Robert Evett

Last updated • 6 min readFrom Wikipedia, The Free Encyclopedia

A signed photograph of Robert Evett Robert Evett, FH3380.jpg
A signed photograph of Robert Evett

Robert Evett (16 October 1874 – 15 January 1949) was an English singer, actor, theatre manager and producer. He was best known as a leading man in Edwardian musical comedies and later managed the George Edwardes theatrical empire.

Contents

In 1892, at age 18, Evett joined the D'Oyly Carte Opera Company on tour in leading tenor roles. Six years later, he was starring in the company's London cast at the Savoy Theatre, where he stayed until the company left the Savoy in 1903. He soon began to appear in Edwardian musicals in the West End, first in The Earl and the Girl (1903). He continued to star in musicals and operettas for the next decade, including in The Little Michus (1905), The Merry Widow (1907), A Waltz Dream (1908) and The Girl in the Train (1910). In 1913 and 1914, he performed on Broadway. He also lent his voice to early acoustic recordings of songs.

Upon the death of the famous producer George Edwardes in 1915, Evett returned to England; there he became the managing director of Daly's Theatre, the Gaiety Theatre and Edwardes' other theatres. He produced such hits as The Maid of the Mountains (1917), sometimes directing and even writing shows. His last production was in 1925.

Life and career

Robert Evett was born in Warwickshire, England. [1]

Acting career

As Tapioca in The Lucky Star Evettastapioca.jpg
As Tapioca in The Lucky Star

In 1892 Evett joined the D'Oyly Carte Opera Company on tour in The Vicar of Bray , playing the Reverend Henry Sandford, the tenor lead. In 1893, Evett added the role of Oswald in Haddon Hall . In 1894, the company toured with Gilbert and Sullivan's Utopia Limited , with Evett playing the smaller role of Lord Dramaleigh and also Sandford and Oswald in repertory. In 1895, Evett next played the roles of Bertuccio in Mirette , Count Vazquez (and sometimes Pedro Gomez) in The Chieftain , Mr. Box in Cox and Box , and Prince Hilarion in Princess Ida . He also took over the leading tenor role of Captain Fitzbattleaxe in Utopia. [1]

In 1896, a D'Oyly Carte touring company played The Grand Duke , with Evett as Ernest Dummkopf, Utopia, with Evett as Fitzbattleaxe, and Ida, with Evett at Hilarion. In 1897 and 1898, Evett toured with a D'Oyly Carte repertory company in the principal Gilbert and Sullivan tenor roles of Alexis in The Sorcerer , Ralph in H.M.S. Pinafore , Frederic in The Pirates of Penzance , the Duke of Dunstable in Patience , Earl Tolloller in Iolanthe , Cyril in Princess Ida, Nanki-Poo in The Mikado , Colonel Fairfax in The Yeomen of the Guard , and Marco in The Gondoliers , as well as Prince Max in His Majesty . [1]

In 1898, Evett transferred from the touring company to the Savoy Theatre in London, where he played Marco in The Gondoliers and Alexis in The Sorcerer. In 1899, he created the role of Tapioca in The Lucky Star (1899), played Ralph in H.M.S. Pinafore and created another role, Yussuff in The Rose of Persia . In 1900, he played Frederic in Pirates and the Duke in Patience, together with the role of Charlie Brown in Pretty Polly , a curtain-raiser. In 1901, he created the roles of Terence O'Brien in The Emerald Isle and Ib in Ib and Little Christina . In 1902, he again played Tolloller in Iolanthe and created the role of Sir Walter Raleigh in Merrie England . In 1903, he created the role of Lieutenant Brook Green in A Princess of Kensington , after which the D'Oyly Carte Opera Company left the Savoy, and Evett, together with most of the cast, joined a tour of that production. [1]

Evett and Gertie Millar in A Waltz Dream, 1908 Millar and Evett, A Waltz Dream.jpg
Evett and Gertie Millar in A Waltz Dream , 1908

At the end of the tour, Evett and other former members of D'Oyly Carte left that company and transferred to the Adelphi Theatre where they appeared in a new Edwardian musical comedy, The Earl and the Girl [2] and in the pantomime Little Hans Andersen . [3] Evett continued to perform in West End musicals and operettas for a decade, appearing at Daly's Theatre, Drury Lane, the Hicks Theatre and the Vaudeville, [1] in shows such as The Little Michus (1905), The Talk of the Town (1905), [4] The Merveilleuses (1906), The Merry Widow (1907, creating the role of Camille de Rosillon), A Waltz Dream (1908), [5] and The Girl in the Train (1910). In 1912, he returned to the Adelphi in Autumn Manoeuvres , which was managed by the famous producer George Edwardes, [6] and later toured in that production. [1] In 1913 and 1914, Evett performed on Broadway. [7]

Directing and management career

When George Edwardes died in 1915, Evett returned to England, where he managed the Edwardes estate, which was then in debt and close to bankruptcy. Evett became the managing director of Daly's Theatre and George Edwardes Enterprises. [8] Evett produced shows for Daly's and other Edwardes theatres. [1] At Daly's, he directed and produced The Happy Day (1916). In 1917, Evett produced and had a creative hand in The Maid of the Mountains . Evett engaged José Collins to star in, and Oscar Asche to direct, this musical. The show ran for a record-breaking three years and saved the Edwardes estate. [8] This was followed by A Southern Maid (1917; revived 1920) and Our Peg (later adapted into Our Nell). He also directed revivals of The Dollar Princess .

In 1922, at the Gaiety Theatre, Evett produced adaptations of Catherine and The Last Waltz , which he co-authored. In 1924, he produced Our Nell , the revised version of Our Peg, at the Gaiety. His final production was Frasquita, in 1925, at the Prince's Theatre. [1]

Recordings

Evett recorded many songs for Odeon between 1906 and 1908, including songs from West End musicals such as The Little Michus, The Geisha , and The Merry Widow. He also recorded two songs from The Yeomen of the Guard ("Is Life a Boon?" and "Free From His Fetters Grim"). These were re-released on the Pearl CD, The Art of the Savoyard. He also recorded one song from each of Merrie England ("The English Rose") and A Princess of Kensington ("A Sprig of Rosemary"). [1]

Notes

  1. 1 2 3 4 5 6 7 8 9 Stone, David. Robert Evett at Who Was Who in the D'Oyly Carte Opera Company, 27 August 2001, accessed 25 October 2012
  2. "Theatre collections: record view – The Earl and the Girl", Theatre Collections, University of Kent, accessed 25 October 2012
  3. Wearing, J. P. The London Stage 1900-1909: A Calendar of Productions, Performers, and Personnel, Rowman & Littlefield (2014), p. 165
  4. "Theatre collections: record view – The Talk of the Town", Theatre Collections, University of Kent, accessed 25 October 2012
  5. "Theatre collections: record view – A Waltz Dream", Theatre Collections, University of Kent, accessed 25 October 2012
  6. "Theatre collections: record view – Autumn Manoevres", Theatre Collections, University of Kent, accessed 25 October 2012
  7. Robert Evett at the Internet Broadway Database, accessed 25 October 2012
  8. 1 2 Lamb, Andrew. "The Maid of the Mountains", Hyperion Records, 2000, accessed 25 October 2012

Related Research Articles

<span class="mw-page-title-main">Henry Lytton</span> British actor and singer (1865–1936)

Sir Henry Lytton was an English actor and singer who was the leading exponent of the starring comic patter-baritone roles in Gilbert and Sullivan operas from 1909 to 1934. He also starred in musical comedies. His career with the D'Oyly Carte Opera Company spanned 50 years, and he is the only performer ever knighted for achievements in Gilbert and Sullivan roles.

<span class="mw-page-title-main">George Edwardes</span> English theatre manager and producer (1855–1915)

George Joseph Edwardes was an English theatre manager and producer of Irish ancestry who brought a new era in musical theatre to the British stage and beyond.

<span class="mw-page-title-main">Thomas Round</span> English opera singer (1915–2016)

Thomas Round was an English opera singer and actor, best known for his performances in the leading tenor roles of the Savoy Operas and grand opera.

<span class="mw-page-title-main">Derek Oldham</span> English singer and actor

Derek Oldham was an English singer and actor, best known for his performances in the tenor roles of the Savoy Operas with the D'Oyly Carte Opera Company.

<span class="mw-page-title-main">Basil Hood</span> British dramatist and army officer (1864–1917)

Basil Willett Charles Hood was a British dramatist and lyricist, perhaps best known for writing the libretti of half a dozen Savoy Operas and for his English adaptations of operettas, including The Merry Widow.

<span class="mw-page-title-main">Meston Reid</span> British opera singer and actor (1945–1993)

Alexander Meston Reid , better known as Meston Reid, was a Scottish opera singer and actor, best known for his performances in tenor roles of the Savoy Operas with the D'Oyly Carte Opera Company. After working his way up through the ranks for four years with Sadler's Wells Opera and on tour, Reid joined D'Oyly Carte as one of the company's principal tenors, where he eventually played most of the leading tenor roles in the Gilbert and Sullivan operas until the company closed in 1982. He continued to sing and direct until his sudden death in 1993.

<span class="mw-page-title-main">Louie Pounds</span>

Louisa Emma Amelia "Louie" Pounds was an English singer and actress, known for her performances in musical comedies and in mezzo-soprano roles with the D'Oyly Carte Opera Company.

<span class="mw-page-title-main">Scott Russell (tenor)</span> British opera singer and actor

Harry Henry Russell, better known as Scott Russell, was an English singer, actor and theatre manager best known for his performances in the tenor roles with the D'Oyly Carte Opera Company. He was the brother-in-law of D'Oyly Carte contralto Louie René.

<span class="mw-page-title-main">John Le Hay</span> English singer and actor (1854–1926)

John Le Hay was the stage name of John Mackway Healy, an English singer and actor known for his portrayal of the comic baritone roles in the Savoy Operas. He also appeared in non-musical plays, adaptations of French comic operas and opérettes, and in Edwardian musical comedy, usually in comic roles, though sometimes in more serious character parts. As a skilled ventriloquist he appeared before royalty, and periodically he presented his own one-man entertainment during his half-century long stage career.

<span class="mw-page-title-main">Ruth Vincent</span> English opera singer and actress (1873–1955)

Ruth Vincent was an English opera singer and actress, best remembered for her performances in soprano roles of the Savoy Operas with the D'Oyly Carte Opera Company in the 1890s and her roles in the West End during the first decade of the 20th century, particularly her role as Sophia in Tom Jones.

Charles Eric Goulding was a British operatic tenor and actor best known for his performances with the D'Oyly Carte Opera Company in the Gilbert and Sullivan repertory.

<span class="mw-page-title-main">Charles Kenningham</span> English opera singer and actor

Charles Kenningham was an English opera singer and actor best remembered for his roles in the 1890s with the D'Oyly Carte Opera Company.

<span class="mw-page-title-main">Hugh Enes Blackmore</span> British singer and actor (1863–1945)

Hugh Enes Blackmore was a British opera and concert singer and actor. Known as the "Iron-Throated Tenor", he is best remembered for his performances of tenor roles with the D'Oyly Carte Opera Company. His career with D'Oyly Carte spanned almost 30 years, ending with a season as the company's stage manager. He was later a teacher of operatic singing and acting.

Barry Clark is an English opera singer and actor. Beginning in the 1970s, Clark played tenor roles in the Savoy Operas for over a decade with the D'Oyly Carte Opera Company. He then sang in various opera companies, including New Sadler's Wells and Scottish Opera, and played in musicals on the West End. Later, Clark concentrated on oratorio and, in recent years, appeared with the Carl Rosa Opera Company, among others.

<span class="mw-page-title-main">Sybil Grey</span> British singer and actress (1860–1939)

Ellen Sophia Taylor, known professionally as Sybil Grey, was a British singer and actress during the Victorian era best known for creating a series of minor roles in productions by the D'Oyly Carte Opera Company, including roles in several of the famous Gilbert and Sullivan operas, from 1880 to 1888. Afterwards, she went on to a long West End theatre career, appearing in both musical theatre and plays.

<span class="mw-page-title-main">Louie René</span> British opera singer and actress

Louie René was an English opera singer and actress best remembered for her performances with the D'Oyly Carte Opera Company in the Gilbert and Sullivan contralto roles at the turn of the 20th century.

<span class="mw-page-title-main">Willie Warde</span> English actor-dancer

Willie Warde was an English actor, dancer, singer and choreographer. The son of a dancer, his first theatre work was with a dance company. He was engaged to arrange dances for London productions and was later cast as a comic actor in musical theatre. He was associated for over two decades with the Gaiety and Daly's theatres under the management of George Edwardes, playing in and choreographing burlesques and, later, Edwardian musical comedies. In later years he played character roles in West End comic plays.

<span class="mw-page-title-main">Llewellyn Cadwaladr</span> Welsh operatic tenor

Llewellyn "Lyn" Cadwaladr was a Welsh operatic tenor who originated roles in, or starred in early tours of, comic operas and operettas of Gilbert and Sullivan, Solomon and Stephens, Robert Planquette and others in the Victorian era, often in America for the D'Oyly Carte Opera Company. He was touring as Ralph in H.M.S. Pinafore when he was asked to create the role of Frederic in the ad hoc 1879 British copyright performance of The Pirates of Penzance.

<span class="mw-page-title-main">Rudolph Lewis (bass-baritone)</span>

Rudolph Lewis was a bass-baritone known for creating several small roles in the Gilbert and Sullivan operas including Go-To in The Mikado (1885) and Old Adam Goodheart in Ruddigore (1887).

<span class="mw-page-title-main">Strafford Moss</span> British tenor and actor (1868–1941)

Frederick Strafford Moss was a British tenor and actor. He appeared in the Savoy operas of Gilbert and Sullivan from 1897 to 1913, mainly in touring companies of the D'Oyly Carte Opera Company, following which he had a career in musical theatre on the West End stage until 1931.

References