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Ronald Charles Colman was an English-born actor, starting his career in theatre and silent film in his native country, then emigrating to the United States and having a highly successful Hollywood film career. He starred in silent films and successfully transitioned to sound, aided by a distinctive, pleasing voice. He was most popular during the 1920s, 1930s and 1940s. He received Oscar nominations for Bulldog Drummond (1929), Condemned (1929) and Random Harvest (1942). Colman starred in several classic films, including A Tale of Two Cities (1935), Lost Horizon (1937) and The Prisoner of Zenda (1937). He also played the starring role in the Technicolor classic Kismet (1944), with Marlene Dietrich, which was nominated for four Academy Awards. In 1947, he won an Academy Award for Best Actor and Golden Globe Award for Best Actor for the film A Double Life.
Virginia Lilian Emmeline Compton-Mackenzie,, known professionally as Fay Compton, was an English actress. She appeared in several films, and made many broadcasts, but was best known for her stage performances. She was known for her versatility, and appeared in Shakespeare, drawing room comedy, pantomime, modern drama, and classics such as Ibsen and Chekhov. In addition to performing in Britain, Compton appeared several times in the US, and toured Australia and New Zealand in a variety of stage plays.
Walter John Buchanan was a Scottish theatre and film actor, singer, dancer, producer and director. He was known for three decades as the embodiment of the debonair man-about-town in the tradition of George Grossmith Jr., and was described by The Times as "the last of the knuts." He is best known in America for his role in the classic Hollywood musical The Band Wagon in 1953.
Thomas Griffin Dunne is an American actor, film producer, and film director. Dunne studied acting at The Neighborhood Playhouse School of the Theatre in New York City. He is known for portraying Jack Goodman in An American Werewolf in London (1981) and Paul Hackett in After Hours (1985), for which he was nominated for the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy.
Murder Ahoy! is the last of four Miss Marple films made by Metro-Goldwyn-Mayer that starred Margaret Rutherford. As in the previous three, Murder, She Said (1961), Murder at the Gallop (1963), Murder Most Foul (1964), the actress plays Agatha Christie's amateur sleuth Miss Jane Marple, with Charles 'Bud' Tingwell as (Chief) Inspector Craddock and Stringer Davis playing Mr. Stringer.
Olivia Joyce Compton was an American actress.
A happy ending is a type of plot conclusion.
The Last of Mrs. Cheyney is a 1925 play by British playwright Frederick Lonsdale. A popular success in London, it was adapted four times as a film, three times in the United States from 1929 to 1951, and the last, in 1961, as a German production.
Benita Hume was an English theatre and film actress. She appeared in more than 40 films from 1925 to 1955.
The Private Life of Don Juan is a 1934 British comedy-drama film directed by Alexander Korda and starring Douglas Fairbanks, Merle Oberon and Benita Hume. At the age of 51, it was the final role of Fairbanks, who died five years later. The film is about the life of the aging Don Juan, based on the 1920 play L'homme à la Rose ["The Man With the Rose"] by Henry Bataille. It was made by Korda's London Film Productions at British & Dominion Studios in Elstree/Borehamwood and distributed by United Artists.
The Last of Mrs. Cheyney is a 1937 American comedy drama film adapted from the 1925 Frederick Lonsdale play The Last of Mrs. Cheyney. The film tells the story of a chic jewel thief in England, who falls in love with one of her marks.
The Gay Deception is a 1935 romantic comedy film starring Francis Lederer and Frances Dee. Writers Stephen Morehouse Avery and Don Hartman were nominated for the Academy Award for Best Story.
As Long as They're Happy is a 1955 British musical comedy film directed by J. Lee Thompson and starring Jack Buchanan, Susan Stephen and Diana Dors. It is based on the 1953 play of the same name by Vernon Sylvaine. It was shot in Eastmancolor at Pinewood Studios near London with sets designed by the art director Michael Stringer.
Sally Bishop is a 1932 British romantic drama film directed by T. Hayes Hunter and starring Joan Barry, Harold Huth and Isabel Jeans. It is an adaptation of the 1910 novel Sally Bishop, a Romance by E. Temple Thurston. The novel had previously been adapted into two silent films.
Women Who Play is a 1932 British comedy film directed by Arthur Rosson and starring Mary Newcomb, Benita Hume and George Barraud. It was produced by Walter Morosco and Alexander Korda and has a screenplay by Basil Mason and Gilbert Wakefield. It is based on the 1925 play Spring Cleaning by Frederick Lonsdale.
The Happy Ending is a 1931 British drama film directed by Millard Webb and starring George Barraud, Daphne Courtney and Alfred Drayton. Its plot concerns a father who deserted his family some years before returning home only to find his wife has told his children and neighbours that he died as a hero when he abandoned them. A silent version, of The Happy Ending had been made in 1925 based on the same play by Ian Hay. It was made at Lime Grove Studios. The film's sets were designed by Andrew Mazzei.
A Honeymoon Adventure is a 1931 British thriller film directed by Maurice Elvey and starring Benita Hume, Peter Hannen and Harold Huth. Written in collaboration by Rupert Downing and Basil Dean, it The film was shot at Beaconsfield Studios. Location shooting, including the railway scenes took place in Scotland.
Settled Out of Court is a 1925 British silent drama film directed by George A. Cooper and starring Fay Compton, Jack Buchanan and Jeanne de Casalis. The screenplay involves a husband whose attempts to escape from a loveless marriage end in tragedy.
Fashions in Love is a 1929 American Pre-Code comedy film adapted by Melville Baker, Richard H. Digges Jr., and Louise Long from the play, "The Concert" by Hermann Bahr. It was directed by Victor Schertzinger and stars Adolphe Menjou, Fay Compton, Miriam Seegar, John Miljan, and Joan Standing. The film was released on June 29, 1929, by Paramount Pictures.
The Happy Ending is a 1922 play by the British writer Ian Hay. A man believed to have died a heroic wartime death returns home alive, and blackmails his wife into supplying him with money. Before the truth is revealed to their children, he redeems himself by a genuinely brave death.
References
- ↑ "BFI | Film & TV Database | The HAPPY ENDING (1925)". Archived from the original on 14 January 2009. Retrieved 10 June 2021.
