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A Princess of Kensington is an English comic opera in two acts by Edward German to a libretto by Basil Hood, produced by William Greet. The first performance was at the Savoy Theatre, London, on 22 January 1903 and ran for 115 performances.
The opera was the last new work performed by the members of the D'Oyly Carte Opera Company at the Savoy Theatre, and is therefore considered by some to be the last Savoy opera. The original cast included a number of the famous Savoyards, including Louie Pounds, Robert Evett, Walter Passmore, Henry Lytton, and Rosina Brandram. After the original run at the Savoy, the show toured. After that tour, the cast mostly joined the new musical, The Earl and the Girl (also produced by Greet).
The piece was given a Broadway production from August to October 1903. [1]
Following the successes of their earlier comic operas, The Emerald Isle and Merrie England , Basil Hood and Edward German collaborated once more on A Princess of Kensington. Despite a good reception from critics and Savoy opera devotees, the opera achieved a run of only 115 performances, owing partly to its dense plot and unwieldy libretto, and partly to the continued decline of comic operas in favour of George Edwardes-style musical comedies as the London theatregoing public's choice entertainment.
Despite its relative failure compared to the other Savoy operas, A Princess of Kensington became popular enough to be one of the first operas to have original cast recordings of selections made during the original run. The recordings themselves were popular enough that a 1907 silent film of one of the songs, "Four Jolly Sailor Boys" [sic], was produced to be played synchronized to the recording.
The fairy backstory of the plot is derived from a poem by Thomas Tickell entitled Kensington Garden , featuring the history of the characters Albion, Azuriel, Kenna, and Oberon.
The fairy prince, Azuriel, has been suffering from jealousy for a thousand years over the love shared by the lovely fairy Kenna (for whom Kensington is named) and the mortal Prince Albion. Although Albion is dead, the mischievous Puck has encouraged Azuriel's jealousy through the centuries. Puck, lying, claims that he taught Kenna a spell to awaken Albion after a thousand years. Azuriel's jealousy is inflamed at the thought that his rival might soon reawaken, and he demands that Albion be promptly married off to a mortal maiden.
To calm the angry fairy prince, Puck and Kenna have to produce a false Albion and a false wedding. For their false Albion they choose a sailor, William Jelf, from the H.M.S. Albion. Jelf's cap conveniently bears the name "Albion". To provide a bride, Puck sees an opportunity in the appearance of two young lovers, Lieutenant Brook Green and Joy Jellicoe. Puck disguises himself as Sir James Jellicoe, Joy's father. He revokes Sir James's acceptance of Lt. Green as a husband for his daughter and encourages Jelf to woo the astonished Joy.
An alehouse owner, Mr. Reddish, arrives with his daughter Nell, to whom Jelf is actually engaged. Reddish is anxious to get Nell off his hands as she is a prohibitionist reformer and has turned his pub into a coffee house, to the disgust of Mr. Reddish's cronies, one of whom happens to be Jelf's uncle. Reddish hopes to marry Nell to Jelf, if necessary by force. Reddish and Nell are unhappy with the state of affairs that they encounter.
After additional complications, Azuriel is finally convinced that Albion is really dead, and the fairies can return to fairyland, where peace is restored. Joy can marry her lieutenant, and Nell decides to marry Jelf's uncle, her father's friend, who she believes deeply needs the benefits of her reforms. William Jelf goes back to sea, a highly relieved bachelor.
Iolanthe; or, The Peer and the Peri is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert, first performed in 1882. It is one of the Savoy operas and is the seventh of fourteen operatic collaborations by Gilbert and Sullivan. In the opera, the fairy Iolanthe has been banished from fairyland because she married a mortal; this is forbidden by fairy law. Her son, Strephon, is an Arcadian shepherd who wants to marry Phyllis, a Ward of Chancery. All the members of the House of Peers also want to marry Phyllis. When Phyllis sees Strephon hugging a young woman, she assumes the worst and sets off a climactic confrontation between the peers and the fairies. The opera satirises many aspects of British government, law and society. The confrontation between the fairies and the peers is a version of one of Gilbert's favourite themes: a tranquil civilisation of women is disrupted by a male-dominated world through the discovery of mortal love.
Princess Ida; or, Castle Adamant is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert. It was their eighth operatic collaboration of fourteen. Princess Ida opened at the Savoy Theatre on 5 January 1884, for a run of 246 performances. The piece concerns a princess who founds a women's university and teaches that women are superior to men and should rule in their stead. The prince to whom she had been married in infancy sneaks into the university, together with two friends, with the aim of collecting his bride. They disguise themselves as women students, but are discovered, and all soon face a literal war between the sexes.
A Midsummer Night's Dream, Op. 64, is an opera with music by Benjamin Britten and set to a libretto adapted by the composer and Peter Pears from William Shakespeare's play, A Midsummer Night's Dream. It was premiered on 11 June 1960 at the Aldeburgh Festival, conducted by the composer and with set and costume designs by Carl Toms. Stylistically, the work is typical of Britten, with a highly individual sound-world – not strikingly dissonant or atonal, but replete with subtly atmospheric harmonies and tone painting. The role of Oberon was composed for the countertenor Alfred Deller. Atypically for Britten, the opera did not include a leading role for his partner Pears, who instead was given the comic drag role of Flute/Thisbe.
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Titania is a character in William Shakespeare's 1595–1596 play A Midsummer Night's Dream.
Oberon, or The Elf-King's Oath is a 3-act romantic opera with spoken dialogue composed in 1825–26 by Carl Maria von Weber. The only English opera ever set by Weber, the libretto by James Robinson Planché was based on the German poem Oberon by Christoph Martin Wieland, which itself was based on the epic romance Huon de Bordeaux, a French medieval tale. It was premiered in London on 12 April 1826.
Sir Henry Lytton was an English actor and singer who was the leading exponent of the starring comic patter-baritone roles in Gilbert and Sullivan operas from 1909 to 1934. He also starred in musical comedies. His career with the D'Oyly Carte Opera Company spanned 50 years, and he is the only performer ever knighted for achievements in Gilbert and Sullivan roles.
The Chieftain is a two-act comic opera by Arthur Sullivan and F. C. Burnand based on their 1867 opera, The Contrabandista. It consists of substantially the same first act as the 1867 work with a completely new second act. It premiered at the Savoy Theatre on December 12, 1894, under the management of Richard D'Oyly Carte, for a run of 97 performances.
Fallen Fairies; or, The Wicked World, is a two-act comic opera, with a libretto by W. S. Gilbert and music by Edward German. The story is an operatic adaptation of Gilbert's 1873 blank-verse fairy comedy, The Wicked World. In Fairyland, the fairies are curious about wicked mortals, especially their strange capacity for love. They summon three mortal men from the world below to observe them and to teach the men how to live virtuously. The fairies fall in love with the mortals, become jealous of each other and behave badly. The men return to Earth, and the fairies realize that love is overrated.
Daniel Steven Crafts is an American composer. He was born in Detroit, Michigan, but has spent most of his life in the San Francisco Bay Area.
Rosina Brandram was an English opera singer and actress primarily known for creating many of the contralto roles in the Savoy operas with the D'Oyly Carte Opera Company.
Louisa Emma Amelia "Louie" Pounds was an English singer and actress, known for her performances in musical comedies and in mezzo-soprano roles with the D'Oyly Carte Opera Company.
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Jane Annie, or The Good Conduct Prize is a comic opera written in 1893 by J. M. Barrie and Arthur Conan Doyle, with music by Ernest Ford, a conductor and occasional composer.
Mirette is an opéra comique in three acts composed by André Messager, first produced at the Savoy Theatre, London, on 3 July 1894.
Two Merry Monarchs is an Edwardian musical comedy in two acts with a book by Arthur Anderson and George Levy, lyrics by Anderson and Hartley Carrick, and music by Orlando Morgan. It opened at the Savoy Theatre in London on 10 March 1910, under the management of C. H. Workman, and ran there for 43 performances. It starred Workman, Robert Whyte Jr., Lennox Pawle, Daisy le Hay and Roland Cunningham. The work was the last piece that could be considered a Savoy opera.
Alison Margaret Bauld is an Australian writer and composer who lives and works in London, England.
The Dream is a one-act ballet adapted from Shakespeare's A Midsummer Night's Dream, with choreography by Frederick Ashton to music by Mendelssohn arranged by John Lanchbery. It was premiered by The Royal Ballet at the Royal Opera House, Covent Garden on 2 April 1964 in a triple bill with Kenneth MacMillan's Images of Love and Robert Helpmann's Hamlet.
Jessie Kate Rose was an English opera singer and actress primarily known for her performances as principal mezzo-soprano in the Gilbert and Sullivan comic operas with the D'Oyly Carte Opera Company. From 1896 to 1899 she originated several mostly smaller roles in Savoy operas and then continued to play a variety of smaller and larger roles in repertory with the company. She was its principal mezzo-soprano from 1904 to 1909.
Kensington Garden is a poem by Thomas Tickell, published in 1722, as a fictional origin story for the area which would eventually be known as Kensington Gardens.