The Widow Jones is a musical comedy created by the writer John J. McNally as a star vehicle for the actress and singer May Irwin. The musical used song material by a variety of song writers which used a "Negro dialect". Premiering at the Boston Museum theatre and backed by the Boston producers Rich & Harris, the play toured in cities through the United States in 1895-1896; including two separate runs at Broadway's Bijou Theatre. The work is best remembered today for its Act 1 kiss scene which was re-created by Irwin with her co-star John C. Rice as a short film in Thomas Edison's The Kiss in 1896.
Trilby is a novel by George du Maurier and one of the most popular novels of its time. Published serially in Harper's Monthly from January to August 1894, it was published in book form on 8 September 1895 and sold 200,000 copies in the United States alone. Trilby is set in the 1850s in an idyllic bohemian Paris. Though Trilby features the stories of two English artists and a Scottish artist, one of the most memorable characters is Svengali, a rogue, masterful musician and hypnotist.
Leslie Stuart born Thomas Augustine Barrett was an English composer of Edwardian musical comedy, best known for the hit show Florodora (1899) and many popular songs.
The Prince of Wales Theatre is a West End theatre in Coventry Street, near Leicester Square in London. It was established in 1884 and rebuilt in 1937, and extensively refurbished in 2004 by Sir Cameron Mackintosh, its current owner. The theatre should not be confused with the former Scala Theatre in London that was known as the Prince of Wales Royal Theatre or Prince of Wales's Theatre from 1865 until its demolition in 1903.
Basil Willett Charles Hood was a British dramatist and lyricist, perhaps best known for writing the libretti of half a dozen Savoy Operas and for his English adaptations of operettas, including The Merry Widow.
W. H. Denny was an English singer and actor in comic operas, operettas and musical theatre. He is best remembered for his portrayal of baritone roles in the Savoy operas.
Louisa Emma Amelia "Louie" Pounds was an English singer and actress, known for her performances in musical comedies and in mezzo-soprano roles with the D'Oyly Carte Opera Company.
Walter Alfred Slaughter was an English conductor and composer of musical comedy, comic opera and children's shows. He was engaged in the West End as a composer and musical director from 1883 to 1904.
William Greet was a British theatre manager from the end of the 19th century and into the 20th century. Originally a business manager for other theatre licensees in the 1880s, he branched out as an independent manager in the 1890s and was associated with various London theatres, principally the Lyric, the Savoy and the Adelphi Theatres.
Robert Courtneidge was a British theatrical manager-producer and playwright. He is best remembered as the co-author of the light opera Tom Jones (1907) and the producer of The Arcadians (1909). He was the father of the actress Cicely Courtneidge, who played in many of his early 20th century productions.
George M! is a Broadway musical based on the life of George M. Cohan, the biggest Broadway star of his day who was known as "The Man Who Owned Broadway." The book for the musical was written by Michael Stewart, John Pascal, and Francine Pascal. Music and lyrics were by George M. Cohan himself, with revisions for the musical by Cohan's daughter, Mary Cohan.
Arthur Cecil Blunt, better known as Arthur Cecil, was an English actor, comedian, playwright and theatre manager. He is probably best remembered for playing the role of Box in the long-running production of Cox and Box, by Arthur Sullivan and F. C. Burnand, at the Royal Gallery of Illustration.
Terry's Theatre was a West End theatre in the Strand, in the City of Westminster, London. Built in 1887, it became a cinema in 1910 before being demolished in 1923.
Kate Ellen Louisa Cutler was an English singer and actress, known in the late nineteenth and early twentieth centuries as an ingénue in musical comedies, and later as a character actress in comic and dramatic plays. She is possibly best known for walking out of the lead role in Noël Coward's The Vortex in 1924 shortly before opening night.
Kitty Loftus was an English dancer, singer and actor-manager. A leading soubrette of the 1890s and 1900s in comedies, burlesque, pantomime and musical plays, at the height of her career she performed with her Kitty Loftus Company. One critic praised her as "a tricky sprite and a fantastic elf." In her last years, she performed in variety in music halls and on tour.
Fine and Dandy is a musical comedy in two acts with a book by Donald Ogden Stewart, music by Kay Swift and lyrics by Paul James. It was produced on Broadway in 1930.
Little Hans Andersen is a 1903 musical fairy pantomime in two acts and seven scenes for children with lyrics by Basil Hood and music by Walter Slaughter.
Louis De Lange, also known as Louis De Lange Moss was an American playwright, actor, and theatrical manager. As a stage actor he primarily appeared in light operas and musicals; notably portraying Sir Joseph Porter in the original production of John Philip Sousa's pirated version of Gilbert and Sullivan's H.M.S. Pinafore in Philadelphia, on Broadway and on tour in 1879. As a dramatist he mainly wrote the books for musicals; often in collaboration with writer Edgar Smith on projects created for the comedy duo Lew Fields and Joe Weber. De Lange also worked as Fields and Weber's manager for their national tours. His wife was the Broadway actress Selma Mantell who appeared in the Ziegfeld Follies among other Broadway shows. Their son was the bandleader and lyricist Eddie DeLange.
The Bijou Theatre was a former Broadway theater in New York City that opened in 1878 as Theatre Brighton and was demolished in 1915. It also served as an opera house and silent movie venue throughout its history. Located at 1239 Broadway between 30th and 31st Streets, had been converted from a drinking and gambling establishment into a theatre for variety, and opened August 26, 1878, with Jerry Thomas as proprietor. The house had many changes and names until John A. McCaull, a Baltimore lawyer, and Charles E. Ford took charge of it. Considerable money was spent and when they reopened the house on March 31, 1880, as the Bijou Opera-house, it looked like a modern and well-regulated theatre. In 1881 and 1882, Lillian Russell appeared in three different operettas.
