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The Return of Raffles is a 1932 British crime film directed by Mansfield Markham and starring George Barraud, Camilla Horn and Claud Allister. It is based on the A.J. Raffles stories by EW Hornung and inspired by the success of the 1930 American film Raffles, to which it serves as a loose sequel. It was shot at the Walton Studios west of London.
Ebb Tide is a 1932 British drama film directed by Arthur Rosson and starring Dorothy Bouchier, Joan Barry, George Barraud, and Merle Oberon. It was shot at Elstree Studios and on location in London. The film's sets were designed by the art director Holmes Paul. It was produced and distributed by the British branch of Paramount Pictures as a quota quickie. It was based on the novel God Gave Me Twenty Cents by Dixie Willson, which had previously been made into a 1926 American silent film of the same title.
The Captain's Table is a 1936 British crime film directed by and starring Percy Marmont. It also featured Marian Spencer and Louis Goodrich. The film was made at Shepperton Studios as a quota quickie for distribution by Metro-Goldwyn-Mayer.
The Calendar is a 1931 British drama film directed by T. Hayes Hunter and starring Herbert Marshall, Edna Best and Anne Grey. Racehorse owner Anson is swindled by a woman named Wenda and goes up in front of the Jockey Club where he is disqualified on race fixing allegations. He decides to get his own back with the help of Hillcott, an ex-burglar. Jill is the love interest. It was released as Bachelor's Folly in the United States.
Alfred Drayton was a British stage and film actor.
Oh, Daddy! is a 1935 British comedy film directed by Graham Cutts and Austin Melford and starring Leslie Henson, Frances Day, Robertson Hare, and Barry MacKay.
A Political Party is a 1934 British comedy film directed by Norman Lee and starring Leslie Fuller, John Mills, Enid Stamp-Taylor and Viola Lyel. The screenplay concerns the son of a chimney sweep running for parliament in a by-election. Part of a series of Leslie Fuller vehicles, it was produced by British International Pictures at the company's Elstree Studios.
The Crimson Circle is a 1936 British crime film directed by Reginald Denham and starring Hugh Wakefield, Alfred Drayton, and Niall MacGinnis. It is based on the 1922 novel The Crimson Circle by Edgar Wallace. It was made by the independent producer Richard Wainwright at Shepperton and Welwyn Studios.
Woman to Woman is a 1929 British drama film directed by Victor Saville and starring Betty Compson, George Barraud and Juliette Compton. It is an adaptation of the 1921 play Woman to Woman by Michael Morton which had already been made in 1923 into a now-lost film. The 1929 version survives and unrestored copies are available on unofficial DVDs and streaming services.
George Barraud was a British film actor.
Banana Ridge is a 1942 British comedy film directed by Walter C. Mycroft and starring Robertson Hare, Alfred Drayton and Isabel Jeans. The film is based on a 1938 stage play of the same name by Ben Travers. It was made at Welwyn Studios. Michael Denison accompanied his wife Dulcie Gray for her screen test for the film, which led some years later to his casting in his breakthrough role in My Brother Jonathan. The film was a success at the box office. Hare and Drayton appeared together in another comedy Women Aren't Angels the following year.
Tropical Trouble is a 1936 British comedy film directed by Harry Hughes and starring Douglass Montgomery, Betty Ann Davies and Alfred Drayton. It was based on the novel Bunga-Bunga by Stephen King-Hall. A series of misunderstandings leads to a colonial governor's wife suspecting him of an affair with his assistant.
The Marriage Bond is a 1932 British drama film directed by Maurice Elvey and starring Mary Newcomb, Guy Newall and Stewart Rome. It was made by Twickenham Film Studios.
Daphne R. Courtenay-Hicks, better known as Daphne Courtney, is a South African actress, who performed in B-movie British "quota quickies" during the 1930s and 1940s. She had a supporting role in at least one French film, Le battalion du ciel, directed by Alexander Esway. She also had a stage career, and stage credits include the first British performance of The Man Who Came to Dinner – pre-dating its London debut by three weeks – in which she appeared with her husband the Scottish actor Hugh McDermott.
The Happy Ending is a 1925 British silent drama film directed by George A. Cooper and starring Fay Compton, Jack Buchanan and Joan Barry. It was based on a play by Ian Hay. Its plot concerns a father who deserted his family some years before returning home only to find his wife has told his children and neighbours that he died as a hero when he abandoned them. A sound film of the same play The Happy Ending was made in 1931.
Bed and Breakfast is a 1938 British drama film directed by Walter West and starring Daphne Courtney, Barry Lupino and Frank Miller. It depicts the lives of the inhabitants in a boarding house. It was the last appearance of the silent star Mabel Poulton in a feature film as well as the last to be directed by West. The film was made at Southall Studios, with production beginning in May 1936.
Murder by Rope is a 1936 British mystery film directed by George Pearson and starring Constance Godridge, D. A. Clarke-Smith and Sunday Wilshin.
Goodbye Christopher Robin is a 2017 British biographical drama film about the lives of Winnie-the-Pooh creator A. A. Milne and his family, especially his son Christopher Robin. It was directed by Simon Curtis and written by Frank Cottrell-Boyce and Simon Vaughan, and stars Domhnall Gleeson, Margot Robbie, and Kelly Macdonald. The film premiered in the United Kingdom on 29 September 2017. It received mixed reviews from critics and grossed $7.2 million at the box office.
Father and Son is a 1934 British crime film directed by Monty Banks and starring Edmund Gwenn, Esmond Knight and James Finlayson. It was made at Teddington Studios as a quota quickie.
The Squeaker is a 1930 British mystery crime film directed by Edgar Wallace and starring Percy Marmont, Anne Grey and Gordon Harker.
References
- ↑ "Happy Ending (1932)", British Film Institute web site
- ↑ Wood p.71
