Girl in the News | |
---|---|
Directed by | Carol Reed |
Screenplay by | Sidney Gilliat |
Based on | novel by Roy Vickers |
Produced by | Edward Black executive Maurice Ostrer |
Starring | Margaret Lockwood Barry K. Barnes Emlyn Williams |
Cinematography | Otto Kanturek |
Edited by | R. E. Dearing |
Music by | Louis Levy (uncredited) Charles Williams (uncredited) |
Production company | Twentieth Century Productions |
Distributed by | Metro-Goldwyn-Mayer (UK) 20th Century Fox (U.S.) |
Release dates |
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Running time | 78 minutes |
Country | United Kingdom |
Language | English |
The Girl in the News is a 1940 British thriller film directed by Carol Reed and starring Margaret Lockwood, Barry K. Barnes and Emlyn Williams. [1] It was based on the eponymous novel by Roy Vickers, released the same year.
Nurse Anne Graham is leaving the service of her bedridden employer Gertrude Blaker, who confesses that she set Anne up by planting a silver ring in her trunk, intending to report the theft. Her malice is aggravated by chronic insomnia; the nurse won’t give her sleeping pills on demand. Her contriteness convinces Anne to stay, and she leaves her purse on a bureau in Gertrude’s bedroom. When Anne leaves to retrieve her trunk, Gertrude hobbles from her bed to the bureau, taking the key to the medicine cabinet from Anne’s purse. She takes a handful of sleeping pills, relocks the cabinet, and returns the key.
On trial, Anne is accused of murdering Gertrude with an overdose of Somenol sleeping tablets for a legacy in Gertrude’s will and for “stolen items.” Defense counsel Stephen Farringdon convinces the jury that the evidence was circumstantial, the doctor may be wrong in Gertrude’s inability to reach the purse, the legacy to Anne was trifling, and Anne’s integrity shone in the witness box. The Jury returned a “not guilty verdict” in 20 minutes. Despite the acquittal, Steve is unsure Anne is innocent.
Unsuccessfully applying for nursing jobs, Anne decides to hide her identity. Anne receives an anonymous letter in the mail with an advertisement for a nurse at Camthorpe House, and she applies using the name Anne Lovell. Anne is hired to care for the wheelchair-bound Edward Bentley, whose wife Judith is plotting with her lover, Mr. Tracy, the butler.
Judith Bentley sends Anne to town to pick up her prescription for Somenol sleeping pills. In town, Steve Farringdon encounters Anne and follows her to the chemists, learning she is now “Miss Lovell.” Steve tells her that he now believes she is innocent and makes a date to take her to the theater on Thursday.
In Doctor Threadgrove’s presence, Judith Bentley instructs Anne to put the Somenol tablets in her writing desk cabinet. Anne then prepares medicine in a glass for Mr. Bentley. Anne leaves for her date with Steve, and the butler knows she will take the 11:30 train home. At 5:00 the butler sends a maid with a tray for the master, who she discovers dead. Finding a key by Bentley’s hand to the sleeping tablets’ cabinet, the doctor finds 15 tablets unaccounted for. Suicide is ruled out when Bentley’s wheelchair cannot fit through the doorway where the tablets were kept. Suspicion turns on Anne.
At the theater intermission, Steve goes to get refreshments and encounters his roommate, Bill Mather, a policeman, who is leaving to investigate a murder at Camthorpe where Bentley has been poisoned. Steve is alarmed but does not reveal that he is with Anne. Returning to an unsuspecting Anne, Steve is reassured by her responses and informs her of the murder. He decides to help her with his own investigation.
Interviewing the ticket taker and a taxi driver, Bill learns that Anne was Steve’s date. At Camthorpe the maid tells Steve that the butler, nicknamed “Don Juan” by the staff, takes on airs above his station. Steve surmises that the butler attended Anne’s trial when the butler recognizes Steve but cannot remember from where. Later, Steve sees Tracy in a photo of Anne’s previous trial. Meanwhile, Bill arrives and arrests Anne.
Anne is charged with murder again, with Steve once again defending her. Steve’s line of questioning posits that Judith Bentley sent Anne the advertisement and set Anne up with circumstances mimicking the Graham case. To recognize Anne’s application, Judith required applicants to send a photograph. Judith denies the accusation.
Tracy testifies that he never heard of the Graham case or recognized Anne and denies being in Alminster for Anne’s trial on June 19. Steven points to Fetherwood, a barber, and asks Tracy if Fetherwood shaved him on June 19 in Alminster.
Believing all lost, Judith takes a poison tablet from her purse and makes a sworn statement before dying that Anne was framed. Ann is found “Not Guilty.”
Arrested for murder, Tracy then sees that Fetherwood has gone blind since the first trial. Steven informs Bill smugly that he never had any intention of putting Fetherwood on the stand. He takes Anne’s arm, and they go off together.
The film was based on a bestselling novel by Roy Vickers. [2] It was the first of several collaborations between the director Carol Reed and the writer Sidney Gilliat. Gilliat later recalled:
He [Reed] seemed to be an interpreter rather than a creator; he followed the screenplay quite closely rather than bringing forth original ideas of his own. I felt he was not at all interested in The Girl in the News, which I think was a pallid job. The chief obstacle was Carol's stage background - the couldn't really believe in the screenwriter. He needed close collaboration with a writer. [3]
Gilliat also claimed Reed avoided the "sexual implications" in the script until it "became positively genteel." [4]
The film was originally meant to star Margaret Lockwood and Michael Redgrave, who had just appeared together in The Lady Vanishes . [5] It was one of several films Lockwood made with Reed.
It marks the film debut of Michael Hordern, who has one line, during a court scene, as a junior counsel to the senior counsel played by Felix Aylmer.
On the film's initial release the reviewer for The New York Times wrote, "bring out the smelling salts, folks. Another spellbinding English thriller has come to town!" [6] More recently the Radio Times called the film a "workmanlike if rather transparent murder mystery"; [7] and Allmovie wrote: "this early Carol Reed effort tended to be dismissed or ignored by its director in later interviews. Even so, the film is a worthwhile effort, with an intricate and sometimes amusing script by Sydney Gilliat." [8]
The Girl in the News was presented on Philip Morris Playhouse 21 November 1941. The adaptation starred Joan Bennett. [9]
Jean Merilyn Simmons was a British actress and singer. One of J. Arthur Rank's "well-spoken young starlets," she appeared predominantly in films, beginning with those made in Britain during and after the Second World War, followed mainly by Hollywood films from 1950 onwards.
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Margaret Mary Day Lockwood, CBE, was an English actress. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). She was nominated for the BAFTA Award for Best British Actress for the 1955 film Cast a Dark Shadow. She also starred in the television series Justice (1971–74).
Sidney Gilliat was an English film director, producer and writer.
Phyllis Hannah Murray-Hill, known professionally as Phyllis Calvert, was an English film, stage and television actress. She was one of the leading stars of the Gainsborough melodramas of the 1940s such as The Man in Grey (1943) and was one of the most popular movie stars in Britain in the 1940s. She continued her acting career for another 50 years.
Arthur Basil Radford was an English character actor who featured in many British films of the 1930s and 1940s.
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Night Train to Munich is a 1940 British thriller film directed by Carol Reed and starring Margaret Lockwood and Rex Harrison. Written by Sidney Gilliat and Frank Launder, based on the 1939 short story Report on a Fugitive by Gordon Wellesley, the film is about an inventor and his daughter who are kidnapped by the Gestapo after the Nazis march into Prague in the prelude to the Second World War. A British secret service agent follows them, disguised as a senior German army officer pretending to woo the daughter over to the Nazi cause.
Tracy Barlow is a fictional character and a main antagonist from the British ITV soap opera Coronation Street. She was born on-screen during the episode broadcast on 24 January 1977. She was played by Christabel Finch until 21 November 1983. Holly Chamarette played the role from 8 July 1985 until 23 March 1988. Dawn Acton played the role from 12 December 1988 to 10 July 1995. Acton reprised the role for two short stints in November 1996 and December 1997. She reprised the role once again on 14 March 1999 and made her final appearance as Tracy on 10 October 1999. Kate Ford took over the role from 25 December 2002 to 8 April 2007. Ford reprised the role for a brief stint from late May to early June 2010, before returning full-time from 24 December 2010.
Sylvia Marie Likens was an American teenager who was tortured and murdered by her caregiver, Gertrude Baniszewski, many of Baniszewski's children, and several of their neighborhood friends. The abuse lasted for three months, occurring incrementally, before Likens died from her extensive injuries and malnourishment on October 26, 1965, in Indianapolis, Indiana.
Judith of Bethulia (1914) is an American film starring Blanche Sweet and Henry B. Walthall, and produced and directed by D. W. Griffith, based on the play "Judith and the Holofernes" (1896) by Thomas Bailey Aldrich, which itself was an adaptation of the Book of Judith. The film was the first feature-length film made by pioneering film company Biograph, although the second that Biograph released.
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Edward Black was a British film producer, best known for being head of production at Gainsborough Studios in the late 1930s and early 1940s, during which time he oversaw production of the Gainsborough melodramas. He also produced such classic films as The Lady Vanishes (1938). Black has been called "one of the unsung heroes of the British film industry" and "one of the greatest figures in British film history, the maker of stars like Margaret Lockwood, James Mason, John Mills and Stewart Granger. He was also one of the very few producers whose films, over a considerable period, made money." In 1946 Mason called Black "the one good production executive" that J. Arthur Rank had. Frank Launder called Black "a great showman and yet he had a great feeling for scripts and spent more time on them than anyone I have ever known. His experimental films used to come off as successful as his others."
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