Theatrical release poster by Bob Peak
|Directed by||Joshua Logan|
|Produced by||Jack L. Warner|
|Screenplay by||Alan Jay Lerner|
|Music by||Frederick Loewe|
|Cinematography||Richard H. Kline|
|Edited by||Folmar Blangsted|
|Distributed by||Warner Bros.-Seven Arts|
|Box office||$31.1 mllion|
Camelot is a 1967 American musical drama fantasy film directed by Joshua Logan and starring Richard Harris as King Arthur, Vanessa Redgrave as Guenevere and Franco Nero as Lancelot. The film is an adaptation of the 1960 stage musical of the same name by Alan Jay Lerner and Frederick Loewe. Lerner also wrote the screenplay.
In April 1961, the rights to produce a film adaptation of Camelot were obtained by Warner Bros. with Lerner attached to write the screenplay. However, the film was temporarily shelved as the studio decided to adapt My Fair Lady into a feature film first. In 1966, development resumed with the hiring of Logan as director. Original cast members Richard Burton and Julie Andrews were approached to reprise their roles from the stage musical, but both declined and were replaced with Harris and Redgrave. Filming took place on location in Spain and on the Warner Bros. studio lot in Burbank, California.
The film was released on October 25, 1967 to mixed to negative reviews from film critics and was a commercial failure. Nevertheless, the film was nominated for five Academy Awards and won three for Best Score, Best Art Direction, and Best Costume Design.
King Arthur is preparing for a great battle against his friend, Sir Lancelot, a battle he does not wish to fight but has been forced into. Arthur reflects on the sad circumstances which have led him to this situation and asks his childhood mentor, Merlyn, for advice. Merlyn appears to him and tells Arthur to think back.
Arthur thinks back to the night of his marriage to his now-estranged wife, Guenevere. It is an arranged marriage, and he has never met her before. He is understandably afraid of what lies ahead ("I Wonder What the King is Doing Tonight"). His solitude is broken by Guenevere, who has fled from her entourage and enters the same woods that he has taken refuge in. Guenevere is also worried about marrying a man she has never met, and longs for the romantic life of a fought-over maiden ("The Simple Joys of Maidenhood"). Overhearing Guenevere and realizing who she is, Arthur accidentally falls out of the tree in which he is hiding. He and Guenevere converse, and as she does not know his true identity, she fantasizes about traveling with him and escaping before his "wretched king" finds her. Arthur tells her what a wonderful place his kingdom is ("Camelot"). She finds herself drawn to him, but they are interrupted by his men and her entourage. Arthur's identity is revealed, and Guenevere gladly goes with him to be married.
The plot shifts to four years later. Arthur dreams up and explores with Guenevere his idea for a "Round Table" that would seat all the noble knights of the realm, reflecting not only a crude type of democratic ideal, but also the political unification of England. Knights are shown gathering from all over England. Eventually, word of Arthur's Round Table spreads to France. Inspired by Arthur's ideas, the French Knight Lancelot makes his way to England with his squire Dap, boasting of his superior virtues ("C'est Moi"). Lancelot's prowess impresses Arthur, and they become friends; however, many of the knights instantly despise Lancelot for his self-righteousness and boasting manner. Back in Camelot, Guinevere and the women frolic and gather flowers to celebrate the coming of spring and (“The Lusty Month of May”)
Guenevere, who initially dislikes Lancelot, incites three of the best knights – Sir Lionel, Sir Sagramore, and Sir Dinadan – to challenge him to a joust ("Then You May Take Me To The Fair"). Arthur ponders this discord and how distant Guenevere has become recently ("How to Handle a Woman"). However, Guenevere's plan goes awry as Lancelot easily defeats all three, critically wounding Sir Dinadan. A horrified Lancelot pleads for Sir Dinadan to live, and as he lays hands on him, Dinadan miraculously recovers. Guenevere is so overwhelmed and humbled that her feelings for Lancelot begin to change. Despite his vows of celibacy, Lancelot falls in love with Guenevere, leading to the famous love triangle involving Arthur, Guenevere, and Lancelot. The other knights are aware of the clandestine meetings between Lancelot and Guenevere. They accuse Lancelot repeatedly, and several knights are banished after losing their armed challenges.
Guinevere and Lancelot meet in secret to discuss the latest accusation, the knight's banishment, and their future. Guenevere does not believe Arthur knows yet, but Lancelot tells her that he does, which causes her much guilt and anguish. Lancelot vows that he should leave and never come back, but finds it impossible to consider leaving Guenevere ("If Ever I Would Leave You").
Arthur knows something is going on between Lancelot and Guenevere, but he cannot bring himself to accuse them because he loves them both. He decides to rise above the scandal and ignore it. However, Mordred, Arthur's illegitimate son from an affair with the Princess Morgause before he was crowned, arrives at Camelot bitter because Arthur will not recognize him as son and heir. Mordred is determined to bring down the fellowship of the Round Table by stirring up trouble. All this takes its toll on Arthur's disposition, and Guenevere tries to cheer him up ("What Do the Simple Folk Do?") despite her conflicted emotions.
Mordred cunningly convinces Arthur to stay out hunting all night as a test, knowing that Lancelot will visit Guenevere in her bedchamber. Everything happens as Mordred expected, except that Lancelot and Guenevere had intended to make this visit the last time they will see each other. They sing of their forbidden love and how wrong it has all gone ("I Loved You Once In Silence"). But Mordred and several knights are waiting behind the curtains, and they catch the lovers together. Lancelot escapes, but Guenevere is arrested and sentenced to die by burning at the stake, thanks to Arthur's new civil court and trial by jury. Arthur, who has promoted the rule of law throughout the story, is now bound by his own law and cannot spare Guenevere. "Kill the Queen or kill the law," says Mordred. Preparations are made for Guenevere's burning ("Guenevere"), but Lancelot rescues her at the last minute, much to Arthur's relief. However, many knights are killed, and the knights demand vengeance.
The plot returns to the opening. Arthur is preparing for battle against Lancelot, at the insistence of his knights who want revenge, and England appears headed back into the Dark Ages. Arthur receives a surprise visit from Lancelot and Guenevere, at the edge of the woods, where she has taken residence at a convent. Lancelot asks if there is nothing to be done, but Arthur can think of nothing but to let the events ride out. They clasp arms in farewell, and Lancelot leaves. Arthur and Guenevere share an emotional farewell, his heart breaking when he sees that she has had all her glorious hair chopped off. She is beside herself that she may never see him again or know his forgiveness.
Prior to the battle, Arthur stumbles across a young boy named Tom, who wishes to fight in the battle and become a Knight of the Round Table. Tom espouses his commitment to Arthur's original ideal of "Not might 'makes' right, but might 'for' right." Arthur realizes that, although most of his plans have fallen through, the ideals of Camelot still live on in this simple boy. Arthur knights Tom and gives him his orders—run behind the lines and survive the battle, so that he can tell future generations about the legend of Camelot. Watching Tom leave, Arthur regains his hope for the future ("Camelot (reprise)").
Several songs were omitted from the film version: "The Jousts", a choral episode in which the jousts, which occur offstage in the play, are described (in the film they are shown); "Before I Gaze At You Again", sung by Guenevere to an offstage Lancelot; "The Seven Deadly Virtues", sung by Mordred; "Persuasion", sung in a scene not in the film, in which Mordred persuades Morgan Le Fay, who is omitted from the film's screenplay, to conjure up an enchantment to keep Arthur in the forest so that Guenevere and Lancelot's affair can be exposed; and "Fie On Goodness!", sung by the knights, in which they bemoan the fact that they are no longer allowed to administer punishment no matter how inappropriate, but according to the law. Some songs were cut during the original Broadway run of Camelot, because they made the play too long. However, they were restored for the London production starring Laurence Harvey and Elizabeth Larner.
In both the stage and film version, Merlin has disappeared from Arthur's life as an adult. However, in the play, this occurs immediately after the meeting of Arthur and Guinevere, as a result of the water nymph Nimue putting an enchantment on Merlyn to entice him to live with her in her cave. In the film, this is assumed to have occurred long before the meeting with Guinevere, and Merlin is excised from this scene. In the stage version, when Nimue is seducing Merlyn, she sings "Follow Me". In the film, this song has been completely rewritten and is sung by an offscreen children's chorus in a scene roughly three-fourths into the show in which Arthur goes to a special place in the forest to consult Merlin. (This scene was added to later versions of the stage musical but these kept "Follow Me" in its original place.) The new lyrics suggest Merlin is living in a kind of paradise, but do not imply he has been lured there. Nimue does not appear in the film.
Although popular recordings of "Follow Me" usually use the lyrics from the original stage musical, Frank Sinatra's recording uses the revised lyrics from the film.
In April 1961, it was reported that Warner Bros. had purchased the rights to produce a film adaptation of the stage musical with Alan Jay Lerner hired to pen the screenplay.That same month, it was reported that Rock Hudson had signed on to portray King Arthur. In May 1961, Shirley Jones was reportedly in talks to portray Guenevere. However, development was placed on hold when Warner fast-tracked to produce a film adaptation of My Fair Lady in which they purchased the film rights for $5.5 million. It was also stipulated that the film would not be released before April 1964. Nevertheless, in April 1963, Jack L. Warner had hired former television producer William T. Orr to serve as producer. It was also reported that he sought original cast members Richard Burton and Robert Goulet to star in their respective roles along with Elizabeth Taylor to star as Guenevere.
Robert Wise was offered the opportunity to direct, but production chief Walter MacEwen noted that "He does not want to type himself as a director of musical subjects—and he still has The Gertrude Lawrence Story , which falls in that category, on his slate for next year."Instead, in March 1966, it was reported that Joshua Logan was hired to direct with principal photography slated to commence in August.
Warner approached Burton to reprise his stage role as Arthur, but he demanded a higher salary than the studio was willing to pay, in which the negotiations ceased. In his place, Peter O'Toole, Gregory Peck and Marlon Brando were considered. While filming Hawaii (1966), Richard Harris learned of Camelot and actively sought for the role.For four months, Harris sent complimentary letters, cables and offers for a screen test to Lerner, Logan and Jack Warner indicating his interest in the role. Logan refused his offer due to his lack of singing abilities. When Logan returned to The Dorchester after having his morning jog, Harris ambushed him again about the role in which Logan finally relented as he offered to pay for his own screen test. Harris later hired cinematographer Nicolas Roeg to direct his screen test, which impressed Logan and Warner, who both agreed to hire him.
For the role of Guenevere, Julie Andrews, Audrey Hepburn and Julie Christie were on the studio's shortlist while Jack Warner separately considered Polly Bergen, Ann-Margret and Mitzi Gaynor.Andrews had learned of the film while also filming Hawaii, but she declined. However, Logan desperately wanted to cast Vanessa Redgrave after seeing her performance in Morgan – A Suitable Case for Treatment (1966). However, he had to wait several months as Redgrave was performing in the stage play The Prime of Miss Jean Brodie . Despite her not being a traditional singer, Logan was impressed by her renditions of folk songs that he listened to. The studio was initially reluctant due to her left-wing activism, but Logan negotiated for her casting until after she fulfilled her stage commitments. Redgrave was signed in November 1966 for $200,000 and permitted to do her own singing.
Although the studio initially sought a Frenchman, Italian actor Franco Nero was cast as Lancelot based on the recommendation from Harris and John Huston who worked with on The Bible: In the Beginning... (1966). Although Logan was aware of Nero's thick Italian accent, he initially permitted him to do his own singing.The first scene shot was his performance of the musical number "C'est Moi", by which Logan found Nero's singing voice incompatible with the song's musical arrangement. His singing voice was dubbed by Gene Merlino while Nero was given a speech coach to help improve his English.
Richard H. Kline came to attention of Logan after he watched the footage from Chamber of Horrors (1966), which contained medieval castle doors with a carriage drawn by a team of gray horses rolling through a bricked courtyard that had been shot with muted colors of the woods and mist. Impressed, Logan hired Kline as cinematographer. For Camelot, Kline wanted to shoot the film in a more authentically textured style rather than the polished look of Hollywood musicals.
As his first film credit, 29-year-old Australian set designer John Truscott, who created the sets for the London and Melbourne stage productions of Camelot, was hired as production designer. According to Logan, Truscott envisioned the visual design that resembled "neither Gothic or Romanesque but an in between period, suggesting a legendary time".The Castillo de Coca was the inspiration for the film's production design, which was re-created on the studio backlot in Burbank, California. The finished castle became the largest set ever constructed at the time, measuring 400 by 300 feet, and nearly 100 feet with the reported cost covered roughly $500,000. Logan later explained that "it was absolutely necessary since we expect to do everything right in this picture—even to matching Spanish and Hollywood cobblestones."
In September 1966, shooting commenced on location in Spain intended for a 30-day shooting schedule. For the exterior sets, Logan selected seven castles on the country's mainland and another one on the island of Majorca,of which included the Alcázar of Segovia that was used as Lancelot de Luc's castle and the Medina del Campo. However, the location shoot experienced setbacks due to the country's rainfall and high temperature in which filming finished twelve days behind schedule. In total, the shoot yielded half an hour of usable footage. With production underway, Jack Warner decided that Camelot would be his last film he would produce for the studio. On November 14, 1966, he sold a substantial share of studio stock to Seven Arts Productions. The sale was finalized on November 27, which yielded to approximately $32 million in cash.
Following the location shoot in Spain, the filming unit took a seven-week hiatus until Vanessa Redgrave completed her role in The Prime of Miss Jean Brodie. By then, fifteen of the studio's twenty-three stage sets were occupied for Camelot.Filming was further complicated when Harris required 12 facial stitches after he fell down in his shower. Against the doctor's orders, the stitches reopened when Harris went out to party, which further delayed his recovery. Plastic surgery was later applied to disguise the wound.
On the soundtrack album, "Take Me to the Fair" appears after "How to Handle a Woman", and "Follow Me" (with new lyrics written for the film) is listed after "The Lusty Month of May".
William Johnson noted that "some of Arthur's speeches could be applied directly to Vietnam," such as Arthur's "Might for Right" ideal and repeated musings over borderlines.At the same time, Alice Grellner suggested the movie served as "an escape from the disillusionment of Vietnam, the bitterness and disenchantment of the antiwar demonstrations, and the grim reality of the war on the evening television news" and reminder of John F. Kennedy's presidency.
John F. Kennedy 's presidency became inextricably linked to Camelot after his wife, Jacqueline Kennedy, revealed in a Life article following his assassination that the Broadway cast recording had been one of his favorite records, particularly the song "Camelot" and the lines "Don't let it be forgot/That once there was a spot/For one brief shining moment/that was known as Camelot."[ citation needed ] Davidson, in The Reel Arthur, notes that there are no true correspondences between Kennedy and Arthurian characters, which was fortunate considering the film centered around an adulterous love triangle. In creating the association between Kennedy's presidency and Camelot, Jackie Kennedy connected her husband to the hope, goodness, and glamour of Camelot. She wanted her husband to be remembered as "well-meaning, fallibly human but ultimately idealistic," devoted to his country's interests above his own.
On October 25, 1967, Camelot premiered at the Warner Theatre on Broadway and 47th Street. A benefit premiere was held on November 1 at the Cinerama Dome in Los Angeles. While the official running time was 180 minutes plus overture, entr'acte and exit music, only the 70mm blow up prints and 35mm magnetic stereo prints contained that running time. For general wide release, the film was truncated to 150 minutes. [ citation needed ]Cuts were made in scattered pieces of dialogue and entire stanzas from a number of songs including "C'est Moi" and "What Do the Simple Folk Do?". Omitted scenes include Arthur explaining what he means when he says that Merlin lives backwards, and the entire flashback of Arthur in the forest recalling Merlin's schoolhouse.
Television broadcasts and home video versions contain the complete, unedited cut. The shorter general release version has not been seen since the film's 1973 re-release.[ citation needed ]
In April 2012, the film was released on Blu-ray in conjunction with the film's 45th anniversary. The release was accompanied with an audio commentary, four behind-the-scenes featurettes and five theatrical trailers.
The film was ranked as the tenth highest-grossing film of 1967 earning $12.3 million in United States and Canadian rentals.
Film Quarterly 's William Johnson called Camelot "Hollywood at its best and worst," praising the film's ideals and Harris and Redgrave's performances but bemoaning its lavish sets and three-hour-running time. Bosley Crowther of The New York Times called Redgrave "dazzling" but criticized the film's conflicting moods and uncomfortable close-ups. Crowther felt the main characters were not sufficiently fleshed out to evoke any sympathy from the audience, concluding that the filmed lacked "magic". Variety ran a positive review, declaring that the film "qualifies as one of Hollywood's alltime great screen musicals," praising the "clever screenplay" and "often exquisite sets and costumes." Clifford Terry of the Chicago Tribune was also positive, calling it "a beautiful, enjoyable splash of optical opiate" with "colorful sets, bright costumes and three fine performances."
Richard L. Coe of The Washington Post wrote, "Long, leaden and lugubrious, the Warner's 'Camelot' is 15 million dollars worth of wooden nickels. Besides being hopelessly, needlessly lavish, this misses the point squarely on the nail: what was so hot about King Arthur? We never really are told." He added that Richard Harris as Arthur gave "the worst major performance in years."Charles Champlin of the Los Angeles Times called the film "a very considerable disappointment," writing that its moments of charm "simply cannot cancel out the slow static pace, the lack of style, the pinched and artificial quality of the proceedings, the jumpy and inconsistent cuts, the incessant overuse of close-ups, the failure to sustain emotional momentum, the fatal wavering between reality and fantasy, the inability to exploit the resources of the film medium."
Brendan Gill of The New Yorker declared, "On Broadway, 'Camelot' was a vast, costly, and hollow musical comedy, and the movie version is, as might have been predicted, vaster, more costly, and even more hollow."The Monthly Film Bulletin of the UK wrote, "A dull play has become an even duller film, with practically no attempt at translation into the other medium, and an almost total neglect of the imaginative possibilities of the splendid material embodied in the Arthurian legend. Why, for instance, is Arthur not shown extracting Excalibur from the rock instead of merely talking about it? Such is the stuff of film scenes." On the review aggregator website Rotten Tomatoes, Camelot holds an approval rating of 47%, based on 15 reviews with an average rating of 6.2/10.
|Academy Awards||Best Art Direction||John Truscott, Edward Carrere and John W. Brown||Won|
|Best Cinematography||Richard H. Kline||Nominated|
|Best Costume Design||John Truscott||Won|
|Best Original Song Score or Adaptation Score||Alfred Newman and Ken Darby||Won|
|Best Sound||Warner Bros.-Seven Arts Studio Sound Department||Nominated|
|Golden Globe Awards||Best Motion Picture – Musical or Comedy||Camelot||Nominated|
|Best Actor in a Motion Picture – Musical or Comedy||Richard Harris||Won|
|Best Actress in a Motion Picture – Musical or Comedy||Vanessa Redgrave||Nominated|
|Best Original Score – Motion Picture||Frederick Loewe||Won|
|Best Original Song – Motion Picture||"If Ever I Should Leave You" – Alan Jay Lerner and Frederick Loewe||Won|
|Most Promising Newcomer – Male||Franco Nero||Nominated|
|Kansas City Film Critics Circle Awards||Best Actress||Vanessa Redgrave||Won|
|Writers Guild of America Awards||Best Written American Musical||Alan Jay Lerner||Nominated|
The film is recognized by American Film Institute in these lists:
Despite its high cost, Camelot was widely criticized for its cheap appearance because it had obviously been filmed on an architecturally ambiguous set amidst the chaparral-covered hills of Burbank, and not an authentic medieval castle amidst the green hills of England.As a result, Camelot was the last American film that attempted to physically construct a large-scale full-size set on a studio backlot to represent an exotic foreign location. To ensure authenticity, American filmmakers have resorted to location shooting ever since for exterior shots.
Guinevere, often written as Guenevere or Guenever, is the wife and queen of King Arthur in the Arthurian legend. Guinevere has been portrayed as everything from a villainous and opportunistic traitor to a fatally flawed but noble and virtuous lady. She has first appeared in Geoffrey of Monmouth's Historia Regum Britanniae, a pseudo-historical chronicle of British history written in the early 12th century, and continues to be a popular character in the modern adaptations of the legend.
Gawain, also known as Gawaine or Gauwaine, among various other forms and spellings, is King Arthur's nephew and a Knight of the Round Table in the Arthurian legend. Under the name Gwalchmei, he is introduced very early in the legend's literature, being mentioned in some of the earliest Welsh Arthurian sources. As Gawain, he appears in Latin, French, English, Dutch, German and Italian texts, notably as the protagonist of the story of Sir Gawain and the Green Knight. Other tales of Gawain include Historia Regum Britanniae, Roman de Brut, De Ortu Waluuanii, Diu Crône, The Awntyrs off Arthure, L'âtre périlleux, Le Chevalier à l'épée, and The Weddynge of Syr Gawen and Dame Ragnell, as well as the works of Chrétien de Troyes and the prose cycle Lancelot-Grail.
Mordred or Modred is a character who is variously portrayed in the Arthurian legend. The earliest known mention of a possibly historical Medraut is in the Welsh chronicle Annales Cambriae, wherein he and Arthur are ambiguously associated with the Battle of Camlann in a brief entry for the year 537. His figure seemed to have been regarded positively in the early Welsh tradition and may have been related to that of Arthur's son.
Excalibur is a 1981 American epic medieval fantasy film directed, produced, and co-written by John Boorman that retells the legend of King Arthur and the knights of the Round Table, based on the 15th-century Arthurian romance Le Morte d'Arthur by Thomas Malory. It stars Nigel Terry as Arthur, Nicol Williamson as Merlin, Nicholas Clay as Lancelot, Cherie Lunghi as Guenevere, Helen Mirren as Morgana, Liam Neeson as Gawain, Gabriel Byrne as Uther Pendragon, Corin Redgrave as Gorlois, Duke of Cornwall, and Patrick Stewart as Leondegrance. The film is named after the legendary sword of King Arthur that features prominently in Arthurian literature. The film's soundtrack features the music of Richard Wagner and Carl Orff, along with an original score by Trevor Jones.
Camelot is a musical by Alan Jay Lerner and Frederick Loewe (music). It is based on the King Arthur legend as adapted from T. H. White's 1958 novel The Once and Future King.
Sir Gareth is a Knight of the Round Table in Arthurian legend, nicknamed "Beaumains" in Le Morte d'Arthur. He was the youngest son of King Lot and Morgause, King Arthur's half-sister, thus making him Arthur's nephew, as well as brother to Gawain, Agravain, and Gaheris, and either a brother or half-brother of Mordred.
Bors is the name of two knights in Arthurian legend, one the elder of the younger. The two first appear in the 13th-century Lancelot-Grail romance prose cycle. Bors the Elder is the King of Gaunnes (Gannes/Gaunes/Ganis) during the early period of King Arthur's reign, and is the brother of King Ban of Benoic and the father of Bors the Younger and Lionel. His son Bors the Younger later becomes one of the best Knights of the Round Table and participates in the achievement of the Holy Grail.
First Knight is a 1995 medieval film based on Arthurian legend, directed by Jerry Zucker. It stars Sean Connery as King Arthur, Richard Gere as Lancelot, Julia Ormond as Guinevere and Ben Cross as Malagant.
Merlin is a three-part 1998 television miniseries which originally aired on NBC that retells the legend of King Arthur from the perspective of the wizard Merlin.
Sir Agravain is a Knight of the Round Table in Arthurian legend, whose first known appearance is in the works of Chrétien de Troyes. He is the second eldest son of King Lot of Orkney with one of Arthur's sisters known as Anna or Morgause, thus nephew of King Arthur, and brother to Sir Gawain, Gaheris, and Gareth, as well as half-brother to Mordred. Agravain secretly makes attempts on the life of his hated brother Gaheris since the Vulgate Cycle, participates in the slayings of Lamorak and Palamedes in the Post-Vulgate Cycle, and murders Dinadan in the Prose Tristan. In the French prose cycle tradition included in Thomas Malory's Le Morte d'Arthur, together with Mordred, he then plays a leading role by exposing his aunt Guinevere's affair with Lancelot, which leads to his death at the hands of Lancelot.
Sir Lionel is the younger son of King Bors of Gaunnes and Evaine and brother of Bors the Younger in Arthurian legend since the Lancelot-Grail cycle. He is a double cousin of Lancelot and cousin of Lancelot's younger half-brother Ector de Maris.
The Mists of Avalon is a 2001 miniseries based on the 1983 novel of the same name by Marion Zimmer Bradley. Produced by American cable channel TNT, adapted by Gavin Scott, and directed by Uli Edel, the series is a retelling of the Arthurian legend with an emphasis on the perspectives of Morgan le Fay and other women of the tale. The first episode was the highest-rated original movie on basic cable in the summer of 2001.
The Knight of the Sacred Lake is a historical fantasy novel by Rosalind Miles. It was first published in 2000 by Simon & Schuster in the UK followed by Crown Books in the US. The book is a retelling of the Arthurian legend and follows the lives of Queen Guinevere, consort of King Arthur and her struggles with the king's nephews Agravain and Gawain; the queen is torn between her love for her husband, her land, and her lover, Lancelot. The book was part of a series, The Guinevere Novels, and was followed by The Child of the Holy Grail. Reviewing the book, Publishers Weekly described it as "a lush, feminist take on the English epic".
The Candle in the Wind is a fantasy novel by British writer T. H. White, the fourth book in the series The Once and Future King. Written in 1940, it was first published in 1958 in the collected edition. It deals with the last weeks of Arthur's reign, his dealings with his son Mordred's revolts, Guenever and Lancelot's demise, and his perception of right and wrong.
Queen of Camelot is an Arthurian-legend based novel shown through the viewpoint of Queen Guinevere. It is a combination of two of Nancy McKenzie's previous books The Child Queen and The High Queen. She states in the foreword that she originally intended the novels to be combined, but they were split at the time of publication because of their length.
Arthur Rex: A Legendary Novel is a 1978 novel by American author Thomas Berger. Berger offers his own take on the legends of King Arthur, from the heroic monarch's inauspicious conception, to his childhood in bucolic Wales, his rise to the throne, his discovery of the great sword Excalibur, his establishment of the Knights of the Round Table, his long and honorable reign, and his heroic death in battle against the evil Mordred, his bastard son.
Artus - Excalibur is a musical loosely based on the legends of the 5th/6th-century British monarch, King Arthur and his fabled sword, Excalibur. The score is by Frank Wildhorn, with lyrics by Robin Lerner and book by Ivan Menchell. Arrangements and orchestrations by Koen Schoots. The musical had its world premiere at the Theater St. Gallen in St. Gallen, Switzerland on March 15, 2014. It is set to premiere in Korea in 2019 under the name “Xcalibur”
King Arthur(Arthur Pendragon) is a legendary figure used commonly in comic books.
|Wikiquote has quotations related to: Camelot (film)|