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Location shooting is the shooting of a film or television production in a real-world setting rather than a sound stage or backlot. [1] The location may be interior or exterior.
The filming location may be the same in which the story is set (for example, scenes in the film The Interpreter were set and shot inside the United Nations Headquarters in Manhattan), or it may stand in for a different locale (the films Amadeus and The Illusionist were primarily set in Vienna, but were filmed in Prague). Most films feature a combination of location and studio shoots; often, interior scenes will be shot on a soundstage while exterior scenes will be shot on location. Second unit photography is not generally considered a location shoot.
Before filming, the locations are generally surveyed in pre-production, a process known as location scouting and recce.
Location shooting has several advantages over filming on a studio set. First and foremost, the expense can often be far lower than that of constructing sets in a studio. The illusion of reality can also be stronger; on a set, it is hard to replicate real-world wear and tear, as well as architectural details, and the vastness of a city is difficult to recreate on a backlot. The failure of Camelot (1967) caused American filmmakers to shift exterior shots from studio backlots to authentic locations. [2] The film was widely criticized for its cheap look because it was obviously filmed on an architecturally ambiguous set against the chaparral-covered hills of Burbank. [2]
Shooting outside of the home country is sometimes used to bypass union rules, labor regulations, or work stoppages. It can also allow "frozen" currency to be used: the 1968 movie Kelly's Heroes was filmed in Yugoslavia using profits that had been made on movie exhibitions in that country but could not be exported.[ citation needed ]
Conversely, there are a number of reasons why a production may choose not to shoot on location. While The Spy Who Loved Me (1977) filmed on location for many scenes, including one at Faslane that saved millions, production designer Ken Adam said that because of "television and new camera lenses and commercials, real life has been so much exploited", while using the giant new 007 Stage helped "provide a form of magic, of artificiality ... a form of escapism, I think". Filming on set also avoided additional fees from location shooting, Adams added, while director of photography Claude Renoir said that he preferred to film indoors because of better control of lighting. [3] Shooting on a set gives the crew a greater control over the environment: a room may be created to the exacting specifications of the story, for example, and there is no need to shut down street traffic when shooting on a backlot. Additionally, a given location may have inconvenient restrictions. The convenience store where Clerks was shot was open during the day, so the crew could only shoot at night; this necessitated the shutters on the windows be closed to hide the fact that it was dark outside.
Location shooting often takes place close to the studio; in Hollywood films, this region is delineated in union agreements and is known as the studio zone. Many location shoots, however, are far from the home studio, sometimes on the other side of the world. In these instances, location shooting can provide significant economic development benefits to the area in which they are shot. Cast and crew heavily rely upon local facilities such as catering, transportation, and accommodations. A film that becomes a blockbuster hit can introduce movie audiences around the world to a visually breathtaking location that they were previously unaware of, as the Lord of the Rings trilogy did for New Zealand. This can boost tourism for years or even decades.
Location shooting usually requires a location manager, and locations are usually chosen by a location scout. Many popular locations, such as New York City in the United States, Toronto in Canada, and the Isle of Man, a crown dependency of the United Kingdom, have dedicated film offices to encourage location shooting, and to suggest appropriate locations to film-makers.
In many cases a second unit is dispatched to film on location, with a second unit director and sometimes with stand-in actors. These shots can then be edited into the final film or TV program alongside studio-shot sequences, to give an authentic flavor, without the expense or trouble of a full-scale location shoot. NYPD Blue , for example, was filmed primarily in Los Angeles, but used second unit footage of New York City for color, as well as featuring a small number of episodes filmed on location with the cast.
In fiction, continuity is the consistency of the characteristics of people, plot, objects, and places seen by the audience over some period of time. It is relevant to many genres and forms of storytelling, especially if it is long-running.
A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture. The crew is distinguished from the cast, as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film. The crew is also separate from the producers, as the producers are the ones who own a portion of either the film studio or the film's intellectual property rights. A film crew is divided into different departments, each of which specializes in a specific aspect of the production. Film crew positions have evolved over the years, spurred by technological change, but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures.
Mise-en-scène is the stage design and arrangement of actors in scenes for a theatre or film production, both in the visual arts through storyboarding, visual themes, and cinematography and in narrative-storytelling through directions. The term is also commonly used to refer to single scenes that are representative of a film.
A sound stage is a large, soundproof structure, building or room with large doors and high ceilings, used for the production of theatrical film-making and television productions, usually located on a secured movie or television studio property.
A backlot is an area behind or adjoining a movie studio containing permanent exterior buildings for outdoor scenes in filmmaking or television productions, or space for temporary set construction.
Filmmaking or film production is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, beginning with an initial story, idea, or commission. Production then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished product before an audience, which may result in a film release and exhibition. The process is nonlinear, as the director typically shoots the script out of sequence, repeats shots as needed, and puts them together through editing later. Filmmaking occurs in a variety of economic, social, and political contexts around the world, and uses a variety of technologies and cinematic techniques to make theatrical films, episodic films for television and streaming platforms, music videos, and promotional and educational films.
Principal photography is the phase of producing a film or television show in which the bulk of shooting takes place, as distinct from the phases of pre-production and post-production.
In filmmaking, dailies or rushes are the raw, unedited footage shot during the making of a motion picture. The term "dailies" comes from when movies were all shot on film because usually at the end of each day, the footage was developed, synced to sound, and printed on film in a batch for viewing the next day by the director, selected actors, and film crew members. After the advent of digital filmmaking, "dailies" were available instantly after the take and the review process was no longer tied to the overnight processing of film and became more asynchronous. Now some reviewing may be done at the shoot, even on location, and raw footage may be immediately sent electronically to anyone in the world who needs to review the takes. For example, a director can review takes from a second unit while the crew is still on location or producers can get timely updates while travelling. Dailies serve as an indication of how the filming and the actors' performances are progressing. The term was also used to describe film dailies as "the first positive prints made by the laboratory from the negative photographed on the previous day".
A filming location is a place where some or all of a film or television series is produced, in addition to or instead of using sets constructed on a movie studio backlot or soundstage. In filmmaking, a location is any place where a film crew will be filming actors and recording their dialog. A location where dialog is not recorded may be considered a second unit photography site. Filmmakers often choose to shoot on location because they believe that greater realism can be achieved in a "real" place; however, location shooting is often motivated by the film's budget. Many films shoot interior scenes on a sound stage and exterior scenes on location.
Television crew positions are derived from those of film crew, but with several differences.
The Albert R. Broccoli 007 Stage is one of the largest sound stages in the world. It is located at Pinewood Studios, Iver Heath, Buckinghamshire, England, and named after James Bond film producer Albert R. "Cubby" Broccoli.
Royal Air Force Bovingdon or more simply RAF Bovingdon is a former Royal Air Force station located near the village of Bovingdon, Hertfordshire, England, about 2.5 miles (4.0 km) south-west of Hemel Hempstead and 2.5 miles (4.0 km) south-east of Berkhamsted.
A production board, stripboard, or production strip is a filmmaking term for a chart displaying color-coded strips of paper, each containing information about a scene in the film's shooting script. The strips can then be rearranged and laid out sequentially to represent the order one wants to film in, providing a schedule that can be used to plan the production. This is done because most films are shot "out of sequence," meaning that they do not necessarily begin with the first scene and end with the last. For logistical purposes, scenes are often grouped by talent or location and are arranged to accommodate the schedules of cast and crew. A production board is not to be confused with a stripboard used for electronics prototyping.
A film still is a photograph, taken on or off the set of a movie or television program during production. These photographs are also taken in formal studio settings and venues of opportunity such as film stars' homes, film debut events, and commercial settings. The photos were taken by studio photographers for promotional purposes. Such stills consisted of posed portraits, used for public display or free fan handouts, which are sometimes autographed. They can also consist of posed or candid images taken on the set during production, and may include stars, crew members or directors at work.
The sets of the British ITV soap opera Coronation Street have undergone four major and several less significant changes since the first broadcast in December 1960. Originally entirely indoors, in 1968 the original wooden set was moved outside, and shortly afterwards reconstructed in brick. In 1982 the set was entirely rebuilt in a new location. The current set, brought into use in 2013, is based at the ITV Trafford Wharf Studios backlot, MediaCityUK in Trafford.
The Warner Bros. Ranch is a movie ranch located at 411 North Hollywood Way in Burbank, California. Opened in the 1930s, it was used as the backdrop for films and television shows by Columbia Pictures and Warner Bros.
Films made in the 1970s featuring the character of James Bond included Diamonds Are Forever, Live and Let Die, The Man with the Golden Gun, The Spy Who Loved Me, and Moonraker.
Films made in the 1980s featuring the character of James Bond included For Your Eyes Only, Octopussy, Never Say Never Again, A View to a Kill, The Living Daylights, and Licence to Kill. The decade featured 3 Bond actors Roger Moore, Sean Connery and Timothy Dalton. The 1980s were unique for the Eon franchise in that every Bond film of the decade was directed by one director John Glen. The 1980s also saw the rare occurrence of a Bond film being released by a company other than Eon. 1983's Never Say Never Again saw Connery return to the role one final time.
Films made in the 1990s featuring the character of James Bond are GoldenEye, Tomorrow Never Dies, and The World Is Not Enough. The films are notable for several "firsts": The first Bond film starring Pierce Brosnan as James Bond (GoldenEye); the first appearance of the Walther P99 as Bond's pistol ; and the first Bond film in which the titular spy drives a BMW, all as part of a three-film product placement deal with the manufacturer.
Films made in the 2000s featuring the character of James Bond included Die Another Day, Casino Royale, and Quantum of Solace.