Ilya Salkind, is a Mexican film and television producer, known for his contributions to three of the four live-action Superman films of the 1970s and 1980s alongside his father, Alexander Salkind.
Pierre Spengler is a French film producer. He initiated the first three Superman films starring Christopher Reeve and produced them with Alexander and Ilya Salkind.
The Three Musketeers (also known as The Three Musketeers (The Queen's Diamonds)) is a 1973 swashbuckler film based on the 1844 novel by Alexandre Dumas. It is directed by Richard Lester from a screenplay by George MacDonald Fraser, and produced by Ilya Salkind. It stars Michael York, Oliver Reed, Frank Finlay, and Richard Chamberlain as the titular musketeers, with Raquel Welch, Geraldine Chaplin, Jean-Pierre Cassel, Charlton Heston, Faye Dunaway, Christopher Lee, Simon Ward, Georges Wilson and Spike Milligan.
The Knack …and How to Get It is a 1965 British comedy film directed by Richard Lester and starring Rita Tushingham, Ray Brooks, Michael Crawford, and Donal Donnelly. The screenplay by Charles Wood is based on the 1962 play The Knack: A Comedy in Three Acts by Ann Jellicoe. The film is considered emblematic of the Swinging London cultural phenomenon. It was the first movie appearance of Jane Birkin and Charlotte Rampling.
The Return of the Musketeers is a 1989 film adaptation loosely based on the novel Twenty Years After (1845) by Alexandre Dumas. It is the third Musketeers film directed by Richard Lester, following 1973's The Three Musketeers and 1974's The Four Musketeers. Like the other two films, the screenplay was written by George MacDonald Fraser.
Look, Up in the Sky! The Amazing Story of Superman is a 2006 documentary film from executive producers Bryan Singer and Kevin Burns which details the history of the Superman franchise, from comic book, to television, to the big screen. The story of Superman is told through archival footage, as well as interviews with many of the actors, directors, and producers involved with the Superman media over the years. The closing credits feature outtakes from the Christopher Reeve Superman films, including an outtake of Marlon Brando improvising during the recitation of a poem in a scene deleted from the original version of Superman II.
Superman II: The Richard Donner Cut is a 2006 re-edited director's cut of the 1980 superhero film Superman II. It is a sequel to Richard Donner's 1978 film Superman, based on the DC Comics superhero of the same name, and stars Gene Hackman, Christopher Reeve, and Marlon Brando. This alternate cut was edited by Michael Thau and was overseen and completed by Donner himself. It features a significant amount of discarded footage, alternate takes, and story elements not featured in the theatrical version.
Finders Keepers is a 1984 American comedy film directed by Richard Lester and starring Michael O'Keefe, Beverly D'Angelo, Brian Dennehy, and Louis Gossett Jr., with an early performance by Jim Carrey. The film was adapted from Charles Dennis' 1974 novel The Next-to-Last Train Ride. The film opened on May 18, 1984, earning $865,207 during its first weekend in 753 theaters.
The Prince and the Pauper is a 1977 British action-adventure film directed by Richard Fleischer, based on the 1881 novel The Prince and the Pauper by Mark Twain. It stars Oliver Reed, Ernest Borgnine, Raquel Welch, George C. Scott, Charlton Heston, Sir Rex Harrison, and Mark Lester, playing the dual role of Edward VI of England and Tom Canty. The film was released in the US as Crossed Swords.
DC Comics's Superman franchise, based on the character of the same name created by Jerry Siegel and Joe Shuster in June 1938, has seen the release of various films since its inception. The character debuted in cinemas in a series of animated shorts beginning in 1941, and then was the protagonist of two movie serials in 1948 and 1950. An independent studio, Lippert Pictures, released the first Superman feature film, Superman and the Mole Men, starring George Reeves, in 1951. In 1973, the film rights to the Superman character were purchased by Ilya Salkind, Alexander Salkind, and Pierre Spengler. After numerous scripts and several years in development, Richard Donner was hired as their director, and he shot two films, Superman (1978), and Superman II (1980), at the same time, both starring Christopher Reeve. Donner had already shot eighty percent of Superman II before it was decided to finish shooting the first film. The Salkinds fired Donner after Superman's release and commissioned Richard Lester as the director to finish Superman II. Lester returned to direct Superman III (1983). The Salkinds also produced the related spin-off Supergirl (1984). They then sold the rights to Cannon Films, which produced the poorly reviewed Superman IV: The Quest for Peace (1987). Ilya Salkind commissioned a fifth Superman script before Warner Bros. acquired the rights entirely in 1993.
Antony Gibbs was an English film and television editor with more than 40 feature film credits. He was a member of the American Cinema Editors (ACE).
Lois Lane is a fictional character portrayed by Canadian-born actress Margot Kidder in the Warner Bros. Superman film series produced by Ilya and Alexander Salkind, and is an adaption of the original comic book character, Lois Lane. Kidder played Lois Lane opposite Christopher Reeve in Superman (1978), Superman II (1980), Superman III (1983), and Superman IV: The Quest for Peace (1987). The role proved to be Kidder's most notable, catapulting her to international fame, and this iteration of Lois Lane has been considered one of the most iconic love interests in superhero films.
General Zod is a fictional character in the Superman film series based on the DC Comics character of the same name. He is portrayed by Terence Stamp. Zod is notably the only other villain to appear in the film series originating from the comics besides Lex Luthor.
Lex Luthor is a supervillain portrayed by American actor Gene Hackman in the Warner Bros. Superman film series produced by Ilya and Alexander Salkind, and is an adaption of the original DC Comics character, Lex Luthor. Luthor's girlfriend, film-original character Eve Teschmacher, was later adapted to comic books and other media.