Ring of Spies | |
---|---|
Directed by | Robert Tronson |
Written by | Peter Barnes Frank Launder |
Produced by | Leslie Gilliat |
Starring | Bernard Lee William Sylvester Margaret Tyzack David Kossoff Nancy Nevinson Thorley Walters |
Cinematography | Arthur Lavis |
Edited by | Thelma Connell |
Production company | |
Distributed by | BLC Films (UK) [1] Paramount Pictures (US) [2] |
Release date |
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Running time | 90 minutes |
Country | United Kingdom |
Language | English |
Ring of Spies (also known as Ring of Treason) [2] is a 1964 British spy film directed by Robert Tronson and starring Bernard Lee, William Sylvester and Margaret Tyzack. [3] It is based on the real-life case of the Portland spy ring, whose activities prompted "Reds under the bed" scare stories in the British popular press in the early 1960s. [4] [5] [6]
Harry Houghton, a dissatisfied and alcoholic embassy attaché, disgraces himself at an official garden party in Warsaw, Poland. Knowing he is to be disciplined the following day, he says goodbye to his girlfriend, who reports back to the Russian embassy about his inevitable return to England. Despite a poor report from his previous superiors, Houghton is posted to the top secret Admiralty Underwater Weapons Establishment at Portland, a Royal Navy equipment testing facility. Houghton is soon approached by secret Soviet intelligence to hand over documents to them, as he apparently had in Warsaw, with the veiled threat of blackmail. He agrees to do so, but for pay. He begins an affair with a fellow records clerk, "Bunty" Gee. Gee has access to more important secret documents, and is groomed by Houghton and his new handler Alex (Gordon Lonsdale). Together, the couple begin to procure top secret documents for Soviet intelligence for money. When a fellow officer at the base receives poison pen letters, the shortlist of possible suspects includes Houghton. As a matter of routine, Houghton is followed by the security services, who find his high-spending habits suspicious. They plant listening devices in his house, and hear Alex's name mentioned as a source of funds. The couple, Alex, as well as Peter and Helen Kroger who transmitted the information to Russia are arrested, and sentenced at the Old Bailey. The film carries a pre-title prologue about the history of spying, and an epilogue warning cinemagoers that there could be spies in the auditorium, possibly in the very row from which they are watching the film.
It was shot at Shepperton Studios and on location around London including many of the sites involved in the real case. The film's sets were designed by Norman Arnold.
The film was made just after the trial in 1961 but its release was delayed for legal reasons. [7]
Sidney Gilliat said the film received a limited release due to fear of prosecution. [8]
It was re-released in 1970 after the release of Harry Houghton and Ethel Gee from prison. [7]
The film did not perform well in its initial release. [7]
Monthly Film Bulletin said "This more or less factual account of events in the Portland spy case has rather the effect of a newspaper serialisation, in which facts and times are carefully recorded, but no one has gone very far with speculation about how the people concerned might actually talk and feel. Only at the end, with the spies under suspicion, does tension begin to creep in; and only in one scene – Lonsdale’s arrival at the Ruislip villa, with Mrs. Kroger playing the dual role of suburban hostess and secret agent – does the film hit off the mixture of the bizarre and the quietly commonplace (rendezvous in Derry and Toms’ roof garden; arrest in the Waterloo Road) that was obviously aimed at. George Blake puts in a brief and strange appearance, passing on information to a Russian outside the pavilion at Lord’s, under surveillance by British Intelligence. The film, which has introduced itself with a capsule history of spying, ends with the cheerful warning that a spy may be occupying the next seat at the cinema." [9]
TV Guide gave the film 2.5 out of 5 stars, writing that the film "concentrates on factual evidence leading up to the crack in the case. Lending an air of authenticity, shots of the actual spies appear in the opening frames," and concluded that "despite the documentary flavour, there are a few witty touches by the hand of Tronson". [10]
David Parkinson in the Radio Times gave it 3 out of 5 stars, and felt "the docudramatic style rather undermines director Robert Tronson's attempts to build suspense," but "Frank Launder proved himself to be just as capable of turning out a nail-biting thriller, as he was of crafting a chortle-worthy comedy. For once, separated from his usual partner, Sidney Gilliat (although the latter's brother Leslie acted as producer), Launder and co-writer Peter Barnes capably retell the story of the Portland spy ring." [11]
Cold War espionage describes the intelligence gathering activities during the Cold War between the Western allies and the Eastern Bloc. Both relied on a wide variety of military and civilian agencies in this pursuit.
The Cambridge Five was a ring of spies in the United Kingdom that passed information to the Soviet Union during the Second World War and the Cold War and was active from the 1930s until at least the early 1950s. None of the known members were ever prosecuted for spying. The number and membership of the ring emerged slowly, from the 1950s onwards.
Sidney Gilliat was an English film director, producer and writer.
The Great St. Trinian's Train Robbery is a British comedy film, directed by Frank Launder and Sidney Gilliat, written by Sidney and Leslie Gilliat, and released on 4 April 1966. It is the last of the original series of films based on the St Trinian's School set of images and comics, and the only one to be produced in colour. The film stars a selection of actors from previous films in the series, including George Cole, Richard Wattis, Eric Barker, Michael Ripper, and Raymond Huntley, alongside Frankie Howerd, Reg Varney, Dora Bryan, and the voice of Stratford Johns.
Frank Launder was a British writer, film director and producer, who made more than 40 films, many of them in collaboration with Sidney Gilliat.
Morris Cohen, also known by his alias Peter Kroger, was an American convicted of espionage for the Soviet Union. His wife Lona was also an agent. They became spies because of their communist beliefs.
Lona Cohen, born Leontine Theresa Petka, also known as Helen Kroger, was an American who spied for the Soviet Union. She is known for her role in smuggling atomic bomb diagrams out of Los Alamos. She was a communist activist before marrying Morris Cohen. The couple became spies because of their communist beliefs.
Night Train to Munich is a 1940 British thriller film directed by Carol Reed and starring Margaret Lockwood and Rex Harrison. Written by Sidney Gilliat and Frank Launder, based on the 1939 short story Report on a Fugitive by Gordon Wellesley, the film is about an inventor and his daughter who are kidnapped by the Gestapo after the Nazis march into Prague in the prelude to the Second World War. A British secret service agent follows them, disguised as a senior German army officer pretending to woo the daughter over to the Nazi cause.
The Portland spy ring was an espionage group active in the UK between 1953 and 1961. It comprised five people who obtained classified research documents from the Admiralty Underwater Weapons Establishment (AUWE) on the Isle of Portland, Dorset, and passed them to the Soviet Union.
Harry Frederick Houghton was a British Naval SNCO and a spy for the Polish People's Republic and the Soviet Union during the Cold War. He was a member of the Portland spy ring.
Ethel Elizabeth Gee, nicknamed "Bunty", was an Englishwoman who helped her lover spy for the Soviet Union. She was a member of the Portland spy ring.
Konon Trofimovich Molody was a Soviet intelligence officer, known in the West as Gordon Arnold Lonsdale. Posing as a Canadian businessman during the Cold War, he was a non-official (illegal) KGB intelligence agent and the mastermind of the Portland spy ring, which operated in Britain from the late 1950s until 1961.
British Lion Films is a film production and distribution company active under several forms since 1919. Originally known as British Lion Film Corporation Ltd, it entered receivership on 1 June 1954. From 29 January 1955 to 1976, the company was known as British Lion Films Ltd, and was a pure distribution company.
I See a Dark Stranger – released as The Adventuress in the United States – is a 1946 British World War II spy film with touches of light comedy, starring Deborah Kerr and Trevor Howard. It was written and produced by the team of Frank Launder and Sidney Gilliat, with Launder directing.
Anthony Cave Brown was a British journalist, espionage non-fiction writer, and historian.
Endless Night is a 1972 British horror-mystery film directed by Sidney Gilliat and starring Hayley Mills, Britt Ekland, Per Oscarsson, Hywel Bennett, and George Sanders. Based on the 1967 novel Endless Night by Agatha Christie, the plot follows a newlywed couple who feel threatened after building their dream home on cursed land.
State Secret is a 1950 British drama thriller film directed by Sidney Gilliat and starring Douglas Fairbanks Jr., Jack Hawkins, Glynis Johns, Olga Lowe and Herbert Lom. It was made at Isleworth Studios with Italian location shooting in Trento and the Dolomites. It was released in the United States under the title The Great Manhunt.
Master Spy is a 1963 British spy film directed by Montgomery Tully and starring Stephen Murray, June Thorburn and Alan Wheatley. The film was based on the short story "They Also Serve" by Gerald Anstruther and Paul White.
Robert Tronson was an English film and television director, born in Chilmark, Wiltshire. Educated at Churcher's College in Hampshire, followed by the Royal Naval College, Dartmouth, he served with the Royal Navy from 1941. After leaving the service at the end of the Second World War he determined to become a writer, but soon joined the BBC, where he produced children's television programmes. In 1955 he joined Associated-Rediffusion, and by the end of the decade he was working on television drama serials. From the 1960s onwards he worked as a freelance director in a career spanning almost 50 years. His final television credits were for directing five episodes of Hetty Wainthropp Investigates for the BBC, between 1996 and 1998.
Leslie Gilliat was a British film producer and production manager. He was the younger brother of director Sidney Gilliat, with whom he worked on a number of films for British Lion Films.