Saffo Arnau 1915–1920 (annulled) Susan Bassett 1947–1957 (one stepdaughter Theo)
Walter John Buchanan (2 April 1891 – 20 October 1957) was a Scottish theatre and film actor, singer, dancer, producer and director.[1] He was known for three decades as the embodiment of the debonair man-about-town in the tradition of George Grossmith Jr., and was described by The Times as "the last of the knuts." He is best known in America for his role in the classic Hollywood musical The Band Wagon in 1953.
Buchanan was born in Helensburgh, Dunbartonshire, Scotland, the son of Walter John Buchanan Sr (1865–1902), auctioneer, and his wife, Patricia, néeMcWatt (1860–1936).[2] He was educated at the Glasgow Academy.[3]
Early career
After a brief attempt to follow his late father's profession and a failure at acting in Glasgow, he became a music hall comedian under the name of Chump Buchanan and appeared on the variety stage in Scotland.[4] Moving to London and adopting the name "Jack Buchanan", he first appeared on the West End in September 1912 in the comic operaThe Grass Widowat the Apollo Theatre.[2] Hardship dogged him for a while before he became famous whilst on tour in 1915 in Tonight's the Night.[1] He produced and acted in his own plays both in London and New York City. [citation needed]
Buchanan's health was not robust, and, to his regret, was declared unfit when he attempted to enlist for military service in the First World War. He appeared with some success in West End shows during the war, attracting favourable notices as a "knut"[5] in the mould of George Grossmith Jr, and achieved front rank stardom in André Charlot's 1921 revue A to Z,[1] appearing with Gertrude Lawrence.[2] Among his numbers in the show was Ivor Novello's "And Her Mother Came Too", which became Buchanan's signature song.[1] The show transferred successfully to Broadway in 1924.[2] For the rest of the 1920s and 1930s he was famous for "the seemingly lazy but most accomplished grace with which he sang, danced, flirted and joked his way through musical shows.... The tall figure, the elegant gestures, the friendly drawling voice, the general air of having a good time."[6] During the Second World War he starred in his own musical production It's Time to Dance,[1] whose cast included Fred Emney. The musical show was based on a book by Douglas Furber and L. Arthur Rose, and was staged at the Lyric Theatre, Shaftesbury Avenue, London. [citation needed]
Film career and later years
He made his film debut in the silent cinema, in 1917 and appeared in about three dozen films in his career. In 1938, Buchanan achieved the unusual feat of starring in the London stage musical This'll Make You Whistle while concurrently filming a film version. [citation needed] The film was released while the stage version was still running; thus the two productions competed with each other. Other starring roles included Monte Carlo (1930), Smash and Grab (1937) and The Gang's All Here (1939). He also produced several films including Happidrome (1943) and The Sky's the Limit (1938), which he also directed. He continued to work on Broadway and the West End and took roles in several Hollywood musicals, including The Band Wagon (1953), his best-known film, in which he plays camp theatre director Jeffrey Cordova opposite Fred Astaire and Cyd Charisse. He suffered from spinal arthritis, though this did not stop him from performing several dance numbers with Astaire in The Band Wagon. [citation needed]
His productions included The Women, The Body was Well Nourished, Waltz Without End, It's Time to Dance, A Murder for a Valentine, Treble Trouble and The Lady Asks for Help.
Buchanan was a frequent broadcaster on British radio, especially during the Second World War. Programmes included The Jack Buchanan Show and, in 1955, the hugely popular eight-part series Man About Town.
On 12 June 1928, Buchanan participated in the first-ever transatlantic television broadcast. It was conducted by Scottish engineer John Logie Baird, an important figure in the technological development of television. At the time, the few television sets that existed had been custom-built by engineers and were not available for purchase by the general public in the United Kingdom or the United States.
American television shows on which Buchanan appeared during the era of stores selling television sets included Max Liebman's Spotlight in 1954 and The Ed Sullivan Show.
Business interests
In a British tradition of actor-management, Buchanan frequently produced his own shows, many of which were premiered in the Alhambra Theatre, Glasgow.[7] He was also heavily involved in the more commercial side of British show business. He was responsible, with partners, for the building and ownership of the Leicester Square Theatre, London, and the Imperial in Brighton. He also controlled the Garrick Theatre in the West End of London and the King's Theatre in Hammersmith. Jack Buchanan Productions (in which his partners were J. Arthur Rank and Charles Woolf) owned Riverside Studios in Hammersmith.
He had been at school with the pioneer of television John Logie Baird and with him co-owned Television Limited, which manufactured and rented televisions.
Not all his business ventures were profitable, and at his death his estate was valued for probate (in 1958) at £24,489 (equivalent to £609,000 today).
Marriage
Buchanan's image was that of the raffish eternal bachelor, but he was, unknown to most, married to Saffo Arnau in 1915. She was a singer. This marriage was annulled in 1920.[8]
Later in life, he married Susan Bassett, an American, in 1947; he was her second husband. Through her he had a stepdaughter, Theo, who lived with him and his wife. He had no children of his own.[9]
He had previously had a relationship with Australian actress Coral Browne, and during her meeting in Moscow with Soviet spy Guy Burgess in the late 1950s she informed Burgess, on mentioning Buchanan, that "we almost got married'. "And...?" "He jilted me." Burgess, previously at the British Foreign Office, had defected to Moscow a few years earlier, and one of the few mementoes of his earlier life that he had been able to keep was one 78rpm Jack Buchanan record—"Who?"—which, when Browne visited his Moscow flat, he played repeatedly. This event is portrayed in Alan Bennett's play An Englishman Abroad. [citation needed]
Character
Buchanan was noted for his portrayals of the quintessential English gentleman, despite being a Scot. He was known for his financial generosity to less prosperous actors and chorus performers.[citation needed]Sandy Wilson recalled that each year during the running of the annual Grand National horse race, Buchanan would cancel that day's performance of his current musical and charter an excursion train to the racecourse and back, supplying meals for the entire cast and crew of his show, in addition to giving them £5 each for a "flutter" on the horse of their choice. [citation needed]
For a number of years, British film exhibitors voted him among the top ten British stars at the box office via an annual poll in the Motion Picture Herald.
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1 2 3 4 Spicer, Andrew H: "Buchanan, Walter John (1890–1957)", Oxford Dictionary of National Biography, Oxford University Press, Sept 2004; online edn, January 2008. Retrieved 3 November 2008
↑ article "The top hat and tails man who left the boos and catcalls behind" in The Stage page 32, Col.1. Thursday 16 May 1985 by Chris Young
↑ "Music Hall and Theatre Review". Music Hall and Theatre Review: 14. 30 November 1911.
↑ defined by the Oxford English Dictionary as "a fashionable or showy young man"
↑ The Times: "Last of the knuts", 21 October 1957, p. 12
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