This is a selected list of the longest-running musical theatre productions in history divided into two sections. The first section lists all Broadway and West End productions of musicals that have exceeded 2,500 performances, in order of greatest number of performances in either market. The second section lists, in alphabetical order, musicals that have broken historical long run records for musical theatre on Broadway, in the West End or Off-Broadway, since 1866, in alphabetical order.
Chu Chin Chow is a musical comedy written, produced and directed by Oscar Asche, with music by Frederic Norton, based on the story of Ali Baba and the 40 Thieves. The piece premièred at His Majesty's Theatre in London on 3 August 1916 and ran for five years and a total of 2,238 performances, a record that stood for nearly forty years until Salad Days. The show's first American production in New York, with additional lyrics by Arthur Anderson, played for 208 performances in 1917–1918, starring Tyrone Power. It subsequently had successful seasons elsewhere in America and Australia, including in 1919, 1920, 1921 and 1922.
The Bing Boys Are Here, styled "A Picture of London Life, in a Prologue and Six Panels," is the first of a series of revues which played at the Alhambra Theatre, London during the last two years of World War I. The series included The Bing Boys on Broadway and The Bing Girls Are There. The music for them was written by Nat D. Ayer with lyrics by Clifford Grey, who also contributed to Yes, Uncle!, and the text was by George Grossmith, Jr. and Fred Thompson based on Rip and Bousquet's Le Fils Touffe. Other material was contributed by Eustace Ponsonby, Philip Braham and Ivor Novello.
John Stange(r) Heiss Oscar Asche, better known as Oscar Asche, was an Australian actor, director, and writer, best known for having written, directed, and acted in the record-breaking musical Chu Chin Chow, both on stage and film, and for acting in, directing, or producing many Shakespeare plays and successful musicals.
Harold Fraser-Simson was an English composer of light music, including songs and the scores to musical comedies. His most famous musical was the World War I hit The Maid of the Mountains, and he later set numerous children's poems to music, especially those of A. A. Milne.
The Mountebanks is a comic opera in two acts with music by Alfred Cellier and Ivan Caryll and a libretto by W. S. Gilbert. The story concerns a magic potion that causes the person to whom it is administered to become what he or she has pretended to be. It is similar to several "magic lozenge" plots that Gilbert had proposed to the composer Arthur Sullivan, but that Sullivan had rejected, earlier in their careers. To set his libretto to music, Gilbert turned to Cellier, who had previously been a musical director for Gilbert and Sullivan and had since become a successful composer. During the composition of the piece Cellier died, and the score was finished by the original production's musical director, Ivan Caryll, who became a successful composer of Edwardian Musical Comedy.
The Gaiety Theatre was a West End theatre in London, located on Aldwych at the eastern end of the Strand. The theatre was first established as the Strand Musick Hall in 1864 on the former site of the Lyceum Theatre. In 1868, it became known as the Gaiety Theatre and was, at first, known for music hall and then for musical burlesque, pantomime and operetta performances. From 1868 to the 1890s, it had a major influence on the development of modern musical comedy.
The Boy is a musical comedy with a book by Fred Thompson and Percy Greenbank, music by Lionel Monckton and Howard Talbot and lyrics by Greenbank and Adrian Ross. The original production opened at the Adelphi Theatre in London in 1917 and ran for 801 performances – one of the longest runs of any musical theatre piece up to that time. It had successful foreign productions and tours.
George Frederic Norton was a British composer, most associated with the record breaking Chu Chin Chow, which opened in 1916.
A Southern Maid is an operetta in three acts composed by Harold Fraser-Simson, with a book by Dion Clayton Calthrop and Harry Graham and lyrics by Harry Graham and Harry Miller. Additional music was provided by Ivor Novello and George H. Clutsam, with additional lyrics by Adrian Ross and Douglas Furber. It starred José Collins and Bertram Wallis.
Robert Evett was an English singer, actor, theatre manager and producer. He was best known as a leading man in Edwardian musical comedies and later managed the George Edwardes theatrical empire.
The Happy Day is a musical comedy in two acts by Seymour Hicks, with music by Sidney Jones and Paul Rubens, and lyrics by Adrian Ross and Rubens. It was produced by George Edwardes's company and was directed by Evett. Set in the fictional country of Valaria, the story concerns a royal couple who dislike each other but ultimately fall in love. A masquerade scene provides opportunities for mistaken identity.
Yes, Uncle! is a musical comedy by Austen Hurgon and George Arthurs, with music by Nat D. Ayer and lyrics by Clifford Grey. The story is based on the farce Le truc du Brésilien by Nicolas Nancey and Paul Armont, and the musical takes its title from the catch-phrase used by Bobby Summers and Mabel Mannering, addressing Uncle Brabazon Hollybone. It was produced by George Grossmith, Jr. and Edward Laurillard and opened at the Prince of Wales Theatre in London on 16 December 1917 and ran for a very successful 626 performances. The piece starred Fred Leslie as G.B. Stark, Margaret Bannerman as Joan and Leslie Henson as Bobby Summers. Later, Madge Elliott and Cyril Ritchard starred in the musical.
Elizabeth "Lily" Brayton was an English actress and singer, known for her performances in Shakespeare plays and for her nearly 2,000 performances in the First World War hit musical Chu Chin Chow.
Marjorie Browne, Lady Reeve (1910–1990) was a British musical theatre actress who made occasional films.
Edwardian musical comedy was a form of British musical theatre that extended beyond the reign of King Edward VII in both directions, beginning in the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following the First World War.
Chu-Chin-Chow is a 1923 British-German silent adventure film directed by Herbert Wilcox and starring Betty Blythe, Herbert Langley, and Randle Ayrton.
Chu Chin Chow is a 1934 British musical film directed by Walter Forde and starring George Robey, Fritz Kortner and Anna May Wong. It was an adaptation of the hit musical Chu Chin Chow by Oscar Asche and Frederick Norton. It was shot at the Islington Studios of Gainsborough Pictures in London. The film's sets were designed by the art director Ernö Metzner.
Zig-Zag! was a revue staged at the London Hippodrome, London during World War I. It was devised by Albert de Courville, Wal Pink and George Arnold, with music by Dave Stamper, lyrics by Gene Buck, and additional songs by George M. Cohan. The revue opened on 31 January 1917 starring George Robey, Daphne Pollard, Cicely Debenham, Shirley Kellogg, Marie Spink and Bertram Wallis. It ran for 648 performances.
The Maid of the Mountains is a 1932 film based on the long-running stage musical The Maid of the Mountains. It was directed by Lupino Lane.
